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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78C60 it is the complementary color #48739F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78C60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78C60 shade: #BC8C5B, #CD9E6E, #DEB081, #EFC294 and #FFD4A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78C60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78C60 shade: #B78C60, #A67A4D, #95683A, #845627 and #734414

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78C60 shade: #B78C60, #B77560 and #B76060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78C60 shade: #B78C60, #B7A460, #B3B760, #9CB760 and #84B760

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78C60 shade matches the following richer shades: #B78C60, #CA8C4E, #DC8D3B and #EF8D28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78C60 shade: #B78C60, #A58C73, #928C85, #808C98 and #6D8BAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78C60 shade: #B76063, #B77460, #B78C60, #B7A360 and #B4B760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78C60 shade: #88633D, #A5784A, #B78C60, #C4A17D and #D1B599

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78C60 shade: #B78C60, #7AB760 and #6960B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78C60 shade: #B78C60, #60B78C and #8C60B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78C60 shade: #B78C60, #7AB760, #608CB7 and #9D60B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78C60 shade: #B78C60, #60B760, #608CB7 and #B760B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

Complementary color

CMYK 55 / 28 / 0 / 38

HEX #48739F

RGB 72 115 159

HSL 210.34, 0.38%, 0.45%

LAB 47.16, -1.68, -28.27

 

CMYK 0 / 26 / 52 / 26

HEX #BC8C5B

RGB 188 140 91

HSL 30.31, 0.42%, 0.55%

LAB 61.83, 12.39, 33.15

 

CMYK 0 / 23 / 46 / 20

HEX #CD9E6E

RGB 205 158 110

HSL 30.32, 0.49%, 0.62%

LAB 68.43, 11.45, 31.74

 

CMYK 0 / 21 / 42 / 13

HEX #DEB081

RGB 222 176 129

HSL 30.32, 0.58%, 0.69%

LAB 74.93, 10.65, 30.43

 

CMYK 0 / 19 / 38 / 6

HEX #EFC294

RGB 239 194 148

HSL 30.33, 0.74%, 0.76%

LAB 81.33, 9.94, 29.2

 

CMYK 0 / 17 / 35 / 0

HEX #FFD4A7

RGB 255 212 167

HSL 30.68, 1%, 0.83%

LAB 87.55, 8.94, 27.92

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 27 / 54 / 35

HEX #A67A4D

RGB 166 122 77

HSL 30.34, 0.37%, 0.48%

LAB 54.62, 11.75, 31.19

 

CMYK 0 / 30 / 61 / 42

HEX #95683A

RGB 149 104 58

HSL 30.33, 0.44%, 0.41%

LAB 47.75, 12.94, 32.75

 

CMYK 0 / 35 / 70 / 48

HEX #845627

RGB 132 86 39

HSL 30.32, 0.54%, 0.34%

LAB 40.75, 14.39, 34.35

 

CMYK 0 / 41 / 83 / 55

HEX #734414

RGB 115 68 20

HSL 30.32, 0.7%, 0.26%

LAB 33.63, 16.2, 35.72

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 36 / 48 / 28

HEX #B77560

RGB 183 117 96

HSL 14.48, 0.38%, 0.55%

LAB 55.72, 23.56, 22.34

 

CMYK 0 / 48 / 48 / 28

HEX #B76060

RGB 183 96 96

HSL 0, 0.38%, 0.55%

LAB 51.01, 35, 15.99

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 10 / 48 / 28

HEX #B7A460

RGB 183 164 96

HSL 46.9, 0.38%, 0.55%

LAB 67.62, -2.35, 37.64

 

CMYK 2 / 0 / 48 / 28

HEX #B3B760

RGB 179 183 96

HSL 62.76, 0.38%, 0.55%

LAB 72.43, -13.98, 43.44

 

CMYK 15 / 0 / 48 / 28

HEX #9CB760

RGB 156 183 96

HSL 78.62, 0.38%, 0.55%

LAB 70.72, -23.24, 40.97

 

CMYK 28 / 0 / 48 / 28

HEX #84B760

RGB 132 183 96

HSL 95.17, 0.38%, 0.55%

LAB 69.2, -32.33, 38.76

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 31 / 61 / 21

HEX #CA8C4E

RGB 202 140 78

HSL 30, 0.54%, 0.55%

LAB 63.23, 17.25, 42.04

 

CMYK 0 / 36 / 73 / 14

HEX #DC8D3B

RGB 220 141 59

HSL 30.56, 0.7%, 0.55%

LAB 65.42, 23.21, 54.2

 

CMYK 0 / 41 / 83 / 6

HEX #EF8D28

RGB 239 141 40

HSL 30.45, 0.86%, 0.55%

LAB 67.69, 30.41, 64.72

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 15 / 30 / 35

HEX #A58C73

RGB 165 140 115

HSL 30, 0.22%, 0.55%

LAB 59.88, 5.57, 16.86

 

CMYK 0 / 4 / 9 / 43

HEX #928C85

RGB 146 140 133

HSL 32.31, 0.06%, 0.55%

LAB 58.57, 0.93, 4.52

 

CMYK 16 / 8 / 0 / 40

HEX #808C98

RGB 128 140 152

HSL 210, 0.1%, 0.55%

LAB 57.67, -1.73, -7.85

 

CMYK 36 / 18 / 0 / 33

HEX #6D8BAA

RGB 109 139 170

HSL 210.49, 0.26%, 0.55%

LAB 56.7, -2.72, -19.75

 

CMYK 0 / 48 / 46 / 28

HEX #B76063

RGB 183 96 99

HSL 357.93, 0.38%, 0.55%

LAB 51.08, 35.3, 14.3

 

CMYK 0 / 37 / 48 / 28

HEX #B77460

RGB 183 116 96

HSL 13.79, 0.38%, 0.55%

LAB 55.48, 24.11, 22.03

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 11 / 48 / 28

HEX #B7A360

RGB 183 163 96

HSL 46.21, 0.38%, 0.55%

LAB 67.36, -1.81, 37.31

 

CMYK 2 / 0 / 48 / 28

HEX #B4B760

RGB 180 183 96

HSL 62.07, 0.38%, 0.55%

LAB 72.5, -13.57, 43.56

 

CMYK 0 / 27 / 55 / 47

HEX #88633D

RGB 136 99 61

HSL 30.4, 0.38%, 0.39%

LAB 44.93, 10.27, 27.31

 

CMYK 0 / 27 / 55 / 35

HEX #A5784A

RGB 165 120 74

HSL 30.33, 0.38%, 0.47%

LAB 53.95, 12.18, 31.98

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 0 / 18 / 36 / 23

HEX #C4A17D

RGB 196 161 125

HSL 30.42, 0.38%, 0.63%

LAB 68.54, 7.83, 23.6

 

CMYK 0 / 13 / 27 / 18

HEX #D1B599

RGB 209 181 153

HSL 30, 0.38%, 0.71%

LAB 75.39, 5.81, 17.98

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 33 / 0 / 48 / 28

HEX #7AB760

RGB 122 183 96

HSL 102.07, 0.38%, 0.55%

LAB 68.64, -35.86, 37.95

 

CMYK 43 / 48 / 0 / 28

HEX #6960B7

RGB 105 96 183

HSL 246.21, 0.38%, 0.55%

LAB 45.34, 25.65, -45.04

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 48 / 0 / 23 / 28

HEX #60B78C

RGB 96 183 140

HSL 150.34, 0.38%, 0.55%

LAB 68.2, -36.34, 13.89

 

CMYK 23 / 48 / 0 / 28

HEX #8C60B7

RGB 140 96 183

HSL 270.34, 0.38%, 0.55%

LAB 48.71, 35.1, -39.48

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 33 / 0 / 48 / 28

HEX #7AB760

RGB 122 183 96

HSL 102.07, 0.38%, 0.55%

LAB 68.64, -35.86, 37.95

 

CMYK 48 / 23 / 0 / 28

HEX #608CB7

RGB 96 140 183

HSL 209.66, 0.38%, 0.55%

LAB 56.74, -3.11, -27.17

 

CMYK 14 / 48 / 0 / 28

HEX #9D60B7

RGB 157 96 183

HSL 282.07, 0.38%, 0.55%

LAB 50.63, 39.99, -36.33

 

CMYK 0 / 23 / 48 / 28

HEX #B78C60

RGB 183 140 96

HSL 30.34, 0.38%, 0.55%

LAB 61.37, 10.76, 29.74

 

CMYK 48 / 0 / 48 / 28

HEX #60B760

RGB 96 183 96

HSL 120, 0.38%, 0.55%

LAB 67.43, -44.14, 36.17

 

CMYK 48 / 23 / 0 / 28

HEX #608CB7

RGB 96 140 183

HSL 209.66, 0.38%, 0.55%

LAB 56.74, -3.11, -27.17

 

CMYK 0 / 48 / 0 / 28

HEX #B760B7

RGB 183 96 183

HSL 300, 0.38%, 0.55%

LAB 53.87, 47.61, -31.03

 

Description

Color code: HEX #B78C60 | qconv.com Color code: HEX #B78C60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 140 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 140 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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