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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B74A1F it is the complementary color #48B5E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B74A1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B74A1F shade: #BC4A1A, #CD5C2D, #DE6E40, #EF8053 and #FF9266

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B74A1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B74A1F shade: #B74A1F, #A6380C, #952600, #841400 and #730200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B74A1F shade: #B74A1F, #B7211F and #B71F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B74A1F shade: #B74A1F, #B7731F, #B79C1F, #A9B71F and #80B71F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B74A1F shade matches the following richer shades: #B74A1F and #C8420D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B74A1F shade: #B74A1F, #A55130, #945941, #836053 and #716864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B74A1F shade: #B71F47, #B71F1F, #B7471F, #B7701F and #B7981F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B74A1F shade: #702D13, #933B19, #B74A1F, #DA5825 and #E07348

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B74A1F shade: #B74A1F, #70B71F and #1F33B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B74A1F shade: #B74A1F, #1FB747 and #471FB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B74A1F shade: #B74A1F, #70B71F, #1F8EB7 and #661FB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B74A1F shade: #B74A1F, #42B71F, #1F8EB7 and #931FB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

Complementary color

CMYK 68 / 19 / 0 / 12

HEX #48B5E0

RGB 72 181 224

HSL 196.97, 0.71%, 0.58%

LAB 69.33, -17.63, -30.66

 

CMYK 0 / 61 / 86 / 26

HEX #BC4A1A

RGB 188 74 26

HSL 17.78, 0.76%, 0.42%

LAB 46.53, 43.73, 49

 

CMYK 0 / 55 / 78 / 20

HEX #CD5C2D

RGB 205 92 45

HSL 17.63, 0.64%, 0.49%

LAB 52.76, 42.09, 47.17

 

CMYK 0 / 50 / 71 / 13

HEX #DE6E40

RGB 222 110 64

HSL 17.47, 0.71%, 0.56%

LAB 59.02, 40.48, 45.09

 

CMYK 0 / 46 / 65 / 6

HEX #EF8053

RGB 239 128 83

HSL 17.31, 0.83%, 0.63%

LAB 65.29, 38.96, 43.05

 

CMYK 0 / 43 / 60 / 0

HEX #FF9266

RGB 255 146 102

HSL 17.25, 1%, 0.7%

LAB 71.4, 37.17, 40.96

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 66 / 93 / 35

HEX #A6380C

RGB 166 56 12

HSL 17.14, 0.87%, 0.35%

LAB 39.52, 43.55, 47.18

 

CMYK 0 / 74 / 100 / 42

HEX #952600

RGB 149 38 0

HSL 15.3, 1%, 0.29%

LAB 33.51, 44.78, 46.18

 

CMYK 0 / 85 / 100 / 48

HEX #841400

RGB 132 20 0

HSL 9.09, 1%, 0.26%

LAB 27.86, 45.13, 40.47

 

CMYK 0 / 98 / 100 / 55

HEX #730200

RGB 115 2 0

HSL 1.04, 1%, 0.23%

LAB 22.61, 44.06, 34.15

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 82 / 83 / 28

HEX #B7211F

RGB 183 33 31

HSL 0.79, 0.71%, 0.42%

LAB 40, 57.57, 40.5

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 15 / 83 / 28

HEX #B79C1F

RGB 183 156 31

HSL 49.34, 0.71%, 0.42%

LAB 64.92, -2.17, 62.66

 

CMYK 8 / 0 / 83 / 28

HEX #A9B71F

RGB 169 183 31

HSL 65.53, 0.71%, 0.42%

LAB 71.15, -22.29, 67.5

 

CMYK 30 / 0 / 83 / 28

HEX #80B71F

RGB 128 183 31

HSL 81.71, 0.71%, 0.42%

LAB 68.43, -38.99, 64.08

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 67 / 94 / 22

HEX #C8420D

RGB 200 66 13

HSL 17.01, 0.88%, 0.42%

LAB 47.24, 51.31, 55.01

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 51 / 71 / 35

HEX #A55130

RGB 165 81 48

HSL 16.92, 0.55%, 0.42%

LAB 44.37, 32.09, 34.86

 

CMYK 0 / 40 / 56 / 42

HEX #945941

RGB 148 89 65

HSL 17.35, 0.39%, 0.42%

LAB 43.98, 21.74, 24.11

 

CMYK 0 / 27 / 37 / 49

HEX #836053

RGB 131 96 83

HSL 16.25, 0.22%, 0.42%

LAB 43.97, 12.35, 12.99

 

CMYK 0 / 8 / 12 / 56

HEX #716864

RGB 113 104 100

HSL 18.46, 0.06%, 0.42%

LAB 44.7, 2.78, 3.52

 

CMYK 0 / 83 / 61 / 28

HEX #B71F47

RGB 183 31 71

HSL 344.21, 0.71%, 0.42%

LAB 40.41, 59.85, 16.89

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 61 / 83 / 28

HEX #B7471F

RGB 183 71 31

HSL 15.79, 0.71%, 0.42%

LAB 45.18, 43.41, 45.3

 

CMYK 0 / 39 / 83 / 28

HEX #B7701F

RGB 183 112 31

HSL 31.97, 0.71%, 0.42%

LAB 53.77, 22.06, 52.99

 

CMYK 0 / 17 / 83 / 28

HEX #B7981F

RGB 183 152 31

HSL 47.76, 0.71%, 0.42%

LAB 63.85, -0.01, 61.75

 

CMYK 0 / 60 / 83 / 56

HEX #702D13

RGB 112 45 19

HSL 16.77, 0.71%, 0.26%

LAB 27.76, 28.08, 30.4

 

CMYK 0 / 60 / 83 / 42

HEX #933B19

RGB 147 59 25

HSL 16.72, 0.71%, 0.34%

LAB 36.75, 35.27, 38.1

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 60 / 83 / 15

HEX #DA5825

RGB 218 88 37

HSL 16.91, 0.71%, 0.5%

LAB 54.05, 48.56, 52.79

 

CMYK 0 / 49 / 68 / 12

HEX #E07348

RGB 224 115 72

HSL 16.97, 0.71%, 0.58%

LAB 60.41, 39.14, 42.59

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 39 / 0 / 83 / 28

HEX #70B71F

RGB 112 183 31

HSL 88.03, 0.71%, 0.42%

LAB 67.58, -44.85, 63.01

 

CMYK 83 / 72 / 0 / 28

HEX #1F33B7

RGB 31 51 183

HSL 232.11, 0.71%, 0.42%

LAB 29.61, 41.76, -70.81

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 83 / 0 / 61 / 28

HEX #1FB747

RGB 31 183 71

HSL 135.79, 0.71%, 0.42%

LAB 65.45, -60.59, 45.45

 

CMYK 61 / 83 / 0 / 28

HEX #471FB7

RGB 71 31 183

HSL 255.79, 0.71%, 0.42%

LAB 28.74, 55.41, -72.16

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 39 / 0 / 83 / 28

HEX #70B71F

RGB 112 183 31

HSL 88.03, 0.71%, 0.42%

LAB 67.58, -44.85, 63.01

 

CMYK 83 / 22 / 0 / 28

HEX #1F8EB7

RGB 31 142 183

HSL 196.18, 0.71%, 0.42%

LAB 55.13, -15.35, -29.85

 

CMYK 44 / 83 / 0 / 28

HEX #661FB7

RGB 102 31 183

HSL 268.03, 0.71%, 0.42%

LAB 32.31, 59.03, -66.15

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 64 / 0 / 83 / 28

HEX #42B71F

RGB 66 183 31

HSL 106.18, 0.71%, 0.42%

LAB 65.85, -58.25, 60.79

 

CMYK 83 / 22 / 0 / 28

HEX #1F8EB7

RGB 31 142 183

HSL 196.18, 0.71%, 0.42%

LAB 55.13, -15.35, -29.85

 

CMYK 20 / 83 / 0 / 28

HEX #931FB7

RGB 147 31 183

HSL 285.79, 0.71%, 0.42%

LAB 38.9, 65.96, -55.12

 

Description

Color code: HEX #B74A1F | qconv.com Color code: HEX #B74A1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 74 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 74 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 83 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 83% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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