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Color name
HEX #B75D53

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75D53 it is the complementary color #48A2AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75D53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75D53 shade: #BC5D4E, #CD6F61, #DE8174, #EF9387 and #FFA59A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75D53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75D53 shade: #B75D53, #A64B40, #95392D, #84271A and #731507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75D53 shade: #B65C52 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75D53 shade: #B65C52, #B67752, #B69252, #B6AD52 and #A4B652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75D53 shade matches the following richer shades: #B65C52, #CA4C3E, #DE3C2A and #F22C17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75D53 shade: #B65C52, #A26C66, #8F7C7A, #7B8B8D and #679BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75D53 shade: #B6527D, #B65263, #B65C52, #B67752 and #B69152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75D53 shade: #803D35, #9D4B42, #B65C52, #C2776F and #CF938C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75D53 shade: #B75D53, #98B652 and #5270B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75D53 shade: #B75D53, #52B65C and #5C52B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75D53 shade: #B75D53, #98B652, #52ACB6 and #7052B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75D53 shade: #B75D53, #7AB652, #52ACB6 and #8E52B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 55 / 28

HEX #B75D53

RGB 183 93 83

HSL 6, 0.41%, 0.52%

LAB 50.12, 35.37, 22.46

 

Complementary color

CMYK 58 / 6 / 0 / 33

HEX #48A2AC

RGB 72 162 172

HSL 186, 0.41%, 0.48%

LAB 61.82, -23.69, -13.28

 

CMYK 0 / 51 / 59 / 26

HEX #BC5D4E

RGB 188 93 78

HSL 8.18, 0.45%, 0.52%

LAB 50.77, 36.9, 26.36

 

CMYK 0 / 46 / 53 / 20

HEX #CD6F61

RGB 205 111 97

HSL 7.78, 0.52%, 0.59%

LAB 57.28, 35.62, 24.37

 

CMYK 0 / 42 / 48 / 13

HEX #DE8174

RGB 222 129 116

HSL 7.36, 0.62%, 0.66%

LAB 63.75, 34.44, 22.63

 

CMYK 0 / 38 / 44 / 6

HEX #EF9387

RGB 239 147 135

HSL 6.92, 0.76%, 0.73%

LAB 70.15, 33.36, 21.1

 

CMYK 0 / 35 / 40 / 0

HEX #FFA59A

RGB 255 165 154

HSL 6.53, 1%, 0.8%

LAB 76.38, 31.99, 19.54

 

CMYK 0 / 49 / 55 / 28

HEX #B75D53

RGB 183 93 83

HSL 6, 0.41%, 0.52%

LAB 50.12, 35.37, 22.46

 

CMYK 0 / 55 / 61 / 35

HEX #A64B40

RGB 166 75 64

HSL 6.47, 0.44%, 0.45%

LAB 43.52, 36.65, 24.67

 

CMYK 0 / 62 / 70 / 42

HEX #95392D

RGB 149 57 45

HSL 6.92, 0.54%, 0.38%

LAB 36.94, 37.94, 27.31

 

CMYK 0 / 70 / 80 / 48

HEX #84271A

RGB 132 39 26

HSL 7.36, 0.67%, 0.31%

LAB 30.48, 39.04, 30.45

 

CMYK 0 / 82 / 94 / 55

HEX #731507

RGB 115 21 7

HSL 7.78, 0.89%, 0.24%

LAB 24.31, 39.52, 33.02

 

CMYK 0 / 49 / 55 / 29

HEX #B65C52

RGB 182 92 82

HSL 6, 0.41%, 0.52%

LAB 49.75, 35.42, 22.53

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 49 / 55 / 29

HEX #B65C52

RGB 182 92 82

HSL 6, 0.41%, 0.52%

LAB 49.75, 35.42, 22.53

 

CMYK 0 / 35 / 55 / 29

HEX #B67752

RGB 182 119 82

HSL 22.2, 0.41%, 0.52%

LAB 55.83, 20.71, 30.36

 

CMYK 0 / 20 / 55 / 29

HEX #B69252

RGB 182 146 82

HSL 38.4, 0.41%, 0.52%

LAB 62.6, 5.72, 38.71

 

CMYK 0 / 5 / 55 / 29

HEX #B6AD52

RGB 182 173 82

HSL 54.6, 0.41%, 0.52%

LAB 69.78, -8.8, 47.19

 

CMYK 10 / 0 / 55 / 29

HEX #A4B652

RGB 164 182 82

HSL 70.8, 0.41%, 0.52%

LAB 70.84, -20.92, 48.04

 

CMYK 0 / 49 / 55 / 29

HEX #B65C52

RGB 182 92 82

HSL 6, 0.41%, 0.52%

LAB 49.75, 35.42, 22.53

 

CMYK 0 / 62 / 69 / 21

HEX #CA4C3E

RGB 202 76 62

HSL 6, 0.57%, 0.52%

LAB 49.58, 49.25, 34.59

 

CMYK 0 / 73 / 81 / 13

HEX #DE3C2A

RGB 222 60 42

HSL 6, 0.73%, 0.52%

LAB 50.6, 61.32, 47.53

 

CMYK 0 / 82 / 90 / 5

HEX #F22C17

RGB 242 44 23

HSL 5.75, 0.89%, 0.52%

LAB 52.66, 71.32, 59.16

 

CMYK 0 / 49 / 55 / 29

HEX #B65C52

RGB 182 92 82

HSL 6, 0.41%, 0.52%

LAB 49.75, 35.42, 22.53

 

CMYK 0 / 33 / 37 / 36

HEX #A26C66

RGB 162 108 102

HSL 6, 0.24%, 0.52%

LAB 51.11, 20.76, 12.16

 

CMYK 0 / 13 / 15 / 44

HEX #8F7C7A

RGB 143 124 122

HSL 5.71, 0.09%, 0.52%

LAB 53.66, 6.94, 3.77

 

CMYK 13 / 1 / 0 / 45

HEX #7B8B8D

RGB 123 139 141

HSL 186.67, 0.07%, 0.52%

LAB 56.68, -5.33, -3.03

 

CMYK 36 / 4 / 0 / 37

HEX #679BA1

RGB 103 155 161

HSL 186.21, 0.24%, 0.52%

LAB 60.69, -15.65, -8.64

 

CMYK 0 / 55 / 31 / 29

HEX #B6527D

RGB 182 82 125

HSL 334.2, 0.41%, 0.52%

LAB 48.83, 45.16, -4.5

 

CMYK 0 / 55 / 46 / 29

HEX #B65263

RGB 182 82 99

HSL 349.8, 0.41%, 0.52%

LAB 48.11, 42.14, 10.15

 

CMYK 0 / 49 / 55 / 29

HEX #B65C52

RGB 182 92 82

HSL 6, 0.41%, 0.52%

LAB 49.75, 35.42, 22.53

 

CMYK 0 / 35 / 55 / 29

HEX #B67752

RGB 182 119 82

HSL 22.2, 0.41%, 0.52%

LAB 55.83, 20.71, 30.36

 

CMYK 0 / 20 / 55 / 29

HEX #B69152

RGB 182 145 82

HSL 37.8, 0.41%, 0.52%

LAB 62.34, 6.27, 38.4

 

CMYK 0 / 52 / 59 / 50

HEX #803D35

RGB 128 61 53

HSL 6.4, 0.41%, 0.35%

LAB 34.36, 28.15, 18.43

 

CMYK 0 / 52 / 58 / 38

HEX #9D4B42

RGB 157 75 66

HSL 5.93, 0.41%, 0.44%

LAB 42.14, 33.31, 21.42

 

CMYK 0 / 49 / 55 / 29

HEX #B65C52

RGB 182 92 82

HSL 6, 0.41%, 0.52%

LAB 49.75, 35.42, 22.53

 

CMYK 0 / 39 / 43 / 24

HEX #C2776F

RGB 194 119 111

HSL 5.78, 0.4%, 0.6%

LAB 57.86, 28.45, 16.87

 

CMYK 0 / 29 / 32 / 19

HEX #CF938C

RGB 207 147 140

HSL 6.27, 0.41%, 0.68%

LAB 66.54, 21.71, 12.74

 

CMYK 0 / 49 / 55 / 28

HEX #B75D53

RGB 183 93 83

HSL 6, 0.41%, 0.52%

LAB 50.12, 35.37, 22.46

 

CMYK 16 / 0 / 55 / 29

HEX #98B652

RGB 152 182 82

HSL 78, 0.41%, 0.52%

LAB 69.99, -25.75, 46.84

 

CMYK 55 / 38 / 0 / 29

HEX #5270B6

RGB 82 112 182

HSL 222, 0.41%, 0.52%

LAB 47.96, 9.95, -40.41

 

CMYK 0 / 49 / 55 / 28

HEX #B75D53

RGB 183 93 83

HSL 6, 0.41%, 0.52%

LAB 50.12, 35.37, 22.46

 

CMYK 55 / 0 / 49 / 29

HEX #52B65C

RGB 82 182 92

HSL 126, 0.41%, 0.52%

LAB 66.54, -48.12, 36.96

 

CMYK 49 / 55 / 0 / 29

HEX #5C52B6

RGB 92 82 182

HSL 246, 0.41%, 0.52%

LAB 40.71, 30.89, -51.93

 

CMYK 0 / 49 / 55 / 28

HEX #B75D53

RGB 183 93 83

HSL 6, 0.41%, 0.52%

LAB 50.12, 35.37, 22.46

 

CMYK 16 / 0 / 55 / 29

HEX #98B652

RGB 152 182 82

HSL 78, 0.41%, 0.52%

LAB 69.99, -25.75, 46.84

 

CMYK 55 / 5 / 0 / 29

HEX #52ACB6

RGB 82 172 182

HSL 186, 0.41%, 0.52%

LAB 65.5, -23.91, -13.32

 

CMYK 38 / 55 / 0 / 29

HEX #7052B6

RGB 112 82 182

HSL 258, 0.41%, 0.52%

LAB 42.55, 35.53, -48.89

 

CMYK 0 / 49 / 55 / 28

HEX #B75D53

RGB 183 93 83

HSL 6, 0.41%, 0.52%

LAB 50.12, 35.37, 22.46

 

CMYK 33 / 0 / 55 / 29

HEX #7AB652

RGB 122 182 82

HSL 96, 0.41%, 0.52%

LAB 68.17, -37.08, 44.24

 

CMYK 55 / 5 / 0 / 29

HEX #52ACB6

RGB 82 172 182

HSL 186, 0.41%, 0.52%

LAB 65.5, -23.91, -13.32

 

CMYK 22 / 55 / 0 / 29

HEX #8E52B6

RGB 142 82 182

HSL 276, 0.41%, 0.52%

LAB 45.86, 43.21, -43.41

 

Description

Color code: HEX #B75D53 | qconv.com Color code: HEX #B75D53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 93 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 93 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 55% 28% C M Y K

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Provide designers and agencies with accurate color values.

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