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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7122B it is the complementary color #48EDD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7122B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7122B shade: #BC1226, #CD2439, #DE364C, #EF485F and #FF5A72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7122B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7122B shade: #B7122B, #A60018, #950005, #840000 and #730000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7122B shade: #B4112A and #B41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7122B shade: #B4112A, #B41156, #B41182, #B411AE and #8F11B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7122B shade matches the following richer shades: #B4112A and #C5011F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7122B shade: #B4112A, #A42135, #943241, #84424C and #745257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7122B shade: #B41184, #B41158, #B4112D, #B42211 and #B44D11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7122B shade: #690A18, #8F0E21, #B4112A, #DA1533 and #EA2E4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7122B shade: #B7122B, #AFB411 and #116EB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7122B shade: #B7122B, #2DB411 and #112DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7122B shade: #B7122B, #AFB411, #11B499 and #1711B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7122B shade: #B7122B, #7EB411, #11B499 and #4811B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 77 / 28

HEX #B7122B

RGB 183 18 43

HSL 350.91, 0.82%, 0.39%

LAB 39.03, 61.11, 32.63

 

Complementary color

CMYK 70 / 0 / 11 / 7

HEX #48EDD4

RGB 72 237 212

HSL 170.91, 0.82%, 0.61%

LAB 85.35, -47.63, -0.14

 

CMYK 0 / 90 / 80 / 26

HEX #BC1226

RGB 188 18 38

HSL 352.94, 0.83%, 0.4%

LAB 40.02, 62.26, 36.96

 

CMYK 0 / 82 / 72 / 20

HEX #CD2439

RGB 205 36 57

HSL 352.54, 0.7%, 0.47%

LAB 44.99, 63.93, 32.24

 

CMYK 0 / 76 / 66 / 13

HEX #DE364C

RGB 222 54 76

HSL 352.14, 0.72%, 0.54%

LAB 50.32, 64.65, 28.14

 

CMYK 0 / 70 / 60 / 6

HEX #EF485F

RGB 239 72 95

HSL 351.74, 0.84%, 0.61%

LAB 55.9, 64.72, 24.69

 

CMYK 0 / 65 / 55 / 0

HEX #FF5A72

RGB 255 90 114

HSL 351.27, 1%, 0.68%

LAB 61.47, 64.06, 21.53

 

CMYK 0 / 90 / 77 / 28

HEX #B7122B

RGB 183 18 43

HSL 350.91, 0.82%, 0.39%

LAB 39.03, 61.11, 32.63

 

CMYK 0 / 100 / 86 / 35

HEX #A60018

RGB 166 0 24

HSL 351.33, 1%, 0.33%

LAB 34.34, 58.46, 37.76

 

CMYK 0 / 100 / 97 / 42

HEX #950005

RGB 149 0 5

HSL 357.99, 1%, 0.29%

LAB 30.4, 53.73, 42.06

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 91 / 77 / 29

HEX #B4112A

RGB 180 17 42

HSL 350.8, 0.83%, 0.39%

LAB 38.33, 60.44, 32.28

 

CMYK 0 / 91 / 91 / 29

HEX #B41111

RGB 180 17 17

HSL 0, 0.83%, 0.39%

LAB 38.1, 59.8, 45.54

 

CMYK 0 / 91 / 77 / 29

HEX #B4112A

RGB 180 17 42

HSL 350.8, 0.83%, 0.39%

LAB 38.33, 60.44, 32.28

 

CMYK 0 / 91 / 52 / 29

HEX #B41156

RGB 180 17 86

HSL 334.6, 0.83%, 0.39%

LAB 39.2, 62.9, 5.57

 

CMYK 0 / 91 / 28 / 29

HEX #B41182

RGB 180 17 130

HSL 318.4, 0.83%, 0.39%

LAB 40.76, 67.15, -19.79

 

CMYK 0 / 91 / 3 / 29

HEX #B411AE

RGB 180 17 174

HSL 302.21, 0.83%, 0.39%

LAB 43, 72.98, -42.9

 

CMYK 21 / 91 / 0 / 29

HEX #8F11B4

RGB 143 17 180

HSL 286.38, 0.83%, 0.39%

LAB 37, 67.8, -56.47

 

CMYK 0 / 91 / 77 / 29

HEX #B4112A

RGB 180 17 42

HSL 350.8, 0.83%, 0.39%

LAB 38.33, 60.44, 32.28

 

CMYK 0 / 99 / 84 / 23

HEX #C5011F

RGB 197 1 31

HSL 350.82, 0.99%, 0.39%

LAB 41.2, 66.3, 42.68

 

CMYK 0 / 91 / 77 / 29

HEX #B4112A

RGB 180 17 42

HSL 350.8, 0.83%, 0.39%

LAB 38.33, 60.44, 32.28

 

CMYK 0 / 80 / 68 / 36

HEX #A42135

RGB 164 33 53

HSL 350.84, 0.66%, 0.39%

LAB 36.44, 52.88, 22.4

 

CMYK 0 / 66 / 56 / 42

HEX #943241

RGB 148 50 65

HSL 350.82, 0.49%, 0.39%

LAB 35.9, 42.25, 13.48

 

CMYK 0 / 50 / 42 / 48

HEX #84424C

RGB 132 66 76

HSL 350.91, 0.33%, 0.39%

LAB 36.6, 29.35, 7.05

 

CMYK 0 / 29 / 25 / 55

HEX #745257

RGB 116 82 87

HSL 351.18, 0.17%, 0.39%

LAB 38.61, 15.01, 2.73

 

CMYK 0 / 91 / 27 / 29

HEX #B41184

RGB 180 17 132

HSL 317.67, 0.83%, 0.39%

LAB 40.85, 67.39, -20.89

 

CMYK 0 / 91 / 51 / 29

HEX #B41158

RGB 180 17 88

HSL 333.87, 0.83%, 0.39%

LAB 39.26, 63.06, 4.37

 

CMYK 0 / 91 / 75 / 29

HEX #B4112D

RGB 180 17 45

HSL 349.69, 0.83%, 0.39%

LAB 38.36, 60.55, 30.49

 

CMYK 0 / 81 / 91 / 29

HEX #B42211

RGB 180 34 17

HSL 6.26, 0.83%, 0.39%

LAB 39.39, 56.12, 46.47

 

CMYK 0 / 57 / 91 / 29

HEX #B44D11

RGB 180 77 17

HSL 22.09, 0.83%, 0.39%

LAB 45.7, 39.05, 51.11

 

CMYK 0 / 90 / 77 / 59

HEX #690A18

RGB 105 10 24

HSL 351.16, 0.83%, 0.23%

LAB 21.16, 40.02, 19.84

 

CMYK 0 / 90 / 77 / 44

HEX #8F0E21

RGB 143 14 33

HSL 351.16, 0.82%, 0.31%

LAB 30.07, 50.58, 26.41

 

CMYK 0 / 91 / 77 / 29

HEX #B4112A

RGB 180 17 42

HSL 350.8, 0.83%, 0.39%

LAB 38.33, 60.44, 32.28

 

CMYK 0 / 90 / 77 / 15

HEX #DA1533

RGB 218 21 51

HSL 350.86, 0.82%, 0.47%

LAB 46.55, 69.97, 38.25

 

CMYK 0 / 80 / 68 / 8

HEX #EA2E4B

RGB 234 46 75

HSL 350.74, 0.82%, 0.55%

LAB 51.79, 70.18, 31.06

 

CMYK 0 / 90 / 77 / 28

HEX #B7122B

RGB 183 18 43

HSL 350.91, 0.82%, 0.39%

LAB 39.03, 61.11, 32.63

 

CMYK 3 / 0 / 91 / 29

HEX #AFB411

RGB 175 180 17

HSL 61.84, 0.83%, 0.39%

LAB 70.73, -18.55, 70.18

 

CMYK 91 / 39 / 0 / 29

HEX #116EB4

RGB 17 110 180

HSL 205.77, 0.83%, 0.39%

LAB 45.03, 1.26, -44.02

 

CMYK 0 / 90 / 77 / 28

HEX #B7122B

RGB 183 18 43

HSL 350.91, 0.82%, 0.39%

LAB 39.03, 61.11, 32.63

 

CMYK 75 / 0 / 91 / 29

HEX #2DB411

RGB 45 180 17

HSL 109.69, 0.83%, 0.39%

LAB 64.36, -61.89, 62.34

 

CMYK 91 / 75 / 0 / 29

HEX #112DB4

RGB 17 45 180

HSL 229.69, 0.83%, 0.39%

LAB 27.55, 43.58, -72.45

 

CMYK 0 / 90 / 77 / 28

HEX #B7122B

RGB 183 18 43

HSL 350.91, 0.82%, 0.39%

LAB 39.03, 61.11, 32.63

 

CMYK 3 / 0 / 91 / 29

HEX #AFB411

RGB 175 180 17

HSL 61.84, 0.83%, 0.39%

LAB 70.73, -18.55, 70.18

 

CMYK 91 / 0 / 15 / 29

HEX #11B499

RGB 17 180 153

HSL 170.06, 0.83%, 0.39%

LAB 65.8, -44.18, 3.08

 

CMYK 87 / 91 / 0 / 29

HEX #1711B4

RGB 23 17 180

HSL 242.21, 0.83%, 0.39%

LAB 23.27, 56.88, -79.56

 

CMYK 0 / 90 / 77 / 28

HEX #B7122B

RGB 183 18 43

HSL 350.91, 0.82%, 0.39%

LAB 39.03, 61.11, 32.63

 

CMYK 30 / 0 / 91 / 29

HEX #7EB411

RGB 126 180 17

HSL 79.88, 0.83%, 0.39%

LAB 67.37, -38.86, 66.07

 

CMYK 91 / 0 / 15 / 29

HEX #11B499

RGB 17 180 153

HSL 170.06, 0.83%, 0.39%

LAB 65.8, -44.18, 3.08

 

CMYK 60 / 91 / 0 / 29

HEX #4811B4

RGB 72 17 180

HSL 260.25, 0.83%, 0.39%

LAB 26.94, 59.38, -73.34

 

Description

Color code: HEX #B7122B | qconv.com Color code: HEX #B7122B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 18 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 18 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 77 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 77% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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