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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71F5C it is the complementary color #48E0A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71F5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71F5C shade: #BC1F57, #CD316A, #DE437D, #EF5590 and #FF67A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71F5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71F5C shade: #B71F5C, #A60D49, #950036, #840023 and #730010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71F5C shade: #B71F5C, #B71F33 and #B71F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71F5C shade: #B71F5C, #B71F85, #B71FAE, #971FB7 and #6E1FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71F5C shade matches the following richer shades: #B71F5C and #C80D58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71F5C shade: #B71F5C, #A5305F, #944162, #835366 and #716469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71F5C shade: #B71FAF, #B71F86, #B71F5E, #B71F35 and #B7301F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71F5C shade: #701338, #93194A, #B71F5C, #DA256D and #E04885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71F5C shade: #B71F5C, #B7961F and #1F9BB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71F5C shade: #B71F5C, #5EB71F and #1F5EB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71F5C shade: #B71F5C, #B7961F, #1FB777 and #1F40B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71F5C shade: #B71F5C, #AAB71F, #1FB777 and #2B1FB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

Complementary color

CMYK 68 / 0 / 27 / 12

HEX #48E0A3

RGB 72 224 163

HSL 155.92, 0.71%, 0.58%

LAB 80.37, -53.81, 18.49

 

CMYK 0 / 84 / 54 / 26

HEX #BC1F57

RGB 188 31 87

HSL 338.6, 0.72%, 0.43%

LAB 41.78, 62.29, 8.81

 

CMYK 0 / 76 / 48 / 20

HEX #CD316A

RGB 205 49 106

HSL 338.08, 0.61%, 0.5%

LAB 47.26, 63.47, 5.21

 

CMYK 0 / 70 / 44 / 13

HEX #DE437D

RGB 222 67 125

HSL 337.55, 0.7%, 0.57%

LAB 52.98, 63.89, 2.33

 

CMYK 0 / 64 / 40 / 6

HEX #EF5590

RGB 239 85 144

HSL 337.01, 0.83%, 0.64%

LAB 58.85, 63.82, -0.01

 

CMYK 0 / 60 / 36 / 0

HEX #FF67A3

RGB 255 103 163

HSL 336.32, 1%, 0.7%

LAB 64.65, 63.15, -2.21

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 92 / 56 / 35

HEX #A60D49

RGB 166 13 73

HSL 336.47, 0.85%, 0.35%

LAB 35.74, 59.08, 8.65

 

CMYK 0 / 100 / 64 / 42

HEX #950036

RGB 149 0 54

HSL 338.26, 1%, 0.29%

LAB 31.01, 55.38, 14.09

 

CMYK 0 / 100 / 73 / 48

HEX #840023

RGB 132 0 35

HSL 344.09, 1%, 0.26%

LAB 26.81, 50.08, 20.67

 

CMYK 0 / 100 / 86 / 55

HEX #730010

RGB 115 0 16

HSL 351.65, 1%, 0.23%

LAB 22.59, 44.86, 27.17

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 72 / 28

HEX #B71F33

RGB 183 31 51

HSL 352.11, 0.71%, 0.42%

LAB 40.06, 58.79, 28.95

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 17 / 83 / 0 / 28

HEX #971FB7

RGB 151 31 183

HSL 287.37, 0.71%, 0.42%

LAB 39.54, 66.65, -54.05

 

CMYK 40 / 83 / 0 / 28

HEX #6E1FB7

RGB 110 31 183

HSL 271.18, 0.71%, 0.42%

LAB 33.38, 60.14, -64.36

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 94 / 56 / 22

HEX #C80D58

RGB 200 13 88

HSL 335.94, 0.88%, 0.42%

LAB 43.17, 68.38, 10.48

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 71 / 42 / 35

HEX #A5305F

RGB 165 48 95

HSL 335.9, 0.55%, 0.42%

LAB 39.48, 51.36, -0.12

 

CMYK 0 / 56 / 34 / 42

HEX #944162

RGB 148 65 98

HSL 336.14, 0.39%, 0.42%

LAB 39.51, 38.57, -2.3

 

CMYK 0 / 37 / 22 / 49

HEX #835366

RGB 131 83 102

HSL 336.25, 0.22%, 0.42%

LAB 41.17, 22.88, -2.61

 

CMYK 0 / 12 / 7 / 56

HEX #716469

RGB 113 100 105

HSL 336.92, 0.06%, 0.42%

LAB 43.72, 6.12, -0.93

 

CMYK 0 / 83 / 4 / 28

HEX #B71FAF

RGB 183 31 175

HSL 303.16, 0.71%, 0.42%

LAB 44.44, 71.22, -41.18

 

CMYK 0 / 83 / 27 / 28

HEX #B71F86

RGB 183 31 134

HSL 319.34, 0.71%, 0.42%

LAB 42.41, 65.66, -19.66

 

CMYK 0 / 83 / 49 / 28

HEX #B71F5E

RGB 183 31 94

HSL 335.13, 0.71%, 0.42%

LAB 40.99, 61.55, 3.12

 

CMYK 0 / 83 / 71 / 28

HEX #B71F35

RGB 183 31 53

HSL 351.32, 0.71%, 0.42%

LAB 40.09, 58.88, 27.76

 

CMYK 0 / 74 / 83 / 28

HEX #B7301F

RGB 183 48 31

HSL 6.71, 0.71%, 0.42%

LAB 41.66, 52.94, 42.05

 

CMYK 0 / 83 / 50 / 56

HEX #701338

RGB 112 19 56

HSL 336.13, 0.71%, 0.26%

LAB 24.31, 41.93, 2.2

 

CMYK 0 / 83 / 50 / 42

HEX #93194A

RGB 147 25 74

HSL 335.9, 0.71%, 0.34%

LAB 32.68, 51.78, 3.11

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 50 / 15

HEX #DA256D

RGB 218 37 109

HSL 336.13, 0.71%, 0.5%

LAB 48.68, 70.27, 5.73

 

CMYK 0 / 68 / 41 / 12

HEX #E04885

RGB 224 72 133

HSL 335.92, 0.71%, 0.58%

LAB 54.21, 63.4, -0.6

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 18 / 83 / 28

HEX #B7961F

RGB 183 150 31

HSL 46.97, 0.71%, 0.42%

LAB 63.33, 1.07, 61.29

 

CMYK 83 / 15 / 0 / 28

HEX #1F9BB7

RGB 31 155 183

HSL 191.05, 0.71%, 0.42%

LAB 59.12, -22.3, -23.7

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 49 / 0 / 83 / 28

HEX #5EB71F

RGB 94 183 31

HSL 95.13, 0.71%, 0.42%

LAB 66.78, -50.78, 61.99

 

CMYK 83 / 49 / 0 / 28

HEX #1F5EB7

RGB 31 94 183

HSL 215.13, 0.71%, 0.42%

LAB 40.76, 13.72, -52.61

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 18 / 83 / 28

HEX #B7961F

RGB 183 150 31

HSL 46.97, 0.71%, 0.42%

LAB 63.33, 1.07, 61.29

 

CMYK 83 / 0 / 35 / 28

HEX #1FB777

RGB 31 183 119

HSL 154.74, 0.71%, 0.42%

LAB 66.13, -52.56, 22.14

 

CMYK 83 / 65 / 0 / 28

HEX #1F40B7

RGB 31 64 183

HSL 226.97, 0.71%, 0.42%

LAB 32.65, 33.56, -65.81

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 7 / 0 / 83 / 28

HEX #AAB71F

RGB 170 183 31

HSL 65.13, 0.71%, 0.42%

LAB 71.22, -21.87, 67.6

 

CMYK 83 / 0 / 35 / 28

HEX #1FB777

RGB 31 183 119

HSL 154.74, 0.71%, 0.42%

LAB 66.13, -52.56, 22.14

 

CMYK 77 / 83 / 0 / 28

HEX #2B1FB7

RGB 43 31 183

HSL 244.74, 0.71%, 0.42%

LAB 26.48, 53.19, -75.97

 

Description

Color code: HEX #B71F5C | qconv.com Color code: HEX #B71F5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 31 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 31 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 50 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 50% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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