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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75551 it is the complementary color #48AAAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75551 shade: #BC554C, #CD675F, #DE7972, #EF8B85 and #FF9D98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75551 shade: #B75551, #A6433E, #95312B, #841F18 and #730D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75551 shade: #B65652 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75551 shade: #B65652, #B67152, #B68C52, #B6A752 and #AAB652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75551 shade matches the following richer shades: #B65652, #CA443E, #DE312A and #F21F17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75551 shade: #B65652, #A26866, #8F7A7A, #7B8D8D and #679FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75551 shade: #B65284, #B65269, #B65552, #B67052 and #B68B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75551 shade: #803835, #9D4542, #B65652, #C2726F and #CF8F8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75551 shade: #B75551, #9FB652 and #5277B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75551 shade: #B75551, #52B655 and #5552B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75551 shade: #B75551, #9FB652, #52B3B6 and #6952B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75551 shade: #B75551, #81B652, #52B3B6 and #8752B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 56 / 28

HEX #B75551

RGB 183 85 81

HSL 2.35, 0.41%, 0.52%

LAB 48.46, 39.34, 21.45

 

Complementary color

CMYK 59 / 2 / 0 / 32

HEX #48AAAE

RGB 72 170 174

HSL 182.35, 0.41%, 0.48%

LAB 64.31, -27.14, -10.67

 

CMYK 0 / 55 / 60 / 26

HEX #BC554C

RGB 188 85 76

HSL 4.82, 0.46%, 0.52%

LAB 49.14, 40.81, 25.44

 

CMYK 0 / 50 / 54 / 20

HEX #CD675F

RGB 205 103 95

HSL 4.36, 0.52%, 0.59%

LAB 55.59, 39.59, 23.28

 

CMYK 0 / 45 / 49 / 13

HEX #DE7972

RGB 222 121 114

HSL 3.89, 0.62%, 0.66%

LAB 62.01, 38.42, 21.42

 

CMYK 0 / 42 / 44 / 6

HEX #EF8B85

RGB 239 139 133

HSL 3.4, 0.77%, 0.73%

LAB 68.39, 37.32, 19.8

 

CMYK 0 / 38 / 40 / 0

HEX #FF9D98

RGB 255 157 152

HSL 2.91, 1%, 0.8%

LAB 74.6, 35.93, 18.17

 

CMYK 0 / 54 / 56 / 28

HEX #B75551

RGB 183 85 81

HSL 2.35, 0.41%, 0.52%

LAB 48.46, 39.34, 21.45

 

CMYK 0 / 60 / 63 / 35

HEX #A6433E

RGB 166 67 62

HSL 2.88, 0.46%, 0.45%

LAB 41.95, 40.51, 23.88

 

CMYK 0 / 67 / 71 / 42

HEX #95312B

RGB 149 49 43

HSL 3.4, 0.55%, 0.38%

LAB 35.52, 41.54, 26.84

 

CMYK 0 / 77 / 82 / 48

HEX #841F18

RGB 132 31 24

HSL 3.89, 0.69%, 0.31%

LAB 29.29, 42.16, 30.39

 

CMYK 0 / 89 / 96 / 55

HEX #730D05

RGB 115 13 5

HSL 4.36, 0.92%, 0.24%

LAB 23.48, 41.78, 33.01

 

CMYK 0 / 53 / 55 / 29

HEX #B65652

RGB 182 86 82

HSL 2.4, 0.41%, 0.52%

LAB 48.52, 38.53, 20.92

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 53 / 55 / 29

HEX #B65652

RGB 182 86 82

HSL 2.4, 0.41%, 0.52%

LAB 48.52, 38.53, 20.92

 

CMYK 0 / 38 / 55 / 29

HEX #B67152

RGB 182 113 82

HSL 18.6, 0.41%, 0.52%

LAB 54.41, 24.04, 28.56

 

CMYK 0 / 23 / 55 / 29

HEX #B68C52

RGB 182 140 82

HSL 34.8, 0.41%, 0.52%

LAB 61.05, 9.03, 36.83

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 7 / 0 / 55 / 29

HEX #AAB652

RGB 170 182 82

HSL 67.2, 0.41%, 0.52%

LAB 71.29, -18.46, 48.67

 

CMYK 0 / 53 / 55 / 29

HEX #B65652

RGB 182 86 82

HSL 2.4, 0.41%, 0.52%

LAB 48.52, 38.53, 20.92

 

CMYK 0 / 66 / 69 / 21

HEX #CA443E

RGB 202 68 62

HSL 2.57, 0.57%, 0.52%

LAB 48.31, 52.68, 33.08

 

CMYK 0 / 78 / 81 / 13

HEX #DE312A

RGB 222 49 42

HSL 2.33, 0.73%, 0.52%

LAB 49.37, 64.78, 46.34

 

CMYK 0 / 87 / 90 / 5

HEX #F21F17

RGB 242 31 23

HSL 2.19, 0.89%, 0.52%

LAB 51.75, 73.94, 58.54

 

CMYK 0 / 53 / 55 / 29

HEX #B65652

RGB 182 86 82

HSL 2.4, 0.41%, 0.52%

LAB 48.52, 38.53, 20.92

 

CMYK 0 / 36 / 37 / 36

HEX #A26866

RGB 162 104 102

HSL 2, 0.24%, 0.52%

LAB 50.15, 23.04, 10.81

 

CMYK 0 / 15 / 15 / 44

HEX #8F7A7A

RGB 143 122 122

HSL 0, 0.09%, 0.52%

LAB 53.13, 8.1, 3

 

CMYK 13 / 0 / 0 / 45

HEX #7B8D8D

RGB 123 141 141

HSL 180, 0.07%, 0.52%

LAB 57.25, -6.44, -2.19

 

CMYK 36 / 1 / 0 / 37

HEX #679FA1

RGB 103 159 161

HSL 182.07, 0.24%, 0.52%

LAB 61.87, -17.77, -6.88

 

CMYK 0 / 55 / 27 / 29

HEX #B65284

RGB 182 82 132

HSL 330, 0.41%, 0.52%

LAB 49.06, 46.09, -8.37

 

CMYK 0 / 55 / 42 / 29

HEX #B65269

RGB 182 82 105

HSL 346.2, 0.41%, 0.52%

LAB 48.26, 42.77, 6.73

 

CMYK 0 / 53 / 55 / 29

HEX #B65552

RGB 182 85 82

HSL 1.8, 0.41%, 0.52%

LAB 48.32, 39.04, 20.65

 

CMYK 0 / 38 / 55 / 29

HEX #B67052

RGB 182 112 82

HSL 18, 0.41%, 0.52%

LAB 54.18, 24.6, 28.26

 

CMYK 0 / 24 / 55 / 29

HEX #B68B52

RGB 182 139 82

HSL 34.2, 0.41%, 0.52%

LAB 60.8, 9.58, 36.52

 

CMYK 0 / 56 / 59 / 50

HEX #803835

RGB 128 56 53

HSL 2.4, 0.41%, 0.35%

LAB 33.3, 30.88, 17.03

 

CMYK 0 / 56 / 58 / 38

HEX #9D4542

RGB 157 69 66

HSL 1.98, 0.41%, 0.44%

LAB 40.92, 36.44, 19.83

 

CMYK 0 / 53 / 55 / 29

HEX #B65652

RGB 182 86 82

HSL 2.4, 0.41%, 0.52%

LAB 48.52, 38.53, 20.92

 

CMYK 0 / 41 / 43 / 24

HEX #C2726F

RGB 194 114 111

HSL 2.17, 0.4%, 0.6%

LAB 56.73, 31.16, 15.32

 

CMYK 0 / 31 / 32 / 19

HEX #CF8F8C

RGB 207 143 140

HSL 2.69, 0.41%, 0.68%

LAB 65.6, 23.89, 11.41

 

CMYK 0 / 54 / 56 / 28

HEX #B75551

RGB 183 85 81

HSL 2.35, 0.41%, 0.52%

LAB 48.46, 39.34, 21.45

 

CMYK 13 / 0 / 55 / 29

HEX #9FB652

RGB 159 182 82

HSL 73.8, 0.41%, 0.52%

LAB 70.48, -22.95, 47.53

 

CMYK 55 / 35 / 0 / 29

HEX #5277B6

RGB 82 119 182

HSL 217.8, 0.41%, 0.52%

LAB 49.94, 5.66, -37.28

 

CMYK 0 / 54 / 56 / 28

HEX #B75551

RGB 183 85 81

HSL 2.35, 0.41%, 0.52%

LAB 48.46, 39.34, 21.45

 

CMYK 55 / 0 / 53 / 29

HEX #52B655

RGB 82 182 85

HSL 121.8, 0.41%, 0.52%

LAB 66.45, -49.09, 40.32

 

CMYK 53 / 55 / 0 / 29

HEX #5552B6

RGB 85 82 182

HSL 241.8, 0.41%, 0.52%

LAB 40.15, 29.4, -52.87

 

CMYK 0 / 54 / 56 / 28

HEX #B75551

RGB 183 85 81

HSL 2.35, 0.41%, 0.52%

LAB 48.46, 39.34, 21.45

 

CMYK 13 / 0 / 55 / 29

HEX #9FB652

RGB 159 182 82

HSL 73.8, 0.41%, 0.52%

LAB 70.48, -22.95, 47.53

 

CMYK 55 / 2 / 0 / 29

HEX #52B3B6

RGB 82 179 182

HSL 181.8, 0.41%, 0.52%

LAB 67.58, -27.41, -10.19

 

CMYK 42 / 55 / 0 / 29

HEX #6952B6

RGB 105 82 182

HSL 253.8, 0.41%, 0.52%

LAB 41.87, 33.85, -50.02

 

CMYK 0 / 54 / 56 / 28

HEX #B75551

RGB 183 85 81

HSL 2.35, 0.41%, 0.52%

LAB 48.46, 39.34, 21.45

 

CMYK 29 / 0 / 55 / 29

HEX #81B652

RGB 129 182 82

HSL 91.8, 0.41%, 0.52%

LAB 68.56, -34.56, 44.8

 

CMYK 55 / 2 / 0 / 29

HEX #52B3B6

RGB 82 179 182

HSL 181.8, 0.41%, 0.52%

LAB 67.58, -27.41, -10.19

 

CMYK 26 / 55 / 0 / 29

HEX #8752B6

RGB 135 82 182

HSL 271.8, 0.41%, 0.52%

LAB 45.03, 41.37, -44.78

 

Description

Color code: HEX #B75551 | qconv.com Color code: HEX #B75551 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 85 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 85 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 56 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 56% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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