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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B74135 it is the complementary color #48BECA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B74135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B74135 shade: #BC4130, #CD5343, #DE6556, #EF7769 and #FF897C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B74135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B74135 shade: #B74135, #A62F22, #951D0F, #840B00 and #730000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B74135 shade: #B54034 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B74135 shade: #B54034, #B56334, #B58634, #B5A934 and #9FB534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B74135 shade matches the following richer shades: #B54034, #C83121 and #DB210E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B74135 shade: #B54034, #A25047, #8F5F5A, #7C6F6D and #697E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B74135 shade: #B5346E, #B5344C, #B53F34, #B56134 and #B58434

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B74135 shade: #752922, #95352B, #B54034, #CA5549 and #D37369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B74135 shade: #B74135, #91B534 and #345DB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B74135 shade: #B74135, #34B53F and #3F34B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B74135 shade: #B74135, #91B534, #34ABB5 and #5934B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B74135 shade: #B74135, #6AB534, #34ABB5 and #8034B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 71 / 28

HEX #B74135

RGB 183 65 53

HSL 5.54, 0.55%, 0.46%

LAB 44.38, 47.01, 32.83

 

Complementary color

CMYK 64 / 6 / 0 / 21

HEX #48BECA

RGB 72 190 202

HSL 185.54, 0.55%, 0.54%

LAB 71.19, -28.92, -15.79

 

CMYK 0 / 65 / 74 / 26

HEX #BC4130

RGB 188 65 48

HSL 7.29, 0.59%, 0.46%

LAB 45.2, 48.52, 36.83

 

CMYK 0 / 60 / 67 / 20

HEX #CD5343

RGB 205 83 67

HSL 6.96, 0.58%, 0.53%

LAB 51.35, 47.4, 33.97

 

CMYK 0 / 55 / 61 / 13

HEX #DE6556

RGB 222 101 86

HSL 6.62, 0.67%, 0.6%

LAB 57.57, 46.19, 31.47

 

CMYK 0 / 50 / 56 / 6

HEX #EF7769

RGB 239 119 105

HSL 6.27, 0.81%, 0.67%

LAB 63.81, 44.96, 29.29

 

CMYK 0 / 46 / 51 / 0

HEX #FF897C

RGB 255 137 124

HSL 5.95, 1%, 0.74%

LAB 69.9, 43.41, 27.17

 

CMYK 0 / 64 / 71 / 28

HEX #B74135

RGB 183 65 53

HSL 5.54, 0.55%, 0.46%

LAB 44.38, 47.01, 32.83

 

CMYK 0 / 72 / 80 / 35

HEX #A62F22

RGB 166 47 34

HSL 5.91, 0.66%, 0.39%

LAB 38.3, 47.85, 36.06

 

CMYK 0 / 81 / 90 / 42

HEX #951D0F

RGB 149 29 15

HSL 6.27, 0.82%, 0.32%

LAB 32.49, 48.09, 39.33

 

CMYK 0 / 92 / 100 / 48

HEX #840B00

RGB 132 11 0

HSL 5, 1%, 0.26%

LAB 27.14, 47.17, 39.86

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 65 / 71 / 29

HEX #B54034

RGB 181 64 52

HSL 5.58, 0.55%, 0.46%

LAB 43.86, 46.7, 32.71

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 65 / 71 / 29

HEX #B54034

RGB 181 64 52

HSL 5.58, 0.55%, 0.46%

LAB 43.86, 46.7, 32.71

 

CMYK 0 / 45 / 71 / 29

HEX #B56334

RGB 181 99 52

HSL 21.86, 0.55%, 0.46%

LAB 50.68, 29.21, 40.4

 

CMYK 0 / 26 / 71 / 29

HEX #B58634

RGB 181 134 52

HSL 38.14, 0.55%, 0.46%

LAB 59.09, 9.84, 49.35

 

CMYK 0 / 7 / 71 / 29

HEX #B5A934

RGB 181 169 52

HSL 54.42, 0.55%, 0.46%

LAB 68.35, -9.11, 58.68

 

CMYK 12 / 0 / 71 / 29

HEX #9FB534

RGB 159 181 52

HSL 70.23, 0.55%, 0.46%

LAB 69.94, -24.64, 59.65

 

CMYK 0 / 65 / 71 / 29

HEX #B54034

RGB 181 64 52

HSL 5.58, 0.55%, 0.46%

LAB 43.86, 46.7, 32.71

 

CMYK 0 / 76 / 84 / 22

HEX #C83121

RGB 200 49 33

HSL 5.75, 0.72%, 0.46%

LAB 45.06, 57.98, 45.37

 

CMYK 0 / 85 / 94 / 14

HEX #DB210E

RGB 219 33 14

HSL 5.56, 0.88%, 0.46%

LAB 47.21, 67.36, 56.51

 

CMYK 0 / 65 / 71 / 29

HEX #B54034

RGB 181 64 52

HSL 5.58, 0.55%, 0.46%

LAB 43.86, 46.7, 32.71

 

CMYK 0 / 51 / 56 / 36

HEX #A25047

RGB 162 80 71

HSL 5.93, 0.39%, 0.46%

LAB 44.05, 33.03, 21.04

 

CMYK 0 / 34 / 37 / 44

HEX #8F5F5A

RGB 143 95 90

HSL 5.66, 0.23%, 0.46%

LAB 45.31, 18.92, 10.86

 

CMYK 0 / 10 / 12 / 51

HEX #7C6F6D

RGB 124 111 109

HSL 8, 0.06%, 0.46%

LAB 47.95, 4.7, 2.95

 

CMYK 18 / 2 / 0 / 50

HEX #697E80

RGB 105 126 128

HSL 185.22, 0.1%, 0.46%

LAB 51.25, -7.14, -3.64

 

CMYK 0 / 71 / 39 / 29

HEX #B5346E

RGB 181 52 110

HSL 333.02, 0.55%, 0.46%

LAB 43.37, 56.13, -3.45

 

CMYK 0 / 71 / 58 / 29

HEX #B5344C

RGB 181 52 76

HSL 348.84, 0.55%, 0.46%

LAB 42.46, 53.07, 16.44

 

CMYK 0 / 65 / 71 / 29

HEX #B53F34

RGB 181 63 52

HSL 5.12, 0.55%, 0.46%

LAB 43.69, 47.13, 32.52

 

CMYK 0 / 46 / 71 / 29

HEX #B56134

RGB 181 97 52

HSL 20.93, 0.55%, 0.46%

LAB 50.24, 30.29, 39.92

 

CMYK 0 / 27 / 71 / 29

HEX #B58434

RGB 181 132 52

HSL 37.21, 0.55%, 0.46%

LAB 58.58, 10.95, 48.82

 

CMYK 0 / 65 / 71 / 54

HEX #752922

RGB 117 41 34

HSL 5.06, 0.55%, 0.3%

LAB 28.07, 32.92, 22.11

 

CMYK 0 / 64 / 71 / 42

HEX #95352B

RGB 149 53 43

HSL 5.66, 0.55%, 0.38%

LAB 36.2, 39.73, 27.63

 

CMYK 0 / 65 / 71 / 29

HEX #B54034

RGB 181 64 52

HSL 5.58, 0.55%, 0.46%

LAB 43.86, 46.7, 32.71

 

CMYK 0 / 58 / 64 / 21

HEX #CA5549

RGB 202 85 73

HSL 5.58, 0.55%, 0.54%

LAB 51.31, 45.75, 30.38

 

CMYK 0 / 45 / 50 / 17

HEX #D37369

RGB 211 115 105

HSL 5.66, 0.55%, 0.62%

LAB 59.09, 36.55, 22.36

 

CMYK 0 / 64 / 71 / 28

HEX #B74135

RGB 183 65 53

HSL 5.54, 0.55%, 0.46%

LAB 44.38, 47.01, 32.83

 

CMYK 20 / 0 / 71 / 29

HEX #91B534

RGB 145 181 52

HSL 76.74, 0.55%, 0.46%

LAB 68.98, -30.38, 58.38

 

CMYK 71 / 49 / 0 / 29

HEX #345DB5

RGB 52 93 181

HSL 220.93, 0.55%, 0.46%

LAB 41.05, 16.07, -50.94

 

CMYK 0 / 64 / 71 / 28

HEX #B74135

RGB 183 65 53

HSL 5.54, 0.55%, 0.46%

LAB 44.38, 47.01, 32.83

 

CMYK 71 / 0 / 65 / 29

HEX #34B53F

RGB 52 181 63

HSL 125.12, 0.55%, 0.46%

LAB 65.07, -57.93, 48.65

 

CMYK 65 / 71 / 0 / 29

HEX #3F34B5

RGB 63 52 181

HSL 245.12, 0.55%, 0.46%

LAB 31.46, 43.57, -66.51

 

CMYK 0 / 64 / 71 / 28

HEX #B74135

RGB 183 65 53

HSL 5.54, 0.55%, 0.46%

LAB 44.38, 47.01, 32.83

 

CMYK 20 / 0 / 71 / 29

HEX #91B534

RGB 145 181 52

HSL 76.74, 0.55%, 0.46%

LAB 68.98, -30.38, 58.38

 

CMYK 71 / 6 / 0 / 29

HEX #34ABB5

RGB 52 171 181

HSL 184.65, 0.55%, 0.46%

LAB 64.32, -28.76, -14.62

 

CMYK 51 / 71 / 0 / 29

HEX #5934B5

RGB 89 52 181

HSL 257.21, 0.55%, 0.46%

LAB 33.81, 47.4, -62.57

 

CMYK 0 / 64 / 71 / 28

HEX #B74135

RGB 183 65 53

HSL 5.54, 0.55%, 0.46%

LAB 44.38, 47.01, 32.83

 

CMYK 41 / 0 / 71 / 29

HEX #6AB534

RGB 106 181 52

HSL 94.88, 0.55%, 0.46%

LAB 66.79, -44.9, 55.47

 

CMYK 71 / 6 / 0 / 29

HEX #34ABB5

RGB 52 171 181

HSL 184.65, 0.55%, 0.46%

LAB 64.32, -28.76, -14.62

 

CMYK 29 / 71 / 0 / 29

HEX #8034B5

RGB 128 52 181

HSL 275.35, 0.55%, 0.46%

LAB 38.52, 54.62, -54.7

 

Description

Color code: HEX #B74135 | qconv.com Color code: HEX #B74135 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 65 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 65 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 71 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 71% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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