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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8757F it is the complementary color #478A80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8757F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8757F shade: #BD757A, #CE878D, #DF99A0, #F0ABB3 and #FFBDC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8757F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8757F shade: #B8757F, #A7636C, #965159, #853F46 and #742D33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8757F shade: #B7747E and #B77474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8757F shade: #B7747E, #B77491, #B774A3, #B774B5 and #A874B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8757F shade matches the following richer shades: #B7747E, #C86473, #D95367, #EA425B and #FB314F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8757F shade: #B7747E, #A6858A, #969696, #85A7A2 and #74B8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8757F shade: #B774A2, #B77490, #B7747F, #B77C74 and #B78E74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8757F shade: #904A54, #A95965, #B7747E, #C59098 and #D3ABB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8757F shade: #B8757F, #B4B774 and #7499B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8757F shade: #B8757F, #7FB774 and #747FB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8757F shade: #B8757F, #B4B774, #74B7AD and #7874B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8757F shade: #B8757F, #A0B774, #74B7AD and #8C74B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 31 / 28

HEX #B8757F

RGB 184 117 127

HSL 351.04, 0.32%, 0.59%

LAB 56.53, 27.65, 5.57

 

Complementary color

CMYK 49 / 0 / 7 / 46

HEX #478A80

RGB 71 138 128

HSL 171.04, 0.32%, 0.41%

LAB 53.03, -23.89, -1.23

 

CMYK 0 / 38 / 35 / 26

HEX #BD757A

RGB 189 117 122

HSL 355.83, 0.35%, 0.6%

LAB 57.02, 28.9, 9.26

 

CMYK 0 / 34 / 32 / 19

HEX #CE878D

RGB 206 135 141

HSL 354.93, 0.42%, 0.67%

LAB 63.65, 27.99, 8.06

 

CMYK 0 / 31 / 28 / 13

HEX #DF99A0

RGB 223 153 160

HSL 354, 0.52%, 0.74%

LAB 70.18, 27.16, 7

 

CMYK 0 / 29 / 25 / 6

HEX #F0ABB3

RGB 240 171 179

HSL 353.04, 0.7%, 0.81%

LAB 76.62, 26.41, 6.03

 

CMYK 0 / 26 / 22 / 0

HEX #FFBDC6

RGB 255 189 198

HSL 351.82, 1%, 0.87%

LAB 82.77, 25, 4.82

 

CMYK 0 / 36 / 31 / 28

HEX #B8757F

RGB 184 117 127

HSL 351.04, 0.32%, 0.59%

LAB 56.53, 27.65, 5.57

 

CMYK 0 / 41 / 35 / 35

HEX #A7636C

RGB 167 99 108

HSL 352.06, 0.28%, 0.52%

LAB 49.76, 28.58, 6.79

 

CMYK 0 / 46 / 41 / 41

HEX #965159

RGB 150 81 89

HSL 353.04, 0.3%, 0.45%

LAB 42.9, 29.61, 8.22

 

CMYK 0 / 53 / 47 / 48

HEX #853F46

RGB 133 63 70

HSL 354, 0.36%, 0.38%

LAB 35.95, 30.71, 9.97

 

CMYK 0 / 61 / 56 / 55

HEX #742D33

RGB 116 45 51

HSL 354.93, 0.44%, 0.32%

LAB 28.98, 31.8, 12.21

 

CMYK 0 / 37 / 31 / 28

HEX #B7747E

RGB 183 116 126

HSL 351.04, 0.32%, 0.59%

LAB 56.15, 27.68, 5.59

 

CMYK 0 / 37 / 37 / 28

HEX #B77474

RGB 183 116 116

HSL 0, 0.32%, 0.59%

LAB 55.91, 26.38, 11.06

 

CMYK 0 / 37 / 31 / 28

HEX #B7747E

RGB 183 116 126

HSL 351.04, 0.32%, 0.59%

LAB 56.15, 27.68, 5.59

 

CMYK 0 / 37 / 21 / 28

HEX #B77491

RGB 183 116 145

HSL 334.03, 0.32%, 0.59%

LAB 56.69, 30.44, -4.69

 

CMYK 0 / 37 / 11 / 28

HEX #B774A3

RGB 183 116 163

HSL 317.91, 0.32%, 0.59%

LAB 57.27, 33.4, -14.24

 

CMYK 0 / 37 / 1 / 28

HEX #B774B5

RGB 183 116 181

HSL 301.79, 0.32%, 0.59%

LAB 57.94, 36.64, -23.58

 

CMYK 8 / 37 / 0 / 28

HEX #A874B7

RGB 168 116 183

HSL 286.57, 0.32%, 0.59%

LAB 56.32, 32.22, -27.36

 

CMYK 0 / 37 / 31 / 28

HEX #B7747E

RGB 183 116 126

HSL 351.04, 0.32%, 0.59%

LAB 56.15, 27.68, 5.59

 

CMYK 0 / 50 / 43 / 22

HEX #C86473

RGB 200 100 115

HSL 351, 0.48%, 0.59%

LAB 54.69, 41.21, 10.26

 

CMYK 0 / 62 / 53 / 15

HEX #D95367

RGB 217 83 103

HSL 351.04, 0.64%, 0.59%

LAB 53.94, 54.02, 16.69

 

CMYK 0 / 72 / 61 / 8

HEX #EA425B

RGB 234 66 91

HSL 351.07, 0.8%, 0.59%

LAB 54.18, 65.09, 24.63

 

CMYK 0 / 80 / 69 / 2

HEX #FB314F

RGB 251 49 79

HSL 351.09, 0.96%, 0.59%

LAB 55.35, 74.18, 33.82

 

CMYK 0 / 37 / 31 / 28

HEX #B7747E

RGB 183 116 126

HSL 351.04, 0.32%, 0.59%

LAB 56.15, 27.68, 5.59

 

CMYK 0 / 20 / 17 / 35

HEX #A6858A

RGB 166 133 138

HSL 350.91, 0.16%, 0.59%

LAB 58.71, 13.41, 2.1

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 20 / 0 / 3 / 35

HEX #85A7A2

RGB 133 167 162

HSL 171.18, 0.16%, 0.59%

LAB 65.93, -12.66, -1.26

 

CMYK 37 / 0 / 5 / 28

HEX #74B8AE

RGB 116 184 174

HSL 171.18, 0.32%, 0.59%

LAB 70.21, -23.83, -1.74

 

CMYK 0 / 37 / 11 / 28

HEX #B774A2

RGB 183 116 162

HSL 318.81, 0.32%, 0.59%

LAB 57.24, 33.22, -13.72

 

CMYK 0 / 37 / 21 / 28

HEX #B77490

RGB 183 116 144

HSL 334.93, 0.32%, 0.59%

LAB 56.66, 30.29, -4.15

 

CMYK 0 / 37 / 31 / 28

HEX #B7747F

RGB 183 116 127

HSL 350.15, 0.32%, 0.59%

LAB 56.18, 27.82, 5.04

 

CMYK 0 / 32 / 37 / 28

HEX #B77C74

RGB 183 124 116

HSL 7.16, 0.32%, 0.59%

LAB 57.79, 21.94, 13.7

 

CMYK 0 / 22 / 37 / 28

HEX #B78E74

RGB 183 142 116

HSL 23.28, 0.32%, 0.59%

LAB 62.23, 11.91, 19.81

 

CMYK 0 / 49 / 42 / 44

HEX #904A54

RGB 144 74 84

HSL 351.43, 0.32%, 0.43%

LAB 40.36, 30.55, 7.59

 

CMYK 0 / 47 / 40 / 34

HEX #A95965

RGB 169 89 101

HSL 351, 0.32%, 0.51%

LAB 47.65, 33.96, 8.02

 

CMYK 0 / 37 / 31 / 28

HEX #B7747E

RGB 183 116 126

HSL 351.04, 0.32%, 0.59%

LAB 56.15, 27.68, 5.59

 

CMYK 0 / 27 / 23 / 23

HEX #C59098

RGB 197 144 152

HSL 350.94, 0.31%, 0.67%

LAB 65.03, 21.22, 3.69

 

CMYK 0 / 19 / 16 / 17

HEX #D3ABB1

RGB 211 171 177

HSL 351, 0.31%, 0.75%

LAB 73.64, 15.52, 2.45

 

CMYK 0 / 36 / 31 / 28

HEX #B8757F

RGB 184 117 127

HSL 351.04, 0.32%, 0.59%

LAB 56.53, 27.65, 5.57

 

CMYK 2 / 0 / 37 / 28

HEX #B4B774

RGB 180 183 116

HSL 62.69, 0.32%, 0.59%

LAB 72.78, -11.42, 33.74

 

CMYK 37 / 16 / 0 / 28

HEX #7499B7

RGB 116 153 183

HSL 206.87, 0.32%, 0.59%

LAB 61.58, -5.14, -19.65

 

CMYK 0 / 36 / 31 / 28

HEX #B8757F

RGB 184 117 127

HSL 351.04, 0.32%, 0.59%

LAB 56.53, 27.65, 5.57

 

CMYK 31 / 0 / 37 / 28

HEX #7FB774

RGB 127 183 116

HSL 110.15, 0.32%, 0.59%

LAB 69.21, -31.31, 28.41

 

CMYK 37 / 31 / 0 / 28

HEX #747FB7

RGB 116 127 183

HSL 230.15, 0.32%, 0.59%

LAB 54.36, 9.85, -30.78

 

CMYK 0 / 36 / 31 / 28

HEX #B8757F

RGB 184 117 127

HSL 351.04, 0.32%, 0.59%

LAB 56.53, 27.65, 5.57

 

CMYK 2 / 0 / 37 / 28

HEX #B4B774

RGB 180 183 116

HSL 62.69, 0.32%, 0.59%

LAB 72.78, -11.42, 33.74

 

CMYK 37 / 0 / 5 / 28

HEX #74B7AD

RGB 116 183 173

HSL 171.04, 0.32%, 0.59%

LAB 69.89, -23.56, -1.65

 

CMYK 34 / 37 / 0 / 28

HEX #7874B7

RGB 120 116 183

HSL 243.58, 0.32%, 0.59%

LAB 51.73, 17.55, -34.86

 

CMYK 0 / 36 / 31 / 28

HEX #B8757F

RGB 184 117 127

HSL 351.04, 0.32%, 0.59%

LAB 56.53, 27.65, 5.57

 

CMYK 13 / 0 / 37 / 28

HEX #A0B774

RGB 160 183 116

HSL 80.6, 0.32%, 0.59%

LAB 71.28, -19.27, 31.51

 

CMYK 37 / 0 / 5 / 28

HEX #74B7AD

RGB 116 183 173

HSL 171.04, 0.32%, 0.59%

LAB 69.89, -23.56, -1.65

 

CMYK 23 / 37 / 0 / 28

HEX #8C74B7

RGB 140 116 183

HSL 261.49, 0.32%, 0.59%

LAB 53.48, 23.47, -32

 

Description

Color code: HEX #B8757F | qconv.com Color code: HEX #B8757F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 117 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 117 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 31 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 31% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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