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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B72D66 it is the complementary color #48D299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B72D66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B72D66 shade: #BC2D61, #CD3F74, #DE5187, #EF639A and #FF75AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B72D66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B72D66 shade: #B72D66, #A61B53, #950940, #84002D and #73001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B72D66 shade: #B82C66, #B82C40 and #B82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B72D66 shade: #B82C66, #B82C8C, #B82CB2, #992CB8 and #732CB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B72D66 shade matches the following richer shades: #B82C66, #CB1A63 and #DD0760

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B72D66 shade: #B82C66, #A63F69, #93516D, #816470 and #6E7773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B72D66 shade: #B82CB1, #B82C8C, #B82C67, #B82C41 and #B83D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B72D66 shade: #761C41, #972454, #B82C66, #D03E7A and #D85F91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B72D66 shade: #B72D66, #B89A2C and #2C9FB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B72D66 shade: #B72D66, #67B82C and #2C67B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B72D66 shade: #B72D66, #B89A2C, #2CB87E and #2C4BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B72D66 shade: #B72D66, #ADB82C, #2CB87E and #382CB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 44 / 28

HEX #B72D66

RGB 183 45 102

HSL 335.22, 0.61%, 0.45%

LAB 42.62, 58.31, 0.47

 

Complementary color

CMYK 66 / 0 / 27 / 18

HEX #48D299

RGB 72 210 153

HSL 155.22, 0.61%, 0.55%

LAB 75.93, -50.34, 17.58

 

CMYK 0 / 76 / 48 / 26

HEX #BC2D61

RGB 188 45 97

HSL 338.18, 0.61%, 0.46%

LAB 43.41, 59.24, 4.85

 

CMYK 0 / 69 / 43 / 20

HEX #CD3F74

RGB 205 63 116

HSL 337.61, 0.59%, 0.53%

LAB 49.25, 59.6, 1.98

 

CMYK 0 / 64 / 39 / 13

HEX #DE5187

RGB 222 81 135

HSL 337.02, 0.68%, 0.59%

LAB 55.24, 59.45, -0.32

 

CMYK 0 / 59 / 36 / 6

HEX #EF639A

RGB 239 99 154

HSL 336.43, 0.81%, 0.66%

LAB 61.31, 59, -2.21

 

CMYK 0 / 54 / 32 / 0

HEX #FF75AD

RGB 255 117 173

HSL 335.65, 1%, 0.73%

LAB 67.28, 58.07, -4.03

 

CMYK 0 / 75 / 44 / 28

HEX #B72D66

RGB 183 45 102

HSL 335.22, 0.61%, 0.45%

LAB 42.62, 58.31, 0.47

 

CMYK 0 / 84 / 50 / 35

HEX #A61B53

RGB 166 27 83

HSL 335.83, 0.72%, 0.38%

LAB 36.96, 57.15, 3.9

 

CMYK 0 / 94 / 57 / 42

HEX #950940

RGB 149 9 64

HSL 336.43, 0.89%, 0.31%

LAB 31.7, 54.72, 8.38

 

CMYK 0 / 100 / 66 / 48

HEX #84002D

RGB 132 0 45

HSL 339.55, 1%, 0.26%

LAB 27, 50.6, 14.15

 

CMYK 0 / 100 / 77 / 55

HEX #73001A

RGB 115 0 26

HSL 346.43, 1%, 0.23%

LAB 22.72, 45.21, 20.9

 

CMYK 0 / 76 / 45 / 28

HEX #B82C66

RGB 184 44 102

HSL 335.14, 0.61%, 0.45%

LAB 42.69, 58.9, 0.59

 

CMYK 0 / 76 / 65 / 28

HEX #B82C40

RGB 184 44 64

HSL 351.43, 0.61%, 0.45%

LAB 41.79, 56.02, 23.11

 

CMYK 0 / 76 / 76 / 28

HEX #B82C2C

RGB 184 44 44

HSL 0, 0.61%, 0.45%

LAB 41.49, 55.05, 34.82

 

CMYK 0 / 76 / 45 / 28

HEX #B82C66

RGB 184 44 102

HSL 335.14, 0.61%, 0.45%

LAB 42.69, 58.9, 0.59

 

CMYK 0 / 76 / 24 / 28

HEX #B82C8C

RGB 184 44 140

HSL 318.86, 0.61%, 0.45%

LAB 44.07, 63.15, -20.76

 

CMYK 0 / 76 / 3 / 28

HEX #B82CB2

RGB 184 44 178

HSL 302.57, 0.61%, 0.45%

LAB 45.92, 68.58, -40.6

 

CMYK 17 / 76 / 0 / 28

HEX #992CB8

RGB 153 44 184

HSL 286.71, 0.61%, 0.45%

LAB 41.27, 63.31, -51.84

 

CMYK 38 / 76 / 0 / 28

HEX #732CB8

RGB 115 44 184

HSL 270.43, 0.61%, 0.45%

LAB 35.8, 56.32, -60.96

 

CMYK 0 / 76 / 45 / 28

HEX #B82C66

RGB 184 44 102

HSL 335.14, 0.61%, 0.45%

LAB 42.69, 58.9, 0.59

 

CMYK 0 / 87 / 51 / 20

HEX #CB1A63

RGB 203 26 99

HSL 335.25, 0.77%, 0.45%

LAB 44.71, 68.01, 5.85

 

CMYK 0 / 97 / 57 / 13

HEX #DD0760

RGB 221 7 96

HSL 335.05, 0.94%, 0.45%

LAB 47.45, 74.35, 12.1

 

CMYK 0 / 76 / 45 / 28

HEX #B82C66

RGB 184 44 102

HSL 335.14, 0.61%, 0.45%

LAB 42.69, 58.9, 0.59

 

CMYK 0 / 62 / 37 / 35

HEX #A63F69

RGB 166 63 105

HSL 335.53, 0.45%, 0.45%

LAB 42.28, 46.45, -2.25

 

CMYK 0 / 45 / 26 / 42

HEX #93516D

RGB 147 81 109

HSL 334.55, 0.29%, 0.45%

LAB 43.05, 31.19, -3.9

 

CMYK 0 / 22 / 13 / 49

HEX #816470

RGB 129 100 112

HSL 335.17, 0.13%, 0.45%

LAB 45.57, 13.74, -2.26

 

CMYK 8 / 0 / 3 / 53

HEX #6E7773

RGB 110 119 115

HSL 153.33, 0.04%, 0.45%

LAB 49.19, -4.2, 1.03

 

CMYK 0 / 76 / 4 / 28

HEX #B82CB1

RGB 184 44 177

HSL 303, 0.61%, 0.45%

LAB 45.86, 68.43, -40.09

 

CMYK 0 / 76 / 24 / 28

HEX #B82C8C

RGB 184 44 140

HSL 318.86, 0.61%, 0.45%

LAB 44.07, 63.15, -20.76

 

CMYK 0 / 76 / 44 / 28

HEX #B82C67

RGB 184 44 103

HSL 334.71, 0.61%, 0.45%

LAB 42.72, 59, 0.01

 

CMYK 0 / 76 / 65 / 28

HEX #B82C41

RGB 184 44 65

HSL 351, 0.61%, 0.45%

LAB 41.8, 56.07, 22.51

 

CMYK 0 / 67 / 76 / 28

HEX #B83D2C

RGB 184 61 44

HSL 7.29, 0.61%, 0.45%

LAB 43.81, 48.67, 37.34

 

CMYK 0 / 76 / 45 / 54

HEX #761C41

RGB 118 28 65

HSL 335.33, 0.62%, 0.29%

LAB 26.92, 41.56, 0

 

CMYK 0 / 76 / 44 / 41

HEX #972454

RGB 151 36 84

HSL 334.96, 0.61%, 0.37%

LAB 34.97, 50.48, 0

 

CMYK 0 / 76 / 45 / 28

HEX #B82C66

RGB 184 44 102

HSL 335.14, 0.61%, 0.45%

LAB 42.69, 58.9, 0.59

 

CMYK 0 / 70 / 41 / 18

HEX #D03E7A

RGB 208 62 122

HSL 335.34, 0.61%, 0.53%

LAB 49.81, 61.42, -0.77

 

CMYK 0 / 56 / 33 / 15

HEX #D85F91

RGB 216 95 145

HSL 335.21, 0.61%, 0.61%

LAB 56.91, 52.54, -3.86

 

CMYK 0 / 75 / 44 / 28

HEX #B72D66

RGB 183 45 102

HSL 335.22, 0.61%, 0.45%

LAB 42.62, 58.31, 0.47

 

CMYK 0 / 16 / 76 / 28

HEX #B89A2C

RGB 184 154 44

HSL 47.14, 0.61%, 0.45%

LAB 64.55, -0.17, 58.11

 

CMYK 76 / 14 / 0 / 28

HEX #2C9FB8

RGB 44 159 184

HSL 190.71, 0.61%, 0.45%

LAB 60.6, -22.76, -21.97

 

CMYK 0 / 75 / 44 / 28

HEX #B72D66

RGB 183 45 102

HSL 335.22, 0.61%, 0.45%

LAB 42.62, 58.31, 0.47

 

CMYK 44 / 0 / 76 / 28

HEX #67B82C

RGB 103 184 44

HSL 94.71, 0.61%, 0.45%

LAB 67.54, -47.64, 58.99

 

CMYK 76 / 44 / 0 / 28

HEX #2C67B8

RGB 44 103 184

HSL 214.71, 0.61%, 0.45%

LAB 43.79, 9.68, -48.3

 

CMYK 0 / 75 / 44 / 28

HEX #B72D66

RGB 183 45 102

HSL 335.22, 0.61%, 0.45%

LAB 42.62, 58.31, 0.47

 

CMYK 0 / 16 / 76 / 28

HEX #B89A2C

RGB 184 154 44

HSL 47.14, 0.61%, 0.45%

LAB 64.55, -0.17, 58.11

 

CMYK 76 / 0 / 32 / 28

HEX #2CB87E

RGB 44 184 126

HSL 155.14, 0.61%, 0.45%

LAB 66.77, -50.01, 19.27

 

CMYK 76 / 59 / 0 / 28

HEX #2C4BB8

RGB 44 75 184

HSL 226.71, 0.61%, 0.45%

LAB 36.04, 27.96, -60.83

 

CMYK 0 / 75 / 44 / 28

HEX #B72D66

RGB 183 45 102

HSL 335.22, 0.61%, 0.45%

LAB 42.62, 58.31, 0.47

 

CMYK 6 / 0 / 76 / 28

HEX #ADB82C

RGB 173 184 44

HSL 64.71, 0.61%, 0.45%

LAB 71.79, -20.61, 64.52

 

CMYK 76 / 0 / 32 / 28

HEX #2CB87E

RGB 44 184 126

HSL 155.14, 0.61%, 0.45%

LAB 66.77, -50.01, 19.27

 

CMYK 70 / 76 / 0 / 28

HEX #382CB8

RGB 56 44 184

HSL 245.14, 0.61%, 0.45%

LAB 29.67, 48.15, -71.26

 

Description

Color code: HEX #B72D66 | qconv.com Color code: HEX #B72D66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 45 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 45 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 44 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 44% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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