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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B83DC1 it is the complementary color #47C23E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B83DC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B83DC1 shade: #BD3DBC, #CE4FCF, #DF61E2, #F073F5 and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B83DC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B83DC1 shade: #B83DC1, #A72BAE, #96199B, #850788 and #740075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B83DC1 shade: #B83DC1, #C13DA7, #C13D83, #C13D5F and #C13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B83DC1 shade: #B83DC1, #953DC1, #713DC1, #4D3DC1 and #3D3DC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B83DC1 shade matches the following richer shades: #B83DC1, #CA28D6 and #DC13EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B83DC1 shade: #B83DC1, #A651AD, #956698, #837B83 and #718F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B83DC1 shade: #703DC1, #933DC1, #B63DC1, #C13DA9 and #C13D86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B83DC1 shade: #7C2983, #9A33A2, #B83DC1, #C45CCB and #CF7BD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B83DC1 shade: #B83DC1, #C14C3D and #3DC181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B83DC1 shade: #B83DC1, #C1B63D and #3DC1B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B83DC1 shade: #B83DC1, #C14C3D, #48C13D and #3DB2C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B83DC1 shade: #B83DC1, #C1743D, #48C13D and #3D8AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

Complementary color

CMYK 63 / 0 / 68 / 24

HEX #47C23E

RGB 71 194 62

HSL 115.91, 0.52%, 0.5%

LAB 69.66, -58.74, 54.18

 

CMYK 0 / 68 / 1 / 26

HEX #BD3DBC

RGB 189 61 188

HSL 300.47, 0.51%, 0.49%

LAB 49.24, 65.67, -41.14

 

CMYK 0 / 62 / 0 / 19

HEX #CE4FCF

RGB 206 79 207

HSL 299.53, 0.57%, 0.56%

LAB 55.3, 65.85, -42.34

 

CMYK 1 / 57 / 0 / 11

HEX #DF61E2

RGB 223 97 226

HSL 298.6, 0.69%, 0.63%

LAB 61.42, 65.66, -43.26

 

CMYK 2 / 53 / 0 / 4

HEX #F073F5

RGB 240 115 245

HSL 297.69, 0.87%, 0.71%

LAB 67.56, 65.25, -43.98

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 4 / 75 / 0 / 32

HEX #A72BAE

RGB 167 43 174

HSL 296.79, 0.6%, 0.43%

LAB 42.76, 64.67, -43.42

 

CMYK 3 / 84 / 0 / 39

HEX #96199B

RGB 150 25 155

HSL 297.69, 0.72%, 0.35%

LAB 37.01, 63.03, -41.37

 

CMYK 2 / 95 / 0 / 47

HEX #850788

RGB 133 7 136

HSL 298.6, 0.9%, 0.28%

LAB 31.62, 60.03, -38.52

 

CMYK 1 / 100 / 0 / 54

HEX #740075

RGB 116 0 117

HSL 299.49, 1%, 0.23%

LAB 26.73, 55.08, -34.54

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 0 / 68 / 13 / 24

HEX #C13DA7

RGB 193 61 167

HSL 311.82, 0.52%, 0.5%

LAB 48.84, 63.34, -29.41

 

CMYK 0 / 68 / 32 / 24

HEX #C13D83

RGB 193 61 131

HSL 328.18, 0.52%, 0.5%

LAB 47.38, 58.53, -10.1

 

CMYK 0 / 68 / 51 / 24

HEX #C13D5F

RGB 193 61 95

HSL 344.55, 0.52%, 0.5%

LAB 46.31, 54.84, 10.33

 

CMYK 0 / 68 / 68 / 24

HEX #C13D3D

RGB 193 61 61

HSL 0, 0.52%, 0.5%

LAB 45.65, 52.49, 30.1

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 23 / 68 / 0 / 24

HEX #953DC1

RGB 149 61 193

HSL 280, 0.52%, 0.5%

LAB 43.62, 57.67, -53.36

 

CMYK 41 / 68 / 0 / 24

HEX #713DC1

RGB 113 61 193

HSL 263.64, 0.52%, 0.5%

LAB 39.07, 50.32, -60.95

 

CMYK 60 / 68 / 0 / 24

HEX #4D3DC1

RGB 77 61 193

HSL 247.27, 0.52%, 0.5%

LAB 35.53, 44.16, -66.87

 

CMYK 68 / 68 / 0 / 24

HEX #3D3DC1

RGB 61 61 193

HSL 240, 0.52%, 0.5%

LAB 34.35, 42.01, -68.84

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 6 / 81 / 0 / 16

HEX #CA28D6

RGB 202 40 214

HSL 295.86, 0.69%, 0.5%

LAB 50.6, 78.83, -53.83

 

CMYK 6 / 92 / 0 / 8

HEX #DC13EB

RGB 220 19 235

HSL 295.83, 0.85%, 0.5%

LAB 53.69, 88.59, -60.64

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 4 / 53 / 0 / 32

HEX #A651AD

RGB 166 81 173

HSL 295.43, 0.36%, 0.5%

LAB 48.27, 48.42, -34.12

 

CMYK 2 / 33 / 0 / 40

HEX #956698

RGB 149 102 152

HSL 296.4, 0.2%, 0.5%

LAB 49.69, 27.59, -19.73

 

CMYK 0 / 6 / 0 / 49

HEX #837B83

RGB 131 123 131

HSL 300, 0.03%, 0.5%

LAB 52.54, 4.61, -3.26

 

CMYK 21 / 0 / 22 / 44

HEX #718F6F

RGB 113 143 111

HSL 116.25, 0.13%, 0.5%

LAB 56.39, -17.12, 13.64

 

CMYK 42 / 68 / 0 / 24

HEX #703DC1

RGB 112 61 193

HSL 263.18, 0.52%, 0.5%

LAB 38.95, 50.13, -61.14

 

CMYK 24 / 68 / 0 / 24

HEX #933DC1

RGB 147 61 193

HSL 279.09, 0.52%, 0.5%

LAB 43.35, 57.24, -53.82

 

CMYK 6 / 68 / 0 / 24

HEX #B63DC1

RGB 182 61 193

HSL 295, 0.52%, 0.5%

LAB 48.43, 64.93, -45.4

 

CMYK 0 / 68 / 12 / 24

HEX #C13DA9

RGB 193 61 169

HSL 310.91, 0.52%, 0.5%

LAB 48.93, 63.63, -30.44

 

CMYK 0 / 68 / 31 / 24

HEX #C13D86

RGB 193 61 134

HSL 326.82, 0.52%, 0.5%

LAB 47.49, 58.89, -11.76

 

CMYK 5 / 69 / 0 / 49

HEX #7C2983

RGB 124 41 131

HSL 295.33, 0.52%, 0.34%

LAB 32.94, 47.99, -33.38

 

CMYK 5 / 69 / 0 / 36

HEX #9A33A2

RGB 154 51 162

HSL 295.68, 0.52%, 0.42%

LAB 40.97, 56.86, -39.25

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 3 / 55 / 0 / 20

HEX #C45CCB

RGB 196 92 203

HSL 296.22, 0.52%, 0.58%

LAB 55.79, 56.87, -39.38

 

CMYK 3 / 42 / 0 / 16

HEX #CF7BD5

RGB 207 123 213

HSL 296, 0.52%, 0.66%

LAB 63.54, 46.36, -32.82

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 0 / 61 / 68 / 24

HEX #C14C3D

RGB 193 76 61

HSL 6.82, 0.52%, 0.5%

LAB 48.06, 46.01, 32.99

 

CMYK 68 / 0 / 33 / 24

HEX #3DC181

RGB 61 193 129

HSL 150.91, 0.52%, 0.5%

LAB 69.98, -50.42, 22.1

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 0 / 6 / 68 / 24

HEX #C1B63D

RGB 193 182 61

HSL 55, 0.52%, 0.5%

LAB 72.98, -10.2, 60.15

 

CMYK 68 / 0 / 6 / 24

HEX #3DC1B6

RGB 61 193 182

HSL 175, 0.52%, 0.5%

LAB 71.22, -37.66, -4.85

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 0 / 61 / 68 / 24

HEX #C14C3D

RGB 193 76 61

HSL 6.82, 0.52%, 0.5%

LAB 48.06, 46.01, 32.99

 

CMYK 63 / 0 / 68 / 24

HEX #48C13D

RGB 72 193 61

HSL 115, 0.52%, 0.5%

LAB 69.37, -58.26, 54.27

 

CMYK 68 / 8 / 0 / 24

HEX #3DB2C1

RGB 61 178 193

HSL 186.82, 0.52%, 0.5%

LAB 67.04, -27.34, -17.15

 

CMYK 5 / 68 / 0 / 24

HEX #B83DC1

RGB 184 61 193

HSL 295.91, 0.52%, 0.5%

LAB 48.73, 65.38, -44.89

 

CMYK 0 / 40 / 68 / 24

HEX #C1743D

RGB 193 116 61

HSL 25, 0.52%, 0.5%

LAB 56.25, 25.48, 42.42

 

CMYK 63 / 0 / 68 / 24

HEX #48C13D

RGB 72 193 61

HSL 115, 0.52%, 0.5%

LAB 69.37, -58.26, 54.27

 

CMYK 68 / 28 / 0 / 24

HEX #3D8AC1

RGB 61 138 193

HSL 205, 0.52%, 0.5%

LAB 55.09, -5.9, -35.55

 

Description

Color code: HEX #B83DC1 | qconv.com Color code: HEX #B83DC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 61 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 61 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 68 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 68% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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