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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B72494 it is the complementary color #48DB6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B72494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B72494 shade: #BC248F, #CD36A2, #DE48B5, #EF5AC8 and #FF6CDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B72494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B72494 shade: #B72494, #A61281, #95006E, #84005B and #730048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B72494 shade: #B72494, #B7246C, #B72444 and #B72424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B72494 shade: #B72494, #B224B7, #8A24B7, #6324B7 and #3B24B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B72494 shade matches the following richer shades: #B72494, #C8129D and #DA00A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B72494 shade: #B72494, #A5358A, #934781, #815978 and #706B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B72494 shade: #8B24B7, #B224B7, #B72494, #B7246D and #B72446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B72494 shade: #72165C, #941D78, #B72494, #D52EAE and #DC51BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B72494 shade: #B72494, #B76324 and #24B79E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B72494 shade: #B72494, #94B724 and #2494B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B72494 shade: #B72494, #B76324, #24B746 and #2477B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B72494 shade: #B72494, #B78F24, #24B746 and #244BB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

Complementary color

CMYK 67 / 0 / 51 / 14

HEX #48DB6B

RGB 72 219 107

HSL 134.29, 0.67%, 0.57%

LAB 77.94, -61.99, 43.64

 

CMYK 0 / 81 / 24 / 26

HEX #BC248F

RGB 188 36 143

HSL 317.76, 0.68%, 0.44%

LAB 44.14, 66.7, -22.41

 

CMYK 0 / 74 / 21 / 20

HEX #CD36A2

RGB 205 54 162

HSL 317.09, 0.6%, 0.51%

LAB 49.77, 68, -24.85

 

CMYK 0 / 68 / 18 / 13

HEX #DE48B5

RGB 222 72 181

HSL 316.4, 0.69%, 0.58%

LAB 55.58, 68.57, -26.76

 

CMYK 0 / 62 / 16 / 6

HEX #EF5AC8

RGB 239 90 200

HSL 315.7, 0.82%, 0.65%

LAB 61.51, 68.66, -28.29

 

CMYK 0 / 58 / 14 / 0

HEX #FF6CDB

RGB 255 108 219

HSL 314.69, 1%, 0.71%

LAB 67.35, 68.18, -29.76

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 89 / 22 / 35

HEX #A61281

RGB 166 18 129

HSL 315, 0.8%, 0.36%

LAB 38.07, 63.88, -23.56

 

CMYK 0 / 100 / 26 / 42

HEX #95006E

RGB 149 0 110

HSL 315.7, 1%, 0.29%

LAB 32.95, 60.45, -19.8

 

CMYK 0 / 100 / 31 / 48

HEX #84005B

RGB 132 0 91

HSL 318.64, 1%, 0.26%

LAB 28.54, 54.63, -14.6

 

CMYK 0 / 100 / 37 / 55

HEX #730048

RGB 115 0 72

HSL 322.43, 1%, 0.23%

LAB 24.04, 48.7, -9.09

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 80 / 41 / 28

HEX #B7246C

RGB 183 36 108

HSL 330.61, 0.67%, 0.43%

LAB 41.86, 61.56, -4.39

 

CMYK 0 / 80 / 63 / 28

HEX #B72444

RGB 183 36 68

HSL 346.94, 0.67%, 0.43%

LAB 40.81, 58.37, 19.31

 

CMYK 0 / 80 / 80 / 28

HEX #B72424

RGB 183 36 36

HSL 0, 0.67%, 0.43%

LAB 40.34, 56.9, 38.1

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 3 / 80 / 0 / 28

HEX #B224B7

RGB 178 36 183

HSL 297.96, 0.67%, 0.43%

LAB 44.44, 70.33, -45.95

 

CMYK 25 / 80 / 0 / 28

HEX #8A24B7

RGB 138 36 183

HSL 281.63, 0.67%, 0.43%

LAB 37.99, 62.97, -56.66

 

CMYK 46 / 80 / 0 / 28

HEX #6324B7

RGB 99 36 183

HSL 265.71, 0.67%, 0.43%

LAB 32.55, 56.79, -65.77

 

CMYK 68 / 80 / 0 / 28

HEX #3B24B7

RGB 59 36 183

HSL 249.39, 0.67%, 0.43%

LAB 28.41, 52.12, -72.74

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 91 / 22 / 22

HEX #C8129D

RGB 200 18 157

HSL 314.18, 0.83%, 0.43%

LAB 45.83, 74.37, -28.05

 

CMYK 0 / 100 / 24 / 15

HEX #DA00A6

RGB 218 0 166

HSL 314.31, 1%, 0.43%

LAB 49.08, 80.57, -28.11

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 68 / 16 / 35

HEX #A5358A

RGB 165 53 138

HSL 314.46, 0.51%, 0.43%

LAB 41.81, 54.87, -23.29

 

CMYK 0 / 52 / 12 / 42

HEX #934781

RGB 147 71 129

HSL 314.21, 0.35%, 0.43%

LAB 41.68, 39.82, -18.23

 

CMYK 0 / 31 / 7 / 49

HEX #815978

RGB 129 89 120

HSL 313.5, 0.18%, 0.43%

LAB 43.02, 21.79, -10.92

 

CMYK 0 / 4 / 2 / 56

HEX #706B6E

RGB 112 107 110

HSL 324, 0.02%, 0.43%

LAB 45.75, 2.55, -0.98

 

CMYK 24 / 80 / 0 / 28

HEX #8B24B7

RGB 139 36 183

HSL 282.04, 0.67%, 0.43%

LAB 38.15, 63.14, -56.41

 

CMYK 3 / 80 / 0 / 28

HEX #B224B7

RGB 178 36 183

HSL 297.96, 0.67%, 0.43%

LAB 44.44, 70.33, -45.95

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 80 / 40 / 28

HEX #B7246D

RGB 183 36 109

HSL 330.2, 0.67%, 0.43%

LAB 41.9, 61.66, -4.97

 

CMYK 0 / 80 / 62 / 28

HEX #B72446

RGB 183 36 70

HSL 346.12, 0.67%, 0.43%

LAB 40.85, 58.49, 18.11

 

CMYK 0 / 81 / 19 / 55

HEX #72165C

RGB 114 22 92

HSL 314.35, 0.68%, 0.27%

LAB 26.52, 45.96, -18.68

 

CMYK 0 / 80 / 19 / 42

HEX #941D78

RGB 148 29 120

HSL 314.12, 0.67%, 0.35%

LAB 35.06, 56.21, -22.87

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 78 / 18 / 16

HEX #D52EAE

RGB 213 46 174

HSL 314.01, 0.67%, 0.51%

LAB 50.87, 73.73, -30.11

 

CMYK 0 / 63 / 15 / 14

HEX #DC51BB

RGB 220 81 187

HSL 314.24, 0.67%, 0.59%

LAB 56.77, 65.43, -28.42

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 46 / 80 / 28

HEX #B76324

RGB 183 99 36

HSL 25.71, 0.67%, 0.43%

LAB 50.83, 29.34, 48.3

 

CMYK 80 / 0 / 14 / 28

HEX #24B79E

RGB 36 183 158

HSL 169.8, 0.67%, 0.43%

LAB 67.06, -42.72, 2.18

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 19 / 0 / 80 / 28

HEX #94B724

RGB 148 183 36

HSL 74.29, 0.67%, 0.43%

LAB 69.68, -30.9, 64.33

 

CMYK 80 / 19 / 0 / 28

HEX #2494B7

RGB 36 148 183

HSL 194.29, 0.67%, 0.43%

LAB 57.05, -18.15, -26.87

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 46 / 80 / 28

HEX #B76324

RGB 183 99 36

HSL 25.71, 0.67%, 0.43%

LAB 50.83, 29.34, 48.3

 

CMYK 80 / 0 / 62 / 28

HEX #24B746

RGB 36 183 70

HSL 133.88, 0.67%, 0.43%

LAB 65.5, -60.15, 45.98

 

CMYK 80 / 35 / 0 / 28

HEX #2477B7

RGB 36 119 183

HSL 206.12, 0.67%, 0.43%

LAB 48.24, -1.58, -40.64

 

CMYK 0 / 80 / 19 / 28

HEX #B72494

RGB 183 36 148

HSL 314.29, 0.67%, 0.43%

LAB 43.46, 66.21, -26.57

 

CMYK 0 / 22 / 80 / 28

HEX #B78F24

RGB 183 143 36

HSL 43.67, 0.67%, 0.43%

LAB 61.52, 5.06, 58.12

 

CMYK 80 / 0 / 62 / 28

HEX #24B746

RGB 36 183 70

HSL 133.88, 0.67%, 0.43%

LAB 65.5, -60.15, 45.98

 

CMYK 80 / 59 / 0 / 28

HEX #244BB7

RGB 36 75 183

HSL 224.08, 0.67%, 0.43%

LAB 35.65, 26.75, -60.9

 

Description

Color code: HEX #B72494 | qconv.com Color code: HEX #B72494 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 36 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 36 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 19 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 19% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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