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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B79195 it is the complementary color #486E6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B79195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B79195 shade: #BC9190, #CDA3A3, #DEB5B6, #EFC7C9 and #FFD9DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B79195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B79195 shade: #B79195, #A67F82, #956D6F, #845B5C and #734949

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B79195 shade: #B68F93 and #B68F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B79195 shade: #B68F93, #B68F9E, #B68FA8, #B68FB3 and #AF8FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B79195 shade matches the following richer shades: #B68F93, #C58188, #D4727C, #E36370 and #F15465

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B79195 shade: #B68F93, #A79E9F, #98ADAB, #89BCB7 and #7BCBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B79195 shade: #B68FA8, #B68F9E, #B68F94, #B6958F and #B69F8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B79195 shade: #936065, #A6767B, #B68F93, #C6A8AC and #D7C1C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B79195 shade: #B79195, #B3B68F and #8FA3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B79195 shade: #B79195, #94B68F and #8F94B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B79195 shade: #B79195, #B3B68F, #8FB6B1 and #938FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B79195 shade: #B79195, #A7B68F, #8FB6B1 and #9E8FB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 19 / 28

HEX #B79195

RGB 183 145 149

HSL 353.68, 0.21%, 0.64%

LAB 63.74, 14.93, 3.34

 

Complementary color

CMYK 35 / 0 / 4 / 57

HEX #486E6A

RGB 72 110 106

HSL 173.68, 0.21%, 0.36%

LAB 43.61, -14.39, -2.06

 

CMYK 0 / 23 / 23 / 26

HEX #BC9190

RGB 188 145 144

HSL 1.36, 0.25%, 0.65%

LAB 64.13, 16.06, 6.78

 

CMYK 0 / 20 / 20 / 20

HEX #CDA3A3

RGB 205 163 163

HSL 0, 0.3%, 0.72%

LAB 70.75, 15.46, 5.9

 

CMYK 0 / 18 / 18 / 13

HEX #DEB5B6

RGB 222 181 182

HSL 358.54, 0.38%, 0.79%

LAB 77.25, 14.93, 5.07

 

CMYK 0 / 17 / 16 / 6

HEX #EFC7C9

RGB 239 199 201

HSL 357, 0.56%, 0.86%

LAB 83.66, 14.45, 4.3

 

CMYK 0 / 15 / 14 / 0

HEX #FFD9DC

RGB 255 217 220

HSL 355.26, 1%, 0.93%

LAB 89.88, 13.66, 3.43

 

CMYK 0 / 21 / 19 / 28

HEX #B79195

RGB 183 145 149

HSL 353.68, 0.21%, 0.64%

LAB 63.74, 14.93, 3.34

 

CMYK 0 / 23 / 22 / 35

HEX #A67F82

RGB 166 127 130

HSL 355.38, 0.18%, 0.57%

LAB 56.98, 15.53, 4.2

 

CMYK 0 / 27 / 26 / 42

HEX #956D6F

RGB 149 109 111

HSL 357, 0.16%, 0.51%

LAB 50.07, 16.21, 5.14

 

CMYK 0 / 31 / 30 / 48

HEX #845B5C

RGB 132 91 92

HSL 358.54, 0.18%, 0.44%

LAB 43, 17, 6.2

 

CMYK 0 / 37 / 37 / 55

HEX #734949

RGB 115 73 73

HSL 0, 0.22%, 0.37%

LAB 35.77, 17.93, 7.43

 

CMYK 0 / 21 / 19 / 29

HEX #B68F93

RGB 182 143 147

HSL 353.85, 0.21%, 0.64%

LAB 63.09, 15.34, 3.52

 

CMYK 0 / 21 / 21 / 29

HEX #B68F8F

RGB 182 143 143

HSL 0, 0.21%, 0.64%

LAB 62.99, 14.72, 5.63

 

CMYK 0 / 21 / 19 / 29

HEX #B68F93

RGB 182 143 147

HSL 353.85, 0.21%, 0.64%

LAB 63.09, 15.34, 3.52

 

CMYK 0 / 21 / 13 / 29

HEX #B68F9E

RGB 182 143 158

HSL 336.92, 0.21%, 0.64%

LAB 63.39, 17.15, -2.28

 

CMYK 0 / 21 / 8 / 29

HEX #B68FA8

RGB 182 143 168

HSL 321.54, 0.21%, 0.64%

LAB 63.69, 18.9, -7.5

 

CMYK 0 / 21 / 2 / 29

HEX #B68FB3

RGB 182 143 179

HSL 304.62, 0.21%, 0.64%

LAB 64.03, 20.93, -13.18

 

CMYK 4 / 21 / 0 / 29

HEX #AF8FB6

RGB 175 143 182

HSL 289.23, 0.21%, 0.64%

LAB 63.46, 19.1, -15.82

 

CMYK 0 / 21 / 19 / 29

HEX #B68F93

RGB 182 143 147

HSL 353.85, 0.21%, 0.64%

LAB 63.09, 15.34, 3.52

 

CMYK 0 / 35 / 31 / 23

HEX #C58188

RGB 197 129 136

HSL 353.82, 0.37%, 0.64%

LAB 61.09, 27.2, 7.11

 

CMYK 0 / 46 / 42 / 17

HEX #D4727C

RGB 212 114 124

HSL 353.88, 0.53%, 0.64%

LAB 59.42, 39.35, 11.91

 

CMYK 0 / 56 / 51 / 11

HEX #E36370

RGB 227 99 112

HSL 353.91, 0.7%, 0.64%

LAB 58.44, 50.9, 17.83

 

CMYK 0 / 65 / 58 / 5

HEX #F15465

RGB 241 84 101

HSL 353.5, 0.85%, 0.64%

LAB 58.02, 61.17, 24.04

 

CMYK 0 / 21 / 19 / 29

HEX #B68F93

RGB 182 143 147

HSL 353.85, 0.21%, 0.64%

LAB 63.09, 15.34, 3.52

 

CMYK 0 / 5 / 5 / 35

HEX #A79E9F

RGB 167 158 159

HSL 353.33, 0.05%, 0.64%

LAB 65.88, 3.45, 0.64

 

CMYK 12 / 0 / 1 / 32

HEX #98ADAB

RGB 152 173 171

HSL 174.29, 0.11%, 0.64%

LAB 69.11, -7.66, -1.45

 

CMYK 27 / 0 / 3 / 26

HEX #89BCB7

RGB 137 188 183

HSL 174.12, 0.28%, 0.64%

LAB 72.7, -17.73, -2.89

 

CMYK 39 / 0 / 4 / 20

HEX #7BCBC2

RGB 123 203 194

HSL 173.25, 0.43%, 0.64%

LAB 76.57, -26.63, -3.25

 

CMYK 0 / 21 / 8 / 29

HEX #B68FA8

RGB 182 143 168

HSL 321.54, 0.21%, 0.64%

LAB 63.69, 18.9, -7.5

 

CMYK 0 / 21 / 13 / 29

HEX #B68F9E

RGB 182 143 158

HSL 336.92, 0.21%, 0.64%

LAB 63.39, 17.15, -2.28

 

CMYK 0 / 21 / 19 / 29

HEX #B68F94

RGB 182 143 148

HSL 352.31, 0.21%, 0.64%

LAB 63.12, 15.5, 2.99

 

CMYK 0 / 18 / 21 / 29

HEX #B6958F

RGB 182 149 143

HSL 9.23, 0.21%, 0.64%

LAB 64.5, 11.38, 7.8

 

CMYK 0 / 13 / 21 / 29

HEX #B69F8F

RGB 182 159 143

HSL 24.62, 0.21%, 0.64%

LAB 67.07, 5.86, 11.45

 

CMYK 0 / 35 / 31 / 42

HEX #936065

RGB 147 96 101

HSL 354.12, 0.21%, 0.48%

LAB 46.32, 21.47, 5.73

 

CMYK 0 / 29 / 26 / 35

HEX #A6767B

RGB 166 118 123

HSL 353.75, 0.21%, 0.56%

LAB 54.55, 19.57, 4.77

 

CMYK 0 / 21 / 19 / 29

HEX #B68F93

RGB 182 143 147

HSL 353.85, 0.21%, 0.64%

LAB 63.09, 15.34, 3.52

 

CMYK 0 / 15 / 13 / 22

HEX #C6A8AC

RGB 198 168 172

HSL 352, 0.21%, 0.72%

LAB 71.55, 11.58, 2

 

CMYK 0 / 10 / 9 / 16

HEX #D7C1C4

RGB 215 193 196

HSL 351.82, 0.22%, 0.8%

LAB 79.94, 8.26, 1.32

 

CMYK 0 / 21 / 19 / 28

HEX #B79195

RGB 183 145 149

HSL 353.68, 0.21%, 0.64%

LAB 63.74, 14.93, 3.34

 

CMYK 2 / 0 / 21 / 29

HEX #B3B68F

RGB 179 182 143

HSL 64.62, 0.21%, 0.64%

LAB 72.91, -7.66, 19.55

 

CMYK 21 / 10 / 0 / 29

HEX #8FA3B6

RGB 143 163 182

HSL 209.23, 0.21%, 0.64%

LAB 66.07, -2.79, -12.14

 

CMYK 0 / 21 / 19 / 28

HEX #B79195

RGB 183 145 149

HSL 353.68, 0.21%, 0.64%

LAB 63.74, 14.93, 3.34

 

CMYK 19 / 0 / 21 / 29

HEX #94B68F

RGB 148 182 143

HSL 112.31, 0.21%, 0.64%

LAB 70.69, -19.07, 16.14

 

CMYK 21 / 19 / 0 / 29

HEX #8F94B6

RGB 143 148 182

HSL 232.31, 0.21%, 0.64%

LAB 62, 5.61, -18.29

 

CMYK 0 / 21 / 19 / 28

HEX #B79195

RGB 183 145 149

HSL 353.68, 0.21%, 0.64%

LAB 63.74, 14.93, 3.34

 

CMYK 2 / 0 / 21 / 29

HEX #B3B68F

RGB 179 182 143

HSL 64.62, 0.21%, 0.64%

LAB 72.91, -7.66, 19.55

 

CMYK 21 / 0 / 3 / 29

HEX #8FB6B1

RGB 143 182 177

HSL 172.31, 0.21%, 0.64%

LAB 71.19, -14.1, -1.77

 

CMYK 19 / 21 / 0 / 29

HEX #938FB6

RGB 147 143 182

HSL 246.15, 0.21%, 0.64%

LAB 60.98, 9.75, -19.81

 

CMYK 0 / 21 / 19 / 28

HEX #B79195

RGB 183 145 149

HSL 353.68, 0.21%, 0.64%

LAB 63.74, 14.93, 3.34

 

CMYK 8 / 0 / 21 / 29

HEX #A7B68F

RGB 167 182 143

HSL 83.08, 0.21%, 0.64%

LAB 72, -12.18, 18.15

 

CMYK 21 / 0 / 3 / 29

HEX #8FB6B1

RGB 143 182 177

HSL 172.31, 0.21%, 0.64%

LAB 71.19, -14.1, -1.77

 

CMYK 13 / 21 / 0 / 29

HEX #9E8FB6

RGB 158 143 182

HSL 263.08, 0.21%, 0.64%

LAB 61.9, 13.36, -18.31

 

Description

Color code: HEX #B79195 | qconv.com Color code: HEX #B79195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 145 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 145 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 19 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 19% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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