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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B827C8 it is the complementary color #47D837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B827C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B827C8 shade: #BD27C3, #CE39D6, #DF4BE9, #F05DFC and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B827C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B827C8 shade: #B827C8, #A715B5, #9603A2, #85008F and #74007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B827C8 shade: #B827C8, #C827AC, #C82781, #C82756 and #C8272A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B827C8 shade: #B827C8, #8C27C8, #6127C8, #3627C8 and #2727C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B827C8 shade matches the following richer shades: #B827C8, #C714DB and #D700EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B827C8 shade: #B827C8, #A83AB4, #994EA1, #89618D and #7A757A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B827C8 shade: #6227C8, #8D27C8, #B827C8, #C827AD and #C82782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B827C8 shade: #781983, #9820A5, #B827C8, #C93FD9 and #D362E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B827C8 shade: #B827C8, #C83727 and #27C877

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B827C8 shade: #B827C8, #C8B827 and #27C8B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B827C8 shade: #B827C8, #C83727, #37C827 and #27B8C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B827C8 shade: #B827C8, #C86727, #37C827 and #2787C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

Complementary color

CMYK 67 / 0 / 75 / 15

HEX #47D837

RGB 71 216 55

HSL 114.04, 0.67%, 0.53%

LAB 76.51, -66.69, 63.78

 

CMYK 3 / 80 / 0 / 24

HEX #BD27C3

RGB 189 39 195

HSL 297.69, 0.67%, 0.46%

LAB 47.25, 73.62, -48.37

 

CMYK 4 / 73 / 0 / 16

HEX #CE39D6

RGB 206 57 214

HSL 296.94, 0.66%, 0.53%

LAB 52.84, 74.98, -50.22

 

CMYK 4 / 68 / 0 / 9

HEX #DF4BE9

RGB 223 75 233

HSL 296.2, 0.78%, 0.6%

LAB 58.61, 75.64, -51.63

 

CMYK 5 / 63 / 0 / 1

HEX #F05DFC

RGB 240 93 252

HSL 295.47, 0.96%, 0.68%

LAB 64.47, 75.83, -52.71

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 8 / 88 / 0 / 29

HEX #A715B5

RGB 167 21 181

HSL 294.75, 0.79%, 0.4%

LAB 41.36, 71.18, -49.82

 

CMYK 7 / 98 / 0 / 36

HEX #9603A2

RGB 150 3 162

HSL 295.47, 0.96%, 0.32%

LAB 36.29, 67.66, -46.78

 

CMYK 7 / 100 / 0 / 44

HEX #85008F

RGB 133 0 143

HSL 295.8, 1%, 0.28%

LAB 31.74, 62.2, -42.66

 

CMYK 6 / 100 / 0 / 51

HEX #74007C

RGB 116 0 124

HSL 296.13, 1%, 0.24%

LAB 27.21, 56.23, -38.23

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 0 / 81 / 14 / 22

HEX #C827AC

RGB 200 39 172

HSL 310.43, 0.67%, 0.47%

LAB 47.89, 72.41, -33.76

 

CMYK 0 / 81 / 36 / 22

HEX #C82781

RGB 200 39 129

HSL 326.46, 0.67%, 0.47%

LAB 46.06, 67.18, -10.75

 

CMYK 0 / 81 / 57 / 22

HEX #C82756

RGB 200 39 86

HSL 342.48, 0.67%, 0.47%

LAB 44.8, 63.42, 14

 

CMYK 0 / 81 / 79 / 22

HEX #C8272A

RGB 200 39 42

HSL 358.88, 0.67%, 0.47%

LAB 44.09, 61.21, 39.66

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 30 / 81 / 0 / 22

HEX #8C27C8

RGB 140 39 200

HSL 277.64, 0.67%, 0.47%

LAB 39.91, 65.85, -63.51

 

CMYK 52 / 81 / 0 / 22

HEX #6127C8

RGB 97 39 200

HSL 261.61, 0.67%, 0.47%

LAB 34.32, 59.65, -72.88

 

CMYK 73 / 81 / 0 / 22

HEX #3627C8

RGB 54 39 200

HSL 245.59, 0.67%, 0.47%

LAB 30.41, 55.37, -79.46

 

CMYK 81 / 81 / 0 / 22

HEX #2727C8

RGB 39 39 200

HSL 240, 0.67%, 0.47%

LAB 29.54, 54.43, -80.93

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 9 / 91 / 0 / 14

HEX #C714DB

RGB 199 20 219

HSL 293.97, 0.83%, 0.47%

LAB 49.2, 82.69, -58.97

 

CMYK 10 / 100 / 0 / 7

HEX #D700EE

RGB 215 0 238

HSL 294.2, 1%, 0.47%

LAB 52.53, 89.8, -64.23

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 7 / 68 / 0 / 29

HEX #A83AB4

RGB 168 58 180

HSL 294.1, 0.51%, 0.47%

LAB 45.15, 60.6, -43.16

 

CMYK 5 / 52 / 0 / 37

HEX #994EA1

RGB 153 78 161

HSL 294.22, 0.35%, 0.47%

LAB 45.35, 43.91, -31.74

 

CMYK 3 / 31 / 0 / 45

HEX #89618D

RGB 137 97 141

HSL 294.55, 0.18%, 0.47%

LAB 46.7, 24.13, -17.9

 

CMYK 0 / 4 / 0 / 52

HEX #7A757A

RGB 122 117 122

HSL 300, 0.02%, 0.47%

LAB 49.82, 2.91, -2.07

 

CMYK 51 / 81 / 0 / 22

HEX #6227C8

RGB 98 39 200

HSL 261.99, 0.67%, 0.47%

LAB 34.43, 59.77, -72.69

 

CMYK 30 / 81 / 0 / 22

HEX #8D27C8

RGB 141 39 200

HSL 278.01, 0.67%, 0.47%

LAB 40.05, 66.01, -63.27

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 0 / 81 / 14 / 22

HEX #C827AD

RGB 200 39 173

HSL 310.06, 0.67%, 0.47%

LAB 47.94, 72.55, -34.27

 

CMYK 0 / 81 / 35 / 22

HEX #C82782

RGB 200 39 130

HSL 326.09, 0.67%, 0.47%

LAB 46.1, 67.28, -11.3

 

CMYK 8 / 81 / 0 / 49

HEX #781983

RGB 120 25 131

HSL 293.77, 0.68%, 0.31%

LAB 30.22, 52.91, -37.76

 

CMYK 8 / 81 / 0 / 35

HEX #9820A5

RGB 152 32 165

HSL 294.14, 0.68%, 0.39%

LAB 38.59, 63.34, -44.86

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 7 / 71 / 0 / 15

HEX #C93FD9

RGB 201 63 217

HSL 293.77, 0.67%, 0.55%

LAB 52.93, 72.48, -51.83

 

CMYK 6 / 56 / 0 / 12

HEX #D362E0

RGB 211 98 224

HSL 293.81, 0.67%, 0.63%

LAB 59.86, 61.82, -44.71

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 0 / 73 / 81 / 22

HEX #C83727

RGB 200 55 39

HSL 5.96, 0.67%, 0.47%

LAB 45.85, 56.1, 43.06

 

CMYK 81 / 0 / 41 / 22

HEX #27C877

RGB 39 200 119

HSL 149.81, 0.67%, 0.47%

LAB 71.6, -58.01, 29.46

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 0 / 8 / 81 / 22

HEX #C8B827

RGB 200 184 39

HSL 54.04, 0.67%, 0.47%

LAB 74, -9.15, 68.85

 

CMYK 81 / 0 / 8 / 22

HEX #27C8B8

RGB 39 200 184

HSL 174.04, 0.67%, 0.47%

LAB 73.02, -42.75, -3.32

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 0 / 73 / 81 / 22

HEX #C83727

RGB 200 55 39

HSL 5.96, 0.67%, 0.47%

LAB 45.85, 56.1, 43.06

 

CMYK 73 / 0 / 81 / 22

HEX #37C827

RGB 55 200 39

HSL 114.04, 0.67%, 0.47%

LAB 71.05, -65.49, 63.34

 

CMYK 81 / 8 / 0 / 22

HEX #27B8C8

RGB 39 184 200

HSL 185.96, 0.67%, 0.47%

LAB 68.67, -30.66, -18.58

 

CMYK 8 / 81 / 0 / 22

HEX #B827C8

RGB 184 39 200

HSL 294.04, 0.67%, 0.47%

LAB 46.73, 73.5, -52.15

 

CMYK 0 / 49 / 81 / 22

HEX #C86727

RGB 200 103 39

HSL 23.85, 0.67%, 0.47%

LAB 54.16, 34.33, 51.01

 

CMYK 73 / 0 / 81 / 22

HEX #37C827

RGB 55 200 39

HSL 114.04, 0.67%, 0.47%

LAB 71.05, -65.49, 63.34

 

CMYK 81 / 33 / 0 / 22

HEX #2787C8

RGB 39 135 200

HSL 204.22, 0.67%, 0.47%

LAB 53.95, -4.49, -41.36

 

Description

Color code: HEX #B827C8 | qconv.com Color code: HEX #B827C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 39 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 39 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 81 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 81% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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