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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B852D7 it is the complementary color #47AD28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B852D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B852D7 shade: #BD52D2, #CE64E5, #DF76F8, #F088FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B852D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B852D7 shade: #B852D7, #A740C4, #962EB1, #851C9E and #740A8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B852D7 shade: #B751D6, #D651D1, #D651AD, #D65189 and #D65165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B852D7 shade: #B751D6, #9351D6, #6F51D6 and #5151D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B852D7 shade matches the following richer shades: #B751D6, #C040E7 and #C92EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B852D7 shade: #B751D6, #AE62C4, #A474B3, #9B85A2 and #929690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B852D7 shade: #7051D6, #9351D6, #B751D6, #D651D1 and #D651AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B852D7 shade: #8D28AC, #A930CE, #B751D6, #C572DE and #D294E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B852D7 shade: #B852D7, #D65155 and #51D682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B852D7 shade: #B852D7, #D6B751 and #51D6B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B852D7 shade: #B852D7, #D65155, #70D651 and #51D6D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B852D7 shade: #B852D7, #D67451, #70D651 and #51B2D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 62 / 0 / 16

HEX #B852D7

RGB 184 82 215

HSL 286.02, 0.62%, 0.58%

LAB 53.09, 60.74, -50.58

 

Complementary color

CMYK 59 / 0 / 77 / 32

HEX #47AD28

RGB 71 173 40

HSL 106.02, 0.62%, 0.42%

LAB 62.83, -53.04, 55.33

 

CMYK 10 / 61 / 0 / 18

HEX #BD52D2

RGB 189 82 210

HSL 290.16, 0.59%, 0.57%

LAB 53.5, 60.97, -47.05

 

CMYK 10 / 56 / 0 / 10

HEX #CE64E5

RGB 206 100 229

HSL 289.3, 0.71%, 0.65%

LAB 59.79, 60.55, -47.65

 

CMYK 10 / 52 / 0 / 3

HEX #DF76F8

RGB 223 118 248

HSL 288.46, 0.9%, 0.72%

LAB 66.08, 59.96, -48.12

 

CMYK 6 / 47 / 0 / 0

HEX #F088FF

RGB 240 136 255

HSL 292.44, 1%, 0.77%

LAB 71.79, 57.04, -42.82

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 14 / 62 / 0 / 16

HEX #B852D7

RGB 184 82 215

HSL 286.02, 0.62%, 0.58%

LAB 53.09, 60.74, -50.58

 

CMYK 15 / 67 / 0 / 23

HEX #A740C4

RGB 167 64 196

HSL 286.82, 0.53%, 0.51%

LAB 46.8, 60.94, -49.86

 

CMYK 15 / 74 / 0 / 31

HEX #962EB1

RGB 150 46 177

HSL 287.63, 0.59%, 0.44%

LAB 40.59, 60.67, -48.82

 

CMYK 16 / 82 / 0 / 38

HEX #851C9E

RGB 133 28 158

HSL 288.46, 0.7%, 0.36%

LAB 34.57, 59.58, -47.27

 

CMYK 17 / 93 / 0 / 45

HEX #740A8B

RGB 116 10 139

HSL 289.3, 0.87%, 0.29%

LAB 28.89, 57.15, -44.94

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 0 / 62 / 2 / 16

HEX #D651D1

RGB 214 81 209

HSL 302.26, 0.62%, 0.58%

LAB 56.86, 67.32, -40.92

 

CMYK 0 / 62 / 19 / 16

HEX #D651AD

RGB 214 81 173

HSL 318.5, 0.62%, 0.58%

LAB 55.28, 61.82, -22.7

 

CMYK 0 / 62 / 36 / 16

HEX #D65189

RGB 214 81 137

HSL 334.74, 0.62%, 0.58%

LAB 54.01, 57.25, -3.46

 

CMYK 0 / 62 / 53 / 16

HEX #D65165

RGB 214 81 101

HSL 350.98, 0.62%, 0.58%

LAB 53.08, 53.74, 16.63

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 31 / 62 / 0 / 16

HEX #9351D6

RGB 147 81 214

HSL 269.77, 0.62%, 0.58%

LAB 48.19, 52.47, -58.13

 

CMYK 48 / 62 / 0 / 16

HEX #6F51D6

RGB 111 81 214

HSL 253.53, 0.62%, 0.58%

LAB 44.4, 44.93, -64.43

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 17 / 72 / 0 / 9

HEX #C040E7

RGB 192 64 231

HSL 285.99, 0.78%, 0.58%

LAB 52.56, 72.83, -60.43

 

CMYK 19 / 81 / 0 / 3

HEX #C92EF8

RGB 201 46 248

HSL 286.04, 0.94%, 0.58%

LAB 53.11, 82.96, -69.01

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 11 / 50 / 0 / 23

HEX #AE62C4

RGB 174 98 196

HSL 286.53, 0.45%, 0.58%

LAB 53.73, 46.51, -38.81

 

CMYK 8 / 35 / 0 / 30

HEX #A474B3

RGB 164 116 179

HSL 285.71, 0.29%, 0.58%

LAB 55.72, 30.11, -26.02

 

CMYK 4 / 18 / 0 / 36

HEX #9B85A2

RGB 155 133 162

HSL 285.52, 0.13%, 0.58%

LAB 58.37, 13.81, -12.3

 

CMYK 3 / 0 / 4 / 41

HEX #929690

RGB 146 150 144

HSL 100, 0.03%, 0.58%

LAB 61.6, -2.61, 2.65

 

CMYK 48 / 62 / 0 / 16

HEX #7051D6

RGB 112 81 214

HSL 253.98, 0.62%, 0.58%

LAB 44.5, 45.12, -64.28

 

CMYK 31 / 62 / 0 / 16

HEX #9351D6

RGB 147 81 214

HSL 269.77, 0.62%, 0.58%

LAB 48.19, 52.47, -58.13

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 0 / 62 / 2 / 16

HEX #D651D1

RGB 214 81 209

HSL 302.26, 0.62%, 0.58%

LAB 56.86, 67.32, -40.92

 

CMYK 0 / 62 / 19 / 16

HEX #D651AE

RGB 214 81 174

HSL 318.05, 0.62%, 0.58%

LAB 55.32, 61.96, -23.22

 

CMYK 18 / 77 / 0 / 33

HEX #8D28AC

RGB 141 40 172

HSL 285.91, 0.62%, 0.42%

LAB 38.13, 60.02, -49.89

 

CMYK 18 / 77 / 0 / 19

HEX #A930CE

RGB 169 48 206

HSL 285.95, 0.62%, 0.5%

LAB 45.64, 69.2, -57.49

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 11 / 49 / 0 / 13

HEX #C572DE

RGB 197 114 222

HSL 286.11, 0.62%, 0.66%

LAB 60.94, 49.89, -42

 

CMYK 8 / 35 / 0 / 10

HEX #D294E5

RGB 210 148 229

HSL 285.93, 0.61%, 0.74%

LAB 69.85, 37.08, -31.88

 

CMYK 14 / 62 / 0 / 16

HEX #B852D7

RGB 184 82 215

HSL 286.02, 0.62%, 0.58%

LAB 53.09, 60.74, -50.58

 

CMYK 0 / 62 / 60 / 16

HEX #D65155

RGB 214 81 85

HSL 358.2, 0.62%, 0.58%

LAB 52.77, 52.54, 25.67

 

CMYK 62 / 0 / 39 / 16

HEX #51D682

RGB 81 214 130

HSL 142.11, 0.62%, 0.58%

LAB 76.95, -54.76, 31.01

 

CMYK 14 / 62 / 0 / 16

HEX #B852D7

RGB 184 82 215

HSL 286.02, 0.62%, 0.58%

LAB 53.09, 60.74, -50.58

 

CMYK 0 / 14 / 62 / 16

HEX #D6B751

RGB 214 183 81

HSL 46.02, 0.62%, 0.58%

LAB 75.3, -0.54, 54.67

 

CMYK 62 / 0 / 14 / 16

HEX #51D6B7

RGB 81 214 183

HSL 166.02, 0.62%, 0.58%

LAB 78.03, -43.58, 4.61

 

CMYK 14 / 62 / 0 / 16

HEX #B852D7

RGB 184 82 215

HSL 286.02, 0.62%, 0.58%

LAB 53.09, 60.74, -50.58

 

CMYK 0 / 62 / 60 / 16

HEX #D65155

RGB 214 81 85

HSL 358.2, 0.62%, 0.58%

LAB 52.77, 52.54, 25.67

 

CMYK 48 / 0 / 62 / 16

HEX #70D651

RGB 112 214 81

HSL 106.02, 0.62%, 0.58%

LAB 77.36, -53.8, 55.1

 

CMYK 62 / 0 / 2 / 16

HEX #51D6D1

RGB 81 214 209

HSL 177.74, 0.62%, 0.58%

LAB 78.72, -36.9, -8.29

 

CMYK 14 / 62 / 0 / 16

HEX #B852D7

RGB 184 82 215

HSL 286.02, 0.62%, 0.58%

LAB 53.09, 60.74, -50.58

 

CMYK 0 / 46 / 62 / 16

HEX #D67451

RGB 214 116 81

HSL 15.79, 0.62%, 0.58%

LAB 59.33, 35.27, 36.16

 

CMYK 48 / 0 / 62 / 16

HEX #70D651

RGB 112 214 81

HSL 106.02, 0.62%, 0.58%

LAB 77.36, -53.8, 55.1

 

CMYK 62 / 17 / 0 / 16

HEX #51B2D6

RGB 81 178 214

HSL 196.24, 0.62%, 0.58%

LAB 68.35, -17.73, -26.68

 

Description

Color code: HEX #B852D7 | qconv.com Color code: HEX #B852D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 82 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 82 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 62 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 62% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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