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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B76C6A it is the complementary color #489395. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B76C6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B76C6A shade: #BC6C65, #CD7E78, #DE908B, #EFA29E and #FFB4B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B76C6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B76C6A shade: #B76C6A, #A65A57, #954844, #843631 and #73241E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B76C6A shade: #B76C6A and #B76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B76C6A shade: #B76C6A, #B7816A, #B7966A, #B7AB6A and #AFB76A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B76C6A shade matches the following richer shades: #B76C6A, #C95C59, #DB4B47, #EC3A35 and #FE2924

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B76C6A shade: #B76C6A, #A57D7C, #948E8E, #829FA0 and #70B0B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B76C6A shade: #B76A92, #B76A7E, #B76C6A, #B7806A and #B7956A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B76C6A shade: #8C4543, #A85351, #B76C6A, #C58886 and #D2A3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B76C6A shade: #B76C6A, #A7B76A and #6A88B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B76C6A shade: #B76C6A, #6AB76C and #6C6AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B76C6A shade: #B76C6A, #A7B76A, #6AB6B7 and #7B6AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B76C6A shade: #B76C6A, #90B76A, #6AB6B7 and #926AB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

Complementary color

CMYK 52 / 1 / 0 / 42

HEX #489395

RGB 72 147 149

HSL 181.56, 0.35%, 0.43%

LAB 56.5, -22.58, -8.2

 

CMYK 0 / 43 / 46 / 26

HEX #BC6C65

RGB 188 108 101

HSL 4.83, 0.39%, 0.57%

LAB 54.4, 31.01, 17.8

 

CMYK 0 / 39 / 41 / 20

HEX #CD7E78

RGB 205 126 120

HSL 4.24, 0.46%, 0.64%

LAB 61.01, 29.93, 16.28

 

CMYK 0 / 35 / 37 / 13

HEX #DE908B

RGB 222 144 139

HSL 3.61, 0.56%, 0.71%

LAB 67.53, 28.95, 14.94

 

CMYK 0 / 32 / 34 / 6

HEX #EFA29E

RGB 239 162 158

HSL 2.96, 0.72%, 0.78%

LAB 73.97, 28.06, 13.73

 

CMYK 0 / 29 / 31 / 0

HEX #FFB4B1

RGB 255 180 177

HSL 2.31, 1%, 0.85%

LAB 80.22, 26.88, 12.47

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 46 / 48 / 35

HEX #A65A57

RGB 166 90 87

HSL 2.28, 0.31%, 0.5%

LAB 47.12, 30.71, 15.63

 

CMYK 0 / 52 / 54 / 42

HEX #954844

RGB 149 72 68

HSL 2.96, 0.37%, 0.43%

LAB 40.31, 31.93, 17.56

 

CMYK 0 / 59 / 63 / 48

HEX #843631

RGB 132 54 49

HSL 3.61, 0.46%, 0.35%

LAB 33.49, 33.18, 19.94

 

CMYK 0 / 69 / 74 / 55

HEX #73241E

RGB 115 36 30

HSL 4.24, 0.59%, 0.28%

LAB 26.74, 34.33, 22.97

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 42 / 42 / 28

HEX #B76A6A

RGB 183 106 106

HSL 0, 0.35%, 0.57%

LAB 53.4, 30.69, 13.39

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 30 / 42 / 28

HEX #B7816A

RGB 183 129 106

HSL 17.92, 0.35%, 0.57%

LAB 58.8, 17.96, 20.78

 

CMYK 0 / 18 / 42 / 28

HEX #B7966A

RGB 183 150 106

HSL 34.29, 0.35%, 0.57%

LAB 64.1, 6.31, 27.83

 

CMYK 0 / 7 / 42 / 28

HEX #B7AB6A

RGB 183 171 106

HSL 50.65, 0.35%, 0.57%

LAB 69.64, -5.05, 34.98

 

CMYK 4 / 0 / 42 / 28

HEX #AFB76A

RGB 175 183 106

HSL 66.23, 0.35%, 0.57%

LAB 72.24, -14.57, 38.13

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 54 / 56 / 21

HEX #C95C59

RGB 201 92 89

HSL 1.61, 0.51%, 0.57%

LAB 52.72, 43.14, 22.87

 

CMYK 0 / 66 / 68 / 14

HEX #DB4B47

RGB 219 75 71

HSL 1.62, 0.67%, 0.57%

LAB 52.45, 55.9, 33.58

 

CMYK 0 / 75 / 78 / 7

HEX #EC3A35

RGB 236 58 53

HSL 1.64, 0.83%, 0.57%

LAB 53.08, 66.51, 45.13

 

CMYK 0 / 84 / 86 / 0

HEX #FE2924

RGB 254 41 36

HSL 1.38, 0.99%, 0.57%

LAB 54.85, 75.41, 56.49

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 24 / 25 / 35

HEX #A57D7C

RGB 165 125 124

HSL 1.46, 0.19%, 0.57%

LAB 56.21, 15.35, 6.56

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 19 / 1 / 0 / 37

HEX #829FA0

RGB 130 159 160

HSL 182, 0.14%, 0.57%

LAB 63.41, -9.79, -3.87

 

CMYK 37 / 1 / 0 / 31

HEX #70B0B1

RGB 112 176 177

HSL 180.92, 0.29%, 0.57%

LAB 67.78, -20.13, -7

 

CMYK 0 / 42 / 20 / 28

HEX #B76A92

RGB 183 106 146

HSL 328.83, 0.35%, 0.57%

LAB 54.5, 36.06, -8.52

 

CMYK 0 / 42 / 31 / 28

HEX #B76A7E

RGB 183 106 126

HSL 344.42, 0.35%, 0.57%

LAB 53.9, 33.16, 2.34

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 30 / 42 / 28

HEX #B7806A

RGB 183 128 106

HSL 17.14, 0.35%, 0.57%

LAB 58.55, 18.52, 20.45

 

CMYK 0 / 19 / 42 / 28

HEX #B7956A

RGB 183 149 106

HSL 33.51, 0.35%, 0.57%

LAB 63.84, 6.86, 27.49

 

CMYK 0 / 51 / 52 / 45

HEX #8C4543

RGB 140 69 67

HSL 1.64, 0.35%, 0.41%

LAB 38.26, 29.89, 15.19

 

CMYK 0 / 51 / 52 / 34

HEX #A85351

RGB 168 83 81

HSL 1.38, 0.35%, 0.49%

LAB 45.78, 34.67, 17.47

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 0 / 31 / 32 / 23

HEX #C58886

RGB 197 136 134

HSL 1.9, 0.35%, 0.65%

LAB 62.68, 23.09, 10.51

 

CMYK 0 / 22 / 23 / 18

HEX #D2A3A2

RGB 210 163 162

HSL 1.25, 0.35%, 0.73%

LAB 71.22, 17.19, 7.19

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 9 / 0 / 42 / 28

HEX #A7B76A

RGB 167 183 106

HSL 72.47, 0.35%, 0.57%

LAB 71.64, -17.77, 37.24

 

CMYK 42 / 26 / 0 / 28

HEX #6A88B7

RGB 106 136 183

HSL 216.62, 0.35%, 0.57%

LAB 56.18, 1.79, -28

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 42 / 0 / 41 / 28

HEX #6AB76C

RGB 106 183 108

HSL 121.56, 0.35%, 0.57%

LAB 68.03, -39.37, 30.86

 

CMYK 41 / 42 / 0 / 28

HEX #6C6AB7

RGB 108 106 183

HSL 241.56, 0.35%, 0.57%

LAB 48.15, 20.31, -40.56

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 9 / 0 / 42 / 28

HEX #A7B76A

RGB 167 183 106

HSL 72.47, 0.35%, 0.57%

LAB 71.64, -17.77, 37.24

 

CMYK 42 / 1 / 0 / 28

HEX #6AB6B7

RGB 106 182 183

HSL 180.78, 0.35%, 0.57%

LAB 69.43, -23.23, -7.9

 

CMYK 33 / 42 / 0 / 28

HEX #7B6AB7

RGB 123 106 183

HSL 253.25, 0.35%, 0.57%

LAB 49.42, 24.4, -38.47

 

CMYK 0 / 41 / 42 / 28

HEX #B76C6A

RGB 183 108 106

HSL 1.56, 0.35%, 0.57%

LAB 53.85, 29.6, 14.02

 

CMYK 21 / 0 / 42 / 28

HEX #90B76A

RGB 144 183 106

HSL 90.39, 0.35%, 0.57%

LAB 70.06, -26.65, 34.92

 

CMYK 42 / 1 / 0 / 28

HEX #6AB6B7

RGB 106 182 183

HSL 180.78, 0.35%, 0.57%

LAB 69.43, -23.23, -7.9

 

CMYK 20 / 42 / 0 / 28

HEX #926AB7

RGB 146 106 183

HSL 271.17, 0.35%, 0.57%

LAB 51.65, 31.1, -34.81

 

Description

Color code: HEX #B76C6A | qconv.com Color code: HEX #B76C6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 108 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 108 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 42 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 42% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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