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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B76555 it is the complementary color #489AAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B76555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B76555 shade: #BC6550, #CD7763, #DE8976, #EF9B89 and #FFAD9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B76555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B76555 shade: #B76555, #A65342, #95412F, #842F1C and #731D09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B76555 shade: #B76657 and #B75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B76555 shade: #B76657, #B78057, #B79A57, #B7B457 and #9FB757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B76555 shade matches the following richer shades: #B76657, #CA5943, #DD4C30 and #F13F1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B76555 shade: #B76657, #A3736A, #90807D, #7C8E91 and #699BA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B76555 shade: #B7577B, #B75762, #B76557, #B77F57 and #B79857

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B76555 shade: #834438, #A05344, #B76657, #C38174 and #CF9B90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B76555 shade: #B76555, #95B757 and #576FB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B76555 shade: #B76555, #57B765 and #6557B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B76555 shade: #B76555, #95B757, #57A8B7 and #7857B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B76555 shade: #B76555, #78B757, #57A8B7 and #9557B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 54 / 28

HEX #B76555

RGB 183 101 85

HSL 9.8, 0.4%, 0.53%

LAB 51.87, 31.28, 23.59

 

Complementary color

CMYK 58 / 9 / 0 / 33

HEX #489AAA

RGB 72 154 170

HSL 189.8, 0.4%, 0.47%

LAB 59.33, -20.14, -15.91

 

CMYK 0 / 46 / 57 / 26

HEX #BC6550

RGB 188 101 80

HSL 11.67, 0.45%, 0.53%

LAB 52.48, 32.84, 27.4

 

CMYK 0 / 42 / 52 / 20

HEX #CD7763

RGB 205 119 99

HSL 11.32, 0.51%, 0.6%

LAB 59.04, 31.57, 25.55

 

CMYK 0 / 38 / 47 / 13

HEX #DE8976

RGB 222 137 118

HSL 10.96, 0.61%, 0.67%

LAB 65.54, 30.41, 23.92

 

CMYK 0 / 35 / 43 / 6

HEX #EF9B89

RGB 239 155 137

HSL 10.59, 0.76%, 0.74%

LAB 71.96, 29.36, 22.46

 

CMYK 0 / 32 / 39 / 0

HEX #FFAD9C

RGB 255 173 156

HSL 10.3, 1%, 0.81%

LAB 78.2, 28.04, 20.97

 

CMYK 0 / 45 / 54 / 28

HEX #B76555

RGB 183 101 85

HSL 9.8, 0.4%, 0.53%

LAB 51.87, 31.28, 23.59

 

CMYK 0 / 50 / 60 / 35

HEX #A65342

RGB 166 83 66

HSL 10.2, 0.43%, 0.45%

LAB 45.2, 32.61, 25.61

 

CMYK 0 / 56 / 68 / 42

HEX #95412F

RGB 149 65 47

HSL 10.59, 0.52%, 0.38%

LAB 38.51, 34.03, 27.98

 

CMYK 0 / 64 / 79 / 48

HEX #842F1C

RGB 132 47 28

HSL 10.96, 0.65%, 0.31%

LAB 31.86, 35.46, 30.75

 

CMYK 0 / 75 / 92 / 55

HEX #731D09

RGB 115 29 9

HSL 11.32, 0.85%, 0.24%

LAB 25.39, 36.61, 33.24

 

CMYK 0 / 44 / 52 / 28

HEX #B76657

RGB 183 102 87

HSL 9.38, 0.4%, 0.53%

LAB 52.13, 30.92, 22.77

 

CMYK 0 / 52 / 52 / 28

HEX #B75757

RGB 183 87 87

HSL 0, 0.4%, 0.53%

LAB 48.97, 38.83, 18.57

 

CMYK 0 / 44 / 52 / 28

HEX #B76657

RGB 183 102 87

HSL 9.38, 0.4%, 0.53%

LAB 52.13, 30.92, 22.77

 

CMYK 0 / 30 / 52 / 28

HEX #B78057

RGB 183 128 87

HSL 25.63, 0.4%, 0.53%

LAB 58.22, 16.57, 30.64

 

CMYK 0 / 16 / 52 / 28

HEX #B79A57

RGB 183 154 87

HSL 41.88, 0.4%, 0.53%

LAB 64.86, 2.21, 38.89

 

CMYK 0 / 2 / 52 / 28

HEX #B7B457

RGB 183 180 87

HSL 58.13, 0.4%, 0.53%

LAB 71.82, -11.6, 47.19

 

CMYK 13 / 0 / 52 / 28

HEX #9FB757

RGB 159 183 87

HSL 75, 0.4%, 0.53%

LAB 70.82, -22.97, 45.55

 

CMYK 0 / 44 / 52 / 28

HEX #B76657

RGB 183 102 87

HSL 9.38, 0.4%, 0.53%

LAB 52.13, 30.92, 22.77

 

CMYK 0 / 56 / 67 / 21

HEX #CA5943

RGB 202 89 67

HSL 9.78, 0.56%, 0.53%

LAB 51.96, 43.46, 34.58

 

CMYK 0 / 66 / 78 / 13

HEX #DD4C30

RGB 221 76 48

HSL 9.71, 0.72%, 0.53%

LAB 52.68, 55.16, 46.48

 

CMYK 0 / 74 / 88 / 5

HEX #F13F1D

RGB 241 63 29

HSL 9.62, 0.88%, 0.53%

LAB 54.39, 65.82, 58.03

 

CMYK 0 / 44 / 52 / 28

HEX #B76657

RGB 183 102 87

HSL 9.38, 0.4%, 0.53%

LAB 52.13, 30.92, 22.77

 

CMYK 0 / 29 / 35 / 36

HEX #A3736A

RGB 163 115 106

HSL 9.47, 0.24%, 0.53%

LAB 53.05, 17.7, 12.53

 

CMYK 0 / 11 / 13 / 44

HEX #90807D

RGB 144 128 125

HSL 9.47, 0.08%, 0.53%

LAB 54.92, 5.56, 3.84

 

CMYK 14 / 2 / 0 / 43

HEX #7C8E91

RGB 124 142 145

HSL 188.57, 0.09%, 0.53%

LAB 57.73, -5.78, -3.78

 

CMYK 36 / 5 / 0 / 36

HEX #699BA4

RGB 105 155 164

HSL 189.15, 0.24%, 0.53%

LAB 60.89, -14.32, -10.03

 

CMYK 0 / 52 / 33 / 28

HEX #B7577B

RGB 183 87 123

HSL 337.5, 0.4%, 0.53%

LAB 49.87, 42.75, -1.75

 

CMYK 0 / 52 / 46 / 28

HEX #B75762

RGB 183 87 98

HSL 353.13, 0.4%, 0.53%

LAB 49.21, 39.88, 12.31

 

CMYK 0 / 45 / 52 / 28

HEX #B76557

RGB 183 101 87

HSL 8.75, 0.4%, 0.53%

LAB 51.91, 31.46, 22.48

 

CMYK 0 / 31 / 52 / 28

HEX #B77F57

RGB 183 127 87

HSL 25, 0.4%, 0.53%

LAB 57.97, 17.12, 30.33

 

CMYK 0 / 17 / 52 / 28

HEX #B79857

RGB 183 152 87

HSL 40.63, 0.4%, 0.53%

LAB 64.33, 3.3, 38.25

 

CMYK 0 / 48 / 57 / 49

HEX #834438

RGB 131 68 56

HSL 9.6, 0.4%, 0.37%

LAB 36.45, 25.73, 19.36

 

CMYK 0 / 48 / 58 / 37

HEX #A05344

RGB 160 83 68

HSL 9.78, 0.4%, 0.45%

LAB 44.34, 30.36, 23.15

 

CMYK 0 / 44 / 52 / 28

HEX #B76657

RGB 183 102 87

HSL 9.38, 0.4%, 0.53%

LAB 52.13, 30.92, 22.77

 

CMYK 0 / 34 / 41 / 24

HEX #C38174

RGB 195 129 116

HSL 9.87, 0.4%, 0.61%

LAB 60.39, 23.93, 17.52

 

CMYK 0 / 25 / 30 / 19

HEX #CF9B90

RGB 207 155 144

HSL 10.48, 0.4%, 0.69%

LAB 68.55, 17.87, 13.33

 

CMYK 0 / 45 / 54 / 28

HEX #B76555

RGB 183 101 85

HSL 9.8, 0.4%, 0.53%

LAB 51.87, 31.28, 23.59

 

CMYK 19 / 0 / 52 / 28

HEX #95B757

RGB 149 183 87

HSL 81.25, 0.4%, 0.53%

LAB 70.14, -26.93, 44.57

 

CMYK 52 / 39 / 0 / 28

HEX #576FB7

RGB 87 111 183

HSL 225, 0.4%, 0.53%

LAB 48.02, 12.02, -40.86

 

CMYK 0 / 45 / 54 / 28

HEX #B76555

RGB 183 101 85

HSL 9.8, 0.4%, 0.53%

LAB 51.87, 31.28, 23.59

 

CMYK 52 / 0 / 45 / 28

HEX #57B765

RGB 87 183 101

HSL 128.75, 0.4%, 0.53%

LAB 67.15, -45.87, 33.2

 

CMYK 45 / 52 / 0 / 28

HEX #6557B7

RGB 101 87 183

HSL 248.75, 0.4%, 0.53%

LAB 42.77, 30.18, -49.18

 

CMYK 0 / 45 / 54 / 28

HEX #B76555

RGB 183 101 85

HSL 9.8, 0.4%, 0.53%

LAB 51.87, 31.28, 23.59

 

CMYK 19 / 0 / 52 / 28

HEX #95B757

RGB 149 183 87

HSL 81.25, 0.4%, 0.53%

LAB 70.14, -26.93, 44.57

 

CMYK 52 / 8 / 0 / 28

HEX #57A8B7

RGB 87 168 183

HSL 189.38, 0.4%, 0.53%

LAB 64.52, -20.52, -15.32

 

CMYK 34 / 52 / 0 / 28

HEX #7857B7

RGB 120 87 183

HSL 260.63, 0.4%, 0.53%

LAB 44.56, 34.88, -46.21

 

CMYK 0 / 45 / 54 / 28

HEX #B76555

RGB 183 101 85

HSL 9.8, 0.4%, 0.53%

LAB 51.87, 31.28, 23.59

 

CMYK 34 / 0 / 52 / 28

HEX #78B757

RGB 120 183 87

HSL 99.38, 0.4%, 0.53%

LAB 68.42, -37.66, 42.11

 

CMYK 52 / 8 / 0 / 28

HEX #57A8B7

RGB 87 168 183

HSL 189.38, 0.4%, 0.53%

LAB 64.52, -20.52, -15.32

 

CMYK 19 / 52 / 0 / 28

HEX #9557B7

RGB 149 87 183

HSL 278.75, 0.4%, 0.53%

LAB 47.78, 42.63, -40.88

 

Description

Color code: HEX #B76555 | qconv.com Color code: HEX #B76555 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 101 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 101 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 54 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 54% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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