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Color name
HEX #B82315

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B82315 it is the complementary color #47DCEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B82315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B82315 shade: #BD2310, #CE3523, #DF4736, #F05949 and #FF6B5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B82315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B82315 shade: #B82315, #A71102, #960000, #850000 and #740000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B82315 shade: #B72214 and #B71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B82315 shade: #B72214, #B74E14, #B77A14, #B7A614 and #9CB714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B82315 shade matches the following richer shades: #B72214 and #C81403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B82315 shade: #B72214, #A73024, #963D35, #864B45 and #755956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B82315 shade: #B7145D, #B71432, #B72214, #B74D14 and #B77914

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B82315 shade: #6D140C, #921B10, #B72214, #DC2918 and #E84535

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B82315 shade: #B82315, #89B714 and #1448B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B82315 shade: #B82315, #14B722 and #2114B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B82315 shade: #B82315, #89B714, #14AAB7 and #4214B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B82315 shade: #B82315, #58B714, #14AAB7 and #7314B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 89 / 28

HEX #B82315

RGB 184 35 21

HSL 5.15, 0.8%, 0.4%

LAB 40.32, 57.1, 45.8

 

Complementary color

CMYK 70 / 6 / 0 / 8

HEX #47DCEA

RGB 71 220 234

HSL 185.15, 0.8%, 0.6%

LAB 81, -34.13, -18.25

 

CMYK 0 / 81 / 92 / 26

HEX #BD2310

RGB 189 35 16

HSL 6.59, 0.84%, 0.4%

LAB 41.31, 58.48, 49.07

 

CMYK 0 / 74 / 83 / 19

HEX #CE3523

RGB 206 53 35

HSL 6.32, 0.71%, 0.47%

LAB 46.7, 58.56, 46.29

 

CMYK 0 / 68 / 76 / 13

HEX #DF4736

RGB 223 71 54

HSL 6.04, 0.73%, 0.54%

LAB 52.35, 58.03, 43.12

 

CMYK 0 / 63 / 70 / 6

HEX #F05949

RGB 240 89 73

HSL 5.75, 0.85%, 0.61%

LAB 58.18, 57.16, 40.12

 

CMYK 0 / 58 / 64 / 0

HEX #FF6B5C

RGB 255 107 92

HSL 5.52, 1%, 0.68%

LAB 63.79, 55.42, 36.98

 

CMYK 0 / 81 / 89 / 28

HEX #B82315

RGB 184 35 21

HSL 5.15, 0.8%, 0.4%

LAB 40.32, 57.1, 45.8

 

CMYK 0 / 90 / 99 / 35

HEX #A71102

RGB 167 17 2

HSL 5.45, 0.98%, 0.33%

LAB 35.24, 56.05, 48.32

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 0 / 89 / 89 / 28

HEX #B71414

RGB 183 20 20

HSL 0, 0.8%, 0.4%

LAB 38.93, 60.16, 45.09

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 0 / 57 / 89 / 28

HEX #B74E14

RGB 183 78 20

HSL 21.35, 0.8%, 0.4%

LAB 46.4, 39.78, 50.84

 

CMYK 0 / 33 / 89 / 28

HEX #B77A14

RGB 183 122 20

HSL 37.55, 0.8%, 0.4%

LAB 56.12, 16.23, 58.43

 

CMYK 0 / 9 / 89 / 28

HEX #B7A614

RGB 183 166 20

HSL 53.74, 0.8%, 0.4%

LAB 67.57, -7.76, 67.45

 

CMYK 15 / 0 / 89 / 28

HEX #9CB714

RGB 156 183 20

HSL 69.94, 0.8%, 0.4%

LAB 70.17, -28.08, 68.63

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 0 / 90 / 99 / 22

HEX #C81403

RGB 200 20 3

HSL 5.18, 0.97%, 0.4%

LAB 42.44, 64.51, 55.23

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 0 / 71 / 78 / 35

HEX #A73024

RGB 167 48 36

HSL 5.5, 0.65%, 0.4%

LAB 38.65, 47.86, 35.37

 

CMYK 0 / 59 / 65 / 41

HEX #963D35

RGB 150 61 53

HSL 4.95, 0.48%, 0.4%

LAB 37.98, 36.85, 23.78

 

CMYK 0 / 44 / 49 / 47

HEX #864B45

RGB 134 75 69

HSL 5.54, 0.32%, 0.4%

LAB 38.78, 24.26, 14.49

 

CMYK 0 / 24 / 26 / 54

HEX #755956

RGB 117 89 86

HSL 5.81, 0.15%, 0.4%

LAB 40.57, 11.03, 6.17

 

CMYK 0 / 89 / 49 / 28

HEX #B7145D

RGB 183 20 93

HSL 333.13, 0.8%, 0.4%

LAB 40.18, 63.71, 2.59

 

CMYK 0 / 89 / 73 / 28

HEX #B71432

RGB 183 20 50

HSL 348.96, 0.8%, 0.4%

LAB 39.24, 61.05, 28.59

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 0 / 58 / 89 / 28

HEX #B74D14

RGB 183 77 20

HSL 20.98, 0.8%, 0.4%

LAB 46.21, 40.27, 50.7

 

CMYK 0 / 34 / 89 / 28

HEX #B77914

RGB 183 121 20

HSL 37.18, 0.8%, 0.4%

LAB 55.88, 16.78, 58.24

 

CMYK 0 / 82 / 89 / 57

HEX #6D140C

RGB 109 20 12

HSL 4.95, 0.8%, 0.24%

LAB 22.92, 37.98, 29.11

 

CMYK 0 / 82 / 89 / 43

HEX #921B10

RGB 146 27 16

HSL 5.08, 0.8%, 0.32%

LAB 31.65, 47.78, 37.93

 

CMYK 0 / 81 / 89 / 28

HEX #B72214

RGB 183 34 20

HSL 5.15, 0.8%, 0.4%

LAB 40.02, 57.06, 45.92

 

CMYK 0 / 81 / 89 / 14

HEX #DC2918

RGB 220 41 24

HSL 5.2, 0.8%, 0.48%

LAB 48.09, 65.95, 53.56

 

CMYK 0 / 70 / 77 / 9

HEX #E84535

RGB 232 69 53

HSL 5.36, 0.8%, 0.56%

LAB 53.67, 61.61, 45.53

 

CMYK 0 / 81 / 89 / 28

HEX #B82315

RGB 184 35 21

HSL 5.15, 0.8%, 0.4%

LAB 40.32, 57.1, 45.8

 

CMYK 25 / 0 / 89 / 28

HEX #89B714

RGB 137 183 20

HSL 76.93, 0.8%, 0.4%

LAB 68.92, -35.84, 67.1

 

CMYK 89 / 61 / 0 / 28

HEX #1448B7

RGB 20 72 183

HSL 220.86, 0.8%, 0.4%

LAB 34.4, 27.54, -62.95

 

CMYK 0 / 81 / 89 / 28

HEX #B82315

RGB 184 35 21

HSL 5.15, 0.8%, 0.4%

LAB 40.32, 57.1, 45.8

 

CMYK 89 / 0 / 81 / 28

HEX #14B722

RGB 20 183 34

HSL 125.15, 0.8%, 0.4%

LAB 65.07, -64.92, 58.97

 

CMYK 82 / 89 / 0 / 28

HEX #2114B7

RGB 33 20 183

HSL 244.79, 0.8%, 0.4%

LAB 24.46, 57.04, -79.36

 

CMYK 0 / 81 / 89 / 28

HEX #B82315

RGB 184 35 21

HSL 5.15, 0.8%, 0.4%

LAB 40.32, 57.1, 45.8

 

CMYK 25 / 0 / 89 / 28

HEX #89B714

RGB 137 183 20

HSL 76.93, 0.8%, 0.4%

LAB 68.92, -35.84, 67.1

 

CMYK 89 / 7 / 0 / 28

HEX #14AAB7

RGB 20 170 183

HSL 184.79, 0.8%, 0.4%

LAB 63.6, -30.6, -16.86

 

CMYK 64 / 89 / 0 / 28

HEX #4214B7

RGB 66 20 183

HSL 256.93, 0.8%, 0.4%

LAB 26.95, 58.84, -75.13

 

CMYK 0 / 81 / 89 / 28

HEX #B82315

RGB 184 35 21

HSL 5.15, 0.8%, 0.4%

LAB 40.32, 57.1, 45.8

 

CMYK 52 / 0 / 89 / 28

HEX #58B714

RGB 88 183 20

HSL 94.97, 0.8%, 0.4%

LAB 66.51, -52.99, 64.11

 

CMYK 89 / 7 / 0 / 28

HEX #14AAB7

RGB 20 170 183

HSL 184.79, 0.8%, 0.4%

LAB 63.6, -30.6, -16.86

 

CMYK 37 / 89 / 0 / 28

HEX #7314B7

RGB 115 20 183

HSL 274.97, 0.8%, 0.4%

LAB 33.06, 63.86, -64.86

 

Description

Color code: HEX #B82315 | qconv.com Color code: HEX #B82315 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 35 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 35 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 89 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 89% 28% C M Y K

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