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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B83C6A it is the complementary color #47C395. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B83C6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B83C6A shade: #BD3C65, #CE4E78, #DF608B, #F0729E and #FF84B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B83C6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B83C6A shade: #B83C6A, #A72A57, #961844, #850631 and #74001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B83C6A shade: #B83B6A, #B83B48 and #B83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B83C6A shade: #B83B6A, #B83B8B, #B83BAD, #A23BB8 and #803BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B83C6A shade matches the following richer shades: #B83B6A, #CC2865, #E01460 and #F4005A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B83C6A shade: #B83B6A, #A54F6F, #916374, #7D7779 and #698B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B83C6A shade: #B83BAE, #B83B8D, #B83B6B, #B83B4A and #B84E3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B83C6A shade: #7A2746, #993158, #B83B6A, #C85580 and #D27597

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B83C6A shade: #B83C6A, #B8A13B and #3B9DB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B83C6A shade: #B83C6A, #6BB83B and #3B6BB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B83C6A shade: #B83C6A, #B8A13B, #3BB888 and #3B52B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B83C6A shade: #B83C6A, #AAB83B, #3BB888 and #4A3BB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 42 / 28

HEX #B83C6A

RGB 184 60 106

HSL 337.74, 0.51%, 0.48%

LAB 44.89, 53.51, 1.31

 

Complementary color

CMYK 64 / 0 / 24 / 24

HEX #47C395

RGB 71 195 149

HSL 157.74, 0.51%, 0.52%

LAB 71.24, -45.19, 13.16

 

CMYK 0 / 68 / 47 / 26

HEX #BD3C65

RGB 189 60 101

HSL 340.93, 0.52%, 0.49%

LAB 45.62, 54.54, 5.56

 

CMYK 0 / 62 / 42 / 19

HEX #CE4E78

RGB 206 78 120

HSL 340.31, 0.57%, 0.56%

LAB 51.75, 54.22, 3.22

 

CMYK 0 / 57 / 38 / 13

HEX #DF608B

RGB 223 96 139

HSL 339.69, 0.66%, 0.63%

LAB 57.96, 53.63, 1.31

 

CMYK 0 / 53 / 34 / 6

HEX #F0729E

RGB 240 114 158

HSL 339.05, 0.81%, 0.69%

LAB 64.18, 52.89, -0.29

 

CMYK 0 / 48 / 31 / 0

HEX #FF84B1

RGB 255 132 177

HSL 338.05, 1%, 0.76%

LAB 70.13, 51.44, -2.08

 

CMYK 0 / 67 / 42 / 28

HEX #B83C6A

RGB 184 60 106

HSL 337.74, 0.51%, 0.48%

LAB 44.89, 53.51, 1.31

 

CMYK 0 / 75 / 48 / 35

HEX #A72A57

RGB 167 42 87

HSL 338.4, 0.6%, 0.41%

LAB 38.83, 53.36, 4.05

 

CMYK 0 / 84 / 55 / 41

HEX #961844

RGB 150 24 68

HSL 339.05, 0.72%, 0.34%

LAB 33.04, 52.36, 7.64

 

CMYK 0 / 95 / 63 / 48

HEX #850631

RGB 133 6 49

HSL 339.69, 0.91%, 0.27%

LAB 27.68, 50.05, 12.37

 

CMYK 0 / 100 / 74 / 55

HEX #74001E

RGB 116 0 30

HSL 344.48, 1%, 0.23%

LAB 23.02, 45.66, 18.59

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6A

RGB 184 59 106

HSL 337.44, 0.51%, 0.48%

LAB 44.74, 53.91, 1.1

 

CMYK 0 / 68 / 61 / 28

HEX #B83B48

RGB 184 59 72

HSL 353.76, 0.51%, 0.48%

LAB 43.92, 51.01, 20.95

 

CMYK 0 / 68 / 68 / 28

HEX #B83B3B

RGB 184 59 59

HSL 0, 0.51%, 0.48%

LAB 43.7, 50.21, 28.54

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6A

RGB 184 59 106

HSL 337.44, 0.51%, 0.48%

LAB 44.74, 53.91, 1.1

 

CMYK 0 / 68 / 24 / 28

HEX #B83B8B

RGB 184 59 139

HSL 321.6, 0.51%, 0.48%

LAB 45.88, 57.8, -17.36

 

CMYK 0 / 68 / 6 / 28

HEX #B83BAD

RGB 184 59 173

HSL 305.28, 0.51%, 0.48%

LAB 47.41, 62.79, -35.29

 

CMYK 12 / 68 / 0 / 28

HEX #A23BB8

RGB 162 59 184

HSL 289.44, 0.51%, 0.48%

LAB 44.62, 59.57, -46.4

 

CMYK 30 / 68 / 0 / 28

HEX #803BB8

RGB 128 59 184

HSL 273.12, 0.51%, 0.48%

LAB 39.88, 52.1, -54.27

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6A

RGB 184 59 106

HSL 337.44, 0.51%, 0.48%

LAB 44.74, 53.91, 1.1

 

CMYK 0 / 80 / 50 / 20

HEX #CC2865

RGB 204 40 101

HSL 337.68, 0.67%, 0.48%

LAB 46.03, 65.34, 6.52

 

CMYK 0 / 91 / 57 / 12

HEX #E01460

RGB 224 20 96

HSL 337.65, 0.84%, 0.48%

LAB 48.5, 73.76, 13.64

 

CMYK 0 / 100 / 63 / 4

HEX #F4005A

RGB 244 0 90

HSL 337.87, 1%, 0.48%

LAB 51.8, 79.77, 22.46

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6A

RGB 184 59 106

HSL 337.44, 0.51%, 0.48%

LAB 44.74, 53.91, 1.1

 

CMYK 0 / 52 / 33 / 35

HEX #A54F6F

RGB 165 79 111

HSL 337.67, 0.35%, 0.48%

LAB 45.27, 39.03, -1.56

 

CMYK 0 / 32 / 20 / 43

HEX #916374

RGB 145 99 116

HSL 337.83, 0.19%, 0.48%

LAB 47.24, 21.25, -2

 

CMYK 0 / 5 / 3 / 51

HEX #7D7779

RGB 125 119 121

HSL 340, 0.02%, 0.48%

LAB 50.61, 2.68, -0.28

 

CMYK 24 / 0 / 9 / 45

HEX #698B7E

RGB 105 139 126

HSL 157.06, 0.14%, 0.48%

LAB 55.05, -14.79, 3.07

 

CMYK 0 / 68 / 5 / 28

HEX #B83BAE

RGB 184 59 174

HSL 304.8, 0.51%, 0.48%

LAB 47.46, 62.95, -35.8

 

CMYK 0 / 68 / 23 / 28

HEX #B83B8D

RGB 184 59 141

HSL 320.64, 0.51%, 0.48%

LAB 45.96, 58.07, -18.45

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6B

RGB 184 59 107

HSL 336.96, 0.51%, 0.48%

LAB 44.77, 54.01, 0.53

 

CMYK 0 / 68 / 60 / 28

HEX #B83B4A

RGB 184 59 74

HSL 352.8, 0.51%, 0.48%

LAB 43.96, 51.15, 19.77

 

CMYK 0 / 58 / 68 / 28

HEX #B84E3B

RGB 184 78 59

HSL 9.12, 0.51%, 0.48%

LAB 46.92, 41.65, 32.41

 

CMYK 0 / 68 / 43 / 52

HEX #7A2746

RGB 122 39 70

HSL 337.59, 0.52%, 0.32%

LAB 29.49, 38.83, 0.51

 

CMYK 0 / 68 / 42 / 40

HEX #993158

RGB 153 49 88

HSL 337.5, 0.51%, 0.4%

LAB 37.25, 46.53, 0.81

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6A

RGB 184 59 106

HSL 337.44, 0.51%, 0.48%

LAB 44.74, 53.91, 1.1

 

CMYK 0 / 58 / 36 / 22

HEX #C85580

RGB 200 85 128

HSL 337.57, 0.51%, 0.56%

LAB 52.21, 50.02, -1.01

 

CMYK 0 / 44 / 28 / 18

HEX #D27597

RGB 210 117 151

HSL 338.06, 0.51%, 0.64%

LAB 60.48, 40.38, -2.18

 

CMYK 0 / 67 / 42 / 28

HEX #B83C6A

RGB 184 60 106

HSL 337.74, 0.51%, 0.48%

LAB 44.89, 53.51, 1.31

 

CMYK 0 / 13 / 68 / 28

HEX #B8A13B

RGB 184 161 59

HSL 48.96, 0.51%, 0.48%

LAB 66.52, -3.19, 54.1

 

CMYK 68 / 15 / 0 / 28

HEX #3B9DB8

RGB 59 157 184

HSL 192.96, 0.51%, 0.48%

LAB 60.34, -19.7, -22.33

 

CMYK 0 / 67 / 42 / 28

HEX #B83C6A

RGB 184 60 106

HSL 337.74, 0.51%, 0.48%

LAB 44.89, 53.51, 1.31

 

CMYK 42 / 0 / 68 / 28

HEX #6BB83B

RGB 107 184 59

HSL 96.96, 0.51%, 0.48%

LAB 67.82, -45.27, 53.81

 

CMYK 68 / 42 / 0 / 28

HEX #3B6BB8

RGB 59 107 184

HSL 216.96, 0.51%, 0.48%

LAB 45.51, 9.31, -45.53

 

CMYK 0 / 67 / 42 / 28

HEX #B83C6A

RGB 184 60 106

HSL 337.74, 0.51%, 0.48%

LAB 44.89, 53.51, 1.31

 

CMYK 0 / 13 / 68 / 28

HEX #B8A13B

RGB 184 161 59

HSL 48.96, 0.51%, 0.48%

LAB 66.52, -3.19, 54.1

 

CMYK 68 / 0 / 26 / 28

HEX #3BB888

RGB 59 184 136

HSL 156.96, 0.51%, 0.48%

LAB 67.27, -45.59, 14.59

 

CMYK 68 / 55 / 0 / 28

HEX #3B52B8

RGB 59 82 184

HSL 228.96, 0.51%, 0.48%

LAB 38.59, 25.38, -56.64

 

CMYK 0 / 67 / 42 / 28

HEX #B83C6A

RGB 184 60 106

HSL 337.74, 0.51%, 0.48%

LAB 44.89, 53.51, 1.31

 

CMYK 8 / 0 / 68 / 28

HEX #AAB83B

RGB 170 184 59

HSL 66.72, 0.51%, 0.48%

LAB 71.65, -21.12, 58.98

 

CMYK 68 / 0 / 26 / 28

HEX #3BB888

RGB 59 184 136

HSL 156.96, 0.51%, 0.48%

LAB 67.27, -45.59, 14.59

 

CMYK 60 / 68 / 0 / 28

HEX #4A3BB8

RGB 74 59 184

HSL 247.2, 0.51%, 0.48%

LAB 34.08, 42.04, -63.97

 

Description

Color code: HEX #B83C6A | qconv.com Color code: HEX #B83C6A | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 60 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 60 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 42 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 42% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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