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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77D2E it is the complementary color #4882D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B77D2E shade: #BC7D29, #CD8F3C, #DEA14F, #EFB362 and #FFC575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B77D2E shade: #B77D2E, #A66B1B, #955908, #844700 and #733500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B77D2E shade: #B77D2D, #B7582D, #B7332D and #B72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B77D2E shade: #B77D2D, #B7A22D, #A7B72D, #82B72D and #5DB72D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B77D2E shade matches the following richer shades: #B77D2D, #CA801B and #DC8308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B77D2E shade: #B77D2D, #A57A40, #927753, #7F7465 and #6D7178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B77D2E shade: #B7322D, #B7572D, #B77B2D, #B7A02D and #A9B72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B77D2E shade: #75501D, #966625, #B77D2D, #CF923F and #D7A560

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B77D2E shade: #B77D2E, #4EB72D and #442DB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B77D2E shade: #B77D2E, #2DB77B and #7B2DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B77D2E shade: #B77D2E, #4EB72D, #2D69B7 and #972DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B77D2E shade: #B77D2E, #2DB737, #2D69B7 and #B72DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 75 / 28

HEX #B77D2E

RGB 183 125 46

HSL 34.6, 0.6%, 0.45%

LAB 57.01, 15.43, 49.96

 

Complementary color

CMYK 66 / 38 / 0 / 18

HEX #4882D1

RGB 72 130 209

HSL 214.6, 0.6%, 0.55%

LAB 53.97, 6.16, -46.36

 

CMYK 0 / 34 / 78 / 26

HEX #BC7D29

RGB 188 125 41

HSL 34.29, 0.64%, 0.45%

LAB 57.58, 17.41, 52.82

 

CMYK 0 / 30 / 71 / 20

HEX #CD8F3C

RGB 205 143 60

HSL 34.34, 0.59%, 0.52%

LAB 64.12, 15.79, 51.84

 

CMYK 0 / 27 / 64 / 13

HEX #DEA14F

RGB 222 161 79

HSL 34.41, 0.68%, 0.59%

LAB 70.58, 14.41, 50.57

 

CMYK 0 / 25 / 59 / 6

HEX #EFB362

RGB 239 179 98

HSL 34.47, 0.82%, 0.66%

LAB 76.96, 13.21, 49.21

 

CMYK 0 / 23 / 54 / 0

HEX #FFC575

RGB 255 197 117

HSL 34.78, 1%, 0.73%

LAB 83.17, 11.75, 47.71

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2E

RGB 183 125 46

HSL 34.6, 0.6%, 0.45%

LAB 57.01, 15.43, 49.96

 

CMYK 0 / 36 / 84 / 35

HEX #A66B1B

RGB 166 107 27

HSL 34.53, 0.72%, 0.38%

LAB 50.34, 17.21, 50.6

 

CMYK 0 / 40 / 95 / 42

HEX #955908

RGB 149 89 8

HSL 34.47, 0.9%, 0.31%

LAB 43.58, 19.31, 49.95

 

CMYK 0 / 46 / 100 / 48

HEX #844700

RGB 132 71 0

HSL 32.27, 1%, 0.26%

LAB 36.77, 21.77, 46.51

 

CMYK 0 / 54 / 100 / 55

HEX #733500

RGB 115 53 0

HSL 27.65, 1%, 0.23%

LAB 29.89, 24.41, 40.73

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2D

RGB 183 125 45

HSL 34.78, 0.61%, 0.45%

LAB 57, 15.38, 50.38

 

CMYK 0 / 52 / 75 / 28

HEX #B7582D

RGB 183 88 45

HSL 18.7, 0.61%, 0.45%

LAB 48.56, 35.52, 41.79

 

CMYK 0 / 72 / 75 / 28

HEX #B7332D

RGB 183 51 45

HSL 2.61, 0.61%, 0.45%

LAB 42.19, 52.33, 34.96

 

CMYK 0 / 75 / 75 / 28

HEX #B72D2D

RGB 183 45 45

HSL 0, 0.61%, 0.45%

LAB 41.43, 54.45, 34.11

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2D

RGB 183 125 45

HSL 34.78, 0.61%, 0.45%

LAB 57, 15.38, 50.38

 

CMYK 0 / 11 / 75 / 28

HEX #B7A22D

RGB 183 162 45

HSL 50.87, 0.61%, 0.45%

LAB 66.59, -4.86, 59.64

 

CMYK 9 / 0 / 75 / 28

HEX #A7B72D

RGB 167 183 45

HSL 66.96, 0.61%, 0.45%

LAB 71.06, -22.61, 63.35

 

CMYK 29 / 0 / 75 / 28

HEX #82B72D

RGB 130 183 45

HSL 83.04, 0.61%, 0.45%

LAB 68.61, -37.58, 60.17

 

CMYK 49 / 0 / 75 / 28

HEX #5DB72D

RGB 93 183 45

HSL 99.13, 0.61%, 0.45%

LAB 66.81, -50.32, 57.81

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2D

RGB 183 125 45

HSL 34.78, 0.61%, 0.45%

LAB 57, 15.38, 50.38

 

CMYK 0 / 37 / 87 / 21

HEX #CA801B

RGB 202 128 27

HSL 34.63, 0.76%, 0.45%

LAB 59.96, 21.43, 60.53

 

CMYK 0 / 40 / 96 / 14

HEX #DC8308

RGB 220 131 8

HSL 34.81, 0.93%, 0.45%

LAB 62.9, 27.21, 67.83

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2D

RGB 183 125 45

HSL 34.78, 0.61%, 0.45%

LAB 57, 15.38, 50.38

 

CMYK 0 / 26 / 61 / 35

HEX #A57A40

RGB 165 122 64

HSL 34.46, 0.44%, 0.45%

LAB 54.33, 10.23, 37.78

 

CMYK 0 / 18 / 43 / 43

HEX #927753

RGB 146 119 83

HSL 34.29, 0.28%, 0.45%

LAB 51.76, 5.4, 23.74

 

CMYK 0 / 9 / 20 / 50

HEX #7F7465

RGB 127 116 101

HSL 34.62, 0.11%, 0.45%

LAB 49.43, 1.61, 9.83

 

CMYK 9 / 6 / 0 / 53

HEX #6D7178

RGB 109 113 120

HSL 218.18, 0.05%, 0.45%

LAB 47.52, -0.01, -4.4

 

CMYK 0 / 73 / 75 / 28

HEX #B7322D

RGB 183 50 45

HSL 2.17, 0.61%, 0.45%

LAB 42.06, 52.7, 34.81

 

CMYK 0 / 52 / 75 / 28

HEX #B7572D

RGB 183 87 45

HSL 18.26, 0.61%, 0.45%

LAB 48.35, 36.04, 41.58

 

CMYK 0 / 33 / 75 / 28

HEX #B77B2D

RGB 183 123 45

HSL 33.91, 0.61%, 0.45%

LAB 56.51, 16.49, 49.9

 

CMYK 0 / 13 / 75 / 28

HEX #B7A02D

RGB 183 160 45

HSL 50, 0.61%, 0.45%

LAB 66.06, -3.8, 59.14

 

CMYK 8 / 0 / 75 / 28

HEX #A9B72D

RGB 169 183 45

HSL 66.09, 0.61%, 0.45%

LAB 71.21, -21.77, 63.55

 

CMYK 0 / 32 / 75 / 54

HEX #75501D

RGB 117 80 29

HSL 34.77, 0.6%, 0.29%

LAB 37.13, 10.35, 35.01

 

CMYK 0 / 32 / 75 / 41

HEX #966625

RGB 150 102 37

HSL 34.51, 0.6%, 0.37%

LAB 47.13, 13.21, 42.75

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2D

RGB 183 125 45

HSL 34.78, 0.61%, 0.45%

LAB 57, 15.38, 50.38

 

CMYK 0 / 29 / 70 / 19

HEX #CF923F

RGB 207 146 63

HSL 34.58, 0.6%, 0.53%

LAB 65.11, 15.18, 51.59

 

CMYK 0 / 23 / 55 / 16

HEX #D7A560

RGB 215 165 96

HSL 34.79, 0.6%, 0.61%

LAB 71.01, 10.54, 42.5

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2E

RGB 183 125 46

HSL 34.6, 0.6%, 0.45%

LAB 57.01, 15.43, 49.96

 

CMYK 57 / 0 / 75 / 28

HEX #4EB72D

RGB 78 183 45

HSL 105.65, 0.61%, 0.45%

LAB 66.27, -54.53, 57.09

 

CMYK 63 / 75 / 0 / 28

HEX #442DB7

RGB 68 45 183

HSL 250, 0.61%, 0.45%

LAB 30.7, 48.63, -68.94

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2E

RGB 183 125 46

HSL 34.6, 0.6%, 0.45%

LAB 57.01, 15.43, 49.96

 

CMYK 75 / 0 / 33 / 28

HEX #2DB77B

RGB 45 183 123

HSL 153.91, 0.61%, 0.45%

LAB 66.41, -50.13, 20.4

 

CMYK 33 / 75 / 0 / 28

HEX #7B2DB7

RGB 123 45 183

HSL 273.91, 0.61%, 0.45%

LAB 36.94, 57.08, -58.47

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2E

RGB 183 125 46

HSL 34.6, 0.6%, 0.45%

LAB 57.01, 15.43, 49.96

 

CMYK 57 / 0 / 75 / 28

HEX #4EB72D

RGB 78 183 45

HSL 105.65, 0.61%, 0.45%

LAB 66.27, -54.53, 57.09

 

CMYK 75 / 43 / 0 / 28

HEX #2D69B7

RGB 45 105 183

HSL 213.91, 0.61%, 0.45%

LAB 44.35, 8.15, -46.83

 

CMYK 17 / 75 / 0 / 28

HEX #972DB7

RGB 151 45 183

HSL 286.09, 0.61%, 0.45%

LAB 41.02, 62.38, -51.68

 

CMYK 0 / 32 / 75 / 28

HEX #B77D2E

RGB 183 125 46

HSL 34.6, 0.6%, 0.45%

LAB 57.01, 15.43, 49.96

 

CMYK 75 / 0 / 70 / 28

HEX #2DB737

RGB 45 183 55

HSL 124.35, 0.61%, 0.45%

LAB 65.51, -60.52, 52.38

 

CMYK 75 / 43 / 0 / 28

HEX #2D69B7

RGB 45 105 183

HSL 213.91, 0.61%, 0.45%

LAB 44.35, 8.15, -46.83

 

CMYK 0 / 75 / 5 / 28

HEX #B72DAE

RGB 183 45 174

HSL 303.91, 0.61%, 0.45%

LAB 45.63, 67.45, -38.69

 

Description

Color code: HEX #B77D2E | qconv.com Color code: HEX #B77D2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 125 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 125 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 75 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 75% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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