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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8239C it is the complementary color #47DC63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8239C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8239C shade: #BD2397, #CE35AA, #DF47BD, #F059D0 and #FF6BE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8239C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8239C shade: #B8239C, #A71189, #960076, #850063 and #740050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8239C shade: #B8239C, #B82373, #B8234B, #B82323 and #B82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8239C shade: #B8239C, #AC23B8, #8323B8, #5B23B8 and #3323B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8239C shade matches the following richer shades: #B8239C and #C911A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8239C shade: #B8239C, #A63491, #944686, #82587A and #716A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8239C shade: #8423B8, #AB23B8, #B8239C, #B82375 and #B8234D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8239C shade: #721561, #951C7E, #B8239C, #D72DB7 and #DD50C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8239C shade: #B8239C, #B85C23 and #23B897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8239C shade: #B8239C, #9CB823 and #239CB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8239C shade: #B8239C, #B85C23, #23B83E and #237FB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8239C shade: #B8239C, #B88823, #23B83E and #2352B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

Complementary color

CMYK 68 / 0 / 55 / 14

HEX #47DC63

RGB 71 220 99

HSL 131.28, 0.68%, 0.57%

LAB 78.13, -63.61, 47.63

 

CMYK 0 / 81 / 20 / 26

HEX #BD2397

RGB 189 35 151

HSL 314.81, 0.69%, 0.44%

LAB 44.6, 68.19, -26.52

 

CMYK 0 / 74 / 17 / 19

HEX #CE35AA

RGB 206 53 170

HSL 314.12, 0.61%, 0.51%

LAB 50.18, 69.61, -28.92

 

CMYK 0 / 68 / 15 / 13

HEX #DF47BD

RGB 223 71 189

HSL 313.42, 0.7%, 0.58%

LAB 55.96, 70.29, -30.8

 

CMYK 0 / 63 / 13 / 6

HEX #F059D0

RGB 240 89 208

HSL 312.72, 0.83%, 0.65%

LAB 61.85, 70.47, -32.28

 

CMYK 0 / 58 / 11 / 0

HEX #FF6BE3

RGB 255 107 227

HSL 311.35, 1%, 0.71%

LAB 67.52, 69.79, -33.95

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 90 / 18 / 35

HEX #A71189

RGB 167 17 137

HSL 312, 0.82%, 0.36%

LAB 38.59, 65.29, -27.67

 

CMYK 0 / 100 / 21 / 41

HEX #960076

RGB 150 0 118

HSL 312.8, 1%, 0.29%

LAB 33.55, 61.64, -23.95

 

CMYK 0 / 100 / 26 / 48

HEX #850063

RGB 133 0 99

HSL 315.34, 1%, 0.26%

LAB 29.13, 55.8, -18.91

 

CMYK 0 / 100 / 31 / 55

HEX #740050

RGB 116 0 80

HSL 318.62, 1%, 0.23%

LAB 24.61, 49.84, -13.61

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 81 / 38 / 28

HEX #B82373

RGB 184 35 115

HSL 327.79, 0.68%, 0.43%

LAB 42.2, 62.79, -8.23

 

CMYK 0 / 81 / 59 / 28

HEX #B8234B

RGB 184 35 75

HSL 343.89, 0.68%, 0.43%

LAB 41.06, 59.37, 15.27

 

CMYK 0 / 81 / 81 / 28

HEX #B82323

RGB 184 35 35

HSL 0, 0.68%, 0.43%

LAB 40.43, 57.44, 38.81

 

CMYK 0 / 81 / 81 / 28

HEX #B82323

RGB 184 35 35

HSL 0, 0.68%, 0.43%

LAB 40.43, 57.44, 38.81

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 7 / 81 / 0 / 28

HEX #AC23B8

RGB 172 35 184

HSL 295.17, 0.68%, 0.43%

LAB 43.41, 69.6, -48.24

 

CMYK 29 / 81 / 0 / 28

HEX #8323B8

RGB 131 35 184

HSL 278.66, 0.68%, 0.43%

LAB 36.91, 62.3, -59.07

 

CMYK 51 / 81 / 0 / 28

HEX #5B23B8

RGB 91 35 184

HSL 262.55, 0.68%, 0.43%

LAB 31.55, 56.36, -68.05

 

CMYK 72 / 81 / 0 / 28

HEX #3323B8

RGB 51 35 184

HSL 246.44, 0.68%, 0.43%

LAB 27.75, 52.21, -74.44

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 92 / 17 / 21

HEX #C911A7

RGB 201 17 167

HSL 311.09, 0.84%, 0.43%

LAB 46.46, 75.93, -33.03

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 69 / 13 / 35

HEX #A63491

RGB 166 52 145

HSL 311.05, 0.52%, 0.43%

LAB 42.17, 56.58, -26.99

 

CMYK 0 / 53 / 9 / 42

HEX #944686

RGB 148 70 134

HSL 310.77, 0.36%, 0.43%

LAB 41.84, 41.52, -21.02

 

CMYK 0 / 32 / 6 / 49

HEX #82587A

RGB 130 88 122

HSL 311.43, 0.19%, 0.43%

LAB 42.96, 23.14, -12.21

 

CMYK 0 / 6 / 2 / 56

HEX #716A6F

RGB 113 106 111

HSL 317.14, 0.03%, 0.43%

LAB 45.59, 3.73, -1.82

 

CMYK 28 / 81 / 0 / 28

HEX #8423B8

RGB 132 35 184

HSL 279.06, 0.68%, 0.43%

LAB 37.06, 62.47, -58.82

 

CMYK 7 / 81 / 0 / 28

HEX #AB23B8

RGB 171 35 184

HSL 294.77, 0.68%, 0.43%

LAB 43.24, 69.42, -48.52

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 81 / 36 / 28

HEX #B82375

RGB 184 35 117

HSL 326.98, 0.68%, 0.43%

LAB 42.27, 63, -9.37

 

CMYK 0 / 81 / 58 / 28

HEX #B8234D

RGB 184 35 77

HSL 343.09, 0.68%, 0.43%

LAB 41.1, 59.5, 14.06

 

CMYK 0 / 82 / 15 / 55

HEX #721561

RGB 114 21 97

HSL 310.97, 0.69%, 0.26%

LAB 26.67, 47.02, -21.72

 

CMYK 0 / 81 / 15 / 42

HEX #951C7E

RGB 149 28 126

HSL 311.4, 0.68%, 0.35%

LAB 35.45, 57.57, -26.01

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 79 / 15 / 16

HEX #D72DB7

RGB 215 45 183

HSL 311.29, 0.68%, 0.51%

LAB 51.55, 75.61, -34.3

 

CMYK 0 / 64 / 12 / 13

HEX #DD50C3

RGB 221 80 195

HSL 311.06, 0.67%, 0.59%

LAB 57.12, 67.27, -32.45

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 50 / 81 / 28

HEX #B85C23

RGB 184 92 35

HSL 22.95, 0.68%, 0.43%

LAB 49.45, 33.45, 47.5

 

CMYK 81 / 0 / 18 / 28

HEX #23B897

RGB 35 184 151

HSL 166.71, 0.68%, 0.43%

LAB 67.18, -45.08, 6.2

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 15 / 0 / 81 / 28

HEX #9CB823

RGB 156 184 35

HSL 71.28, 0.68%, 0.43%

LAB 70.5, -28.12, 65.54

 

CMYK 81 / 15 / 0 / 28

HEX #239CB8

RGB 35 156 184

HSL 191.28, 0.68%, 0.43%

LAB 59.52, -22.13, -23.63

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 50 / 81 / 28

HEX #B85C23

RGB 184 92 35

HSL 22.95, 0.68%, 0.43%

LAB 49.45, 33.45, 47.5

 

CMYK 81 / 0 / 66 / 28

HEX #23B83E

RGB 35 184 62

HSL 130.87, 0.68%, 0.43%

LAB 65.74, -61.5, 49.73

 

CMYK 81 / 31 / 0 / 28

HEX #237FB8

RGB 35 127 184

HSL 202.95, 0.68%, 0.43%

LAB 50.68, -6.08, -37.37

 

CMYK 0 / 81 / 15 / 28

HEX #B8239C

RGB 184 35 156

HSL 311.28, 0.68%, 0.43%

LAB 43.93, 67.77, -30.63

 

CMYK 0 / 26 / 81 / 28

HEX #B88823

RGB 184 136 35

HSL 40.67, 0.68%, 0.43%

LAB 59.82, 9.33, 56.98

 

CMYK 81 / 0 / 66 / 28

HEX #23B83E

RGB 35 184 62

HSL 130.87, 0.68%, 0.43%

LAB 65.74, -61.5, 49.73

 

CMYK 81 / 55 / 0 / 28

HEX #2352B8

RGB 35 82 184

HSL 221.07, 0.68%, 0.43%

LAB 37.58, 22.4, -58.34

 

Description

Color code: HEX #B8239C | qconv.com Color code: HEX #B8239C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 35 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 35 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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