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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B83B7E it is the complementary color #47C481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B83B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B83B7E shade: #BD3B79, #CE4D8C, #DF5F9F, #F071B2 and #FF83C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B83B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B83B7E shade: #B83B7E, #A7296B, #961758, #850545 and #740032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B83B7E shade: #B83B7E, #B83B5D and #B83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B83B7E shade: #B83B7E, #B83BA0, #AF3BB8, #8D3BB8 and #6C3BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B83B7E shade matches the following richer shades: #B83B7E, #CC2880, #E01481 and #F40083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B83B7E shade: #B83B7E, #A54F7D, #91637C, #7D777A and #698B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B83B7E shade: #AE3BB8, #B83BA1, #B83B80, #B83B5F and #B83B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B83B7E shade: #7A2754, #993169, #B83B7E, #C85593 and #D275A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B83B7E shade: #B83B7E, #B88D3B and #3BB2B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B83B7E shade: #B83B7E, #80B83B and #3B80B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B83B7E shade: #B83B7E, #B88D3B, #3BB874 and #3B67B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B83B7E shade: #B83B7E, #B8B23B, #3BB874 and #3B42B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

Complementary color

CMYK 64 / 0 / 34 / 23

HEX #47C481

RGB 71 196 129

HSL 147.84, 0.51%, 0.52%

LAB 71.15, -49.82, 23.73

 

CMYK 0 / 69 / 36 / 26

HEX #BD3B79

RGB 189 59 121

HSL 331.38, 0.52%, 0.49%

LAB 46.08, 57, -6.04

 

CMYK 0 / 63 / 32 / 19

HEX #CE4D8C

RGB 206 77 140

HSL 330.7, 0.57%, 0.55%

LAB 52.2, 56.89, -8.07

 

CMYK 0 / 57 / 29 / 13

HEX #DF5F9F

RGB 223 95 159

HSL 330, 0.67%, 0.62%

LAB 58.39, 56.46, -9.7

 

CMYK 0 / 53 / 26 / 6

HEX #F071B2

RGB 240 113 178

HSL 329.29, 0.81%, 0.69%

LAB 64.6, 55.86, -11.06

 

CMYK 0 / 49 / 23 / 0

HEX #FF83C5

RGB 255 131 197

HSL 328.06, 1%, 0.76%

LAB 70.54, 54.54, -12.64

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 75 / 36 / 35

HEX #A7296B

RGB 167 41 107

HSL 328.57, 0.61%, 0.41%

LAB 39.35, 55.73, -7.83

 

CMYK 0 / 85 / 41 / 41

HEX #961758

RGB 150 23 88

HSL 329.29, 0.73%, 0.34%

LAB 33.57, 54.41, -4.68

 

CMYK 0 / 96 / 48 / 48

HEX #850545

RGB 133 5 69

HSL 330, 0.93%, 0.27%

LAB 28.18, 51.75, -0.47

 

CMYK 0 / 100 / 57 / 55

HEX #740032

RGB 116 0 50

HSL 334.14, 1%, 0.23%

LAB 23.48, 46.89, 5.29

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 68 / 49 / 28

HEX #B83B5D

RGB 184 59 93

HSL 343.68, 0.51%, 0.48%

LAB 44.39, 52.66, 8.63

 

CMYK 0 / 68 / 68 / 28

HEX #B83B3B

RGB 184 59 59

HSL 0, 0.51%, 0.48%

LAB 43.7, 50.21, 28.54

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 68 / 13 / 28

HEX #B83BA0

RGB 184 59 160

HSL 311.52, 0.51%, 0.48%

LAB 46.79, 60.78, -28.57

 

CMYK 5 / 68 / 0 / 28

HEX #AF3BB8

RGB 175 59 184

HSL 295.68, 0.51%, 0.48%

LAB 46.58, 62.53, -43.15

 

CMYK 23 / 68 / 0 / 28

HEX #8D3BB8

RGB 141 59 184

HSL 279.36, 0.51%, 0.48%

LAB 41.61, 54.9, -51.38

 

CMYK 41 / 68 / 0 / 28

HEX #6C3BB8

RGB 108 59 184

HSL 263.52, 0.51%, 0.48%

LAB 37.44, 48.02, -58.34

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 80 / 37 / 20

HEX #CC2880

RGB 204 40 128

HSL 327.8, 0.67%, 0.48%

LAB 46.86, 67.8, -8.86

 

CMYK 0 / 91 / 42 / 12

HEX #E01481

RGB 224 20 129

HSL 327.94, 0.84%, 0.48%

LAB 49.41, 76.26, -5.26

 

CMYK 0 / 100 / 46 / 4

HEX #F40083

RGB 244 0 131

HSL 327.79, 1%, 0.48%

LAB 52.81, 82.44, -1.02

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 52 / 24 / 35

HEX #A54F7D

RGB 165 79 125

HSL 327.91, 0.35%, 0.48%

LAB 45.73, 40.97, -9.39

 

CMYK 0 / 32 / 14 / 43

HEX #91637C

RGB 145 99 124

HSL 327.39, 0.19%, 0.48%

LAB 47.49, 22.61, -6.43

 

CMYK 0 / 5 / 2 / 51

HEX #7D777A

RGB 125 119 122

HSL 330, 0.02%, 0.48%

LAB 50.64, 2.88, -0.83

 

CMYK 24 / 0 / 13 / 45

HEX #698B79

RGB 105 139 121

HSL 148.24, 0.14%, 0.48%

LAB 54.92, -15.86, 5.76

 

CMYK 5 / 68 / 0 / 28

HEX #AE3BB8

RGB 174 59 184

HSL 295.2, 0.51%, 0.48%

LAB 46.43, 62.3, -43.41

 

CMYK 0 / 68 / 13 / 28

HEX #B83BA1

RGB 184 59 161

HSL 311.04, 0.51%, 0.48%

LAB 46.83, 60.93, -29.09

 

CMYK 0 / 68 / 30 / 28

HEX #B83B80

RGB 184 59 128

HSL 326.88, 0.51%, 0.48%

LAB 45.46, 56.39, -11.32

 

CMYK 0 / 68 / 48 / 28

HEX #B83B5F

RGB 184 59 95

HSL 342.72, 0.51%, 0.48%

LAB 44.44, 52.84, 7.46

 

CMYK 0 / 68 / 66 / 28

HEX #B83B3E

RGB 184 59 62

HSL 358.56, 0.51%, 0.48%

LAB 43.75, 50.38, 26.8

 

CMYK 0 / 68 / 31 / 52

HEX #7A2754

RGB 122 39 84

HSL 327.47, 0.52%, 0.32%

LAB 29.98, 40.58, -7.98

 

CMYK 0 / 68 / 31 / 40

HEX #993169

RGB 153 49 105

HSL 327.69, 0.51%, 0.4%

LAB 37.82, 48.53, -9.12

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 58 / 27 / 22

HEX #C85593

RGB 200 85 147

HSL 327.65, 0.51%, 0.56%

LAB 52.82, 52.4, -11.38

 

CMYK 0 / 44 / 20 / 18

HEX #D275A7

RGB 210 117 167

HSL 327.74, 0.51%, 0.64%

LAB 60.97, 42.66, -10.64

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3B

RGB 184 141 59

HSL 39.36, 0.51%, 0.48%

LAB 61.27, 7.68, 48.57

 

CMYK 68 / 3 / 0 / 28

HEX #3BB2B8

RGB 59 178 184

HSL 182.88, 0.51%, 0.48%

LAB 66.7, -30.32, -12.69

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 30 / 0 / 68 / 28

HEX #80B83B

RGB 128 184 59

HSL 86.88, 0.51%, 0.48%

LAB 68.89, -37.89, 55.26

 

CMYK 68 / 30 / 0 / 28

HEX #3B80B8

RGB 59 128 184

HSL 206.88, 0.51%, 0.48%

LAB 51.64, -3.51, -35.82

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 23 / 68 / 28

HEX #B88D3B

RGB 184 141 59

HSL 39.36, 0.51%, 0.48%

LAB 61.27, 7.68, 48.57

 

CMYK 68 / 0 / 37 / 28

HEX #3BB874

RGB 59 184 116

HSL 147.36, 0.51%, 0.48%

LAB 66.88, -49.79, 24.83

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 0 / 68 / 32 / 28

HEX #B83B7E

RGB 184 59 126

HSL 327.84, 0.51%, 0.48%

LAB 45.39, 56.15, -10.21

 

CMYK 0 / 3 / 68 / 28

HEX #B8B23B

RGB 184 178 59

HSL 57.12, 0.51%, 0.48%

LAB 71.11, -12.12, 58.8

 

CMYK 68 / 0 / 37 / 28

HEX #3BB874

RGB 59 184 116

HSL 147.36, 0.51%, 0.48%

LAB 66.88, -49.79, 24.83

 

CMYK 68 / 64 / 0 / 28

HEX #3B42B8

RGB 59 66 184

HSL 236.64, 0.51%, 0.48%

LAB 34.57, 35.62, -63.19

 

Description

Color code: HEX #B83B7E | qconv.com Color code: HEX #B83B7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 59 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 59 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 32 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 32% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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