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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8261C it is the complementary color #47D9E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8261C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8261C shade: #BD2617, #CE382A, #DF4A3D, #F05C50 and #FF6E63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8261C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8261C shade: #B8261C, #A71409, #960200, #850000 and #740000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8261C shade: #BA261B and #BA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8261C shade: #BA261B, #BA501B, #BA7B1B, #BAA61B and #A3BA1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8261C shade matches the following richer shades: #BA261B and #CB160A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8261C shade: #BA261B, #A9352D, #97443E, #86534F and #756261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8261C shade: #BA1B68, #BA1B3E, #BA231B, #BA4E1B and #BA781B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8261C shade: #721711, #961E16, #BA261B, #DD2D21 and #E34F45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8261C shade: #B8261C, #92BA1B and #1B53BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8261C shade: #B8261C, #1BBA23 and #231BBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8261C shade: #B8261C, #92BA1B, #1BB2BA and #431BBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8261C shade: #B8261C, #63BA1B, #1BB2BA and #731BBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 85 / 28

HEX #B8261C

RGB 184 38 28

HSL 3.85, 0.74%, 0.42%

LAB 40.67, 56.41, 42.75

 

Complementary color

CMYK 69 / 4 / 0 / 11

HEX #47D9E3

RGB 71 217 227

HSL 183.85, 0.74%, 0.58%

LAB 79.9, -34.74, -16.17

 

CMYK 0 / 80 / 88 / 26

HEX #BD2617

RGB 189 38 23

HSL 5.42, 0.78%, 0.42%

LAB 41.64, 57.78, 46.36

 

CMYK 0 / 73 / 80 / 19

HEX #CE382A

RGB 206 56 42

HSL 5.12, 0.66%, 0.49%

LAB 47.13, 57.74, 43.12

 

CMYK 0 / 67 / 73 / 13

HEX #DF4A3D

RGB 223 74 61

HSL 4.81, 0.72%, 0.56%

LAB 52.86, 57.14, 39.87

 

CMYK 0 / 62 / 67 / 6

HEX #F05C50

RGB 240 92 80

HSL 4.5, 0.84%, 0.63%

LAB 58.75, 56.24, 36.93

 

CMYK 0 / 57 / 61 / 0

HEX #FF6E63

RGB 255 110 99

HSL 4.23, 1%, 0.69%

LAB 64.41, 54.49, 33.88

 

CMYK 0 / 79 / 85 / 28

HEX #B8261C

RGB 184 38 28

HSL 3.85, 0.74%, 0.42%

LAB 40.67, 56.41, 42.75

 

CMYK 0 / 88 / 95 / 35

HEX #A71409

RGB 167 20 9

HSL 4.18, 0.9%, 0.35%

LAB 35.47, 55.57, 45.65

 

CMYK 0 / 99 / 100 / 41

HEX #960200

RGB 150 2 0

HSL 0.8, 1%, 0.29%

LAB 30.71, 53.62, 44.42

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 80 / 85 / 27

HEX #BA261B

RGB 186 38 27

HSL 4.15, 0.75%, 0.42%

LAB 41.06, 56.98, 43.74

 

CMYK 0 / 85 / 85 / 27

HEX #BA1B1B

RGB 186 27 27

HSL 0, 0.75%, 0.42%

LAB 40.08, 59.75, 42.89

 

CMYK 0 / 80 / 85 / 27

HEX #BA261B

RGB 186 38 27

HSL 4.15, 0.75%, 0.42%

LAB 41.06, 56.98, 43.74

 

CMYK 0 / 57 / 85 / 27

HEX #BA501B

RGB 186 80 27

HSL 20, 0.75%, 0.42%

LAB 47.31, 40.12, 49.11

 

CMYK 0 / 34 / 85 / 27

HEX #BA7B1B

RGB 186 123 27

HSL 36.23, 0.75%, 0.42%

LAB 56.77, 17.17, 57.09

 

CMYK 0 / 11 / 85 / 27

HEX #BAA61B

RGB 186 166 27

HSL 52.45, 0.75%, 0.42%

LAB 67.87, -6.26, 66.29

 

CMYK 12 / 0 / 85 / 27

HEX #A3BA1B

RGB 163 186 27

HSL 68.68, 0.75%, 0.42%

LAB 71.54, -26.42, 68.58

 

CMYK 0 / 80 / 85 / 27

HEX #BA261B

RGB 186 38 27

HSL 4.15, 0.75%, 0.42%

LAB 41.06, 56.98, 43.74

 

CMYK 0 / 89 / 95 / 20

HEX #CB160A

RGB 203 22 10

HSL 3.73, 0.91%, 0.42%

LAB 43.2, 65.06, 53.74

 

CMYK 0 / 80 / 85 / 27

HEX #BA261B

RGB 186 38 27

HSL 4.15, 0.75%, 0.42%

LAB 41.06, 56.98, 43.74

 

CMYK 0 / 69 / 73 / 34

HEX #A9352D

RGB 169 53 45

HSL 3.87, 0.58%, 0.42%

LAB 39.87, 46.91, 31.63

 

CMYK 0 / 55 / 59 / 41

HEX #97443E

RGB 151 68 62

HSL 4.04, 0.42%, 0.42%

LAB 39.68, 34.32, 20.47

 

CMYK 0 / 38 / 41 / 47

HEX #86534F

RGB 134 83 79

HSL 4.36, 0.26%, 0.42%

LAB 40.93, 20.78, 11.28

 

CMYK 0 / 16 / 17 / 54

HEX #756261

RGB 117 98 97

HSL 3, 0.09%, 0.42%

LAB 43.33, 7.45, 3.41

 

CMYK 0 / 85 / 44 / 27

HEX #BA1B68

RGB 186 27 104

HSL 330.94, 0.75%, 0.42%

LAB 41.57, 64.07, -2.26

 

CMYK 0 / 85 / 67 / 27

HEX #BA1B3E

RGB 186 27 62

HSL 346.79, 0.75%, 0.42%

LAB 40.53, 61.06, 22.83

 

CMYK 0 / 81 / 85 / 27

HEX #BA231B

RGB 186 35 27

HSL 3.02, 0.75%, 0.42%

LAB 40.77, 57.81, 43.49

 

CMYK 0 / 58 / 85 / 27

HEX #BA4E1B

RGB 186 78 27

HSL 19.25, 0.75%, 0.42%

LAB 46.93, 41.1, 48.79

 

CMYK 0 / 35 / 85 / 27

HEX #BA781B

RGB 186 120 27

HSL 35.09, 0.75%, 0.42%

LAB 56.04, 18.84, 56.48

 

CMYK 0 / 80 / 85 / 55

HEX #721711

RGB 114 23 17

HSL 3.71, 0.74%, 0.26%

LAB 24.42, 38.77, 28.38

 

CMYK 0 / 80 / 85 / 41

HEX #961E16

RGB 150 30 22

HSL 3.75, 0.74%, 0.34%

LAB 32.85, 48.26, 36.22

 

CMYK 0 / 80 / 85 / 27

HEX #BA261B

RGB 186 38 27

HSL 4.15, 0.75%, 0.42%

LAB 41.06, 56.98, 43.74

 

CMYK 0 / 80 / 85 / 13

HEX #DD2D21

RGB 221 45 33

HSL 3.83, 0.74%, 0.5%

LAB 48.71, 65.37, 50.15

 

CMYK 0 / 65 / 70 / 11

HEX #E34F45

RGB 227 79 69

HSL 3.8, 0.74%, 0.58%

LAB 54.4, 56.8, 37.36

 

CMYK 0 / 79 / 85 / 28

HEX #B8261C

RGB 184 38 28

HSL 3.85, 0.74%, 0.42%

LAB 40.67, 56.41, 42.75

 

CMYK 22 / 0 / 85 / 27

HEX #92BA1B

RGB 146 186 27

HSL 75.09, 0.75%, 0.42%

LAB 70.39, -33.42, 67.15

 

CMYK 85 / 55 / 0 / 27

HEX #1B53BA

RGB 27 83 186

HSL 218.87, 0.75%, 0.42%

LAB 37.78, 21.84, -59.2

 

CMYK 0 / 79 / 85 / 28

HEX #B8261C

RGB 184 38 28

HSL 3.85, 0.74%, 0.42%

LAB 40.67, 56.41, 42.75

 

CMYK 85 / 0 / 81 / 27

HEX #1BBA23

RGB 27 186 35

HSL 123.02, 0.75%, 0.42%

LAB 66.11, -65.15, 59.7

 

CMYK 81 / 85 / 0 / 27

HEX #231BBA

RGB 35 27 186

HSL 243.02, 0.75%, 0.42%

LAB 25.82, 55.37, -78.87

 

CMYK 0 / 79 / 85 / 28

HEX #B8261C

RGB 184 38 28

HSL 3.85, 0.74%, 0.42%

LAB 40.67, 56.41, 42.75

 

CMYK 22 / 0 / 85 / 27

HEX #92BA1B

RGB 146 186 27

HSL 75.09, 0.75%, 0.42%

LAB 70.39, -33.42, 67.15

 

CMYK 85 / 4 / 0 / 27

HEX #1BB2BA

RGB 27 178 186

HSL 183.02, 0.75%, 0.42%

LAB 66.23, -33.07, -14.56

 

CMYK 64 / 85 / 0 / 27

HEX #431BBA

RGB 67 27 186

HSL 255.09, 0.75%, 0.42%

LAB 28.17, 57.39, -74.89

 

CMYK 0 / 79 / 85 / 28

HEX #B8261C

RGB 184 38 28

HSL 3.85, 0.74%, 0.42%

LAB 40.67, 56.41, 42.75

 

CMYK 47 / 0 / 85 / 27

HEX #63BA1B

RGB 99 186 27

HSL 92.83, 0.75%, 0.42%

LAB 67.91, -50.54, 64.04

 

CMYK 85 / 4 / 0 / 27

HEX #1BB2BA

RGB 27 178 186

HSL 183.02, 0.75%, 0.42%

LAB 66.23, -33.07, -14.56

 

CMYK 38 / 85 / 0 / 27

HEX #731BBA

RGB 115 27 186

HSL 273.21, 0.75%, 0.42%

LAB 33.93, 62.73, -65.21

 

Description

Color code: HEX #B8261C | qconv.com Color code: HEX #B8261C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 38 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 38 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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