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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B778D3 it is the complementary color #48872C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B778D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B778D3 shade: #BC78CE, #CD8AE1, #DE9CF4, #EFAEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B778D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B778D3 shade: #B778D3, #A666C0, #9554AD, #84429A and #733087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B778D3 shade: #B778D3, #CF78D3, #D378BE, #D378A5 and #D3788D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B778D3 shade: #B778D3, #9E78D3, #8678D3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B778D3 shade matches the following richer shades: #B778D3, #BC69E1, #C25BF0 and #C74CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B778D3 shade: #B778D3, #B186C4, #AC95B6, #A6A3A7 and #A1B199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B778D3 shade: #8578D3, #9E78D3, #B678D3, #CE78D3 and #D378BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B778D3 shade: #943DBB, #A659C9, #B778D3, #C797DD and #D8B6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B778D3 shade: #B778D3, #D37882 and #78D392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B778D3 shade: #B778D3, #D3B678 and #78D3B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B778D3 shade: #B778D3, #D37882, #95D378 and #78D3C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B778D3 shade: #B778D3, #D38878, #95D378 and #78C2D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

Complementary color

CMYK 47 / 0 / 67 / 47

HEX #48872C

RGB 72 135 44

HSL 101.54, 0.51%, 0.35%

LAB 50.56, -37.51, 41.24

 

CMYK 9 / 42 / 0 / 19

HEX #BC78CE

RGB 188 120 206

HSL 287.44, 0.47%, 0.64%

LAB 60.41, 40.91, -33.92

 

CMYK 9 / 39 / 0 / 12

HEX #CD8AE1

RGB 205 138 225

HSL 286.21, 0.59%, 0.71%

LAB 66.97, 40.14, -34.18

 

CMYK 9 / 36 / 0 / 4

HEX #DE9CF4

RGB 222 156 244

HSL 285, 0.8%, 0.78%

LAB 73.44, 39.41, -34.43

 

CMYK 6 / 32 / 0 / 0

HEX #EFAEFF

RGB 239 174 255

HSL 288.15, 1%, 0.84%

LAB 79.52, 37.16, -30.84

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 14 / 47 / 0 / 25

HEX #A666C0

RGB 166 102 192

HSL 282.67, 0.42%, 0.58%

LAB 53.4, 41.26, -37.1

 

CMYK 14 / 51 / 0 / 32

HEX #9554AD

RGB 149 84 173

HSL 283.82, 0.35%, 0.5%

LAB 46.64, 42.06, -36.84

 

CMYK 14 / 57 / 0 / 40

HEX #84429A

RGB 132 66 154

HSL 285, 0.4%, 0.43%

LAB 39.81, 42.79, -36.49

 

CMYK 15 / 64 / 0 / 47

HEX #733087

RGB 115 48 135

HSL 286.21, 0.48%, 0.36%

LAB 32.94, 43.34, -35.95

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 2 / 43 / 0 / 17

HEX #CF78D3

RGB 207 120 211

HSL 297.36, 0.51%, 0.65%

LAB 62.85, 47.54, -32.77

 

CMYK 0 / 43 / 10 / 17

HEX #D378BE

RGB 211 120 190

HSL 313.85, 0.51%, 0.65%

LAB 62.51, 45.07, -21.41

 

CMYK 0 / 43 / 22 / 17

HEX #D378A5

RGB 211 120 165

HSL 330.33, 0.51%, 0.65%

LAB 61.65, 41.14, -8.47

 

CMYK 0 / 43 / 33 / 17

HEX #D3788D

RGB 211 120 141

HSL 346.15, 0.51%, 0.65%

LAB 60.96, 37.86, 4.29

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 25 / 43 / 0 / 17

HEX #9E78D3

RGB 158 120 211

HSL 265.05, 0.51%, 0.65%

LAB 57.47, 33.23, -41.57

 

CMYK 36 / 43 / 0 / 17

HEX #8678D3

RGB 134 120 211

HSL 249.23, 0.51%, 0.65%

LAB 55.28, 26.65, -45.17

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 16 / 53 / 0 / 12

HEX #BC69E1

RGB 188 105 225

HSL 281.5, 0.67%, 0.65%

LAB 58.26, 52.69, -47.99

 

CMYK 19 / 62 / 0 / 6

HEX #C25BF0

RGB 194 91 240

HSL 281.48, 0.83%, 0.65%

LAB 57.31, 63.99, -57.84

 

CMYK 22 / 70 / 0 / 0

HEX #C74CFE

RGB 199 76 254

HSL 281.46, 0.99%, 0.65%

LAB 56.55, 74.14, -66.8

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 10 / 32 / 0 / 23

HEX #B186C4

RGB 177 134 196

HSL 281.61, 0.34%, 0.65%

LAB 61.98, 27.7, -25.94

 

CMYK 5 / 18 / 0 / 29

HEX #AC95B6

RGB 172 149 182

HSL 281.82, 0.18%, 0.65%

LAB 64.68, 14.7, -14

 

CMYK 1 / 2 / 0 / 35

HEX #A6A3A7

RGB 166 163 167

HSL 285, 0.02%, 0.65%

LAB 67.35, 1.84, -1.69

 

CMYK 9 / 0 / 14 / 31

HEX #A1B199

RGB 161 177 153

HSL 100, 0.13%, 0.65%

LAB 70.4, -10.08, 10.41

 

CMYK 37 / 43 / 0 / 17

HEX #8578D3

RGB 133 120 211

HSL 248.57, 0.51%, 0.65%

LAB 55.2, 26.38, -45.31

 

CMYK 25 / 43 / 0 / 17

HEX #9E78D3

RGB 158 120 211

HSL 265.05, 0.51%, 0.65%

LAB 57.47, 33.23, -41.57

 

CMYK 14 / 43 / 0 / 17

HEX #B678D3

RGB 182 120 211

HSL 280.88, 0.51%, 0.65%

LAB 59.96, 40.16, -37.48

 

CMYK 2 / 43 / 0 / 17

HEX #CE78D3

RGB 206 120 211

HSL 296.7, 0.51%, 0.65%

LAB 62.72, 47.25, -32.97

 

CMYK 0 / 43 / 9 / 17

HEX #D378BF

RGB 211 120 191

HSL 313.19, 0.51%, 0.65%

LAB 62.54, 45.24, -21.92

 

CMYK 21 / 67 / 0 / 27

HEX #943DBB

RGB 148 61 187

HSL 281.43, 0.51%, 0.49%

LAB 43.09, 56.19, -50.71

 

CMYK 17 / 56 / 0 / 21

HEX #A659C9

RGB 166 89 201

HSL 281.25, 0.51%, 0.57%

LAB 51.23, 50.04, -45.69

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 10 / 32 / 0 / 13

HEX #C797DD

RGB 199 151 221

HSL 281.14, 0.51%, 0.73%

LAB 69.11, 30.41, -28.72

 

CMYK 6 / 21 / 0 / 9

HEX #D8B6E7

RGB 216 182 231

HSL 281.63, 0.51%, 0.81%

LAB 78.36, 20.93, -19.9

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 0 / 43 / 38 / 17

HEX #D37882

RGB 211 120 130

HSL 353.41, 0.51%, 0.65%

LAB 60.69, 36.53, 10.22

 

CMYK 43 / 0 / 31 / 17

HEX #78D392

RGB 120 211 146

HSL 137.14, 0.51%, 0.65%

LAB 77.67, -41.23, 23.92

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 0 / 14 / 43 / 17

HEX #D3B678

RGB 211 182 120

HSL 40.88, 0.51%, 0.65%

LAB 75.24, 2.06, 35.36

 

CMYK 43 / 0 / 14 / 17

HEX #78D3B6

RGB 120 211 182

HSL 160.88, 0.51%, 0.65%

LAB 78.44, -33.98, 5.9

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 0 / 43 / 38 / 17

HEX #D37882

RGB 211 120 130

HSL 353.41, 0.51%, 0.65%

LAB 60.69, 36.53, 10.22

 

CMYK 29 / 0 / 43 / 17

HEX #95D378

RGB 149 211 120

HSL 100.88, 0.51%, 0.65%

LAB 78.66, -36.2, 38.81

 

CMYK 43 / 0 / 5 / 17

HEX #78D3C8

RGB 120 211 200

HSL 172.75, 0.51%, 0.65%

LAB 78.9, -29.83, -3.06

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 0 / 36 / 43 / 17

HEX #D38878

RGB 211 136 120

HSL 10.55, 0.51%, 0.65%

LAB 64.01, 26.86, 20.51

 

CMYK 29 / 0 / 43 / 17

HEX #95D378

RGB 149 211 120

HSL 100.88, 0.51%, 0.65%

LAB 78.66, -36.2, 38.81

 

CMYK 43 / 8 / 0 / 17

HEX #78C2D3

RGB 120 194 211

HSL 191.21, 0.51%, 0.65%

LAB 74.37, -18.62, -15.74

 

Description

Color code: HEX #B778D3 | qconv.com Color code: HEX #B778D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 120 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 120 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 43 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 43% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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