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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71BFD it is the complementary color #48E402. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71BFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71BFD shade: #BC1BF8, #CD2DFF, #DE3FFF, #EF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71BFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71BFD shade: #B71BFD, #A609EA, #9500D7, #8400C4 and #7300B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71BFD shade: #B71BFC, #F31BFC, #FC1BC9, #FC1B8C and #FC1B4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71BFD shade: #B71BFC, #7A1BFC, #3D1BFC and #1B1BFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71BFD shade matches the following richer shades: #B71BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71BFD shade: #B71BFC, #AF2EEA, #A840D7, #A153C5 and #9A66B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71BFD shade: #3D1BFC, #791BFC, #B51BFC, #F11BFC and #FC1BCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71BFD shade: #8701C4, #A402EC, #B71BFC, #C344FD and #D06DFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71BFD shade: #B71BFD, #FC1B36 and #1BFC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71BFD shade: #B71BFD, #FCB51B and #1BFCB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71BFD shade: #B71BFD, #FC1B36, #63FC1B and #1BFCE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71BFD shade: #B71BFD, #FC451B, #63FC1B and #1BD3FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 89 / 0 / 1

HEX #B71BFD

RGB 183 27 253

HSL 281.42, 0.98%, 0.55%

LAB 49.43, 85.2, -77.91

 

Complementary color

CMYK 68 / 0 / 99 / 11

HEX #48E402

RGB 72 228 2

HSL 101.42, 0.98%, 0.45%

LAB 80.11, -72.21, 77.21

 

CMYK 24 / 89 / 0 / 3

HEX #BC1BF8

RGB 188 27 248

HSL 283.71, 0.94%, 0.54%

LAB 49.8, 84.96, -74.47

 

CMYK 20 / 82 / 0 / 0

HEX #CD2DFF

RGB 205 45 255

HSL 285.71, 1%, 0.59%

LAB 54.11, 85.09, -71.26

 

CMYK 13 / 75 / 0 / 0

HEX #DE3FFF

RGB 222 63 255

HSL 289.69, 1%, 0.62%

LAB 58.33, 83.13, -64.33

 

CMYK 6 / 68 / 0 / 0

HEX #EF51FF

RGB 239 81 255

HSL 294.48, 1%, 0.66%

LAB 62.89, 80.59, -56.88

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 28 / 89 / 0 / 1

HEX #B71BFD

RGB 183 27 253

HSL 281.42, 0.98%, 0.55%

LAB 49.43, 85.2, -77.91

 

CMYK 29 / 96 / 0 / 8

HEX #A609EA

RGB 166 9 234

HSL 281.87, 0.93%, 0.48%

LAB 44.58, 81.85, -75.25

 

CMYK 31 / 100 / 0 / 16

HEX #9500D7

RGB 149 0 215

HSL 281.58, 1%, 0.42%

LAB 40.07, 77.2, -71.87

 

CMYK 33 / 100 / 0 / 23

HEX #8400C4

RGB 132 0 196

HSL 280.41, 1%, 0.38%

LAB 35.77, 71.63, -67.98

 

CMYK 35 / 100 / 0 / 31

HEX #7300B1

RGB 115 0 177

HSL 278.98, 1%, 0.35%

LAB 31.39, 65.96, -64.02

 

CMYK 27 / 89 / 0 / 1

HEX #B71BFC

RGB 183 27 252

HSL 281.6, 0.97%, 0.55%

LAB 49.35, 85.01, -77.48

 

CMYK 4 / 89 / 0 / 1

HEX #F31BFC

RGB 243 27 252

HSL 297.6, 0.97%, 0.55%

LAB 58.85, 93.83, -61.64

 

CMYK 0 / 89 / 20 / 1

HEX #FC1BC9

RGB 252 27 201

HSL 313.6, 0.97%, 0.55%

LAB 57.75, 88.63, -34.53

 

CMYK 0 / 89 / 44 / 1

HEX #FC1B8C

RGB 252 27 140

HSL 329.87, 0.97%, 0.55%

LAB 55.45, 82.48, -2.35

 

CMYK 0 / 89 / 69 / 1

HEX #FC1B4F

RGB 252 27 79

HSL 346.13, 0.97%, 0.55%

LAB 54.07, 78.64, 32.29

 

CMYK 27 / 89 / 0 / 1

HEX #B71BFC

RGB 183 27 252

HSL 281.6, 0.97%, 0.55%

LAB 49.35, 85.01, -77.48

 

CMYK 52 / 89 / 0 / 1

HEX #7A1BFC

RGB 122 27 252

HSL 265.33, 0.97%, 0.55%

LAB 41.14, 78.25, -91.27

 

CMYK 76 / 89 / 0 / 1

HEX #3D1BFC

RGB 61 27 252

HSL 249.07, 0.97%, 0.55%

LAB 35.6, 74.4, -100.61

 

CMYK 89 / 89 / 0 / 1

HEX #1B1BFC

RGB 27 27 252

HSL 240, 0.97%, 0.55%

LAB 34.08, 73.47, -103.2

 

CMYK 27 / 89 / 0 / 1

HEX #B71BFC

RGB 183 27 252

HSL 281.6, 0.97%, 0.55%

LAB 49.35, 85.01, -77.48

 

CMYK 27 / 89 / 0 / 1

HEX #B71BFC

RGB 183 27 252

HSL 281.6, 0.97%, 0.55%

LAB 49.35, 85.01, -77.48

 

CMYK 25 / 80 / 0 / 8

HEX #AF2EEA

RGB 175 46 234

HSL 281.17, 0.82%, 0.55%

LAB 48.27, 76.19, -69.18

 

CMYK 22 / 70 / 0 / 16

HEX #A840D7

RGB 168 64 215

HSL 281.32, 0.65%, 0.55%

LAB 48.13, 64.94, -58.65

 

CMYK 18 / 58 / 0 / 23

HEX #A153C5

RGB 161 83 197

HSL 281.05, 0.5%, 0.55%

LAB 49.25, 50.94, -46.58

 

CMYK 13 / 43 / 0 / 30

HEX #9A66B2

RGB 154 102 178

HSL 281.05, 0.33%, 0.55%

LAB 51.37, 34.67, -32.3

 

CMYK 76 / 89 / 0 / 1

HEX #3D1BFC

RGB 61 27 252

HSL 249.07, 0.97%, 0.55%

LAB 35.6, 74.4, -100.61

 

CMYK 52 / 89 / 0 / 1

HEX #791BFC

RGB 121 27 252

HSL 265.07, 0.97%, 0.55%

LAB 41.02, 78.16, -91.47

 

CMYK 28 / 89 / 0 / 1

HEX #B51BFC

RGB 181 27 252

HSL 281.07, 0.97%, 0.55%

LAB 49.05, 84.75, -77.97

 

CMYK 4 / 89 / 0 / 1

HEX #F11BFC

RGB 241 27 252

HSL 297.07, 0.97%, 0.55%

LAB 58.52, 93.51, -62.19

 

CMYK 0 / 89 / 19 / 1

HEX #FC1BCB

RGB 252 27 203

HSL 313.07, 0.97%, 0.55%

LAB 57.84, 88.87, -35.54

 

CMYK 31 / 99 / 0 / 23

HEX #8701C4

RGB 135 1 196

HSL 281.23, 0.99%, 0.39%

LAB 36.29, 71.85, -67.12

 

CMYK 31 / 99 / 0 / 7

HEX #A402EC

RGB 164 2 236

HSL 281.54, 0.98%, 0.47%

LAB 44.22, 82.63, -76.98

 

CMYK 27 / 89 / 0 / 1

HEX #B71BFC

RGB 183 27 252

HSL 281.6, 0.97%, 0.55%

LAB 49.35, 85.01, -77.48

 

CMYK 23 / 73 / 0 / 1

HEX #C344FD

RGB 195 68 253

HSL 281.19, 0.98%, 0.63%

LAB 54.89, 76.17, -68.95

 

CMYK 18 / 57 / 0 / 1

HEX #D06DFD

RGB 208 109 253

HSL 281.25, 0.97%, 0.71%

LAB 62.88, 61.51, -56.05

 

CMYK 28 / 89 / 0 / 1

HEX #B71BFD

RGB 183 27 253

HSL 281.42, 0.98%, 0.55%

LAB 49.43, 85.2, -77.91

 

CMYK 0 / 89 / 79 / 1

HEX #FC1B36

RGB 252 27 54

HSL 352.8, 0.97%, 0.55%

LAB 53.76, 77.74, 46.27

 

CMYK 89 / 0 / 64 / 1

HEX #1BFC5B

RGB 27 252 91

HSL 137.07, 0.97%, 0.55%

LAB 87.29, -79.66, 61.51

 

CMYK 28 / 89 / 0 / 1

HEX #B71BFD

RGB 183 27 253

HSL 281.42, 0.98%, 0.55%

LAB 49.43, 85.2, -77.91

 

CMYK 0 / 28 / 89 / 1

HEX #FCB51B

RGB 252 181 27

HSL 41.07, 0.97%, 0.55%

LAB 78.36, 14.6, 77.45

 

CMYK 89 / 0 / 28 / 1

HEX #1BFCB5

RGB 27 252 181

HSL 161.07, 0.97%, 0.55%

LAB 88.54, -64.97, 20.43

 

CMYK 28 / 89 / 0 / 1

HEX #B71BFD

RGB 183 27 253

HSL 281.42, 0.98%, 0.55%

LAB 49.43, 85.2, -77.91

 

CMYK 0 / 89 / 79 / 1

HEX #FC1B36

RGB 252 27 54

HSL 352.8, 0.97%, 0.55%

LAB 53.76, 77.74, 46.27

 

CMYK 61 / 0 / 89 / 1

HEX #63FC1B

RGB 99 252 27

HSL 100.8, 0.97%, 0.55%

LAB 88.14, -73.7, 81.35

 

CMYK 89 / 0 / 10 / 1

HEX #1BFCE2

RGB 27 252 226

HSL 173.07, 0.97%, 0.55%

LAB 89.55, -54.08, -1.38

 

CMYK 28 / 89 / 0 / 1

HEX #B71BFD

RGB 183 27 253

HSL 281.42, 0.98%, 0.55%

LAB 49.43, 85.2, -77.91

 

CMYK 0 / 73 / 89 / 1

HEX #FC451B

RGB 252 69 27

HSL 11.2, 0.97%, 0.55%

LAB 57.11, 67.15, 61.68

 

CMYK 61 / 0 / 89 / 1

HEX #63FC1B

RGB 99 252 27

HSL 100.8, 0.97%, 0.55%

LAB 88.14, -73.7, 81.35

 

CMYK 89 / 16 / 0 / 1

HEX #1BD3FC

RGB 27 211 252

HSL 190.93, 0.97%, 0.55%

LAB 78.37, -28.02, -31.89

 

Description

Color code: HEX #B71BFD | qconv.com Color code: HEX #B71BFD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 27 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 27 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 89 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 89% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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