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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B79237 it is the complementary color #486DC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B79237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B79237 shade: #BC9232, #CDA445, #DEB658, #EFC86B and #FFDA7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B79237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B79237 shade: #B79237, #A68024, #956E11, #845C00 and #734A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B79237 shade: #B89337, #B87037, #B84D37 and #B83737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B79237 shade: #B89337, #B8B637, #98B837, #75B837 and #52B837

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B79237 shade matches the following richer shades: #B89337, #CB9B23 and #DFA310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B79237 shade: #B89337, #A58A4A, #91825D, #7E7A71 and #6B7284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B79237 shade: #B84C37, #B86F37, #B89137, #B8B437 and #9AB837

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B79237 shade: #796024, #98792D, #B89337, #CAA64E and #D3B66E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B79237 shade: #B79237, #44B837 and #5D37B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B79237 shade: #B79237, #37B891 and #9137B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B79237 shade: #B79237, #44B837, #375DB8 and #AB37B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B79237 shade: #B79237, #37B851, #375DB8 and #B8379E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 70 / 28

HEX #B79237

RGB 183 146 55

HSL 42.66, 0.54%, 0.47%

LAB 62.42, 4.27, 51.55

 

Complementary color

CMYK 64 / 46 / 0 / 22

HEX #486DC8

RGB 72 109 200

HSL 222.66, 0.54%, 0.53%

LAB 47.6, 15.95, -51.38

 

CMYK 0 / 22 / 73 / 26

HEX #BC9232

RGB 188 146 50

HSL 41.74, 0.58%, 0.47%

LAB 62.91, 6.23, 54.33

 

CMYK 0 / 20 / 66 / 20

HEX #CDA445

RGB 205 164 69

HSL 41.91, 0.58%, 0.54%

LAB 69.44, 4.93, 53.44

 

CMYK 0 / 18 / 60 / 13

HEX #DEB658

RGB 222 182 88

HSL 42.09, 0.67%, 0.61%

LAB 75.88, 3.83, 52.3

 

CMYK 0 / 16 / 55 / 6

HEX #EFC86B

RGB 239 200 107

HSL 42.27, 0.8%, 0.68%

LAB 82.23, 2.89, 51.07

 

CMYK 0 / 15 / 51 / 0

HEX #FFDA7E

RGB 255 218 126

HSL 42.79, 1%, 0.75%

LAB 88.4, 1.68, 49.7

 

CMYK 0 / 20 / 70 / 28

HEX #B79237

RGB 183 146 55

HSL 42.66, 0.54%, 0.47%

LAB 62.42, 4.27, 51.55

 

CMYK 0 / 23 / 78 / 35

HEX #A68024

RGB 166 128 36

HSL 42.46, 0.64%, 0.4%

LAB 55.76, 5.68, 52.17

 

CMYK 0 / 26 / 89 / 42

HEX #956E11

RGB 149 110 17

HSL 42.27, 0.8%, 0.33%

LAB 48.99, 7.4, 51.83

 

CMYK 0 / 30 / 100 / 48

HEX #845C00

RGB 132 92 0

HSL 41.82, 1%, 0.26%

LAB 42.09, 9.46, 49.97

 

CMYK 0 / 36 / 100 / 55

HEX #734A00

RGB 115 74 0

HSL 38.61, 1%, 0.23%

LAB 35.09, 11.99, 44.24

 

CMYK 0 / 20 / 70 / 28

HEX #B89337

RGB 184 147 55

HSL 42.79, 0.54%, 0.47%

LAB 62.79, 4.16, 51.96

 

CMYK 0 / 39 / 70 / 28

HEX #B87037

RGB 184 112 55

HSL 26.51, 0.54%, 0.47%

LAB 54.08, 23.53, 42.72

 

CMYK 0 / 58 / 70 / 28

HEX #B84D37

RGB 184 77 55

HSL 10.23, 0.54%, 0.47%

LAB 46.68, 41.92, 34.4

 

CMYK 0 / 70 / 70 / 28

HEX #B83737

RGB 184 55 55

HSL 0, 0.54%, 0.47%

LAB 43.06, 51.6, 30.15

 

CMYK 0 / 20 / 70 / 28

HEX #B89337

RGB 184 147 55

HSL 42.79, 0.54%, 0.47%

LAB 62.79, 4.16, 51.96

 

CMYK 0 / 1 / 70 / 28

HEX #B8B637

RGB 184 182 55

HSL 59.07, 0.54%, 0.47%

LAB 72.18, -14.38, 61.4

 

CMYK 17 / 0 / 70 / 28

HEX #98B837

RGB 152 184 55

HSL 74.88, 0.54%, 0.47%

LAB 70.34, -28.79, 58.77

 

CMYK 36 / 0 / 70 / 28

HEX #75B837

RGB 117 184 55

HSL 91.16, 0.54%, 0.47%

LAB 68.27, -42.16, 56

 

CMYK 55 / 0 / 70 / 28

HEX #52B837

RGB 82 184 55

HSL 107.44, 0.54%, 0.47%

LAB 66.79, -53.09, 54.01

 

CMYK 0 / 20 / 70 / 28

HEX #B89337

RGB 184 147 55

HSL 42.79, 0.54%, 0.47%

LAB 62.79, 4.16, 51.96

 

CMYK 0 / 24 / 83 / 20

HEX #CB9B23

RGB 203 155 35

HSL 42.86, 0.71%, 0.47%

LAB 66.72, 7.39, 63.83

 

CMYK 0 / 27 / 93 / 13

HEX #DFA310

RGB 223 163 16

HSL 42.61, 0.87%, 0.47%

LAB 70.82, 11.47, 72.4

 

CMYK 0 / 20 / 70 / 28

HEX #B89337

RGB 184 147 55

HSL 42.79, 0.54%, 0.47%

LAB 62.79, 4.16, 51.96

 

CMYK 0 / 16 / 55 / 35

HEX #A58A4A

RGB 165 138 74

HSL 42.2, 0.38%, 0.47%

LAB 58.67, 2.07, 37.71

 

CMYK 0 / 10 / 36 / 43

HEX #91825D

RGB 145 130 93

HSL 42.69, 0.22%, 0.47%

LAB 54.84, -0.06, 22.13

 

CMYK 0 / 3 / 10 / 51

HEX #7E7A71

RGB 126 122 113

HSL 41.54, 0.05%, 0.47%

LAB 51.32, -0.18, 5.46

 

CMYK 19 / 14 / 0 / 48

HEX #6B7284

RGB 107 114 132

HSL 223.2, 0.1%, 0.47%

LAB 48.04, 1.45, -10.77

 

CMYK 0 / 59 / 70 / 28

HEX #B84C37

RGB 184 76 55

HSL 9.77, 0.54%, 0.47%

LAB 46.49, 42.4, 34.18

 

CMYK 0 / 40 / 70 / 28

HEX #B86F37

RGB 184 111 55

HSL 26.05, 0.54%, 0.47%

LAB 53.85, 24.08, 42.46

 

CMYK 0 / 21 / 70 / 28

HEX #B89137

RGB 184 145 55

HSL 41.86, 0.54%, 0.47%

LAB 62.27, 5.26, 51.42

 

CMYK 0 / 2 / 70 / 28

HEX #B8B437

RGB 184 180 55

HSL 58.14, 0.54%, 0.47%

LAB 71.63, -13.36, 60.86

 

CMYK 16 / 0 / 70 / 28

HEX #9AB837

RGB 154 184 55

HSL 73.95, 0.54%, 0.47%

LAB 70.47, -27.98, 58.95

 

CMYK 0 / 21 / 70 / 53

HEX #796024

RGB 121 96 36

HSL 42.35, 0.54%, 0.31%

LAB 42.09, 3.11, 36.93

 

CMYK 0 / 20 / 70 / 40

HEX #98792D

RGB 152 121 45

HSL 42.62, 0.54%, 0.39%

LAB 52.44, 3.67, 44.62

 

CMYK 0 / 20 / 70 / 28

HEX #B89337

RGB 184 147 55

HSL 42.79, 0.54%, 0.47%

LAB 62.79, 4.16, 51.96

 

CMYK 0 / 18 / 61 / 21

HEX #CAA64E

RGB 202 166 78

HSL 42.58, 0.54%, 0.55%

LAB 69.74, 3.15, 49.53

 

CMYK 0 / 14 / 48 / 17

HEX #D3B66E

RGB 211 182 110

HSL 42.77, 0.53%, 0.63%

LAB 75.1, 1.06, 40.32

 

CMYK 0 / 20 / 70 / 28

HEX #B79237

RGB 183 146 55

HSL 42.66, 0.54%, 0.47%

LAB 62.42, 4.27, 51.55

 

CMYK 63 / 0 / 70 / 28

HEX #44B837

RGB 68 184 55

HSL 113.95, 0.54%, 0.47%

LAB 66.36, -56.53, 53.42

 

CMYK 49 / 70 / 0 / 28

HEX #5D37B8

RGB 93 55 184

HSL 257.67, 0.54%, 0.47%

LAB 35.04, 47.35, -62.31

 

CMYK 0 / 20 / 70 / 28

HEX #B79237

RGB 183 146 55

HSL 42.66, 0.54%, 0.47%

LAB 62.42, 4.27, 51.55

 

CMYK 70 / 0 / 21 / 28

HEX #37B891

RGB 55 184 145

HSL 161.86, 0.54%, 0.47%

LAB 67.38, -44.13, 9.82

 

CMYK 21 / 70 / 0 / 28

HEX #9137B8

RGB 145 55 184

HSL 281.86, 0.54%, 0.47%

LAB 41.55, 57.5, -51.45

 

CMYK 0 / 20 / 70 / 28

HEX #B79237

RGB 183 146 55

HSL 42.66, 0.54%, 0.47%

LAB 62.42, 4.27, 51.55

 

CMYK 63 / 0 / 70 / 28

HEX #44B837

RGB 68 184 55

HSL 113.95, 0.54%, 0.47%

LAB 66.36, -56.53, 53.42

 

CMYK 70 / 49 / 0 / 28

HEX #375DB8

RGB 55 93 184

HSL 222.33, 0.54%, 0.47%

LAB 41.38, 17.63, -52.16

 

CMYK 7 / 70 / 0 / 28

HEX #AB37B8

RGB 171 55 184

HSL 293.95, 0.54%, 0.47%

LAB 45.43, 63.14, -45.02

 

CMYK 0 / 20 / 70 / 28

HEX #B79237

RGB 183 146 55

HSL 42.66, 0.54%, 0.47%

LAB 62.42, 4.27, 51.55

 

CMYK 70 / 0 / 56 / 28

HEX #37B851

RGB 55 184 81

HSL 132.09, 0.54%, 0.47%

LAB 66.28, -56.27, 41.87

 

CMYK 70 / 49 / 0 / 28

HEX #375DB8

RGB 55 93 184

HSL 222.33, 0.54%, 0.47%

LAB 41.38, 17.63, -52.16

 

CMYK 0 / 70 / 14 / 28

HEX #B8379E

RGB 184 55 158

HSL 312.09, 0.54%, 0.47%

LAB 46.17, 61.96, -28.34

 

Description

Color code: HEX #B79237 | qconv.com Color code: HEX #B79237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 146 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 146 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 70 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 70% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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