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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B85822 it is the complementary color #47A7DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B85822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B85822 shade: #BD581D, #CE6A30, #DF7C43, #F08E56 and #FFA069

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B85822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B85822 shade: #B85822, #A7460F, #963400, #852200 and #741000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B85822 shade: #B95821, #B92F21 and #B92121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B85822 shade: #B95821, #B98121, #B9AA21, #9FB921 and #76B921

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B85822 shade matches the following richer shades: #B95821 and #CB5310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B85822 shade: #B95821, #A75D33, #956245, #846757 and #726C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B85822 shade: #B9213D, #B92E21, #B95621, #B97F21 and #B9A721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B85822 shade: #733715, #96471B, #B95821, #D86A2C and #DE824F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B85822 shade: #B85822, #66B921 and #2129B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B85822 shade: #B85822, #21B956 and #5621B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B85822 shade: #B85822, #66B921, #2184B9 and #7521B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B85822 shade: #B85822, #38B921, #2184B9 and #A221B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 82 / 28

HEX #B85822

RGB 184 88 34

HSL 21.6, 0.69%, 0.43%

LAB 48.62, 35.5, 47.17

 

Complementary color

CMYK 68 / 24 / 0 / 13

HEX #47A7DD

RGB 71 167 221

HSL 201.6, 0.69%, 0.57%

LAB 65.12, -11.24, -35.55

 

CMYK 0 / 53 / 85 / 26

HEX #BD581D

RGB 189 88 29

HSL 22.13, 0.73%, 0.43%

LAB 49.36, 37.34, 50.25

 

CMYK 0 / 49 / 77 / 19

HEX #CE6A30

RGB 206 106 48

HSL 22.03, 0.62%, 0.5%

LAB 55.73, 35.52, 48.77

 

CMYK 0 / 44 / 70 / 13

HEX #DF7C43

RGB 223 124 67

HSL 21.92, 0.71%, 0.57%

LAB 62.09, 33.84, 47

 

CMYK 0 / 41 / 64 / 6

HEX #F08E56

RGB 240 142 86

HSL 21.82, 0.84%, 0.64%

LAB 68.42, 32.32, 45.21

 

CMYK 0 / 37 / 59 / 0

HEX #FFA069

RGB 255 160 105

HSL 22, 1%, 0.71%

LAB 74.46, 30.16, 43.14

 

CMYK 0 / 52 / 82 / 28

HEX #B85822

RGB 184 88 34

HSL 21.6, 0.69%, 0.43%

LAB 48.62, 35.5, 47.17

 

CMYK 0 / 58 / 91 / 35

HEX #A7460F

RGB 167 70 15

HSL 21.71, 0.84%, 0.36%

LAB 42.2, 37.39, 48.2

 

CMYK 0 / 65 / 100 / 41

HEX #963400

RGB 150 52 0

HSL 20.8, 1%, 0.29%

LAB 35.87, 39.26, 47.57

 

CMYK 0 / 74 / 100 / 48

HEX #852200

RGB 133 34 0

HSL 15.34, 1%, 0.26%

LAB 29.74, 40.8, 42.07

 

CMYK 0 / 86 / 100 / 55

HEX #741000

RGB 116 16 0

HSL 8.28, 1%, 0.23%

LAB 23.95, 41.2, 35.58

 

CMYK 0 / 52 / 82 / 27

HEX #B95821

RGB 185 88 33

HSL 21.71, 0.7%, 0.43%

LAB 48.76, 35.87, 47.8

 

CMYK 0 / 75 / 82 / 27

HEX #B92F21

RGB 185 47 33

HSL 5.53, 0.7%, 0.43%

LAB 41.93, 53.98, 41.41

 

CMYK 0 / 82 / 82 / 27

HEX #B92121

RGB 185 33 33

HSL 0, 0.7%, 0.43%

LAB 40.43, 58.2, 39.97

 

CMYK 0 / 52 / 82 / 27

HEX #B95821

RGB 185 88 33

HSL 21.71, 0.7%, 0.43%

LAB 48.76, 35.87, 47.8

 

CMYK 0 / 30 / 82 / 27

HEX #B98121

RGB 185 129 33

HSL 37.89, 0.7%, 0.43%

LAB 58.16, 13.58, 56.24

 

CMYK 0 / 8 / 82 / 27

HEX #B9AA21

RGB 185 170 33

HSL 54.08, 0.7%, 0.43%

LAB 68.88, -8.64, 65.56

 

CMYK 14 / 0 / 82 / 27

HEX #9FB921

RGB 159 185 33

HSL 70.26, 0.7%, 0.43%

LAB 70.99, -27.42, 66.58

 

CMYK 36 / 0 / 82 / 27

HEX #76B921

RGB 118 185 33

HSL 86.45, 0.7%, 0.43%

LAB 68.5, -43.48, 63.43

 

CMYK 0 / 52 / 82 / 27

HEX #B95821

RGB 185 88 33

HSL 21.71, 0.7%, 0.43%

LAB 48.76, 35.87, 47.8

 

CMYK 0 / 59 / 92 / 20

HEX #CB5310

RGB 203 83 16

HSL 21.5, 0.85%, 0.43%

LAB 50.59, 44.92, 56.67

 

CMYK 0 / 52 / 82 / 27

HEX #B95821

RGB 185 88 33

HSL 21.71, 0.7%, 0.43%

LAB 48.76, 35.87, 47.8

 

CMYK 0 / 44 / 69 / 35

HEX #A75D33

RGB 167 93 51

HSL 21.72, 0.53%, 0.43%

LAB 47.34, 26.57, 36.66

 

CMYK 0 / 34 / 54 / 42

HEX #956245

RGB 149 98 69

HSL 21.75, 0.37%, 0.43%

LAB 46.38, 17.36, 24.88

 

CMYK 0 / 22 / 34 / 48

HEX #846757

RGB 132 103 87

HSL 21.33, 0.21%, 0.43%

LAB 46.03, 9.18, 13.47

 

CMYK 0 / 5 / 9 / 55

HEX #726C68

RGB 114 108 104

HSL 24, 0.05%, 0.43%

LAB 46.05, 1.56, 3.06

 

CMYK 0 / 82 / 67 / 27

HEX #B9213D

RGB 185 33 61

HSL 348.95, 0.7%, 0.43%

LAB 40.8, 59.33, 23.76

 

CMYK 0 / 75 / 82 / 27

HEX #B92E21

RGB 185 46 33

HSL 5.13, 0.7%, 0.43%

LAB 41.81, 54.32, 41.3

 

CMYK 0 / 54 / 82 / 27

HEX #B95621

RGB 185 86 33

HSL 20.92, 0.7%, 0.43%

LAB 48.36, 36.89, 47.43

 

CMYK 0 / 31 / 82 / 27

HEX #B97F21

RGB 185 127 33

HSL 37.11, 0.7%, 0.43%

LAB 57.66, 14.69, 55.8

 

CMYK 0 / 10 / 82 / 27

HEX #B9A721

RGB 185 167 33

HSL 52.89, 0.7%, 0.43%

LAB 68.07, -7.07, 64.87

 

CMYK 0 / 52 / 82 / 55

HEX #733715

RGB 115 55 21

HSL 21.7, 0.69%, 0.27%

LAB 30.48, 23.9, 32.2

 

CMYK 0 / 53 / 82 / 41

HEX #96471B

RGB 150 71 27

HSL 21.46, 0.69%, 0.35%

LAB 39.7, 30.3, 40.1

 

CMYK 0 / 52 / 82 / 27

HEX #B95821

RGB 185 88 33

HSL 21.71, 0.7%, 0.43%

LAB 48.76, 35.87, 47.8

 

CMYK 0 / 51 / 80 / 15

HEX #D86A2C

RGB 216 106 44

HSL 21.63, 0.69%, 0.51%

LAB 57.16, 39.33, 52.49

 

CMYK 0 / 41 / 64 / 13

HEX #DE824F

RGB 222 130 79

HSL 21.4, 0.68%, 0.59%

LAB 63.39, 30.98, 42.34

 

CMYK 0 / 52 / 82 / 28

HEX #B85822

RGB 184 88 34

HSL 21.6, 0.69%, 0.43%

LAB 48.62, 35.5, 47.17

 

CMYK 45 / 0 / 82 / 27

HEX #66B921

RGB 102 185 33

HSL 92.76, 0.7%, 0.43%

LAB 67.75, -48.94, 62.47

 

CMYK 82 / 78 / 0 / 27

HEX #2129B9

RGB 33 41 185

HSL 236.84, 0.7%, 0.43%

LAB 27.88, 48.3, -74.86

 

CMYK 0 / 52 / 82 / 28

HEX #B85822

RGB 184 88 34

HSL 21.6, 0.69%, 0.43%

LAB 48.62, 35.5, 47.17

 

CMYK 82 / 0 / 54 / 27

HEX #21B956

RGB 33 185 86

HSL 140.92, 0.7%, 0.43%

LAB 66.28, -59, 39.37

 

CMYK 54 / 82 / 0 / 27

HEX #5621B9

RGB 86 33 185

HSL 260.92, 0.7%, 0.43%

LAB 30.8, 56.78, -69.89

 

CMYK 0 / 52 / 82 / 28

HEX #B85822

RGB 184 88 34

HSL 21.6, 0.69%, 0.43%

LAB 48.62, 35.5, 47.17

 

CMYK 45 / 0 / 82 / 27

HEX #66B921

RGB 102 185 33

HSL 92.76, 0.7%, 0.43%

LAB 67.75, -48.94, 62.47

 

CMYK 82 / 29 / 0 / 27

HEX #2184B9

RGB 33 132 185

HSL 200.92, 0.7%, 0.43%

LAB 52.21, -8.81, -35.56

 

CMYK 37 / 82 / 0 / 27

HEX #7521B9

RGB 117 33 185

HSL 273.16, 0.7%, 0.43%

LAB 34.75, 60.96, -63.27

 

CMYK 0 / 52 / 82 / 28

HEX #B85822

RGB 184 88 34

HSL 21.6, 0.69%, 0.43%

LAB 48.62, 35.5, 47.17

 

CMYK 70 / 0 / 82 / 27

HEX #38B921

RGB 56 185 33

HSL 110.92, 0.7%, 0.43%

LAB 66.25, -60.88, 60.54

 

CMYK 82 / 29 / 0 / 27

HEX #2184B9

RGB 33 132 185

HSL 200.92, 0.7%, 0.43%

LAB 52.21, -8.81, -35.56

 

CMYK 12 / 82 / 0 / 27

HEX #A221B9

RGB 162 33 185

HSL 290.92, 0.7%, 0.43%

LAB 41.65, 68.44, -51.75

 

Description

Color code: HEX #B85822 | qconv.com Color code: HEX #B85822 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 88 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 88 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 82 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 82% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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