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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78F38 it is the complementary color #4870C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78F38 shade: #BC8F33, #CDA146, #DEB359, #EFC56C and #FFD77F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78F38 shade: #B78F38, #A67D25, #956B12, #845900 and #734700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78F38 shade: #B78F38, #B76D38, #B74A38 and #B73838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78F38 shade: #B78F38, #B7B138, #9AB738, #78B738 and #56B738

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78F38 shade matches the following richer shades: #B78F38, #CA9624 and #DE9D11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78F38 shade: #B78F38, #A3884B, #90815F, #7D7972 and #697285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78F38 shade: #B74B38, #B76D38, #B78F38, #B7B138 and #9BB738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78F38 shade: #785E24, #97762E, #B78F38, #C9A24F and #D2B36F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78F38 shade: #B78F38, #47B738 and #5C38B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78F38 shade: #B78F38, #38B78F and #8F38B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78F38 shade: #B78F38, #47B738, #3860B7 and #A838B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78F38 shade: #B78F38, #38B74F, #3860B7 and #B738A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

Complementary color

CMYK 64 / 44 / 0 / 22

HEX #4870C7

RGB 72 112 199

HSL 221.1, 0.53%, 0.53%

LAB 48.37, 13.73, -49.58

 

CMYK 0 / 24 / 73 / 26

HEX #BC8F33

RGB 188 143 51

HSL 40.29, 0.57%, 0.47%

LAB 62.15, 7.92, 53.15

 

CMYK 0 / 21 / 66 / 20

HEX #CDA146

RGB 205 161 70

HSL 40.44, 0.57%, 0.54%

LAB 68.69, 6.6, 52.17

 

CMYK 0 / 19 / 60 / 13

HEX #DEB359

RGB 222 179 89

HSL 40.6, 0.67%, 0.61%

LAB 75.13, 5.49, 50.98

 

CMYK 0 / 18 / 55 / 6

HEX #EFC56C

RGB 239 197 108

HSL 40.76, 0.8%, 0.68%

LAB 81.49, 4.53, 49.72

 

CMYK 0 / 16 / 50 / 0

HEX #FFD77F

RGB 255 215 127

HSL 41.25, 1%, 0.75%

LAB 87.68, 3.3, 48.32

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 25 / 78 / 35

HEX #A67D25

RGB 166 125 37

HSL 40.93, 0.64%, 0.4%

LAB 54.98, 7.41, 51.05

 

CMYK 0 / 28 / 88 / 42

HEX #956B12

RGB 149 107 18

HSL 40.76, 0.78%, 0.33%

LAB 48.2, 9.15, 50.9

 

CMYK 0 / 33 / 100 / 48

HEX #845900

RGB 132 89 0

HSL 40.45, 1%, 0.26%

LAB 41.3, 11.23, 49.43

 

CMYK 0 / 38 / 100 / 55

HEX #734700

RGB 115 71 0

HSL 37.04, 1%, 0.23%

LAB 34.3, 13.8, 43.72

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 40 / 69 / 28

HEX #B76D38

RGB 183 109 56

HSL 25.04, 0.53%, 0.47%

LAB 53.27, 24.81, 41.28

 

CMYK 0 / 60 / 69 / 28

HEX #B74A38

RGB 183 74 56

HSL 8.5, 0.53%, 0.47%

LAB 45.98, 43.04, 32.97

 

CMYK 0 / 69 / 69 / 28

HEX #B73838

RGB 183 56 56

HSL 0, 0.53%, 0.47%

LAB 43.03, 50.93, 29.48

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 3 / 69 / 28

HEX #B7B138

RGB 183 177 56

HSL 57.17, 0.53%, 0.47%

LAB 70.73, -12.2, 59.56

 

CMYK 16 / 0 / 69 / 28

HEX #9AB738

RGB 154 183 56

HSL 73.7, 0.53%, 0.47%

LAB 70.19, -27.44, 58.29

 

CMYK 34 / 0 / 69 / 28

HEX #78B738

RGB 120 183 56

HSL 89.76, 0.53%, 0.47%

LAB 68.13, -40.59, 55.52

 

CMYK 53 / 0 / 69 / 28

HEX #56B738

RGB 86 183 56

HSL 105.83, 0.53%, 0.47%

LAB 66.62, -51.54, 53.48

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 26 / 82 / 21

HEX #CA9624

RGB 202 150 36

HSL 41.2, 0.7%, 0.47%

LAB 65.35, 9.69, 62.29

 

CMYK 0 / 29 / 92 / 13

HEX #DE9D11

RGB 222 157 17

HSL 40.98, 0.86%, 0.47%

LAB 69.24, 14.26, 71.03

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 17 / 54 / 36

HEX #A3884B

RGB 163 136 75

HSL 41.59, 0.37%, 0.47%

LAB 57.94, 2.39, 36.28

 

CMYK 0 / 10 / 34 / 44

HEX #90815F

RGB 144 129 95

HSL 41.63, 0.21%, 0.47%

LAB 54.51, 0.35, 20.54

 

CMYK 0 / 3 / 9 / 51

HEX #7D7972

RGB 125 121 114

HSL 38.18, 0.05%, 0.47%

LAB 50.98, 0.19, 4.37

 

CMYK 21 / 14 / 0 / 48

HEX #697285

RGB 105 114 133

HSL 220.71, 0.12%, 0.47%

LAB 47.92, 1, -11.56

 

CMYK 0 / 59 / 69 / 28

HEX #B74B38

RGB 183 75 56

HSL 8.98, 0.53%, 0.47%

LAB 46.16, 42.56, 33.18

 

CMYK 0 / 40 / 69 / 28

HEX #B76D38

RGB 183 109 56

HSL 25.04, 0.53%, 0.47%

LAB 53.27, 24.81, 41.28

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 3 / 69 / 28

HEX #B7B138

RGB 183 177 56

HSL 57.17, 0.53%, 0.47%

LAB 70.73, -12.2, 59.56

 

CMYK 15 / 0 / 69 / 28

HEX #9BB738

RGB 155 183 56

HSL 73.23, 0.53%, 0.47%

LAB 70.26, -27.03, 58.38

 

CMYK 0 / 22 / 70 / 53

HEX #785E24

RGB 120 94 36

HSL 41.43, 0.54%, 0.31%

LAB 41.42, 3.82, 36.18

 

CMYK 0 / 22 / 70 / 41

HEX #97762E

RGB 151 118 46

HSL 41.14, 0.53%, 0.39%

LAB 51.53, 4.97, 43.17

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 0 / 19 / 61 / 21

HEX #C9A24F

RGB 201 162 79

HSL 40.82, 0.53%, 0.55%

LAB 68.62, 4.94, 47.76

 

CMYK 0 / 15 / 47 / 18

HEX #D2B36F

RGB 210 179 111

HSL 41.21, 0.52%, 0.63%

LAB 74.25, 2.33, 38.73

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 61 / 0 / 69 / 28

HEX #47B738

RGB 71 183 56

HSL 112.91, 0.53%, 0.47%

LAB 66.13, -55.4, 52.82

 

CMYK 50 / 69 / 0 / 28

HEX #5C38B7

RGB 92 56 183

HSL 257.01, 0.53%, 0.47%

LAB 35.05, 46.36, -61.72

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 69 / 0 / 22 / 28

HEX #38B78F

RGB 56 183 143

HSL 161.1, 0.53%, 0.47%

LAB 67.04, -44.03, 10.45

 

CMYK 22 / 69 / 0 / 28

HEX #8F38B7

RGB 143 56 183

HSL 281.1, 0.53%, 0.47%

LAB 41.35, 56.44, -51.2

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 61 / 0 / 69 / 28

HEX #47B738

RGB 71 183 56

HSL 112.91, 0.53%, 0.47%

LAB 66.13, -55.4, 52.82

 

CMYK 69 / 48 / 0 / 28

HEX #3860B7

RGB 56 96 183

HSL 221.1, 0.53%, 0.47%

LAB 42.19, 15.48, -50.26

 

CMYK 8 / 69 / 0 / 28

HEX #A838B7

RGB 168 56 183

HSL 292.91, 0.53%, 0.47%

LAB 45.04, 61.92, -45.08

 

CMYK 0 / 22 / 69 / 28

HEX #B78F38

RGB 183 143 56

HSL 41.1, 0.53%, 0.47%

LAB 61.65, 5.97, 50.3

 

CMYK 69 / 0 / 57 / 28

HEX #38B74F

RGB 56 183 79

HSL 130.87, 0.53%, 0.47%

LAB 65.96, -56, 42.44

 

CMYK 69 / 48 / 0 / 28

HEX #3860B7

RGB 56 96 183

HSL 221.1, 0.53%, 0.47%

LAB 42.19, 15.48, -50.26

 

CMYK 0 / 69 / 13 / 28

HEX #B738A0

RGB 183 56 160

HSL 310.87, 0.53%, 0.47%

LAB 46.22, 61.65, -29.46

 

Description

Color code: HEX #B78F38 | qconv.com Color code: HEX #B78F38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 143 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 143 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 69 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 69% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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