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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B85186 it is the complementary color #47AE79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B85186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B85186 shade: #BD5181, #CE6394, #DF75A7, #F087BA and #FF99CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B85186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B85186 shade: #B85186, #A73F73, #962D60, #851B4D and #74093A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B85186 shade: #B85186, #B8516A and #B85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B85186 shade: #B85186, #B851A1, #B251B8, #9651B8 and #7B51B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B85186 shade matches the following richer shades: #B85186, #CB3D86, #DF2987 and #F31587

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B85186 shade: #B85186, #A46485, #907884, #7C8C84 and #68A083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B85186 shade: #B251B8, #B851A1, #B85186, #B8516A and #B85251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B85186 shade: #81345C, #9E4071, #B85186, #C36E9A and #CF8BAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B85186 shade: #B85186, #B89751 and #51AFB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B85186 shade: #B85186, #86B851 and #5186B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B85186 shade: #B85186, #B89751, #51B882 and #5171B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B85186 shade: #B85186, #B8B651, #51B882 and #5152B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

Complementary color

CMYK 59 / 0 / 30 / 32

HEX #47AE79

RGB 71 174 121

HSL 149.13, 0.42%, 0.48%

LAB 64.15, -42.33, 18.5

 

CMYK 0 / 57 / 32 / 26

HEX #BD5181

RGB 189 81 129

HSL 333.33, 0.45%, 0.53%

LAB 49.84, 48.45, -5.29

 

CMYK 0 / 52 / 28 / 19

HEX #CE6394

RGB 206 99 148

HSL 332.52, 0.52%, 0.6%

LAB 56.27, 47.76, -6.72

 

CMYK 0 / 48 / 25 / 13

HEX #DF75A7

RGB 223 117 167

HSL 331.7, 0.62%, 0.67%

LAB 62.68, 46.98, -7.92

 

CMYK 0 / 44 / 23 / 6

HEX #F087BA

RGB 240 135 186

HSL 330.86, 0.78%, 0.74%

LAB 69.04, 46.19, -8.95

 

CMYK 0 / 40 / 20 / 0

HEX #FF99CD

RGB 255 153 205

HSL 329.41, 1%, 0.8%

LAB 75.11, 44.74, -10.24

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 62 / 31 / 35

HEX #A73F73

RGB 167 63 115

HSL 330, 0.45%, 0.45%

LAB 42.78, 48.01, -7.68

 

CMYK 0 / 70 / 36 / 41

HEX #962D60

RGB 150 45 96

HSL 330.86, 0.54%, 0.38%

LAB 36.38, 48.16, -5.64

 

CMYK 0 / 80 / 42 / 48

HEX #851B4D

RGB 133 27 77

HSL 331.7, 0.66%, 0.31%

LAB 30.17, 47.59, -2.87

 

CMYK 0 / 92 / 50 / 55

HEX #74093A

RGB 116 9 58

HSL 332.52, 0.86%, 0.25%

LAB 24.37, 45.71, 1.01

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 56 / 42 / 28

HEX #B8516A

RGB 184 81 106

HSL 345.44, 0.42%, 0.52%

LAB 48.41, 44.07, 6.38

 

CMYK 0 / 56 / 56 / 28

HEX #B85151

RGB 184 81 81

HSL 0, 0.42%, 0.52%

LAB 47.84, 41.71, 20.66

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 56 / 13 / 28

HEX #B851A1

RGB 184 81 161

HSL 313.4, 0.42%, 0.52%

LAB 50.27, 51.5, -23.75

 

CMYK 3 / 56 / 0 / 28

HEX #B251B8

RGB 178 81 184

HSL 296.5, 0.42%, 0.52%

LAB 50.46, 53.77, -36.98

 

CMYK 18 / 56 / 0 / 28

HEX #9651B8

RGB 150 81 184

HSL 280.19, 0.42%, 0.52%

LAB 46.75, 46.31, -43.1

 

CMYK 33 / 56 / 0 / 28

HEX #7B51B8

RGB 123 81 184

HSL 264.47, 0.42%, 0.52%

LAB 43.59, 39.36, -48.33

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 70 / 34 / 20

HEX #CB3D86

RGB 203 61 134

HSL 329.15, 0.58%, 0.52%

LAB 49.2, 61.66, -9.02

 

CMYK 0 / 82 / 39 / 13

HEX #DF2987

RGB 223 41 135

HSL 329.01, 0.74%, 0.52%

LAB 50.71, 72.85, -6.98

 

CMYK 0 / 91 / 44 / 5

HEX #F31587

RGB 243 21 135

HSL 329.19, 0.9%, 0.52%

LAB 53.32, 80.84, -2.7

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 39 / 19 / 36

HEX #A46485

RGB 164 100 133

HSL 329.06, 0.26%, 0.52%

LAB 50.33, 30.55, -7.32

 

CMYK 0 / 17 / 8 / 44

HEX #907884

RGB 144 120 132

HSL 330, 0.1%, 0.52%

LAB 52.98, 11.44, -3.06

 

CMYK 11 / 0 / 6 / 45

HEX #7C8C84

RGB 124 140 132

HSL 150, 0.07%, 0.52%

LAB 56.79, -7.43, 2.3

 

CMYK 35 / 0 / 18 / 37

HEX #68A083

RGB 104 160 131

HSL 148.93, 0.23%, 0.52%

LAB 61.41, -24.95, 9.35

 

CMYK 3 / 56 / 0 / 28

HEX #B251B8

RGB 178 81 184

HSL 296.5, 0.42%, 0.52%

LAB 50.46, 53.77, -36.98

 

CMYK 0 / 56 / 13 / 28

HEX #B851A1

RGB 184 81 161

HSL 313.4, 0.42%, 0.52%

LAB 50.27, 51.5, -23.75

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 56 / 42 / 28

HEX #B8516A

RGB 184 81 106

HSL 345.44, 0.42%, 0.52%

LAB 48.41, 44.07, 6.38

 

CMYK 0 / 55 / 56 / 28

HEX #B85251

RGB 184 82 81

HSL 0.58, 0.42%, 0.52%

LAB 48.03, 41.21, 20.92

 

CMYK 0 / 60 / 29 / 49

HEX #81345C

RGB 129 52 92

HSL 328.83, 0.43%, 0.35%

LAB 33.76, 37.8, -7.36

 

CMYK 0 / 59 / 28 / 38

HEX #9E4071

RGB 158 64 113

HSL 328.72, 0.42%, 0.44%

LAB 41.42, 44.42, -8.63

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 44 / 21 / 24

HEX #C36E9A

RGB 195 110 154

HSL 328.94, 0.41%, 0.6%

LAB 57.16, 39.29, -9.05

 

CMYK 0 / 33 / 16 / 19

HEX #CF8BAE

RGB 207 139 174

HSL 329.12, 0.41%, 0.68%

LAB 65.58, 31.01, -7.78

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 18 / 56 / 28

HEX #B89751

RGB 184 151 81

HSL 40.78, 0.42%, 0.52%

LAB 64.09, 3.75, 41.06

 

CMYK 56 / 5 / 0 / 28

HEX #51AFB8

RGB 81 175 184

HSL 185.24, 0.42%, 0.52%

LAB 66.42, -25.06, -13.04

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 27 / 0 / 56 / 28

HEX #86B851

RGB 134 184 81

HSL 89.13, 0.42%, 0.52%

LAB 69.43, -33.74, 46.36

 

CMYK 56 / 27 / 0 / 28

HEX #5186B8

RGB 81 134 184

HSL 209.13, 0.42%, 0.52%

LAB 54.3, -2.83, -31.59

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 18 / 56 / 28

HEX #B89751

RGB 184 151 81

HSL 40.78, 0.42%, 0.52%

LAB 64.09, 3.75, 41.06

 

CMYK 56 / 0 / 29 / 28

HEX #51B882

RGB 81 184 130

HSL 148.54, 0.42%, 0.52%

LAB 67.76, -42.53, 18.62

 

CMYK 56 / 39 / 0 / 28

HEX #5171B8

RGB 81 113 184

HSL 221.36, 0.42%, 0.52%

LAB 48.29, 9.77, -41.05

 

CMYK 0 / 56 / 27 / 28

HEX #B85186

RGB 184 81 134

HSL 329.13, 0.42%, 0.52%

LAB 49.25, 47.49, -9.26

 

CMYK 0 / 1 / 56 / 28

HEX #B8B651

RGB 184 182 81

HSL 58.83, 0.42%, 0.52%

LAB 72.39, -12.71, 50.68

 

CMYK 56 / 0 / 29 / 28

HEX #51B882

RGB 81 184 130

HSL 148.54, 0.42%, 0.52%

LAB 67.76, -42.53, 18.62

 

CMYK 56 / 55 / 0 / 28

HEX #5152B8

RGB 81 82 184

HSL 239.42, 0.42%, 0.52%

LAB 39.99, 29.24, -54.32

 

Description

Color code: HEX #B85186 | qconv.com Color code: HEX #B85186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 81 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 81 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 27 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 27% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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