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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B76F3D it is the complementary color #4890C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B76F3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B76F3D shade: #BC6F38, #CD814B, #DE935E, #EFA571 and #FFB784

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B76F3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B76F3D shade: #B76F3D, #A65D2A, #954B17, #843904 and #732700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B76F3D shade: #B76F3D, #B74E3D and #B73D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B76F3D shade: #B76F3D, #B7903D, #B7B13D, #9CB73D and #7BB73D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B76F3D shade matches the following richer shades: #B76F3D, #CB6B29, #DF6815 and #F36401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B76F3D shade: #B76F3D, #A37251, #8F7664, #7C7A78 and #687D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B76F3D shade: #B73D4D, #B74D3D, #B76E3D, #B78E3D and #B7AF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B76F3D shade: #794928, #985C32, #B76F3D, #C78457 and #D19B75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B76F3D shade: #B76F3D, #6EB73D and #3D3DB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B76F3D shade: #B76F3D, #3DB76E and #6E3DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B76F3D shade: #B76F3D, #6EB73D, #3D86B7 and #863DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B76F3D shade: #B76F3D, #49B73D, #3D86B7 and #AB3DB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

Complementary color

CMYK 63 / 26 / 0 / 24

HEX #4890C2

RGB 72 144 194

HSL 204.59, 0.5%, 0.52%

LAB 57.29, -7.13, -32.66

 

CMYK 0 / 41 / 70 / 26

HEX #BC6F38

RGB 188 111 56

HSL 25, 0.54%, 0.48%

LAB 54.39, 25.83, 42.71

 

CMYK 0 / 37 / 63 / 20

HEX #CD814B

RGB 205 129 75

HSL 24.92, 0.57%, 0.55%

LAB 60.95, 24.3, 41

 

CMYK 0 / 34 / 58 / 13

HEX #DE935E

RGB 222 147 94

HSL 24.84, 0.66%, 0.62%

LAB 67.43, 22.96, 39.36

 

CMYK 0 / 31 / 53 / 6

HEX #EFA571

RGB 239 165 113

HSL 24.76, 0.8%, 0.69%

LAB 73.84, 21.79, 37.81

 

CMYK 0 / 28 / 48 / 0

HEX #FFB784

RGB 255 183 132

HSL 24.88, 1%, 0.76%

LAB 80.06, 20.35, 36.2

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 0 / 44 / 75 / 35

HEX #A65D2A

RGB 166 93 42

HSL 24.68, 0.6%, 0.41%

LAB 47.11, 25.66, 41.01

 

CMYK 0 / 50 / 85 / 42

HEX #954B17

RGB 149 75 23

HSL 24.76, 0.73%, 0.34%

LAB 40.38, 27.56, 42.47

 

CMYK 0 / 57 / 97 / 48

HEX #843904

RGB 132 57 4

HSL 24.84, 0.94%, 0.27%

LAB 33.65, 29.67, 43.05

 

CMYK 0 / 66 / 100 / 55

HEX #732700

RGB 115 39 0

HSL 20.35, 1%, 0.23%

LAB 27.01, 31.87, 38.37

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 0 / 57 / 67 / 28

HEX #B74E3D

RGB 183 78 61

HSL 8.36, 0.5%, 0.48%

LAB 46.78, 41.4, 31.06

 

CMYK 0 / 67 / 67 / 28

HEX #B73D3D

RGB 183 61 61

HSL 0, 0.5%, 0.48%

LAB 43.86, 49.16, 27.5

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 0 / 21 / 67 / 28

HEX #B7903D

RGB 183 144 61

HSL 40.82, 0.5%, 0.48%

LAB 61.96, 5.71, 48.35

 

CMYK 0 / 3 / 67 / 28

HEX #B7B13D

RGB 183 177 61

HSL 57.05, 0.5%, 0.48%

LAB 70.77, -11.92, 57.62

 

CMYK 15 / 0 / 67 / 28

HEX #9CB73D

RGB 156 183 61

HSL 73.28, 0.5%, 0.48%

LAB 70.37, -26.3, 56.55

 

CMYK 33 / 0 / 67 / 28

HEX #7BB73D

RGB 123 183 61

HSL 89.51, 0.5%, 0.48%

LAB 68.33, -39.13, 53.78

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 0 / 47 / 80 / 20

HEX #CB6B29

RGB 203 107 41

HSL 24.44, 0.66%, 0.48%

LAB 55.45, 33.52, 51.51

 

CMYK 0 / 53 / 91 / 13

HEX #DF6815

RGB 223 104 21

HSL 24.65, 0.83%, 0.48%

LAB 57.7, 42.48, 61.78

 

CMYK 0 / 59 / 100 / 5

HEX #F36401

RGB 243 100 1

HSL 24.55, 0.99%, 0.48%

LAB 60.04, 51.62, 68.89

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 0 / 30 / 50 / 36

HEX #A37251

RGB 163 114 81

HSL 24.15, 0.34%, 0.48%

LAB 52.3, 15.38, 25.95

 

CMYK 0 / 17 / 30 / 44

HEX #8F7664

RGB 143 118 100

HSL 25.12, 0.18%, 0.48%

LAB 51.52, 6.91, 13.57

 

CMYK 0 / 2 / 3 / 51

HEX #7C7A78

RGB 124 122 120

HSL 30, 0.02%, 0.48%

LAB 51.34, 0.37, 1.35

 

CMYK 26 / 11 / 0 / 45

HEX #687D8C

RGB 104 125 140

HSL 205, 0.15%, 0.48%

LAB 51.27, -4.03, -10.65

 

CMYK 0 / 67 / 58 / 28

HEX #B73D4D

RGB 183 61 77

HSL 352.13, 0.5%, 0.48%

LAB 44.15, 50.21, 18.14

 

CMYK 0 / 58 / 67 / 28

HEX #B74D3D

RGB 183 77 61

HSL 7.87, 0.5%, 0.48%

LAB 46.59, 41.89, 30.84

 

CMYK 0 / 40 / 67 / 28

HEX #B76E3D

RGB 183 110 61

HSL 24.1, 0.5%, 0.48%

LAB 53.55, 24.56, 39.01

 

CMYK 0 / 22 / 67 / 28

HEX #B78E3D

RGB 183 142 61

HSL 39.84, 0.5%, 0.48%

LAB 61.44, 6.81, 47.79

 

CMYK 0 / 4 / 67 / 28

HEX #B7AF3D

RGB 183 175 61

HSL 56.07, 0.5%, 0.48%

LAB 70.22, -10.88, 57.06

 

CMYK 0 / 40 / 67 / 53

HEX #794928

RGB 121 73 40

HSL 24.44, 0.5%, 0.32%

LAB 35.95, 17.12, 27.98

 

CMYK 0 / 39 / 67 / 40

HEX #985C32

RGB 152 92 50

HSL 24.71, 0.5%, 0.4%

LAB 45.03, 20.6, 34.01

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 0 / 34 / 56 / 22

HEX #C78457

RGB 199 132 87

HSL 24.11, 0.5%, 0.56%

LAB 61.07, 21.06, 34.63

 

CMYK 0 / 26 / 44 / 18

HEX #D19B75

RGB 209 155 117

HSL 24.78, 0.5%, 0.64%

LAB 68.23, 15.43, 27.78

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 40 / 0 / 67 / 28

HEX #6EB73D

RGB 110 183 61

HSL 95.9, 0.5%, 0.48%

LAB 67.66, -43.69, 52.88

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB7

RGB 61 61 183

HSL 240, 0.5%, 0.48%

LAB 33.45, 38.65, -64.43

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 67 / 0 / 40 / 28

HEX #3DB76E

RGB 61 183 110

HSL 144.1, 0.5%, 0.48%

LAB 66.51, -50.18, 27.52

 

CMYK 40 / 67 / 0 / 28

HEX #6E3DB7

RGB 110 61 183

HSL 264.1, 0.5%, 0.48%

LAB 37.97, 47.12, -56.87

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 40 / 0 / 67 / 28

HEX #6EB73D

RGB 110 183 61

HSL 95.9, 0.5%, 0.48%

LAB 67.66, -43.69, 52.88

 

CMYK 67 / 27 / 0 / 28

HEX #3D86B7

RGB 61 134 183

HSL 204.1, 0.5%, 0.48%

LAB 53.45, -7.02, -32.41

 

CMYK 27 / 67 / 0 / 28

HEX #863DB7

RGB 134 61 183

HSL 275.9, 0.5%, 0.48%

LAB 40.94, 52.22, -51.93

 

CMYK 0 / 39 / 67 / 28

HEX #B76F3D

RGB 183 111 61

HSL 24.59, 0.5%, 0.48%

LAB 53.79, 24.01, 39.28

 

CMYK 60 / 0 / 67 / 28

HEX #49B73D

RGB 73 183 61

HSL 114.1, 0.5%, 0.48%

LAB 66.23, -54.47, 50.92

 

CMYK 67 / 27 / 0 / 28

HEX #3D86B7

RGB 61 134 183

HSL 204.1, 0.5%, 0.48%

LAB 53.45, -7.02, -32.41

 

CMYK 7 / 67 / 0 / 28

HEX #AB3DB7

RGB 171 61 183

HSL 294.1, 0.5%, 0.48%

LAB 46.2, 60.64, -43.22

 

Description

Color code: HEX #B76F3D | qconv.com Color code: HEX #B76F3D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 111 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 111 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 67 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 67% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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