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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75366 it is the complementary color #48AC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75366 shade: #BC5361, #CD6574, #DE7787, #EF899A and #FF9BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75366 shade: #B75366, #A64153, #952F40, #841D2D and #730B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75366 shade: #B65265 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75366 shade: #B65265, #B65280, #B6529B, #B652B6 and #9B52B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75366 shade matches the following richer shades: #B65265, #CA3E59, #DE2A4C and #F21740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75366 shade: #B65265, #A26671, #8F7A7E, #7B8D8A and #67A196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75366 shade: #B6529C, #B65281, #B65266, #B65952 and #B67352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75366 shade: #803544, #9D4253, #B65265, #C26F7F and #CF8C99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75366 shade: #B75366, #B6B652 and #528EB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75366 shade: #B75366, #66B652 and #5266B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75366 shade: #B75366, #B6B652, #52B6A2 and #5252B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75366 shade: #B75366, #98B652, #52B6A2 and #7052B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 44 / 28

HEX #B75366

RGB 183 83 102

HSL 348.6, 0.41%, 0.52%

LAB 48.53, 42.31, 8.95

 

Complementary color

CMYK 58 / 0 / 11 / 33

HEX #48AC99

RGB 72 172 153

HSL 168.6, 0.41%, 0.48%

LAB 64.31, -33.79, 1.04

 

CMYK 0 / 56 / 48 / 26

HEX #BC5361

RGB 188 83 97

HSL 352, 0.44%, 0.53%

LAB 49.18, 43.58, 12.99

 

CMYK 0 / 51 / 43 / 20

HEX #CD6574

RGB 205 101 116

HSL 351.35, 0.51%, 0.6%

LAB 55.63, 42.6, 11.1

 

CMYK 0 / 46 / 39 / 13

HEX #DE7787

RGB 222 119 135

HSL 350.68, 0.61%, 0.67%

LAB 62.06, 41.62, 9.5

 

CMYK 0 / 43 / 36 / 6

HEX #EF899A

RGB 239 137 154

HSL 350, 0.76%, 0.74%

LAB 68.44, 40.66, 8.12

 

CMYK 0 / 39 / 32 / 0

HEX #FF9BAD

RGB 255 155 173

HSL 349.2, 1%, 0.8%

LAB 74.65, 39.39, 6.7

 

CMYK 0 / 55 / 44 / 28

HEX #B75366

RGB 183 83 102

HSL 348.6, 0.41%, 0.52%

LAB 48.53, 42.31, 8.95

 

CMYK 0 / 61 / 50 / 35

HEX #A64153

RGB 166 65 83

HSL 349.31, 0.44%, 0.45%

LAB 42.02, 43.18, 11.05

 

CMYK 0 / 68 / 57 / 42

HEX #952F40

RGB 149 47 64

HSL 350, 0.52%, 0.38%

LAB 35.58, 43.82, 13.72

 

CMYK 0 / 78 / 66 / 48

HEX #841D2D

RGB 132 29 45

HSL 350.68, 0.64%, 0.32%

LAB 29.35, 43.91, 17.2

 

CMYK 0 / 90 / 77 / 55

HEX #730B1A

RGB 115 11 26

HSL 351.35, 0.83%, 0.25%

LAB 23.53, 42.87, 21.84

 

CMYK 0 / 55 / 45 / 29

HEX #B65265

RGB 182 82 101

HSL 348.6, 0.41%, 0.52%

LAB 48.16, 42.35, 9.01

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 55 / 45 / 29

HEX #B65265

RGB 182 82 101

HSL 348.6, 0.41%, 0.52%

LAB 48.16, 42.35, 9.01

 

CMYK 0 / 55 / 30 / 29

HEX #B65280

RGB 182 82 128

HSL 332.4, 0.41%, 0.52%

LAB 48.93, 45.55, -6.16

 

CMYK 0 / 55 / 15 / 29

HEX #B6529B

RGB 182 82 155

HSL 316.2, 0.41%, 0.52%

LAB 49.91, 49.47, -20.79

 

CMYK 0 / 55 / 0 / 29

HEX #B652B6

RGB 182 82 182

HSL 300, 0.41%, 0.52%

LAB 51.1, 54.02, -34.78

 

CMYK 15 / 55 / 0 / 29

HEX #9B52B6

RGB 155 82 182

HSL 283.8, 0.41%, 0.52%

LAB 47.47, 46.69, -40.75

 

CMYK 0 / 55 / 45 / 29

HEX #B65265

RGB 182 82 101

HSL 348.6, 0.41%, 0.52%

LAB 48.16, 42.35, 9.01

 

CMYK 0 / 69 / 56 / 21

HEX #CA3E59

RGB 202 62 89

HSL 348.43, 0.57%, 0.52%

LAB 47.91, 56.76, 16.45

 

CMYK 0 / 81 / 66 / 13

HEX #DE2A4C

RGB 222 42 76

HSL 348.67, 0.73%, 0.52%

LAB 49.14, 67.99, 26.65

 

CMYK 0 / 90 / 74 / 5

HEX #F21740

RGB 242 23 64

HSL 348.77, 0.89%, 0.52%

LAB 51.68, 76.14, 37.77

 

CMYK 0 / 55 / 45 / 29

HEX #B65265

RGB 182 82 101

HSL 348.6, 0.41%, 0.52%

LAB 48.16, 42.35, 9.01

 

CMYK 0 / 37 / 30 / 36

HEX #A26671

RGB 162 102 113

HSL 349, 0.24%, 0.52%

LAB 49.95, 25.64, 3.99

 

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

CMYK 13 / 0 / 2 / 45

HEX #7B8D8A

RGB 123 141 138

HSL 170, 0.07%, 0.52%

LAB 57.17, -7.09, -0.6

 

CMYK 36 / 0 / 7 / 37

HEX #67A196

RGB 103 161 150

HSL 168.62, 0.24%, 0.52%

LAB 62.15, -21.5, -0.28

 

CMYK 0 / 55 / 14 / 29

HEX #B6529C

RGB 182 82 156

HSL 315.6, 0.41%, 0.52%

LAB 49.95, 49.63, -21.32

 

CMYK 0 / 55 / 29 / 29

HEX #B65281

RGB 182 82 129

HSL 331.8, 0.41%, 0.52%

LAB 48.96, 45.68, -6.71

 

CMYK 0 / 55 / 44 / 29

HEX #B65266

RGB 182 82 102

HSL 348, 0.41%, 0.52%

LAB 48.18, 42.45, 8.44

 

CMYK 0 / 51 / 55 / 29

HEX #B65952

RGB 182 89 82

HSL 4.2, 0.41%, 0.52%

LAB 49.13, 36.99, 21.72

 

CMYK 0 / 37 / 55 / 29

HEX #B67352

RGB 182 115 82

HSL 19.8, 0.41%, 0.52%

LAB 54.88, 22.94, 29.16

 

CMYK 0 / 59 / 47 / 50

HEX #803544

RGB 128 53 68

HSL 348, 0.41%, 0.35%

LAB 33.03, 33.91, 7.04

 

CMYK 0 / 58 / 47 / 38

HEX #9D4253

RGB 157 66 83

HSL 348.79, 0.41%, 0.44%

LAB 40.72, 39.51, 9.01

 

CMYK 0 / 55 / 45 / 29

HEX #B65265

RGB 182 82 101

HSL 348.6, 0.41%, 0.52%

LAB 48.16, 42.35, 9.01

 

CMYK 0 / 43 / 35 / 24

HEX #C26F7F

RGB 194 111 127

HSL 348.43, 0.4%, 0.6%

LAB 56.46, 34.66, 5.63

 

CMYK 0 / 32 / 26 / 19

HEX #CF8C99

RGB 207 140 153

HSL 348.36, 0.41%, 0.68%

LAB 65.22, 27.29, 3.54

 

CMYK 0 / 55 / 44 / 28

HEX #B75366

RGB 183 83 102

HSL 348.6, 0.41%, 0.52%

LAB 48.53, 42.31, 8.95

 

CMYK 0 / 0 / 55 / 29

HEX #B6B652

RGB 182 182 82

HSL 60, 0.41%, 0.52%

LAB 72.24, -13.47, 50

 

CMYK 55 / 22 / 0 / 29

HEX #528EB6

RGB 82 142 182

HSL 204, 0.41%, 0.52%

LAB 56.6, -7.83, -26.88

 

CMYK 0 / 55 / 44 / 28

HEX #B75366

RGB 183 83 102

HSL 348.6, 0.41%, 0.52%

LAB 48.53, 42.31, 8.95

 

CMYK 44 / 0 / 55 / 29

HEX #66B652

RGB 102 182 82

HSL 108, 0.41%, 0.52%

LAB 67.19, -43.75, 42.85

 

CMYK 55 / 44 / 0 / 29

HEX #5266B6

RGB 82 102 182

HSL 228, 0.41%, 0.52%

LAB 45.18, 16.18, -44.81

 

CMYK 0 / 55 / 44 / 28

HEX #B75366

RGB 183 83 102

HSL 348.6, 0.41%, 0.52%

LAB 48.53, 42.31, 8.95

 

CMYK 0 / 0 / 55 / 29

HEX #B6B652

RGB 182 182 82

HSL 60, 0.41%, 0.52%

LAB 72.24, -13.47, 50

 

CMYK 55 / 0 / 11 / 29

HEX #52B6A2

RGB 82 182 162

HSL 168, 0.41%, 0.52%

LAB 67.92, -34.13, 1.35

 

CMYK 55 / 55 / 0 / 29

HEX #5252B6

RGB 82 82 182

HSL 240, 0.41%, 0.52%

LAB 39.92, 28.79, -53.25

 

CMYK 0 / 55 / 44 / 28

HEX #B75366

RGB 183 83 102

HSL 348.6, 0.41%, 0.52%

LAB 48.53, 42.31, 8.95

 

CMYK 16 / 0 / 55 / 29

HEX #98B652

RGB 152 182 82

HSL 78, 0.41%, 0.52%

LAB 69.99, -25.75, 46.84

 

CMYK 55 / 0 / 11 / 29

HEX #52B6A2

RGB 82 182 162

HSL 168, 0.41%, 0.52%

LAB 67.92, -34.13, 1.35

 

CMYK 38 / 55 / 0 / 29

HEX #7052B6

RGB 112 82 182

HSL 258, 0.41%, 0.52%

LAB 42.55, 35.53, -48.89

 

Description

Color code: HEX #B75366 | qconv.com Color code: HEX #B75366 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 83 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 83 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 44 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 44% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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