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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78CE3 it is the complementary color #48731C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78CE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78CE3 shade: #BC8CDE, #CD9EF1, #DEB0FF, #EFC2FF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78CE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78CE3 shade: #B78CE3, #A67AD0, #9568BD, #8456AA and #734497

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78CE3 shade: #B78CE3, #CE8CE3, #E38CE0, #E38CC8 and #E38CB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78CE3 shade: #B78CE3, #9F8CE3 and #8C8CE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78CE3 shade matches the following richer shades: #B78CE3, #B680EE and #B674FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78CE3 shade: #B78CE3, #B797D7, #B7A3CC, #B7AEC0 and #B7BAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78CE3 shade: #8C90E3, #9E8CE3, #B68CE3, #CD8CE3 and #E38CE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78CE3 shade: #8D49D3, #A26ADB, #B78CE3, #CBADEB and #E0CEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78CE3 shade: #B78CE3, #E38CA7 and #8CE393

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78CE3 shade: #B78CE3, #E3B68C and #8CE3B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78CE3 shade: #B78CE3, #E38CA7, #B9E38C and #8CE3C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78CE3 shade: #B78CE3, #E38C8D, #B9E38C and #8CE3E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

Complementary color

CMYK 37 / 0 / 76 / 55

HEX #48731C

RGB 72 115 28

HSL 89.66, 0.61%, 0.28%

LAB 43.83, -29.9, 40.98

 

CMYK 15 / 37 / 0 / 13

HEX #BC8CDE

RGB 188 140 222

HSL 275.12, 0.55%, 0.71%

LAB 65.53, 33.31, -34.89

 

CMYK 15 / 34 / 0 / 5

HEX #CD9EF1

RGB 205 158 241

HSL 273.98, 0.75%, 0.78%

LAB 72.08, 32.6, -35.03

 

CMYK 13 / 31 / 0 / 0

HEX #DEB0FF

RGB 222 176 255

HSL 274.94, 1%, 0.85%

LAB 78.35, 30.9, -32.8

 

CMYK 6 / 24 / 0 / 0

HEX #EFC2FF

RGB 239 194 255

HSL 284.26, 1%, 0.88%

LAB 84.05, 26.53, -23.93

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 20 / 41 / 0 / 18

HEX #A67AD0

RGB 166 122 208

HSL 270.7, 0.48%, 0.65%

LAB 58.58, 33.7, -38.07

 

CMYK 21 / 45 / 0 / 26

HEX #9568BD

RGB 149 104 189

HSL 271.76, 0.39%, 0.57%

LAB 51.8, 34.54, -38.02

 

CMYK 22 / 49 / 0 / 33

HEX #8456AA

RGB 132 86 170

HSL 272.86, 0.33%, 0.5%

LAB 44.89, 35.43, -37.97

 

CMYK 24 / 55 / 0 / 41

HEX #734497

RGB 115 68 151

HSL 273.98, 0.38%, 0.43%

LAB 37.87, 36.35, -37.89

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 9 / 38 / 0 / 11

HEX #CE8CE3

RGB 206 140 227

HSL 285.52, 0.61%, 0.72%

LAB 67.59, 39.77, -34.31

 

CMYK 0 / 38 / 1 / 11

HEX #E38CE0

RGB 227 140 224

HSL 302.07, 0.61%, 0.72%

LAB 69.8, 45.58, -29.05

 

CMYK 0 / 38 / 12 / 11

HEX #E38CC8

RGB 227 140 200

HSL 318.62, 0.61%, 0.72%

LAB 68.94, 41.47, -17.08

 

CMYK 0 / 38 / 22 / 11

HEX #E38CB1

RGB 227 140 177

HSL 334.48, 0.61%, 0.72%

LAB 68.21, 37.91, -5.31

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 30 / 38 / 0 / 11

HEX #9F8CE3

RGB 159 140 227

HSL 253.1, 0.61%, 0.72%

LAB 63.07, 26.03, -41.71

 

CMYK 38 / 38 / 0 / 11

HEX #8C8CE3

RGB 140 140 227

HSL 240, 0.61%, 0.72%

LAB 61.55, 20.88, -44.21

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 24 / 46 / 0 / 7

HEX #B680EE

RGB 182 128 238

HSL 269.45, 0.76%, 0.72%

LAB 62.97, 41.77, -47.81

 

CMYK 27 / 54 / 0 / 2

HEX #B674FA

RGB 182 116 250

HSL 269.55, 0.93%, 0.72%

LAB 61.08, 50.98, -57.44

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 15 / 30 / 0 / 16

HEX #B797D7

RGB 183 151 215

HSL 270, 0.44%, 0.72%

LAB 67.36, 24.12, -28.23

 

CMYK 10 / 20 / 0 / 20

HEX #B7A3CC

RGB 183 163 204

HSL 269.27, 0.29%, 0.72%

LAB 69.91, 15.09, -18.25

 

CMYK 5 / 9 / 0 / 25

HEX #B7AEC0

RGB 183 174 192

HSL 270, 0.13%, 0.72%

LAB 72.33, 6.6, -8.01

 

CMYK 2 / 0 / 3 / 27

HEX #B7BAB4

RGB 183 186 180

HSL 90, 0.04%, 0.72%

LAB 75.13, -2.15, 2.66

 

CMYK 38 / 37 / 0 / 11

HEX #8C90E3

RGB 140 144 227

HSL 237.24, 0.61%, 0.72%

LAB 62.57, 18.55, -42.61

 

CMYK 30 / 38 / 0 / 11

HEX #9E8CE3

RGB 158 140 227

HSL 252.41, 0.61%, 0.72%

LAB 62.99, 25.75, -41.85

 

CMYK 20 / 38 / 0 / 11

HEX #B68CE3

RGB 182 140 227

HSL 268.97, 0.61%, 0.72%

LAB 65.16, 32.63, -38.29

 

CMYK 10 / 38 / 0 / 11

HEX #CD8CE3

RGB 205 140 227

HSL 284.83, 0.61%, 0.72%

LAB 67.49, 39.47, -34.49

 

CMYK 0 / 38 / 1 / 11

HEX #E38CE1

RGB 227 140 225

HSL 301.38, 0.61%, 0.72%

LAB 69.84, 45.76, -29.55

 

CMYK 33 / 65 / 0 / 17

HEX #8D49D3

RGB 141 73 211

HSL 269.57, 0.61%, 0.56%

LAB 45.81, 54.46, -60.28

 

CMYK 26 / 52 / 0 / 14

HEX #A26ADB

RGB 162 106 219

HSL 269.73, 0.61%, 0.64%

LAB 55.18, 44.05, -49.68

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 14 / 26 / 0 / 8

HEX #CBADEB

RGB 203 173 235

HSL 269.03, 0.61%, 0.8%

LAB 75.19, 22.5, -27

 

CMYK 8 / 15 / 0 / 5

HEX #E0CEF3

RGB 224 206 243

HSL 269.19, 0.61%, 0.88%

LAB 85.23, 13.01, -15.89

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 0 / 38 / 26 / 11

HEX #E38CA7

RGB 227 140 167

HSL 341.38, 0.61%, 0.72%

LAB 67.93, 36.49, -0.11

 

CMYK 38 / 0 / 35 / 11

HEX #8CE393

RGB 140 227 147

HSL 124.83, 0.61%, 0.72%

LAB 83.24, -42.3, 31.05

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 0 / 20 / 38 / 11

HEX #E3B68C

RGB 227 182 140

HSL 28.97, 0.61%, 0.72%

LAB 77.09, 10.66, 27.55

 

CMYK 38 / 0 / 20 / 11

HEX #8CE3B6

RGB 140 227 182

HSL 148.97, 0.61%, 0.72%

LAB 83.91, -36.02, 13.82

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 0 / 38 / 26 / 11

HEX #E38CA7

RGB 227 140 167

HSL 341.38, 0.61%, 0.72%

LAB 67.93, 36.49, -0.11

 

CMYK 19 / 0 / 38 / 11

HEX #B9E38C

RGB 185 227 140

HSL 88.97, 0.61%, 0.72%

LAB 85.58, -28.35, 38.1

 

CMYK 38 / 0 / 12 / 11

HEX #8CE3C7

RGB 140 227 199

HSL 160.69, 0.61%, 0.72%

LAB 84.3, -32.51, 5.44

 

CMYK 19 / 38 / 0 / 11

HEX #B78CE3

RGB 183 140 227

HSL 269.66, 0.61%, 0.72%

LAB 65.25, 32.92, -38.13

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8D

RGB 227 140 141

HSL 359.31, 0.61%, 0.72%

LAB 67.28, 33.19, 13.56

 

CMYK 19 / 0 / 38 / 11

HEX #B9E38C

RGB 185 227 140

HSL 88.97, 0.61%, 0.72%

LAB 85.58, -28.35, 38.1

 

CMYK 38 / 0 / 1 / 11

HEX #8CE3E1

RGB 140 227 225

HSL 178.62, 0.61%, 0.72%

LAB 84.97, -26.61, -7.3

 

Description

Color code: HEX #B78CE3 | qconv.com Color code: HEX #B78CE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 140 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 140 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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