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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B85B28 it is the complementary color #47A4D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B85B28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B85B28 shade: #BD5B23, #CE6D36, #DF7F49, #F0915C and #FFA36F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B85B28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B85B28 shade: #B85B28, #A74915, #963702, #852500 and #741300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B85B28 shade: #B85B28, #B83428 and #B82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B85B28 shade: #B85B28, #B88128, #B8A828, #A0B828 and #79B828

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B85B28 shade matches the following richer shades: #B85B28, #CA5516 and #DC5004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B85B28 shade: #B85B28, #A5603A, #93654C, #816B5E and #6F7071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B85B28 shade: #B82842, #B83428, #B85A28, #B88028 and #B8A728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B85B28 shade: #743919, #964A20, #B85B28, #D36E36 and #DA8658

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B85B28 shade: #B85B28, #69B828 and #282FB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B85B28 shade: #B85B28, #28B85A and #5A28B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B85B28 shade: #B85B28, #69B828, #2885B8 and #7728B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B85B28 shade: #B85B28, #3DB828, #2885B8 and #A228B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

Complementary color

CMYK 67 / 24 / 0 / 16

HEX #47A4D7

RGB 71 164 215

HSL 201.25, 0.64%, 0.56%

LAB 64, -11.57, -33.98

 

CMYK 0 / 52 / 81 / 26

HEX #BD5B23

RGB 189 91 35

HSL 21.82, 0.69%, 0.44%

LAB 50, 35.99, 48.29

 

CMYK 0 / 47 / 74 / 19

HEX #CE6D36

RGB 206 109 54

HSL 21.71, 0.61%, 0.51%

LAB 56.41, 34.22, 46.6

 

CMYK 0 / 43 / 67 / 13

HEX #DF7F49

RGB 223 127 73

HSL 21.6, 0.7%, 0.58%

LAB 62.8, 32.6, 44.77

 

CMYK 0 / 40 / 62 / 6

HEX #F0915C

RGB 240 145 92

HSL 21.49, 0.83%, 0.65%

LAB 69.15, 31.14, 42.99

 

CMYK 0 / 36 / 56 / 0

HEX #FFA36F

RGB 255 163 111

HSL 21.67, 1%, 0.72%

LAB 75.2, 29.04, 40.96

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 0 / 56 / 87 / 35

HEX #A74915

RGB 167 73 21

HSL 21.37, 0.78%, 0.37%

LAB 42.82, 36.01, 46.5

 

CMYK 0 / 63 / 99 / 41

HEX #963702

RGB 150 55 2

HSL 21.49, 0.97%, 0.3%

LAB 36.41, 37.89, 47.1

 

CMYK 0 / 72 / 100 / 48

HEX #852500

RGB 133 37 0

HSL 16.69, 1%, 0.26%

LAB 30.18, 39.59, 42.41

 

CMYK 0 / 84 / 100 / 55

HEX #741300

RGB 116 19 0

HSL 9.83, 1%, 0.23%

LAB 24.25, 40.33, 35.89

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 0 / 72 / 78 / 28

HEX #B83428

RGB 184 52 40

HSL 5, 0.64%, 0.44%

LAB 42.46, 52.09, 38.11

 

CMYK 0 / 78 / 78 / 28

HEX #B82828

RGB 184 40 40

HSL 0, 0.64%, 0.44%

LAB 40.99, 56.17, 36.58

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 0 / 30 / 78 / 28

HEX #B88128

RGB 184 129 40

HSL 37.08, 0.64%, 0.44%

LAB 58.08, 13.39, 53.53

 

CMYK 0 / 9 / 78 / 28

HEX #B8A828

RGB 184 168 40

HSL 53.33, 0.64%, 0.44%

LAB 68.28, -7.8, 62.92

 

CMYK 13 / 0 / 78 / 28

HEX #A0B828

RGB 160 184 40

HSL 70, 0.64%, 0.44%

LAB 70.81, -26.26, 64.5

 

CMYK 34 / 0 / 78 / 28

HEX #79B828

RGB 121 184 40

HSL 86.25, 0.64%, 0.44%

LAB 68.39, -41.64, 61.38

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 0 / 58 / 89 / 21

HEX #CA5516

RGB 202 85 22

HSL 21, 0.8%, 0.44%

LAB 50.82, 43.7, 54.89

 

CMYK 0 / 64 / 98 / 14

HEX #DC5004

RGB 220 80 4

HSL 21.11, 0.96%, 0.44%

LAB 52.91, 52.28, 62.32

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 0 / 42 / 65 / 35

HEX #A5603A

RGB 165 96 58

HSL 21.31, 0.48%, 0.44%

LAB 47.84, 24.49, 33.37

 

CMYK 0 / 31 / 48 / 42

HEX #93654C

RGB 147 101 76

HSL 21.13, 0.32%, 0.44%

LAB 47.02, 15.46, 21.58

 

CMYK 0 / 17 / 27 / 49

HEX #816B5E

RGB 129 107 94

HSL 22.29, 0.16%, 0.44%

LAB 46.96, 6.58, 10.54

 

CMYK 2 / 1 / 0 / 56

HEX #6F7071

RGB 111 112 113

HSL 210, 0.01%, 0.44%

LAB 47.18, -0.17, -0.69

 

CMYK 0 / 78 / 64 / 28

HEX #B82842

RGB 184 40 66

HSL 349.17, 0.64%, 0.44%

LAB 41.38, 57.38, 21.34

 

CMYK 0 / 72 / 78 / 28

HEX #B83428

RGB 184 52 40

HSL 5, 0.64%, 0.44%

LAB 42.46, 52.09, 38.11

 

CMYK 0 / 51 / 78 / 28

HEX #B85A28

RGB 184 90 40

HSL 20.83, 0.64%, 0.44%

LAB 49.08, 34.68, 44.84

 

CMYK 0 / 30 / 78 / 28

HEX #B88028

RGB 184 128 40

HSL 36.67, 0.64%, 0.44%

LAB 57.83, 13.94, 53.29

 

CMYK 0 / 9 / 78 / 28

HEX #B8A728

RGB 184 167 40

HSL 52.92, 0.64%, 0.44%

LAB 68.01, -7.27, 62.68

 

CMYK 0 / 51 / 78 / 55

HEX #743919

RGB 116 57 25

HSL 21.1, 0.65%, 0.28%

LAB 31.14, 23.37, 30.81

 

CMYK 0 / 51 / 79 / 41

HEX #964A20

RGB 150 74 32

HSL 21.36, 0.65%, 0.36%

LAB 40.39, 28.87, 38.34

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 0 / 48 / 74 / 17

HEX #D36E36

RGB 211 110 54

HSL 21.4, 0.64%, 0.52%

LAB 57.33, 35.7, 47.79

 

CMYK 0 / 39 / 60 / 15

HEX #DA8658

RGB 218 134 88

HSL 21.23, 0.64%, 0.6%

LAB 63.88, 27.85, 38.08

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 43 / 0 / 78 / 28

HEX #69B828

RGB 105 184 40

HSL 92.92, 0.64%, 0.44%

LAB 67.6, -47.22, 60.37

 

CMYK 78 / 74 / 0 / 28

HEX #282FB8

RGB 40 47 184

HSL 237.08, 0.64%, 0.44%

LAB 29.27, 45.1, -71.95

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 78 / 0 / 51 / 28

HEX #28B85A

RGB 40 184 90

HSL 140.83, 0.64%, 0.44%

LAB 66.11, -57.23, 37.21

 

CMYK 51 / 78 / 0 / 28

HEX #5A28B8

RGB 90 40 184

HSL 260.83, 0.64%, 0.44%

LAB 32.15, 54.15, -67.06

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 43 / 0 / 78 / 28

HEX #69B828

RGB 105 184 40

HSL 92.92, 0.64%, 0.44%

LAB 67.6, -47.22, 60.37

 

CMYK 78 / 28 / 0 / 28

HEX #2885B8

RGB 40 133 184

HSL 201.25, 0.64%, 0.44%

LAB 52.61, -9.04, -34.35

 

CMYK 35 / 78 / 0 / 28

HEX #7728B8

RGB 119 40 184

HSL 272.92, 0.64%, 0.44%

LAB 35.79, 58.57, -60.96

 

CMYK 0 / 51 / 78 / 28

HEX #B85B28

RGB 184 91 40

HSL 21.25, 0.64%, 0.44%

LAB 49.28, 34.15, 45.04

 

CMYK 67 / 0 / 78 / 28

HEX #3DB828

RGB 61 184 40

HSL 111.25, 0.64%, 0.44%

LAB 66.08, -59.16, 58.38

 

CMYK 78 / 28 / 0 / 28

HEX #2885B8

RGB 40 133 184

HSL 201.25, 0.64%, 0.44%

LAB 52.61, -9.04, -34.35

 

CMYK 12 / 78 / 0 / 28

HEX #A228B8

RGB 162 40 184

HSL 290.83, 0.64%, 0.44%

LAB 42.25, 66.33, -50.2

 

Description

Color code: HEX #B85B28 | qconv.com Color code: HEX #B85B28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 91 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 91 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 78 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 78% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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