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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75773 it is the complementary color #48A88C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75773. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75773 shade: #BC576E, #CD6981, #DE7B94, #EF8DA7 and #FF9FBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75773. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75773 shade: #B75773, #A64560, #95334D, #84213A and #730F27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75773 shade: #B75773, #B75759 and #B75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75773 shade: #B75773, #B7578D, #B757A6, #AD57B7 and #9357B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75773 shade matches the following richer shades: #B75773, #CA436B, #DD3063 and #F11D5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75773 shade: #B75773, #A36A7B, #907D83, #7C918B and #69A493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75773 shade: #B757A7, #B7578D, #B75773, #B7575A and #B76D57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75773 shade: #83384E, #A0445F, #B75773, #C3748B and #CF90A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75773 shade: #B75773, #B7AD57 and #579AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75773 shade: #B75773, #73B757 and #5773B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75773 shade: #B75773, #B7AD57, #57B79A and #5760B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75773 shade: #B75773, #A3B757, #57B79A and #6A57B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

Complementary color

CMYK 57 / 0 / 17 / 34

HEX #48A88C

RGB 72 168 140

HSL 162.5, 0.4%, 0.47%

LAB 62.74, -35.18, 6.02

 

CMYK 0 / 54 / 41 / 26

HEX #BC576E

RGB 188 87 110

HSL 346.34, 0.43%, 0.54%

LAB 50.26, 42.94, 6.69

 

CMYK 0 / 49 / 37 / 20

HEX #CD6981

RGB 205 105 129

HSL 345.6, 0.5%, 0.61%

LAB 56.75, 42.02, 5.08

 

CMYK 0 / 45 / 33 / 13

HEX #DE7B94

RGB 222 123 148

HSL 344.85, 0.6%, 0.68%

LAB 63.21, 41.1, 3.7

 

CMYK 0 / 41 / 30 / 6

HEX #EF8DA7

RGB 239 141 167

HSL 344.08, 0.75%, 0.75%

LAB 69.6, 40.2, 2.5

 

CMYK 0 / 38 / 27 / 0

HEX #FF9FBA

RGB 255 159 186

HSL 343.13, 1%, 0.81%

LAB 75.82, 39, 1.25

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 58 / 42 / 35

HEX #A64560

RGB 166 69 96

HSL 343.3, 0.41%, 0.46%

LAB 43.07, 42.59, 4.49

 

CMYK 0 / 66 / 48 / 42

HEX #95334D

RGB 149 51 77

HSL 344.08, 0.49%, 0.39%

LAB 36.54, 43.23, 6.72

 

CMYK 0 / 75 / 56 / 48

HEX #84213A

RGB 132 33 58

HSL 344.85, 0.6%, 0.32%

LAB 30.15, 43.41, 9.68

 

CMYK 0 / 87 / 66 / 55

HEX #730F27

RGB 115 15 39

HSL 345.6, 0.77%, 0.25%

LAB 24.11, 42.6, 13.73

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 52 / 51 / 28

HEX #B75759

RGB 183 87 89

HSL 358.75, 0.4%, 0.53%

LAB 49.01, 39.01, 17.43

 

CMYK 0 / 52 / 52 / 28

HEX #B75757

RGB 183 87 87

HSL 0, 0.4%, 0.53%

LAB 48.97, 38.83, 18.57

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 52 / 23 / 28

HEX #B7578D

RGB 183 87 141

HSL 326.25, 0.4%, 0.53%

LAB 50.46, 45.21, -11.63

 

CMYK 0 / 52 / 9 / 28

HEX #B757A6

RGB 183 87 166

HSL 310.63, 0.4%, 0.53%

LAB 51.42, 49.13, -24.93

 

CMYK 5 / 52 / 0 / 28

HEX #AD57B7

RGB 173 87 183

HSL 293.75, 0.4%, 0.53%

LAB 50.83, 49.29, -35.88

 

CMYK 20 / 52 / 0 / 28

HEX #9357B7

RGB 147 87 183

HSL 277.5, 0.4%, 0.53%

LAB 47.54, 42.08, -41.28

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 67 / 47 / 21

HEX #CA436B

RGB 202 67 107

HSL 342.22, 0.56%, 0.53%

LAB 49.05, 56.3, 7.09

 

CMYK 0 / 78 / 55 / 13

HEX #DD3063

RGB 221 48 99

HSL 342.31, 0.72%, 0.53%

LAB 49.96, 67.56, 13.74

 

CMYK 0 / 88 / 63 / 5

HEX #F11D5A

RGB 241 29 90

HSL 342.74, 0.88%, 0.53%

LAB 52.19, 76.2, 22.87

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 35 / 25 / 36

HEX #A36A7B

RGB 163 106 123

HSL 342.11, 0.24%, 0.53%

LAB 51.3, 25.23, 0.01

 

CMYK 0 / 13 / 9 / 44

HEX #907D83

RGB 144 125 131

HSL 341.05, 0.08%, 0.53%

LAB 54.28, 8.36, -0.57

 

CMYK 14 / 0 / 4 / 43

HEX #7C918B

RGB 124 145 139

HSL 162.86, 0.09%, 0.53%

LAB 58.41, -8.73, 0.66

 

CMYK 36 / 0 / 10 / 36

HEX #69A493

RGB 105 164 147

HSL 162.71, 0.24%, 0.53%

LAB 63.06, -23.15, 2.75

 

CMYK 0 / 52 / 9 / 28

HEX #B757A7

RGB 183 87 167

HSL 310, 0.4%, 0.53%

LAB 51.47, 49.3, -25.45

 

CMYK 0 / 52 / 23 / 28

HEX #B7578D

RGB 183 87 141

HSL 326.25, 0.4%, 0.53%

LAB 50.46, 45.21, -11.63

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 52 / 51 / 28

HEX #B7575A

RGB 183 87 90

HSL 358.13, 0.4%, 0.53%

LAB 49.03, 39.11, 16.86

 

CMYK 0 / 40 / 52 / 28

HEX #B76D57

RGB 183 109 87

HSL 13.75, 0.4%, 0.53%

LAB 53.7, 27.1, 24.83

 

CMYK 0 / 57 / 40 / 49

HEX #83384E

RGB 131 56 78

HSL 342.4, 0.4%, 0.37%

LAB 34.4, 34.61, 2.61

 

CMYK 0 / 58 / 41 / 37

HEX #A0445F

RGB 160 68 95

HSL 342.39, 0.4%, 0.45%

LAB 41.9, 40.88, 3.29

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 41 / 29 / 24

HEX #C3748B

RGB 195 116 139

HSL 342.53, 0.4%, 0.61%

LAB 58, 33.93, 0.89

 

CMYK 0 / 30 / 21 / 19

HEX #CF90A3

RGB 207 144 163

HSL 341.9, 0.4%, 0.69%

LAB 66.41, 26.58, -0.36

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 5 / 52 / 28

HEX #B7AD57

RGB 183 173 87

HSL 53.75, 0.4%, 0.53%

LAB 69.92, -7.96, 44.96

 

CMYK 52 / 16 / 0 / 28

HEX #579AB7

RGB 87 154 183

HSL 198.13, 0.4%, 0.53%

LAB 60.39, -13.08, -21.61

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 37 / 0 / 52 / 28

HEX #73B757

RGB 115 183 87

HSL 102.5, 0.4%, 0.53%

LAB 68.17, -39.37, 41.74

 

CMYK 52 / 37 / 0 / 28

HEX #5773B7

RGB 87 115 183

HSL 222.5, 0.4%, 0.53%

LAB 49.14, 9.56, -39.1

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 0 / 5 / 52 / 28

HEX #B7AD57

RGB 183 173 87

HSL 53.75, 0.4%, 0.53%

LAB 69.92, -7.96, 44.96

 

CMYK 52 / 0 / 16 / 28

HEX #57B79A

RGB 87 183 154

HSL 161.88, 0.4%, 0.53%

LAB 68.19, -35.43, 6.16

 

CMYK 52 / 48 / 0 / 28

HEX #5760B7

RGB 87 96 183

HSL 234.38, 0.4%, 0.53%

LAB 43.96, 21.38, -47.33

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 11 / 0 / 52 / 28

HEX #A3B757

RGB 163 183 87

HSL 72.5, 0.4%, 0.53%

LAB 71.11, -21.36, 45.96

 

CMYK 52 / 0 / 16 / 28

HEX #57B79A

RGB 87 183 154

HSL 161.88, 0.4%, 0.53%

LAB 68.19, -35.43, 6.16

 

CMYK 42 / 52 / 0 / 28

HEX #6A57B7

RGB 106 87 183

HSL 251.88, 0.4%, 0.53%

LAB 43.21, 31.38, -48.44

 

Description

Color code: HEX #B75773 | qconv.com Color code: HEX #B75773 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 87 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 87 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 37 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 37% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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