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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B72D77 it is the complementary color #48D288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B72D77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B72D77 shade: #BC2D72, #CD3F85, #DE5198, #EF63AB and #FF75BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B72D77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B72D77 shade: #B72D77, #A61B64, #950951, #84003E and #73002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B72D77 shade: #B82C77, #B82C52 and #B82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B72D77 shade: #B82C77, #B82C9D, #AE2CB8, #882CB8 and #622CB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B72D77 shade matches the following richer shades: #B82C77, #CB1A79 and #DD077A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B72D77 shade: #B82C77, #A63F76, #935175, #816473 and #6E7772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B72D77 shade: #AD2CB8, #B82C9F, #B82C79, #B82C54 and #B82C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B72D77 shade: #761C4C, #972462, #B82C77, #D03E8C and #D85FA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B72D77 shade: #B72D77, #B8872C and #2CB1B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B72D77 shade: #B72D77, #79B82C and #2C79B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B72D77 shade: #B72D77, #B8872C, #2CB86B and #2C5DB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B72D77 shade: #B72D77, #B8B12C, #2CB86B and #2C33B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 35 / 28

HEX #B72D77

RGB 183 45 119

HSL 327.83, 0.61%, 0.45%

LAB 43.18, 60.06, -9.26

 

Complementary color

CMYK 66 / 0 / 35 / 18

HEX #48D288

RGB 72 210 136

HSL 147.83, 0.61%, 0.55%

LAB 75.61, -53.8, 26.07

 

CMYK 0 / 76 / 39 / 26

HEX #BC2D72

RGB 188 45 114

HSL 331.05, 0.61%, 0.46%

LAB 43.92, 60.86, -4.97

 

CMYK 0 / 69 / 35 / 20

HEX #CD3F85

RGB 205 63 133

HSL 330.42, 0.59%, 0.53%

LAB 49.77, 61.37, -7.52

 

CMYK 0 / 64 / 32 / 13

HEX #DE5198

RGB 222 81 152

HSL 329.79, 0.68%, 0.59%

LAB 55.77, 61.36, -9.56

 

CMYK 0 / 59 / 28 / 6

HEX #EF63AB

RGB 239 99 171

HSL 329.14, 0.81%, 0.66%

LAB 61.84, 61.02, -11.22

 

CMYK 0 / 54 / 25 / 0

HEX #FF75BE

RGB 255 117 190

HSL 328.26, 1%, 0.73%

LAB 67.8, 60.19, -12.84

 

CMYK 0 / 75 / 35 / 28

HEX #B72D77

RGB 183 45 119

HSL 327.83, 0.61%, 0.45%

LAB 43.18, 60.06, -9.26

 

CMYK 0 / 84 / 40 / 35

HEX #A61B64

RGB 166 27 100

HSL 328.49, 0.72%, 0.38%

LAB 37.5, 58.73, -6.19

 

CMYK 0 / 94 / 46 / 42

HEX #950951

RGB 149 9 81

HSL 329.14, 0.89%, 0.31%

LAB 32.21, 56.11, -2.13

 

CMYK 0 / 100 / 53 / 48

HEX #84003E

RGB 132 0 62

HSL 331.82, 1%, 0.26%

LAB 27.44, 51.77, 3.17

 

CMYK 0 / 100 / 63 / 55

HEX #73002B

RGB 115 0 43

HSL 337.57, 1%, 0.23%

LAB 23.06, 46.14, 9.56

 

CMYK 0 / 76 / 35 / 28

HEX #B82C77

RGB 184 44 119

HSL 327.86, 0.61%, 0.45%

LAB 43.25, 60.64, -9.14

 

CMYK 0 / 76 / 55 / 28

HEX #B82C52

RGB 184 44 82

HSL 343.71, 0.61%, 0.45%

LAB 42.16, 57.21, 12.36

 

CMYK 0 / 76 / 76 / 28

HEX #B82C2C

RGB 184 44 44

HSL 0, 0.61%, 0.45%

LAB 41.49, 55.05, 34.82

 

CMYK 0 / 76 / 35 / 28

HEX #B82C77

RGB 184 44 119

HSL 327.86, 0.61%, 0.45%

LAB 43.25, 60.64, -9.14

 

CMYK 0 / 76 / 15 / 28

HEX #B82C9D

RGB 184 44 157

HSL 311.57, 0.61%, 0.45%

LAB 44.84, 65.45, -29.82

 

CMYK 5 / 76 / 0 / 28

HEX #AE2CB8

RGB 174 44 184

HSL 295.71, 0.61%, 0.45%

LAB 44.6, 67.49, -46.31

 

CMYK 26 / 76 / 0 / 28

HEX #882CB8

RGB 136 44 184

HSL 279.43, 0.61%, 0.45%

LAB 38.72, 60.07, -56.09

 

CMYK 47 / 76 / 0 / 28

HEX #622CB8

RGB 98 44 184

HSL 263.14, 0.61%, 0.45%

LAB 33.69, 53.55, -64.51

 

CMYK 0 / 76 / 35 / 28

HEX #B82C77

RGB 184 44 119

HSL 327.86, 0.61%, 0.45%

LAB 43.25, 60.64, -9.14

 

CMYK 0 / 87 / 40 / 20

HEX #CB1A79

RGB 203 26 121

HSL 327.8, 0.77%, 0.45%

LAB 45.38, 69.89, -6.81

 

CMYK 0 / 97 / 45 / 13

HEX #DD077A

RGB 221 7 122

HSL 327.76, 0.94%, 0.45%

LAB 48.17, 76.26, -2.9

 

CMYK 0 / 76 / 35 / 28

HEX #B82C77

RGB 184 44 119

HSL 327.86, 0.61%, 0.45%

LAB 43.25, 60.64, -9.14

 

CMYK 0 / 62 / 29 / 35

HEX #A63F76

RGB 166 63 118

HSL 327.96, 0.45%, 0.45%

LAB 42.72, 48.09, -9.63

 

CMYK 0 / 45 / 20 / 42

HEX #935175

RGB 147 81 117

HSL 327.27, 0.29%, 0.45%

LAB 43.32, 32.43, -8.4

 

CMYK 0 / 22 / 11 / 49

HEX #816473

RGB 129 100 115

HSL 328.97, 0.13%, 0.45%

LAB 45.66, 14.3, -3.94

 

CMYK 8 / 0 / 4 / 53

HEX #6E7772

RGB 110 119 114

HSL 146.67, 0.04%, 0.45%

LAB 49.16, -4.41, 1.58

 

CMYK 6 / 76 / 0 / 28

HEX #AD2CB8

RGB 173 44 184

HSL 295.29, 0.61%, 0.45%

LAB 44.44, 67.29, -46.58

 

CMYK 0 / 76 / 14 / 28

HEX #B82C9F

RGB 184 44 159

HSL 310.71, 0.61%, 0.45%

LAB 44.93, 65.73, -30.87

 

CMYK 0 / 76 / 34 / 28

HEX #B82C79

RGB 184 44 121

HSL 327, 0.61%, 0.45%

LAB 43.32, 60.87, -10.27

 

CMYK 0 / 76 / 54 / 28

HEX #B82C54

RGB 184 44 84

HSL 342.86, 0.61%, 0.45%

LAB 42.2, 57.36, 11.17

 

CMYK 0 / 76 / 74 / 28

HEX #B82C2F

RGB 184 44 47

HSL 358.71, 0.61%, 0.45%

LAB 41.53, 55.17, 33.11

 

CMYK 0 / 76 / 36 / 54

HEX #761C4C

RGB 118 28 76

HSL 328, 0.62%, 0.29%

LAB 27.31, 42.83, -6.79

 

CMYK 0 / 76 / 35 / 41

HEX #972462

RGB 151 36 98

HSL 327.65, 0.61%, 0.37%

LAB 35.45, 52, -8.29

 

CMYK 0 / 76 / 35 / 28

HEX #B82C77

RGB 184 44 119

HSL 327.86, 0.61%, 0.45%

LAB 43.25, 60.64, -9.14

 

CMYK 0 / 70 / 33 / 18

HEX #D03E8C

RGB 208 62 140

HSL 327.95, 0.61%, 0.53%

LAB 50.39, 63.35, -10.74

 

CMYK 0 / 56 / 26 / 15

HEX #D85FA0

RGB 216 95 160

HSL 327.77, 0.61%, 0.61%

LAB 57.39, 54.45, -11.9

 

CMYK 0 / 75 / 35 / 28

HEX #B72D77

RGB 183 45 119

HSL 327.83, 0.61%, 0.45%

LAB 43.18, 60.06, -9.26

 

CMYK 0 / 27 / 76 / 28

HEX #B8872C

RGB 184 135 44

HSL 39, 0.61%, 0.45%

LAB 59.62, 10.23, 53.4

 

CMYK 76 / 4 / 0 / 28

HEX #2CB1B8

RGB 44 177 184

HSL 183, 0.61%, 0.45%

LAB 66.09, -31.72, -13.63

 

CMYK 0 / 75 / 35 / 28

HEX #B72D77

RGB 183 45 119

HSL 327.83, 0.61%, 0.45%

LAB 43.18, 60.06, -9.26

 

CMYK 34 / 0 / 76 / 28

HEX #79B82C

RGB 121 184 44

HSL 87, 0.61%, 0.45%

LAB 68.41, -41.43, 60.13

 

CMYK 76 / 34 / 0 / 28

HEX #2C79B8

RGB 44 121 184

HSL 207, 0.61%, 0.45%

LAB 49.09, -1.5, -39.86

 

CMYK 0 / 75 / 35 / 28

HEX #B72D77

RGB 183 45 119

HSL 327.83, 0.61%, 0.45%

LAB 43.18, 60.06, -9.26

 

CMYK 0 / 27 / 76 / 28

HEX #B8872C

RGB 184 135 44

HSL 39, 0.61%, 0.45%

LAB 59.62, 10.23, 53.4

 

CMYK 76 / 0 / 42 / 28

HEX #2CB86B

RGB 44 184 107

HSL 147, 0.61%, 0.45%

LAB 66.43, -53.82, 28.93

 

CMYK 76 / 49 / 0 / 28

HEX #2C5DB8

RGB 44 93 184

HSL 219, 0.61%, 0.45%

LAB 40.94, 16.13, -52.89

 

CMYK 0 / 75 / 35 / 28

HEX #B72D77

RGB 183 45 119

HSL 327.83, 0.61%, 0.45%

LAB 43.18, 60.06, -9.26

 

CMYK 0 / 4 / 76 / 28

HEX #B8B12C

RGB 184 177 44

HSL 57, 0.61%, 0.45%

LAB 70.74, -12.32, 63.88

 

CMYK 76 / 0 / 42 / 28

HEX #2CB86B

RGB 44 184 107

HSL 147, 0.61%, 0.45%

LAB 66.43, -53.82, 28.93

 

CMYK 76 / 72 / 0 / 28

HEX #2C33B8

RGB 44 51 184

HSL 237, 0.61%, 0.45%

LAB 30.31, 43.11, -70.22

 

Description

Color code: HEX #B72D77 | qconv.com Color code: HEX #B72D77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 45 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 45 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 35 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 35% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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