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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B76951 it is the complementary color #4896AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B76951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B76951 shade: #BC694C, #CD7B5F, #DE8D72, #EF9F85 and #FFB198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B76951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B76951 shade: #B76951, #A6573E, #95452B, #843318 and #732105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B76951 shade: #B66A52 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B76951 shade: #B66A52, #B68552, #B6A052, #B2B652 and #97B652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B76951 shade matches the following richer shades: #B66A52, #CA5F3E, #DE552A and #F24A17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B76951 shade: #B66A52, #A27466, #8F7F7A, #7B898D and #6793A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B76951 shade: #B65270, #B65255, #B66952, #B68452 and #B69F52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B76951 shade: #804735, #9D5742, #B66A52, #C2836F and #CF9C8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B76951 shade: #B76951, #8BB652 and #5263B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B76951 shade: #B76951, #52B669 and #6952B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B76951 shade: #B76951, #8BB652, #529FB6 and #7D52B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B76951 shade: #B76951, #6DB652, #529FB6 and #9C52B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 56 / 28

HEX #B76951

RGB 183 105 81

HSL 14.12, 0.41%, 0.52%

LAB 52.69, 28.77, 26.95

 

Complementary color

CMYK 59 / 14 / 0 / 32

HEX #4896AE

RGB 72 150 174

HSL 194.12, 0.41%, 0.48%

LAB 58.27, -16.81, -19.8

 

CMYK 0 / 44 / 60 / 26

HEX #BC694C

RGB 188 105 76

HSL 15.54, 0.46%, 0.52%

LAB 53.29, 30.39, 30.69

 

CMYK 0 / 40 / 54 / 20

HEX #CD7B5F

RGB 205 123 95

HSL 15.27, 0.52%, 0.59%

LAB 59.86, 29.07, 28.86

 

CMYK 0 / 36 / 49 / 13

HEX #DE8D72

RGB 222 141 114

HSL 15, 0.62%, 0.66%

LAB 66.36, 27.89, 27.23

 

CMYK 0 / 33 / 44 / 6

HEX #EF9F85

RGB 239 159 133

HSL 14.72, 0.77%, 0.73%

LAB 72.79, 26.84, 25.76

 

CMYK 0 / 31 / 40 / 0

HEX #FFB198

RGB 255 177 152

HSL 14.56, 1%, 0.8%

LAB 79.02, 25.51, 24.25

 

CMYK 0 / 43 / 56 / 28

HEX #B76951

RGB 183 105 81

HSL 14.12, 0.41%, 0.52%

LAB 52.69, 28.77, 26.95

 

CMYK 0 / 48 / 63 / 35

HEX #A6573E

RGB 166 87 62

HSL 14.42, 0.46%, 0.45%

LAB 46, 30.16, 28.93

 

CMYK 0 / 54 / 71 / 42

HEX #95452B

RGB 149 69 43

HSL 14.72, 0.55%, 0.38%

LAB 39.28, 31.69, 31.2

 

CMYK 0 / 61 / 82 / 48

HEX #843318

RGB 132 51 24

HSL 15, 0.69%, 0.31%

LAB 32.57, 33.32, 33.67

 

CMYK 0 / 71 / 96 / 55

HEX #732105

RGB 115 33 5

HSL 15.27, 0.92%, 0.24%

LAB 25.99, 34.8, 35.42

 

CMYK 0 / 42 / 55 / 29

HEX #B66A52

RGB 182 106 82

HSL 14.4, 0.41%, 0.52%

LAB 52.8, 27.9, 26.5

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 42 / 55 / 29

HEX #B66A52

RGB 182 106 82

HSL 14.4, 0.41%, 0.52%

LAB 52.8, 27.9, 26.5

 

CMYK 0 / 27 / 55 / 29

HEX #B68552

RGB 182 133 82

HSL 30.6, 0.41%, 0.52%

LAB 59.28, 12.91, 34.66

 

CMYK 0 / 12 / 55 / 29

HEX #B6A052

RGB 182 160 82

HSL 46.8, 0.41%, 0.52%

LAB 66.29, -1.9, 43.11

 

CMYK 2 / 0 / 55 / 29

HEX #B2B652

RGB 178 182 82

HSL 62.4, 0.41%, 0.52%

LAB 71.91, -15.14, 49.55

 

CMYK 17 / 0 / 55 / 29

HEX #97B652

RGB 151 182 82

HSL 78.6, 0.41%, 0.52%

LAB 69.93, -26.15, 46.74

 

CMYK 0 / 42 / 55 / 29

HEX #B66A52

RGB 182 106 82

HSL 14.4, 0.41%, 0.52%

LAB 52.8, 27.9, 26.5

 

CMYK 0 / 53 / 69 / 21

HEX #CA5F3E

RGB 202 95 62

HSL 14.14, 0.57%, 0.52%

LAB 53.05, 40.22, 38.61

 

CMYK 0 / 62 / 81 / 13

HEX #DE552A

RGB 222 85 42

HSL 14.33, 0.73%, 0.52%

LAB 54.23, 51.48, 50.96

 

CMYK 0 / 69 / 90 / 5

HEX #F24A17

RGB 242 74 23

HSL 13.97, 0.89%, 0.52%

LAB 55.92, 62.23, 61.37

 

CMYK 0 / 42 / 55 / 29

HEX #B66A52

RGB 182 106 82

HSL 14.4, 0.41%, 0.52%

LAB 52.8, 27.9, 26.5

 

CMYK 0 / 28 / 37 / 36

HEX #A27466

RGB 162 116 102

HSL 14, 0.24%, 0.52%

LAB 53.09, 16.2, 14.9

 

CMYK 0 / 11 / 15 / 44

HEX #8F7F7A

RGB 143 127 122

HSL 14.29, 0.09%, 0.52%

LAB 54.47, 5.22, 4.94

 

CMYK 13 / 3 / 0 / 45

HEX #7B898D

RGB 123 137 141

HSL 193.33, 0.07%, 0.52%

LAB 56.11, -4.2, -3.87

 

CMYK 36 / 9 / 0 / 37

HEX #6793A1

RGB 103 147 161

HSL 194.48, 0.24%, 0.52%

LAB 58.34, -11.32, -12.16

 

CMYK 0 / 55 / 38 / 29

HEX #B65270

RGB 182 82 112

HSL 342, 0.41%, 0.52%

LAB 48.45, 43.56, 2.77

 

CMYK 0 / 55 / 53 / 29

HEX #B65255

RGB 182 82 85

HSL 358.2, 0.41%, 0.52%

LAB 47.8, 40.81, 18.16

 

CMYK 0 / 42 / 55 / 29

HEX #B66952

RGB 182 105 82

HSL 13.8, 0.41%, 0.52%

LAB 52.57, 28.45, 26.2

 

CMYK 0 / 27 / 55 / 29

HEX #B68452

RGB 182 132 82

HSL 30, 0.41%, 0.52%

LAB 59.03, 13.47, 34.35

 

CMYK 0 / 13 / 55 / 29

HEX #B69F52

RGB 182 159 82

HSL 46.2, 0.41%, 0.52%

LAB 66.02, -1.36, 42.79

 

CMYK 0 / 45 / 59 / 50

HEX #804735

RGB 128 71 53

HSL 14.4, 0.41%, 0.35%

LAB 36.65, 22.46, 21.37

 

CMYK 0 / 45 / 58 / 38

HEX #9D5742

RGB 157 87 66

HSL 13.85, 0.41%, 0.44%

LAB 44.77, 26.76, 24.79

 

CMYK 0 / 42 / 55 / 29

HEX #B66A52

RGB 182 106 82

HSL 14.4, 0.41%, 0.52%

LAB 52.8, 27.9, 26.5

 

CMYK 0 / 32 / 43 / 24

HEX #C2836F

RGB 194 131 111

HSL 14.46, 0.4%, 0.6%

LAB 60.65, 21.87, 20.67

 

CMYK 0 / 25 / 32 / 19

HEX #CF9C8C

RGB 207 156 140

HSL 14.33, 0.41%, 0.68%

LAB 68.7, 16.8, 15.76

 

CMYK 0 / 43 / 56 / 28

HEX #B76951

RGB 183 105 81

HSL 14.12, 0.41%, 0.52%

LAB 52.69, 28.77, 26.95

 

CMYK 24 / 0 / 55 / 29

HEX #8BB652

RGB 139 182 82

HSL 85.8, 0.41%, 0.52%

LAB 69.15, -30.82, 45.64

 

CMYK 55 / 46 / 0 / 29

HEX #5263B6

RGB 82 99 182

HSL 229.8, 0.41%, 0.52%

LAB 44.37, 18.06, -46.11

 

CMYK 0 / 43 / 56 / 28

HEX #B76951

RGB 183 105 81

HSL 14.12, 0.41%, 0.52%

LAB 52.69, 28.77, 26.95

 

CMYK 55 / 0 / 42 / 29

HEX #52B669

RGB 82 182 105

HSL 133.8, 0.41%, 0.52%

LAB 66.73, -46.1, 30.54

 

CMYK 42 / 55 / 0 / 29

HEX #6952B6

RGB 105 82 182

HSL 253.8, 0.41%, 0.52%

LAB 41.87, 33.85, -50.02

 

CMYK 0 / 43 / 56 / 28

HEX #B76951

RGB 183 105 81

HSL 14.12, 0.41%, 0.52%

LAB 52.69, 28.77, 26.95

 

CMYK 24 / 0 / 55 / 29

HEX #8BB652

RGB 139 182 82

HSL 85.8, 0.41%, 0.52%

LAB 69.15, -30.82, 45.64

 

CMYK 55 / 13 / 0 / 29

HEX #529FB6

RGB 82 159 182

HSL 193.8, 0.41%, 0.52%

LAB 61.63, -17.16, -19.17

 

CMYK 31 / 55 / 0 / 29

HEX #7D52B6

RGB 125 82 182

HSL 265.8, 0.41%, 0.52%

LAB 43.9, 38.78, -46.64

 

CMYK 0 / 43 / 56 / 28

HEX #B76951

RGB 183 105 81

HSL 14.12, 0.41%, 0.52%

LAB 52.69, 28.77, 26.95

 

CMYK 40 / 0 / 55 / 29

HEX #6DB652

RGB 109 182 82

HSL 103.8, 0.41%, 0.52%

LAB 67.51, -41.51, 43.31

 

CMYK 55 / 13 / 0 / 29

HEX #529FB6

RGB 82 159 182

HSL 193.8, 0.41%, 0.52%

LAB 61.63, -17.16, -19.17

 

CMYK 14 / 55 / 0 / 29

HEX #9C52B6

RGB 156 82 182

HSL 284.4, 0.41%, 0.52%

LAB 47.6, 46.96, -40.54

 

Description

Color code: HEX #B76951 | qconv.com Color code: HEX #B76951 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 105 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 105 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 56 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 56% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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