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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B736AF it is the complementary color #48C950. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B736AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B736AF shade: #BC36AA, #CD48BD, #DE5AD0, #EF6CE3 and #FF7EF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B736AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B736AF shade: #B736AF, #A6249C, #951289, #840076 and #730063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B736AF shade: #B435AC, #B4358A, #B43568, #B43546 and #B43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B736AF shade: #B435AC, #9A35B4, #7835B4, #5635B4 and #3535B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B736AF shade matches the following richer shades: #B435AC, #C722BD and #DA0FCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B736AF shade: #B435AC, #A1489C, #8E5B8B, #7B6E7A and #68816A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B736AF shade: #7735B4, #9935B4, #B435AE, #B4358C and #B4356A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B736AF shade: #752270, #942C8E, #B435AC, #C94AC1 and #D26ACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B736AF shade: #B736AF, #B45535 and #35B488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B736AF shade: #B736AF, #AEB435 and #35AEB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B736AF shade: #B736AF, #B45535, #35B43C and #3594B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B736AF shade: #B736AF, #B47B35, #35B43C and #356EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 4 / 28

HEX #B736AF

RGB 183 54 175

HSL 303.72, 0.54%, 0.46%

LAB 46.71, 64.69, -37.58

 

Complementary color

CMYK 64 / 0 / 60 / 21

HEX #48C950

RGB 72 201 80

HSL 123.72, 0.54%, 0.54%

LAB 72.05, -59.13, 49.18

 

CMYK 0 / 71 / 10 / 26

HEX #BC36AA

RGB 188 54 170

HSL 308.06, 0.55%, 0.47%

LAB 47.28, 65.07, -33.68

 

CMYK 0 / 65 / 8 / 20

HEX #CD48BD

RGB 205 72 189

HSL 307.22, 0.57%, 0.54%

LAB 53.26, 65.48, -35.21

 

CMYK 0 / 59 / 6 / 13

HEX #DE5AD0

RGB 222 90 208

HSL 306.36, 0.67%, 0.61%

LAB 59.34, 65.44, -36.39

 

CMYK 0 / 55 / 5 / 6

HEX #EF6CE3

RGB 239 108 227

HSL 305.5, 0.8%, 0.68%

LAB 65.45, 65.12, -37.34

 

CMYK 0 / 51 / 4 / 0

HEX #FF7EF6

RGB 255 126 246

HSL 304.19, 1%, 0.75%

LAB 71.44, 64.36, -38.32

 

CMYK 0 / 70 / 4 / 28

HEX #B736AF

RGB 183 54 175

HSL 303.72, 0.54%, 0.46%

LAB 46.71, 64.69, -37.58

 

CMYK 0 / 78 / 6 / 35

HEX #A6249C

RGB 166 36 156

HSL 304.62, 0.64%, 0.4%

LAB 40.85, 63.62, -35.71

 

CMYK 0 / 88 / 8 / 42

HEX #951289

RGB 149 18 137

HSL 305.5, 0.78%, 0.33%

LAB 35.26, 61.47, -33.15

 

CMYK 0 / 100 / 11 / 48

HEX #840076

RGB 132 0 118

HSL 306.36, 1%, 0.26%

LAB 29.94, 58.15, -29.87

 

CMYK 0 / 100 / 14 / 55

HEX #730063

RGB 115 0 99

HSL 308.35, 1%, 0.23%

LAB 25.4, 52.14, -25.02

 

CMYK 0 / 71 / 4 / 29

HEX #B435AC

RGB 180 53 172

HSL 303.78, 0.55%, 0.46%

LAB 45.94, 63.86, -37.05

 

CMYK 0 / 71 / 23 / 29

HEX #B4358A

RGB 180 53 138

HSL 319.84, 0.55%, 0.46%

LAB 44.35, 58.85, -19.16

 

CMYK 0 / 71 / 42 / 29

HEX #B43568

RGB 180 53 104

HSL 335.91, 0.55%, 0.46%

LAB 43.14, 54.84, -0.09

 

CMYK 0 / 71 / 61 / 29

HEX #B43546

RGB 180 53 70

HSL 351.97, 0.55%, 0.46%

LAB 42.29, 51.96, 19.91

 

CMYK 0 / 71 / 71 / 29

HEX #B43535

RGB 180 53 53

HSL 0, 0.55%, 0.46%

LAB 42.01, 50.97, 29.91

 

CMYK 0 / 71 / 4 / 29

HEX #B435AC

RGB 180 53 172

HSL 303.78, 0.55%, 0.46%

LAB 45.94, 63.86, -37.05

 

CMYK 14 / 71 / 0 / 29

HEX #9A35B4

RGB 154 53 180

HSL 287.72, 0.55%, 0.46%

LAB 42.33, 59.44, -47.78

 

CMYK 33 / 71 / 0 / 29

HEX #7835B4

RGB 120 53 180

HSL 271.65, 0.55%, 0.46%

LAB 37.54, 52.33, -55.74

 

CMYK 52 / 71 / 0 / 29

HEX #5635B4

RGB 86 53 180

HSL 255.59, 0.55%, 0.46%

LAB 33.61, 46.09, -62.32

 

CMYK 71 / 71 / 0 / 29

HEX #3535B4

RGB 53 53 180

HSL 240, 0.55%, 0.46%

LAB 30.87, 41.47, -66.91

 

CMYK 0 / 71 / 4 / 29

HEX #B435AC

RGB 180 53 172

HSL 303.78, 0.55%, 0.46%

LAB 45.94, 63.86, -37.05

 

CMYK 0 / 83 / 5 / 22

HEX #C722BD

RGB 199 34 189

HSL 303.64, 0.71%, 0.46%

LAB 48.21, 75.75, -43.25

 

CMYK 0 / 93 / 6 / 15

HEX #DA0FCE

RGB 218 15 206

HSL 303.55, 0.87%, 0.46%

LAB 51.5, 84.45, -47.66

 

CMYK 0 / 71 / 4 / 29

HEX #B435AC

RGB 180 53 172

HSL 303.78, 0.55%, 0.46%

LAB 45.94, 63.86, -37.05

 

CMYK 0 / 55 / 3 / 37

HEX #A1489C

RGB 161 72 156

HSL 303.37, 0.38%, 0.46%

LAB 45.1, 48.3, -29.08

 

CMYK 0 / 36 / 2 / 44

HEX #8E5B8B

RGB 142 91 139

HSL 303.53, 0.22%, 0.46%

LAB 45.77, 28.94, -18.08

 

CMYK 0 / 11 / 1 / 52

HEX #7B6E7A

RGB 123 110 122

HSL 304.62, 0.06%, 0.46%

LAB 47.97, 7.41, -4.79

 

CMYK 19 / 0 / 18 / 49

HEX #68816A

RGB 104 129 106

HSL 124.8, 0.11%, 0.46%

LAB 51.48, -13.86, 9.53

 

CMYK 34 / 71 / 0 / 29

HEX #7735B4

RGB 119 53 180

HSL 271.18, 0.55%, 0.46%

LAB 37.41, 52.13, -55.95

 

CMYK 15 / 71 / 0 / 29

HEX #9935B4

RGB 153 53 180

HSL 287.24, 0.55%, 0.46%

LAB 42.18, 59.22, -48.03

 

CMYK 0 / 71 / 3 / 29

HEX #B435AE

RGB 180 53 174

HSL 302.83, 0.55%, 0.46%

LAB 46.05, 64.19, -38.07

 

CMYK 0 / 71 / 22 / 29

HEX #B4358C

RGB 180 53 140

HSL 318.9, 0.55%, 0.46%

LAB 44.44, 59.12, -20.25

 

CMYK 0 / 71 / 41 / 29

HEX #B4356A

RGB 180 53 106

HSL 334.96, 0.55%, 0.46%

LAB 43.2, 55.04, -1.24

 

CMYK 0 / 71 / 4 / 54

HEX #752270

RGB 117 34 112

HSL 303.61, 0.55%, 0.3%

LAB 29.65, 45.64, -26.68

 

CMYK 0 / 70 / 4 / 42

HEX #942C8E

RGB 148 44 142

HSL 303.46, 0.54%, 0.38%

LAB 37.93, 54.64, -32.01

 

CMYK 0 / 71 / 4 / 29

HEX #B435AC

RGB 180 53 172

HSL 303.78, 0.55%, 0.46%

LAB 45.94, 63.86, -37.05

 

CMYK 0 / 63 / 4 / 21

HEX #C94AC1

RGB 201 74 193

HSL 303.78, 0.54%, 0.54%

LAB 53.13, 64.33, -37.77

 

CMYK 0 / 50 / 3 / 18

HEX #D26ACC

RGB 210 106 204

HSL 303.46, 0.54%, 0.62%

LAB 60.22, 54.2, -32.88

 

CMYK 0 / 70 / 4 / 28

HEX #B736AF

RGB 183 54 175

HSL 303.72, 0.54%, 0.46%

LAB 46.71, 64.69, -37.58

 

CMYK 0 / 53 / 71 / 29

HEX #B45535

RGB 180 85 53

HSL 15.12, 0.55%, 0.46%

LAB 47.57, 36.27, 36.36

 

CMYK 71 / 0 / 24 / 29

HEX #35B488

RGB 53 180 136

HSL 159.21, 0.55%, 0.46%

LAB 65.89, -44.88, 12.64

 

CMYK 0 / 70 / 4 / 28

HEX #B736AF

RGB 183 54 175

HSL 303.72, 0.54%, 0.46%

LAB 46.71, 64.69, -37.58

 

CMYK 3 / 0 / 71 / 29

HEX #AEB435

RGB 174 180 53

HSL 62.83, 0.55%, 0.46%

LAB 70.8, -17.75, 60.51

 

CMYK 71 / 3 / 0 / 29

HEX #35AEB4

RGB 53 174 180

HSL 182.83, 0.55%, 0.46%

LAB 65.22, -30.4, -12.7

 

CMYK 0 / 70 / 4 / 28

HEX #B736AF

RGB 183 54 175

HSL 303.72, 0.54%, 0.46%

LAB 46.71, 64.69, -37.58

 

CMYK 0 / 53 / 71 / 29

HEX #B45535

RGB 180 85 53

HSL 15.12, 0.55%, 0.46%

LAB 47.57, 36.27, 36.36

 

CMYK 71 / 0 / 67 / 29

HEX #35B43C

RGB 53 180 60

HSL 123.31, 0.55%, 0.46%

LAB 64.74, -57.72, 49.57

 

CMYK 71 / 18 / 0 / 29

HEX #3594B4

RGB 53 148 180

HSL 195.12, 0.55%, 0.46%

LAB 57.3, -17.09, -24.75

 

CMYK 0 / 70 / 4 / 28

HEX #B736AF

RGB 183 54 175

HSL 303.72, 0.54%, 0.46%

LAB 46.71, 64.69, -37.58

 

CMYK 0 / 32 / 71 / 29

HEX #B47B35

RGB 180 123 53

HSL 33.07, 0.55%, 0.46%

LAB 56.21, 15.57, 45.84

 

CMYK 71 / 0 / 67 / 29

HEX #35B43C

RGB 53 180 60

HSL 123.31, 0.55%, 0.46%

LAB 64.74, -57.72, 49.57

 

CMYK 71 / 39 / 0 / 29

HEX #356EB4

RGB 53 110 180

HSL 213.07, 0.55%, 0.46%

LAB 45.91, 5.02, -42.57

 

Description

Color code: HEX #B736AF | qconv.com Color code: HEX #B736AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 54 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 54 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 4 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 4% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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