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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77C24 it is the complementary color #4883DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B77C24 shade: #BC7C1F, #CD8E32, #DEA045, #EFB258 and #FFC46B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B77C24 shade: #B77C24, #A66A11, #955800, #844600 and #733400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B77C24 shade: #B77C24, #B75424, #B72C24 and #B72424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B77C24 shade: #B77C24, #B7A324, #A2B724, #7BB724 and #53B724

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B77C24 shade matches the following richer shades: #B77C24, #C87F12 and #DA8300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B77C24 shade: #B77C24, #A57835, #937547, #817159 and #706E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B77C24 shade: #B72B24, #B75224, #B77924, #B7A124 and #A5B724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B77C24 shade: #724D16, #94641D, #B77C24, #D5922E and #DCA451

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B77C24 shade: #B77C24, #44B724 and #3F24B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B77C24 shade: #B77C24, #24B779 and #7924B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B77C24 shade: #B77C24, #44B724, #2461B7 and #9724B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B77C24 shade: #B77C24, #24B730, #2461B7 and #B724AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

Complementary color

CMYK 67 / 40 / 0 / 14

HEX #4883DB

RGB 72 131 219

HSL 215.92, 0.67%, 0.57%

LAB 54.79, 9.03, -50.7

 

CMYK 0 / 34 / 84 / 26

HEX #BC7C1F

RGB 188 124 31

HSL 35.54, 0.72%, 0.43%

LAB 57.28, 17.62, 56.3

 

CMYK 0 / 31 / 76 / 20

HEX #CD8E32

RGB 205 142 50

HSL 35.61, 0.61%, 0.5%

LAB 63.8, 15.87, 55.84

 

CMYK 0 / 28 / 69 / 13

HEX #DEA045

RGB 222 160 69

HSL 35.69, 0.7%, 0.57%

LAB 70.25, 14.36, 54.83

 

CMYK 0 / 26 / 63 / 6

HEX #EFB258

RGB 239 178 88

HSL 35.76, 0.83%, 0.64%

LAB 76.62, 13.06, 53.6

 

CMYK 0 / 23 / 58 / 0

HEX #FFC46B

RGB 255 196 107

HSL 36.08, 1%, 0.71%

LAB 82.81, 11.51, 52.14

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 36 / 90 / 35

HEX #A66A11

RGB 166 106 17

HSL 35.84, 0.81%, 0.36%

LAB 50.04, 17.51, 53.55

 

CMYK 0 / 41 / 100 / 42

HEX #955800

RGB 149 88 0

HSL 35.44, 1%, 0.29%

LAB 43.31, 19.75, 51.86

 

CMYK 0 / 47 / 100 / 48

HEX #844600

RGB 132 70 0

HSL 31.82, 1%, 0.26%

LAB 36.53, 22.35, 46.37

 

CMYK 0 / 55 / 100 / 55

HEX #733400

RGB 115 52 0

HSL 27.13, 1%, 0.23%

LAB 29.67, 24.98, 40.56

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 54 / 80 / 28

HEX #B75424

RGB 183 84 36

HSL 19.59, 0.67%, 0.43%

LAB 47.67, 37.22, 45.3

 

CMYK 0 / 76 / 80 / 28

HEX #B72C24

RGB 183 44 36

HSL 3.27, 0.67%, 0.43%

LAB 41.21, 54.46, 38.97

 

CMYK 0 / 80 / 80 / 28

HEX #B72424

RGB 183 36 36

HSL 0, 0.67%, 0.43%

LAB 40.34, 56.9, 38.1

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 11 / 80 / 28

HEX #B7A324

RGB 183 163 36

HSL 51.84, 0.67%, 0.43%

LAB 66.82, -5.74, 62.83

 

CMYK 11 / 0 / 80 / 28

HEX #A2B724

RGB 162 183 36

HSL 68.57, 0.67%, 0.43%

LAB 70.65, -25.09, 65.56

 

CMYK 33 / 0 / 80 / 28

HEX #7BB724

RGB 123 183 36

HSL 84.49, 0.67%, 0.43%

LAB 68.17, -40.66, 62.4

 

CMYK 55 / 0 / 80 / 28

HEX #53B724

RGB 83 183 36

HSL 100.82, 0.67%, 0.43%

LAB 66.39, -53.74, 60.11

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 37 / 91 / 22

HEX #C87F12

RGB 200 127 18

HSL 35.93, 0.83%, 0.43%

LAB 59.44, 20.93, 62.38

 

CMYK 0 / 40 / 100 / 15

HEX #DA8300

RGB 218 131 0

HSL 36.06, 1%, 0.43%

LAB 62.62, 26.28, 68.75

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 27 / 68 / 35

HEX #A57835

RGB 165 120 53

HSL 35.89, 0.51%, 0.43%

LAB 53.7, 10.6, 42.61

 

CMYK 0 / 20 / 52 / 42

HEX #937547

RGB 147 117 71

HSL 36.32, 0.35%, 0.43%

LAB 51.13, 5.7, 29.69

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 2 / 4 / 56

HEX #706E6B

RGB 112 110 107

HSL 36, 0.02%, 0.43%

LAB 46.52, 0.18, 1.94

 

CMYK 0 / 77 / 80 / 28

HEX #B72B24

RGB 183 43 36

HSL 2.86, 0.67%, 0.43%

LAB 41.09, 54.79, 38.85

 

CMYK 0 / 55 / 80 / 28

HEX #B75224

RGB 183 82 36

HSL 18.78, 0.67%, 0.43%

LAB 47.27, 38.23, 44.92

 

CMYK 0 / 34 / 80 / 28

HEX #B77924

RGB 183 121 36

HSL 34.69, 0.67%, 0.43%

LAB 55.96, 17.24, 53.07

 

CMYK 0 / 12 / 80 / 28

HEX #B7A124

RGB 183 161 36

HSL 51.02, 0.67%, 0.43%

LAB 66.28, -4.68, 62.36

 

CMYK 10 / 0 / 80 / 28

HEX #A5B724

RGB 165 183 36

HSL 67.35, 0.67%, 0.43%

LAB 70.87, -23.83, 65.84

 

CMYK 0 / 32 / 81 / 55

HEX #724D16

RGB 114 77 22

HSL 35.87, 0.68%, 0.27%

LAB 35.87, 10.37, 36.92

 

CMYK 0 / 32 / 80 / 42

HEX #94641D

RGB 148 100 29

HSL 35.8, 0.67%, 0.35%

LAB 46.31, 13.09, 45.34

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 25 / 63 / 14

HEX #DCA451

RGB 220 164 81

HSL 35.83, 0.67%, 0.59%

LAB 71.12, 12.08, 50.16

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 63 / 0 / 80 / 28

HEX #44B724

RGB 68 183 36

HSL 106.94, 0.67%, 0.43%

LAB 65.92, -57.53, 59.51

 

CMYK 66 / 80 / 0 / 28

HEX #3F24B7

RGB 63 36 183

HSL 251.02, 0.67%, 0.43%

LAB 28.74, 52.49, -72.18

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 80 / 0 / 34 / 28

HEX #24B779

RGB 36 183 121

HSL 154.69, 0.67%, 0.43%

LAB 66.23, -51.63, 21.21

 

CMYK 34 / 80 / 0 / 28

HEX #7924B7

RGB 121 36 183

HSL 274.69, 0.67%, 0.43%

LAB 35.49, 60.12, -60.85

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 63 / 0 / 80 / 28

HEX #44B724

RGB 68 183 36

HSL 106.94, 0.67%, 0.43%

LAB 65.92, -57.53, 59.51

 

CMYK 80 / 47 / 0 / 28

HEX #2461B7

RGB 36 97 183

HSL 215.1, 0.67%, 0.43%

LAB 41.76, 12.24, -51

 

CMYK 17 / 80 / 0 / 28

HEX #9724B7

RGB 151 36 183

HSL 286.94, 0.67%, 0.43%

LAB 40.01, 65.28, -53.29

 

CMYK 0 / 32 / 80 / 28

HEX #B77C24

RGB 183 124 36

HSL 35.92, 0.67%, 0.43%

LAB 56.69, 15.57, 53.75

 

CMYK 80 / 0 / 74 / 28

HEX #24B730

RGB 36 183 48

HSL 124.9, 0.67%, 0.43%

LAB 65.32, -62.37, 54.77

 

CMYK 80 / 47 / 0 / 28

HEX #2461B7

RGB 36 97 183

HSL 215.1, 0.67%, 0.43%

LAB 41.76, 12.24, -51

 

CMYK 0 / 80 / 7 / 28

HEX #B724AA

RGB 183 36 170

HSL 305.31, 0.67%, 0.43%

LAB 44.56, 69.31, -38.02

 

Description

Color code: HEX #B77C24 | qconv.com Color code: HEX #B77C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 124 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 124 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 80 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 80% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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