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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B797D2 it is the complementary color #48682D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B797D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B797D2 shade: #BC97CD, #CDA9E0, #DEBBF3, #EFCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B797D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B797D2 shade: #B797D2, #A685BF, #9573AC, #846199 and #734F86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B797D2 shade: #B797D2, #C797D2, #D297CD, #D297BD and #D297AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B797D2 shade: #B797D2, #A797D2, #9797D2 and #9797D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B797D2 shade matches the following richer shades: #B797D2, #B88BDE, #B97FEA and #BA73F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B797D2 shade: #B797D2, #B6A3C6, #B5AFBA, #B4BBAE and #B3C7A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B797D2 shade: #9797D2, #A797D2, #B797D2, #C697D2 and #D297CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B797D2 shade: #8F5DB9, #A37AC6, #B797D2, #CBB4DF and #DFD1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B797D2 shade: #B797D2, #D297A7 and #97D29F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B797D2 shade: #B797D2, #D2B797 and #97D2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B797D2 shade: #B797D2, #D297A7, #B3D297 and #97D2C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B797D2 shade: #B797D2, #D29997, #B3D297 and #97D0D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

Complementary color

CMYK 31 / 0 / 57 / 59

HEX #48682D

RGB 72 104 45

HSL 92.54, 0.4%, 0.29%

LAB 40.36, -22.92, 29.22

 

CMYK 8 / 26 / 0 / 20

HEX #BC97CD

RGB 188 151 205

HSL 281.11, 0.35%, 0.7%

LAB 67.45, 23.61, -22.5

 

CMYK 8 / 25 / 0 / 12

HEX #CDA9E0

RGB 205 169 224

HSL 279.27, 0.47%, 0.77%

LAB 74.02, 23.05, -22.79

 

CMYK 9 / 23 / 0 / 5

HEX #DEBBF3

RGB 222 187 243

HSL 277.5, 0.7%, 0.84%

LAB 80.48, 22.53, -23.09

 

CMYK 6 / 20 / 0 / 0

HEX #EFCDFF

RGB 239 205 255

HSL 280.8, 1%, 0.9%

LAB 86.62, 20.69, -20.03

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 13 / 30 / 0 / 25

HEX #A685BF

RGB 166 133 191

HSL 274.14, 0.31%, 0.64%

LAB 60.47, 23.65, -25.54

 

CMYK 13 / 33 / 0 / 33

HEX #9573AC

RGB 149 115 172

HSL 275.79, 0.26%, 0.56%

LAB 53.63, 24.32, -25.34

 

CMYK 14 / 37 / 0 / 40

HEX #846199

RGB 132 97 153

HSL 277.5, 0.22%, 0.49%

LAB 46.65, 25.05, -25.16

 

CMYK 14 / 41 / 0 / 47

HEX #734F86

RGB 115 79 134

HSL 279.27, 0.26%, 0.42%

LAB 39.51, 25.85, -24.98

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 5 / 28 / 0 / 18

HEX #C797D2

RGB 199 151 210

HSL 288.81, 0.4%, 0.71%

LAB 68.7, 28.2, -23.27

 

CMYK 0 / 28 / 2 / 18

HEX #D297CD

RGB 210 151 205

HSL 305.08, 0.4%, 0.71%

LAB 69.64, 30.85, -18.96

 

CMYK 0 / 28 / 10 / 18

HEX #D297BD

RGB 210 151 189

HSL 321.36, 0.4%, 0.71%

LAB 69.12, 28.02, -10.87

 

CMYK 0 / 28 / 18 / 18

HEX #D297AD

RGB 210 151 173

HSL 337.63, 0.4%, 0.71%

LAB 68.64, 25.39, -2.65

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 20 / 28 / 0 / 18

HEX #A797D2

RGB 167 151 210

HSL 256.27, 0.4%, 0.71%

LAB 65.75, 18.01, -28.05

 

CMYK 28 / 28 / 0 / 18

HEX #9797D2

RGB 151 151 210

HSL 240, 0.4%, 0.71%

LAB 64.46, 13.16, -30.15

 

CMYK 28 / 28 / 0 / 18

HEX #9797D2

RGB 151 151 210

HSL 240, 0.4%, 0.71%

LAB 64.46, 13.16, -30.15

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 17 / 37 / 0 / 13

HEX #B88BDE

RGB 184 139 222

HSL 272.53, 0.56%, 0.71%

LAB 64.91, 32.66, -35.9

 

CMYK 21 / 46 / 0 / 8

HEX #B97FEA

RGB 185 127 234

HSL 272.52, 0.72%, 0.71%

LAB 62.87, 42.22, -45.73

 

CMYK 24 / 53 / 0 / 4

HEX #BA73F6

RGB 186 115 246

HSL 272.52, 0.88%, 0.71%

LAB 61.09, 51.58, -55.19

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 8 / 18 / 0 / 22

HEX #B6A3C6

RGB 182 163 198

HSL 272.57, 0.23%, 0.71%

LAB 69.62, 13.52, -15.37

 

CMYK 3 / 6 / 0 / 27

HEX #B5AFBA

RGB 181 175 186

HSL 272.73, 0.07%, 0.71%

LAB 72.25, 4.2, -4.85

 

CMYK 4 / 0 / 7 / 27

HEX #B4BBAE

RGB 180 187 174

HSL 92.31, 0.09%, 0.71%

LAB 75.01, -4.83, 5.73

 

CMYK 10 / 0 / 19 / 22

HEX #B3C7A2

RGB 179 199 162

HSL 92.43, 0.25%, 0.71%

LAB 77.9, -13.5, 16.28

 

CMYK 28 / 28 / 0 / 18

HEX #9797D2

RGB 151 151 210

HSL 240, 0.4%, 0.71%

LAB 64.46, 13.16, -30.15

 

CMYK 20 / 28 / 0 / 18

HEX #A797D2

RGB 167 151 210

HSL 256.27, 0.4%, 0.71%

LAB 65.75, 18.01, -28.05

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 6 / 28 / 0 / 18

HEX #C697D2

RGB 198 151 210

HSL 287.8, 0.4%, 0.71%

LAB 68.6, 27.87, -23.43

 

CMYK 0 / 28 / 2 / 18

HEX #D297CE

RGB 210 151 206

HSL 304.07, 0.4%, 0.71%

LAB 69.68, 31.04, -19.46

 

CMYK 23 / 50 / 0 / 27

HEX #8F5DB9

RGB 143 93 185

HSL 272.61, 0.4%, 0.55%

LAB 48.47, 38.12, -41

 

CMYK 18 / 38 / 0 / 22

HEX #A37AC6

RGB 163 122 198

HSL 272.37, 0.4%, 0.63%

LAB 57.83, 30.53, -33.61

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 9 / 19 / 0 / 13

HEX #CBB4DF

RGB 203 180 223

HSL 272.09, 0.4%, 0.79%

LAB 76.48, 16.2, -18.54

 

CMYK 5 / 11 / 0 / 8

HEX #DFD1EB

RGB 223 209 235

HSL 272.31, 0.39%, 0.87%

LAB 85.65, 9.55, -11.03

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 0 / 28 / 20 / 18

HEX #D297A7

RGB 210 151 167

HSL 343.73, 0.4%, 0.71%

LAB 68.48, 24.47, 0.46

 

CMYK 28 / 0 / 24 / 18

HEX #97D29F

RGB 151 210 159

HSL 128.14, 0.4%, 0.71%

LAB 79.14, -29.06, 19.34

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 0 / 13 / 28 / 18

HEX #D2B797

RGB 210 183 151

HSL 32.54, 0.4%, 0.71%

LAB 75.95, 4.86, 19.85

 

CMYK 28 / 0 / 13 / 18

HEX #97D2B7

RGB 151 210 183

HSL 152.54, 0.4%, 0.71%

LAB 79.67, -24.52, 7.33

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 0 / 28 / 20 / 18

HEX #D297A7

RGB 210 151 167

HSL 343.73, 0.4%, 0.71%

LAB 68.48, 24.47, 0.46

 

CMYK 15 / 0 / 28 / 18

HEX #B3D297

RGB 179 210 151

HSL 91.53, 0.4%, 0.71%

LAB 80.69, -20.75, 25.93

 

CMYK 28 / 0 / 8 / 18

HEX #97D2C2

RGB 151 210 194

HSL 163.73, 0.4%, 0.71%

LAB 79.94, -22.25, 1.84

 

CMYK 13 / 28 / 0 / 18

HEX #B797D2

RGB 183 151 210

HSL 272.54, 0.4%, 0.71%

LAB 67.17, 23.05, -25.75

 

CMYK 0 / 27 / 28 / 18

HEX #D29997

RGB 210 153 151

HSL 2.03, 0.4%, 0.71%

LAB 68.55, 21.06, 9.48

 

CMYK 15 / 0 / 28 / 18

HEX #B3D297

RGB 179 210 151

HSL 91.53, 0.4%, 0.71%

LAB 80.69, -20.75, 25.93

 

CMYK 28 / 1 / 0 / 18

HEX #97D0D2

RGB 151 208 210

HSL 182.03, 0.4%, 0.71%

LAB 79.81, -17.72, -6.91

 

Description

Color code: HEX #B797D2 | qconv.com Color code: HEX #B797D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 151 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 151 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 28 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 28% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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