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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77E3D it is the complementary color #4881C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77E3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B77E3D shade: #BC7E38, #CD904B, #DEA25E, #EFB471 and #FFC684

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77E3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B77E3D shade: #B77E3D, #A66C2A, #955A17, #844804 and #733600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B77E3D shade: #B77E3D, #B75D3D and #B73D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B77E3D shade: #B77E3D, #B79F3D, #AEB73D, #8DB73D and #6CB73D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B77E3D shade matches the following richer shades: #B77E3D, #CB7F29, #DF8115 and #F38201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B77E3D shade: #B77E3D, #A37D51, #8F7B64, #7C7A78 and #68798C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B77E3D shade: #B73D3F, #B75B3D, #B77C3D, #B79D3D and #B1B73D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B77E3D shade: #795328, #986932, #B77E3D, #C79257 and #D1A675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B77E3D shade: #B77E3D, #5FB73D and #4B3DB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B77E3D shade: #B77E3D, #3DB77C and #7C3DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B77E3D shade: #B77E3D, #5FB73D, #3D78B7 and #943DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B77E3D shade: #B77E3D, #3DB73F, #3D78B7 and #B73DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

Complementary color

CMYK 63 / 34 / 0 / 24

HEX #4881C2

RGB 72 129 194

HSL 211.97, 0.5%, 0.52%

LAB 52.92, 1.61, -39.5

 

CMYK 0 / 33 / 70 / 26

HEX #BC7E38

RGB 188 126 56

HSL 31.82, 0.54%, 0.48%

LAB 57.94, 17.56, 46.55

 

CMYK 0 / 30 / 63 / 20

HEX #CD904B

RGB 205 144 75

HSL 31.85, 0.57%, 0.55%

LAB 64.51, 16.14, 45.13

 

CMYK 0 / 27 / 58 / 13

HEX #DEA25E

RGB 222 162 94

HSL 31.88, 0.66%, 0.62%

LAB 70.99, 14.91, 43.67

 

CMYK 0 / 25 / 53 / 6

HEX #EFB471

RGB 239 180 113

HSL 31.9, 0.8%, 0.69%

LAB 77.39, 13.85, 42.25

 

CMYK 0 / 22 / 48 / 0

HEX #FFC684

RGB 255 198 132

HSL 32.2, 1%, 0.76%

LAB 83.61, 12.52, 40.74

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 0 / 35 / 75 / 35

HEX #A66C2A

RGB 166 108 42

HSL 31.94, 0.6%, 0.41%

LAB 50.69, 17.24, 44.7

 

CMYK 0 / 40 / 85 / 42

HEX #955A17

RGB 149 90 23

HSL 31.9, 0.73%, 0.34%

LAB 43.89, 19.1, 45.57

 

CMYK 0 / 45 / 97 / 48

HEX #844804

RGB 132 72 4

HSL 31.88, 0.94%, 0.27%

LAB 37.02, 21.28, 45.32

 

CMYK 0 / 53 / 100 / 55

HEX #733600

RGB 115 54 0

HSL 28.17, 1%, 0.23%

LAB 30.12, 23.85, 40.9

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 0 / 49 / 67 / 28

HEX #B75D3D

RGB 183 93 61

HSL 15.74, 0.5%, 0.48%

LAB 49.78, 33.75, 34.63

 

CMYK 0 / 67 / 67 / 28

HEX #B73D3D

RGB 183 61 61

HSL 0, 0.5%, 0.48%

LAB 43.86, 49.16, 27.5

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 0 / 13 / 67 / 28

HEX #B79F3D

RGB 183 159 61

HSL 48.2, 0.5%, 0.48%

LAB 65.9, -2.44, 52.56

 

CMYK 5 / 0 / 67 / 28

HEX #AEB73D

RGB 174 183 61

HSL 64.43, 0.5%, 0.48%

LAB 71.69, -18.81, 58.34

 

CMYK 23 / 0 / 67 / 28

HEX #8DB73D

RGB 141 183 61

HSL 80.66, 0.5%, 0.48%

LAB 69.37, -32.32, 55.21

 

CMYK 41 / 0 / 67 / 28

HEX #6CB73D

RGB 108 183 61

HSL 96.89, 0.5%, 0.48%

LAB 67.57, -44.36, 52.75

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 0 / 37 / 80 / 20

HEX #CB7F29

RGB 203 127 41

HSL 31.85, 0.66%, 0.48%

LAB 59.92, 22.82, 55.69

 

CMYK 0 / 42 / 91 / 13

HEX #DF8115

RGB 223 129 21

HSL 32.08, 0.83%, 0.48%

LAB 62.88, 29.69, 65.58

 

CMYK 0 / 47 / 100 / 5

HEX #F38201

RGB 243 130 1

HSL 31.98, 0.99%, 0.48%

LAB 65.77, 37.12, 72.24

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 0 / 23 / 50 / 36

HEX #A37D51

RGB 163 125 81

HSL 32.2, 0.34%, 0.48%

LAB 55.12, 9.13, 29.55

 

CMYK 0 / 14 / 30 / 44

HEX #8F7B64

RGB 143 123 100

HSL 32.09, 0.18%, 0.48%

LAB 52.87, 4.03, 15.43

 

CMYK 0 / 2 / 3 / 51

HEX #7C7A78

RGB 124 122 120

HSL 30, 0.02%, 0.48%

LAB 51.34, 0.37, 1.35

 

CMYK 26 / 14 / 0 / 45

HEX #68798C

RGB 104 121 140

HSL 211.67, 0.15%, 0.48%

LAB 50.11, -1.71, -12.4

 

CMYK 0 / 67 / 66 / 28

HEX #B73D3F

RGB 183 61 63

HSL 359.02, 0.5%, 0.48%

LAB 43.89, 49.28, 26.34

 

CMYK 0 / 50 / 67 / 28

HEX #B75B3D

RGB 183 91 61

HSL 14.75, 0.5%, 0.48%

LAB 49.36, 34.8, 34.14

 

CMYK 0 / 32 / 67 / 28

HEX #B77C3D

RGB 183 124 61

HSL 30.98, 0.5%, 0.48%

LAB 56.9, 16.79, 42.8

 

CMYK 0 / 14 / 67 / 28

HEX #B79D3D

RGB 183 157 61

HSL 47.21, 0.5%, 0.48%

LAB 65.37, -1.36, 52

 

CMYK 3 / 0 / 67 / 28

HEX #B1B73D

RGB 177 183 61

HSL 62.95, 0.5%, 0.48%

LAB 71.93, -17.54, 58.65

 

CMYK 0 / 31 / 67 / 53

HEX #795328

RGB 121 83 40

HSL 31.85, 0.5%, 0.32%

LAB 38.56, 11.13, 30.98

 

CMYK 0 / 31 / 67 / 40

HEX #986932

RGB 152 105 50

HSL 32.35, 0.5%, 0.4%

LAB 48.27, 13.13, 37.69

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 0 / 27 / 56 / 22

HEX #C79257

RGB 199 146 87

HSL 31.61, 0.5%, 0.56%

LAB 64.47, 13.39, 38.8

 

CMYK 0 / 21 / 44 / 18

HEX #D1A675

RGB 209 166 117

HSL 31.96, 0.5%, 0.64%

LAB 70.95, 9.48, 31.35

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 48 / 0 / 67 / 28

HEX #5FB73D

RGB 95 183 61

HSL 103.28, 0.5%, 0.48%

LAB 67, -48.49, 51.98

 

CMYK 59 / 67 / 0 / 28

HEX #4B3DB7

RGB 75 61 183

HSL 246.89, 0.5%, 0.48%

LAB 34.5, 40.71, -62.67

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 67 / 0 / 32 / 28

HEX #3DB77C

RGB 61 183 124

HSL 150.98, 0.5%, 0.48%

LAB 66.76, -47.44, 20.4

 

CMYK 32 / 67 / 0 / 28

HEX #7C3DB7

RGB 124 61 183

HSL 270.98, 0.5%, 0.48%

LAB 39.65, 50.04, -54.07

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 48 / 0 / 67 / 28

HEX #5FB73D

RGB 95 183 61

HSL 103.28, 0.5%, 0.48%

LAB 67, -48.49, 51.98

 

CMYK 67 / 34 / 0 / 28

HEX #3D78B7

RGB 61 120 183

HSL 210.98, 0.5%, 0.48%

LAB 49.31, 1.26, -38.91

 

CMYK 19 / 67 / 0 / 28

HEX #943DB7

RGB 148 61 183

HSL 282.79, 0.5%, 0.48%

LAB 42.84, 55.35, -48.77

 

CMYK 0 / 31 / 67 / 28

HEX #B77E3D

RGB 183 126 61

HSL 31.97, 0.5%, 0.48%

LAB 57.39, 15.68, 43.35

 

CMYK 67 / 0 / 66 / 28

HEX #3DB73F

RGB 61 183 63

HSL 120.98, 0.5%, 0.48%

LAB 65.92, -56.92, 49.64

 

CMYK 67 / 34 / 0 / 28

HEX #3D78B7

RGB 61 120 183

HSL 210.98, 0.5%, 0.48%

LAB 49.31, 1.26, -38.91

 

CMYK 0 / 67 / 1 / 28

HEX #B73DB5

RGB 183 61 181

HSL 300.98, 0.5%, 0.48%

LAB 47.93, 63.11, -39.18

 

Description

Color code: HEX #B77E3D | qconv.com Color code: HEX #B77E3D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 126 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 126 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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