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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B82BC9 it is the complementary color #47D436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B82BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B82BC9 shade: #BD2BC4, #CE3DD7, #DF4FEA, #F061FD and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B82BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B82BC9 shade: #B82BC9, #A719B6, #9607A3, #850090 and #74007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B82BC9 shade: #B82AC9, #C92AB0, #C92A85, #C92A5A and #C92A2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B82BC9 shade: #B82AC9, #8D2AC9, #632AC9, #382AC9 and #2A2AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B82BC9 shade matches the following richer shades: #B82AC9, #C817DD and #D703F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B82BC9 shade: #B82AC9, #A93EB6, #9952A2, #8A668E and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B82BC9 shade: #622AC9, #8C2AC9, #B72AC9, #C92AB2 and #C92A87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B82BC9 shade: #7A1C85, #9923A7, #B82AC9, #C846D7 and #D268DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B82BC9 shade: #B82BC9, #C9382A and #2AC977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B82BC9 shade: #B82BC9, #C9B72A and #2AC9B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B82BC9 shade: #B82BC9, #C9382A, #3DC92A and #2ABCC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B82BC9 shade: #B82BC9, #C9672A, #3DC92A and #2A8CC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 79 / 0 / 21

HEX #B82BC9

RGB 184 43 201

HSL 293.54, 0.65%, 0.48%

LAB 47.15, 72.61, -52.05

 

Complementary color

CMYK 67 / 0 / 75 / 17

HEX #47D436

RGB 71 212 54

HSL 113.54, 0.65%, 0.52%

LAB 75.26, -65.46, 62.87

 

CMYK 4 / 78 / 0 / 23

HEX #BD2BC4

RGB 189 43 196

HSL 297.25, 0.64%, 0.47%

LAB 47.66, 72.74, -48.29

 

CMYK 4 / 72 / 0 / 16

HEX #CE3DD7

RGB 206 61 215

HSL 296.49, 0.66%, 0.54%

LAB 53.35, 73.86, -49.99

 

CMYK 5 / 66 / 0 / 8

HEX #DF4FEA

RGB 223 79 234

HSL 295.74, 0.79%, 0.61%

LAB 59.18, 74.35, -51.28

 

CMYK 5 / 62 / 0 / 1

HEX #F061FD

RGB 240 97 253

HSL 295, 0.98%, 0.69%

LAB 65.09, 74.41, -52.27

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 8 / 79 / 0 / 21

HEX #B82BC9

RGB 184 43 201

HSL 293.54, 0.65%, 0.48%

LAB 47.15, 72.61, -52.05

 

CMYK 8 / 86 / 0 / 29

HEX #A719B6

RGB 167 25 182

HSL 294.27, 0.76%, 0.41%

LAB 41.67, 70.61, -49.9

 

CMYK 8 / 96 / 0 / 36

HEX #9607A3

RGB 150 7 163

HSL 295, 0.92%, 0.33%

LAB 36.52, 67.33, -47.01

 

CMYK 8 / 100 / 0 / 44

HEX #850090

RGB 133 0 144

HSL 295.42, 1%, 0.28%

LAB 31.81, 62.36, -43.16

 

CMYK 7 / 100 / 0 / 51

HEX #74007D

RGB 116 0 125

HSL 295.68, 1%, 0.25%

LAB 27.28, 56.4, -38.75

 

CMYK 8 / 79 / 0 / 21

HEX #B82AC9

RGB 184 42 201

HSL 293.58, 0.65%, 0.48%

LAB 47.06, 72.88, -52.2

 

CMYK 0 / 79 / 12 / 21

HEX #C92AB0

RGB 201 42 176

HSL 309.43, 0.65%, 0.48%

LAB 48.52, 72.43, -35.11

 

CMYK 0 / 79 / 34 / 21

HEX #C92A85

RGB 201 42 133

HSL 325.66, 0.65%, 0.48%

LAB 46.67, 67.07, -12.26

 

CMYK 0 / 79 / 55 / 21

HEX #C92A5A

RGB 201 42 90

HSL 341.89, 0.65%, 0.48%

LAB 45.38, 63.16, 12.33

 

CMYK 0 / 79 / 77 / 21

HEX #C92A2F

RGB 201 42 47

HSL 358.11, 0.65%, 0.48%

LAB 44.63, 60.84, 37.47

 

CMYK 8 / 79 / 0 / 21

HEX #B82AC9

RGB 184 42 201

HSL 293.58, 0.65%, 0.48%

LAB 47.06, 72.88, -52.2

 

CMYK 30 / 79 / 0 / 21

HEX #8D2AC9

RGB 141 42 201

HSL 277.36, 0.65%, 0.48%

LAB 40.47, 65.24, -63.17

 

CMYK 51 / 79 / 0 / 21

HEX #632AC9

RGB 99 42 201

HSL 261.51, 0.65%, 0.48%

LAB 35.05, 58.95, -72.25

 

CMYK 72 / 79 / 0 / 21

HEX #382AC9

RGB 56 42 201

HSL 245.28, 0.65%, 0.48%

LAB 31.15, 54.41, -78.83

 

CMYK 79 / 79 / 0 / 21

HEX #2A2AC9

RGB 42 42 201

HSL 240, 0.65%, 0.48%

LAB 30.32, 53.44, -80.23

 

CMYK 8 / 79 / 0 / 21

HEX #B82AC9

RGB 184 42 201

HSL 293.58, 0.65%, 0.48%

LAB 47.06, 72.88, -52.2

 

CMYK 10 / 90 / 0 / 13

HEX #C817DD

RGB 200 23 221

HSL 293.64, 0.81%, 0.48%

LAB 49.63, 82.77, -59.41

 

CMYK 11 / 99 / 0 / 5

HEX #D703F1

RGB 215 3 241

HSL 293.45, 0.98%, 0.48%

LAB 52.8, 90.05, -65.49

 

CMYK 8 / 79 / 0 / 21

HEX #B82AC9

RGB 184 42 201

HSL 293.58, 0.65%, 0.48%

LAB 47.06, 72.88, -52.2

 

CMYK 7 / 66 / 0 / 29

HEX #A93EB6

RGB 169 62 182

HSL 293.5, 0.49%, 0.48%

LAB 45.99, 59.58, -42.99

 

CMYK 6 / 49 / 0 / 36

HEX #9952A2

RGB 153 82 162

HSL 293.25, 0.33%, 0.48%

LAB 46.2, 42.01, -31.01

 

CMYK 3 / 28 / 0 / 44

HEX #8A668E

RGB 138 102 142

HSL 294, 0.16%, 0.48%

LAB 48.08, 21.75, -16.37

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 51 / 79 / 0 / 21

HEX #622AC9

RGB 98 42 201

HSL 261.13, 0.65%, 0.48%

LAB 34.94, 58.82, -72.44

 

CMYK 30 / 79 / 0 / 21

HEX #8C2AC9

RGB 140 42 201

HSL 276.98, 0.65%, 0.48%

LAB 40.33, 65.07, -63.41

 

CMYK 9 / 79 / 0 / 21

HEX #B72AC9

RGB 183 42 201

HSL 293.21, 0.65%, 0.48%

LAB 46.9, 72.7, -52.47

 

CMYK 0 / 79 / 11 / 21

HEX #C92AB2

RGB 201 42 178

HSL 308.68, 0.65%, 0.48%

LAB 48.62, 72.71, -36.13

 

CMYK 0 / 79 / 33 / 21

HEX #C92A87

RGB 201 42 135

HSL 324.91, 0.65%, 0.48%

LAB 46.74, 67.28, -13.36

 

CMYK 8 / 79 / 0 / 48

HEX #7A1C85

RGB 122 28 133

HSL 293.71, 0.65%, 0.32%

LAB 31.02, 52.76, -37.7

 

CMYK 8 / 79 / 0 / 35

HEX #9923A7

RGB 153 35 167

HSL 293.64, 0.65%, 0.4%

LAB 39.18, 63.04, -45.11

 

CMYK 8 / 79 / 0 / 21

HEX #B82AC9

RGB 184 42 201

HSL 293.58, 0.65%, 0.48%

LAB 47.06, 72.88, -52.2

 

CMYK 7 / 67 / 0 / 16

HEX #C846D7

RGB 200 70 215

HSL 293.79, 0.64%, 0.56%

LAB 53.56, 69.39, -49.7

 

CMYK 6 / 53 / 0 / 13

HEX #D268DF

RGB 210 104 223

HSL 293.45, 0.65%, 0.64%

LAB 60.72, 58.57, -42.8

 

CMYK 8 / 79 / 0 / 21

HEX #B82BC9

RGB 184 43 201

HSL 293.54, 0.65%, 0.48%

LAB 47.15, 72.61, -52.05

 

CMYK 0 / 72 / 79 / 21

HEX #C9382A

RGB 201 56 42

HSL 5.28, 0.65%, 0.48%

LAB 46.19, 56.16, 41.88

 

CMYK 79 / 0 / 41 / 21

HEX #2AC977

RGB 42 201 119

HSL 149.06, 0.65%, 0.48%

LAB 71.96, -58.04, 29.94

 

CMYK 8 / 79 / 0 / 21

HEX #B82BC9

RGB 184 43 201

HSL 293.54, 0.65%, 0.48%

LAB 47.15, 72.61, -52.05

 

CMYK 0 / 9 / 79 / 21

HEX #C9B72A

RGB 201 183 42

HSL 53.21, 0.65%, 0.48%

LAB 73.84, -8.1, 67.86

 

CMYK 79 / 0 / 9 / 21

HEX #2AC9B7

RGB 42 201 183

HSL 173.21, 0.65%, 0.48%

LAB 73.34, -43.19, -2.31

 

CMYK 8 / 79 / 0 / 21

HEX #B82BC9

RGB 184 43 201

HSL 293.54, 0.65%, 0.48%

LAB 47.15, 72.61, -52.05

 

CMYK 0 / 72 / 79 / 21

HEX #C9382A

RGB 201 56 42

HSL 5.28, 0.65%, 0.48%

LAB 46.19, 56.16, 41.88

 

CMYK 70 / 0 / 79 / 21

HEX #3DC92A

RGB 61 201 42

HSL 112.83, 0.65%, 0.48%

LAB 71.51, -64.59, 62.95

 

CMYK 79 / 6 / 0 / 21

HEX #2ABCC9

RGB 42 188 201

HSL 184.91, 0.65%, 0.48%

LAB 69.95, -32.01, -17.19

 

CMYK 8 / 79 / 0 / 21

HEX #B82BC9

RGB 184 43 201

HSL 293.54, 0.65%, 0.48%

LAB 47.15, 72.61, -52.05

 

CMYK 0 / 49 / 79 / 21

HEX #C9672A

RGB 201 103 42

HSL 23.02, 0.65%, 0.48%

LAB 54.33, 34.84, 49.9

 

CMYK 70 / 0 / 79 / 21

HEX #3DC92A

RGB 61 201 42

HSL 112.83, 0.65%, 0.48%

LAB 71.51, -64.59, 62.95

 

CMYK 79 / 30 / 0 / 21

HEX #2A8CC9

RGB 42 140 201

HSL 203.02, 0.65%, 0.48%

LAB 55.55, -6.73, -39.4

 

Description

Color code: HEX #B82BC9 | qconv.com Color code: HEX #B82BC9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 43 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 43 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 79 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 79% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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