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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B859D3 it is the complementary color #47A62C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B859D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B859D3 shade: #BD59CE, #CE6BE1, #DF7DF4, #F08FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B859D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B859D3 shade: #B859D3, #A747C0, #9635AD, #85239A and #741187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B859D3 shade: #B859D3, #D359CD, #D359AC, #D3598B and #D3596B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B859D3 shade: #B859D3, #9759D3, #7659D3 and #5959D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B859D3 shade matches the following richer shades: #B859D3, #C148E4 and #CB37F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B859D3 shade: #B859D3, #AE6AC2, #A57BB1, #9B8CA0 and #929D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B859D3 shade: #7659D3, #9659D3, #B659D3, #D359CF and #D359AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B859D3 shade: #902DAC, #AA39CA, #B859D3, #C67ADB and #D49BE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B859D3 shade: #B859D3, #D3595D and #59D386

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B859D3 shade: #B859D3, #D3B659 and #59D3B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B859D3 shade: #B859D3, #D3595D, #76D359 and #59D3CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B859D3 shade: #B859D3, #D37A59, #76D359 and #59B2D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

Complementary color

CMYK 57 / 0 / 73 / 35

HEX #47A62C

RGB 71 166 44

HSL 106.72, 0.58%, 0.41%

LAB 60.6, -50.18, 51.72

 

CMYK 8 / 57 / 0 / 19

HEX #BD59CE

RGB 189 89 206

HSL 291.28, 0.54%, 0.58%

LAB 54.47, 57, -43.23

 

CMYK 8 / 52 / 0 / 12

HEX #CE6BE1

RGB 206 107 225

HSL 290.34, 0.66%, 0.65%

LAB 60.85, 56.44, -43.75

 

CMYK 9 / 49 / 0 / 4

HEX #DF7DF4

RGB 223 125 244

HSL 289.41, 0.84%, 0.72%

LAB 67.19, 55.77, -44.16

 

CMYK 6 / 44 / 0 / 0

HEX #F08FFF

RGB 240 143 255

HSL 291.96, 1%, 0.78%

LAB 73.15, 53.55, -40.71

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 13 / 63 / 0 / 25

HEX #A747C0

RGB 167 71 192

HSL 287.6, 0.49%, 0.52%

LAB 47.66, 57.12, -46.17

 

CMYK 13 / 69 / 0 / 32

HEX #9635AD

RGB 150 53 173

HSL 288.5, 0.53%, 0.44%

LAB 41.29, 57.2, -45.33

 

CMYK 14 / 77 / 0 / 40

HEX #85239A

RGB 133 35 154

HSL 289.41, 0.63%, 0.37%

LAB 35.05, 56.66, -44.08

 

CMYK 14 / 87 / 0 / 47

HEX #741187

RGB 116 17 135

HSL 290.34, 0.78%, 0.3%

LAB 29.06, 55.02, -42.16

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 58 / 18 / 17

HEX #D359AC

RGB 211 89 172

HSL 319.18, 0.58%, 0.59%

LAB 56.06, 57.36, -20.95

 

CMYK 0 / 58 / 34 / 17

HEX #D3598B

RGB 211 89 139

HSL 335.41, 0.58%, 0.59%

LAB 54.93, 53, -3.35

 

CMYK 0 / 58 / 49 / 17

HEX #D3596B

RGB 211 89 107

HSL 351.15, 0.58%, 0.59%

LAB 54.09, 49.65, 14.38

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 28 / 58 / 0 / 17

HEX #9759D3

RGB 151 89 211

HSL 270.49, 0.58%, 0.59%

LAB 50.01, 48.53, -53.46

 

CMYK 44 / 58 / 0 / 17

HEX #7659D3

RGB 118 89 211

HSL 254.26, 0.58%, 0.59%

LAB 46.58, 40.95, -59.17

 

CMYK 58 / 58 / 0 / 17

HEX #5959D3

RGB 89 89 211

HSL 240, 0.58%, 0.59%

LAB 44.19, 35.19, -63.14

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 15 / 68 / 0 / 11

HEX #C148E4

RGB 193 72 228

HSL 286.54, 0.74%, 0.59%

LAB 53.57, 69.47, -57.1

 

CMYK 17 / 77 / 0 / 4

HEX #CB37F4

RGB 203 55 244

HSL 286.98, 0.9%, 0.59%

LAB 53.99, 80.15, -65.35

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 10 / 45 / 0 / 24

HEX #AE6AC2

RGB 174 106 194

HSL 286.36, 0.42%, 0.59%

LAB 55.28, 41.85, -35.23

 

CMYK 7 / 31 / 0 / 31

HEX #A57BB1

RGB 165 123 177

HSL 286.67, 0.26%, 0.59%

LAB 57.4, 26.05, -22.28

 

CMYK 3 / 13 / 0 / 37

HEX #9B8CA0

RGB 155 140 160

HSL 285, 0.1%, 0.59%

LAB 60.13, 9.41, -8.53

 

CMYK 7 / 0 / 9 / 38

HEX #929D8F

RGB 146 157 143

HSL 107.14, 0.07%, 0.59%

LAB 63.51, -6.64, 5.97

 

CMYK 44 / 58 / 0 / 17

HEX #7659D3

RGB 118 89 211

HSL 254.26, 0.58%, 0.59%

LAB 46.58, 40.95, -59.17

 

CMYK 29 / 58 / 0 / 17

HEX #9659D3

RGB 150 89 211

HSL 270, 0.58%, 0.59%

LAB 49.9, 48.29, -53.65

 

CMYK 14 / 58 / 0 / 17

HEX #B659D3

RGB 182 89 211

HSL 285.74, 0.58%, 0.59%

LAB 53.81, 56.2, -47.19

 

CMYK 0 / 58 / 2 / 17

HEX #D359CF

RGB 211 89 207

HSL 301.97, 0.58%, 0.59%

LAB 57.56, 62.86, -38.73

 

CMYK 0 / 58 / 18 / 17

HEX #D359AE

RGB 211 89 174

HSL 318.2, 0.58%, 0.59%

LAB 56.14, 57.65, -21.99

 

CMYK 16 / 74 / 0 / 33

HEX #902DAC

RGB 144 45 172

HSL 286.77, 0.59%, 0.43%

LAB 39.22, 58.83, -48.12

 

CMYK 16 / 72 / 0 / 21

HEX #AA39CA

RGB 170 57 202

HSL 286.76, 0.58%, 0.51%

LAB 46.63, 65.5, -53.59

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 10 / 44 / 0 / 14

HEX #C67ADB

RGB 198 122 219

HSL 287.01, 0.57%, 0.67%

LAB 62.54, 45.4, -37.81

 

CMYK 7 / 32 / 0 / 11

HEX #D49BE4

RGB 212 155 228

HSL 286.85, 0.57%, 0.75%

LAB 71.58, 33.71, -28.65

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 0 / 58 / 56 / 17

HEX #D3595D

RGB 211 89 93

HSL 358.03, 0.58%, 0.59%

LAB 53.8, 48.47, 22.23

 

CMYK 58 / 0 / 36 / 17

HEX #59D386

RGB 89 211 134

HSL 142.13, 0.58%, 0.59%

LAB 76.33, -51.19, 28.17

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 0 / 14 / 58 / 17

HEX #D3B659

RGB 211 182 89

HSL 45.74, 0.58%, 0.59%

LAB 74.84, -0.72, 50.37

 

CMYK 58 / 0 / 14 / 17

HEX #59D3B6

RGB 89 211 182

HSL 165.74, 0.58%, 0.59%

LAB 77.33, -41.02, 4.17

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 0 / 58 / 56 / 17

HEX #D3595D

RGB 211 89 93

HSL 358.03, 0.58%, 0.59%

LAB 53.8, 48.47, 22.23

 

CMYK 44 / 0 / 58 / 17

HEX #76D359

RGB 118 211 89

HSL 105.74, 0.58%, 0.59%

LAB 76.78, -50.02, 50.99

 

CMYK 58 / 0 / 2 / 17

HEX #59D3CF

RGB 89 211 207

HSL 178.03, 0.58%, 0.59%

LAB 78, -34.67, -8.26

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 0 / 42 / 58 / 17

HEX #D37A59

RGB 211 122 89

HSL 16.23, 0.58%, 0.59%

LAB 60.33, 31.51, 32.94

 

CMYK 44 / 0 / 58 / 17

HEX #76D359

RGB 118 211 89

HSL 105.74, 0.58%, 0.59%

LAB 76.78, -50.02, 50.99

 

CMYK 58 / 16 / 0 / 17

HEX #59B2D3

RGB 89 178 211

HSL 196.23, 0.58%, 0.59%

LAB 68.51, -17.16, -24.76

 

Description

Color code: HEX #B859D3 | qconv.com Color code: HEX #B859D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 89 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 89 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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