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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8778E it is the complementary color #478871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8778E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8778E shade: #BD7789, #CE899C, #DF9BAF, #F0ADC2 and #FFBFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8778E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8778E shade: #B8778E, #A7657B, #965368, #854155 and #742F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8778E shade: #B6768C, #B6767B and #B67676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8778E shade: #B6768C, #B6769E, #B676AF, #AC76B6 and #9A76B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8778E shade matches the following richer shades: #B6768C, #C76588, #D85483, #E9437E and #FA3279

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8778E shade: #B6768C, #A58691, #959796, #84A89B and #73B9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8778E shade: #B676B0, #B6769F, #B6768D, #B6767C and #B68076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8778E shade: #8F4B63, #A85B76, #B6768C, #C591A3 and #D3ACB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8778E shade: #B8778E, #B6AC76 and #76A7B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8778E shade: #B8778E, #8DB676 and #768DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8778E shade: #B8778E, #B6AC76, #76B69F and #7680B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8778E shade: #B8778E, #AEB676, #76B69F and #7E76B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 23 / 28

HEX #B8778E

RGB 184 119 142

HSL 338.77, 0.31%, 0.59%

LAB 57.4, 28.69, -1.88

 

Complementary color

CMYK 48 / 0 / 17 / 47

HEX #478871

RGB 71 136 113

HSL 158.77, 0.31%, 0.41%

LAB 52, -26.64, 5.96

 

CMYK 0 / 37 / 28 / 26

HEX #BD7789

RGB 189 119 137

HSL 344.57, 0.35%, 0.6%

LAB 57.86, 29.81, 1.77

 

CMYK 0 / 33 / 24 / 19

HEX #CE899C

RGB 206 137 156

HSL 343.48, 0.41%, 0.67%

LAB 64.49, 28.98, 0.78

 

CMYK 0 / 30 / 22 / 13

HEX #DF9BAF

RGB 223 155 175

HSL 342.35, 0.52%, 0.74%

LAB 71.03, 28.22, -0.11

 

CMYK 0 / 28 / 19 / 6

HEX #F0ADC2

RGB 240 173 194

HSL 341.19, 0.69%, 0.81%

LAB 77.46, 27.52, -0.93

 

CMYK 0 / 25 / 16 / 0

HEX #FFBFD5

RGB 255 191 213

HSL 339.38, 1%, 0.87%

LAB 83.61, 26.17, -2

 

CMYK 0 / 35 / 23 / 28

HEX #B8778E

RGB 184 119 142

HSL 338.77, 0.31%, 0.59%

LAB 57.4, 28.69, -1.88

 

CMYK 0 / 40 / 26 / 35

HEX #A7657B

RGB 167 101 123

HSL 340, 0.27%, 0.53%

LAB 50.63, 29.55, -0.9

 

CMYK 0 / 45 / 31 / 41

HEX #965368

RGB 150 83 104

HSL 341.19, 0.29%, 0.46%

LAB 43.76, 30.46, 0.25

 

CMYK 0 / 51 / 36 / 48

HEX #854155

RGB 133 65 85

HSL 342.35, 0.34%, 0.39%

LAB 36.79, 31.42, 1.63

 

CMYK 0 / 59 / 43 / 55

HEX #742F42

RGB 116 47 66

HSL 343.48, 0.42%, 0.32%

LAB 29.76, 32.34, 3.41

 

CMYK 0 / 35 / 23 / 29

HEX #B6768C

RGB 182 118 140

HSL 339.38, 0.3%, 0.59%

LAB 56.88, 28.21, -1.52

 

CMYK 0 / 35 / 32 / 29

HEX #B6767B

RGB 182 118 123

HSL 355.31, 0.3%, 0.59%

LAB 56.42, 25.79, 7.7

 

CMYK 0 / 35 / 35 / 29

HEX #B67676

RGB 182 118 118

HSL 0, 0.3%, 0.59%

LAB 56.3, 25.13, 10.43

 

CMYK 0 / 35 / 23 / 29

HEX #B6768C

RGB 182 118 140

HSL 339.38, 0.3%, 0.59%

LAB 56.88, 28.21, -1.52

 

CMYK 0 / 35 / 13 / 29

HEX #B6769E

RGB 182 118 158

HSL 322.5, 0.3%, 0.59%

LAB 57.43, 31.09, -11.12

 

CMYK 0 / 35 / 4 / 29

HEX #B676AF

RGB 182 118 175

HSL 306.56, 0.3%, 0.59%

LAB 58.03, 34.1, -20

 

CMYK 5 / 35 / 0 / 29

HEX #AC76B6

RGB 172 118 182

HSL 290.63, 0.3%, 0.59%

LAB 57.18, 32.18, -25.43

 

CMYK 15 / 35 / 0 / 29

HEX #9A76B6

RGB 154 118 182

HSL 273.75, 0.3%, 0.59%

LAB 55.28, 26.42, -28.51

 

CMYK 0 / 35 / 23 / 29

HEX #B6768C

RGB 182 118 140

HSL 339.38, 0.3%, 0.59%

LAB 56.88, 28.21, -1.52

 

CMYK 0 / 49 / 32 / 22

HEX #C76588

RGB 199 101 136

HSL 338.57, 0.47%, 0.59%

LAB 55.31, 42.83, -1.23

 

CMYK 0 / 61 / 39 / 15

HEX #D85483

RGB 216 84 131

HSL 338.64, 0.63%, 0.59%

LAB 54.64, 55.91, 1.05

 

CMYK 0 / 71 / 46 / 9

HEX #E9437E

RGB 233 67 126

HSL 338.67, 0.79%, 0.59%

LAB 54.91, 67.09, 4.77

 

CMYK 0 / 80 / 52 / 2

HEX #FA3279

RGB 250 50 121

HSL 338.7, 0.95%, 0.59%

LAB 56.07, 76.18, 9.82

 

CMYK 0 / 35 / 23 / 29

HEX #B6768C

RGB 182 118 140

HSL 339.38, 0.3%, 0.59%

LAB 56.88, 28.21, -1.52

 

CMYK 0 / 19 / 12 / 35

HEX #A58691

RGB 165 134 145

HSL 338.71, 0.15%, 0.59%

LAB 59.06, 13.66, -1.42

 

CMYK 1 / 0 / 1 / 41

HEX #959796

RGB 149 151 150

HSL 150, 0.01%, 0.59%

LAB 62.27, -0.91, 0.26

 

CMYK 21 / 0 / 8 / 34

HEX #84A89B

RGB 132 168 155

HSL 158.33, 0.17%, 0.59%

LAB 65.96, -15.01, 2.68

 

CMYK 38 / 0 / 14 / 27

HEX #73B9A0

RGB 115 185 160

HSL 158.57, 0.33%, 0.59%

LAB 70.09, -27.79, 5.76

 

CMYK 0 / 35 / 3 / 29

HEX #B676B0

RGB 182 118 176

HSL 305.63, 0.3%, 0.59%

LAB 58.07, 34.29, -20.52

 

CMYK 0 / 35 / 13 / 29

HEX #B6769F

RGB 182 118 159

HSL 321.56, 0.3%, 0.59%

LAB 57.47, 31.26, -11.65

 

CMYK 0 / 35 / 23 / 29

HEX #B6768D

RGB 182 118 141

HSL 338.44, 0.3%, 0.59%

LAB 56.9, 28.36, -2.06

 

CMYK 0 / 35 / 32 / 29

HEX #B6767C

RGB 182 118 124

HSL 354.38, 0.3%, 0.59%

LAB 56.44, 25.92, 7.15

 

CMYK 0 / 30 / 35 / 29

HEX #B68076

RGB 182 128 118

HSL 9.37, 0.3%, 0.59%

LAB 58.69, 19.56, 13.78

 

CMYK 0 / 48 / 31 / 44

HEX #8F4B63

RGB 143 75 99

HSL 338.82, 0.31%, 0.43%

LAB 40.85, 31.57, -1.03

 

CMYK 0 / 46 / 30 / 34

HEX #A85B76

RGB 168 91 118

HSL 338.96, 0.31%, 0.51%

LAB 48.4, 34.69, -1.15

 

CMYK 0 / 35 / 23 / 29

HEX #B6768C

RGB 182 118 140

HSL 339.38, 0.3%, 0.59%

LAB 56.88, 28.21, -1.52

 

CMYK 0 / 26 / 17 / 23

HEX #C591A3

RGB 197 145 163

HSL 339.23, 0.31%, 0.67%

LAB 65.57, 22.37, -1.73

 

CMYK 0 / 18 / 12 / 17

HEX #D3ACB9

RGB 211 172 185

HSL 340, 0.31%, 0.75%

LAB 74.1, 16.28, -1.28

 

CMYK 0 / 35 / 23 / 28

HEX #B8778E

RGB 184 119 142

HSL 338.77, 0.31%, 0.59%

LAB 57.4, 28.69, -1.88

 

CMYK 0 / 5 / 35 / 29

HEX #B6AC76

RGB 182 172 118

HSL 50.63, 0.3%, 0.59%

LAB 70.01, -4.6, 29.11

 

CMYK 35 / 8 / 0 / 29

HEX #76A7B6

RGB 118 167 182

HSL 194.06, 0.3%, 0.59%

LAB 65.64, -12.49, -12.93

 

CMYK 0 / 35 / 23 / 28

HEX #B8778E

RGB 184 119 142

HSL 338.77, 0.31%, 0.59%

LAB 57.4, 28.69, -1.88

 

CMYK 23 / 0 / 35 / 29

HEX #8DB676

RGB 141 182 118

HSL 98.44, 0.3%, 0.59%

LAB 69.77, -25.6, 28.24

 

CMYK 35 / 23 / 0 / 29

HEX #768DB6

RGB 118 141 182

HSL 218.44, 0.3%, 0.59%

LAB 58.3, 1.96, -24.1

 

CMYK 0 / 35 / 23 / 28

HEX #B8778E

RGB 184 119 142

HSL 338.77, 0.31%, 0.59%

LAB 57.4, 28.69, -1.88

 

CMYK 0 / 5 / 35 / 29

HEX #B6AC76

RGB 182 172 118

HSL 50.63, 0.3%, 0.59%

LAB 70.01, -4.6, 29.11

 

CMYK 35 / 0 / 13 / 29

HEX #76B69F

RGB 118 182 159

HSL 158.44, 0.3%, 0.59%

LAB 69.33, -25.67, 5.24

 

CMYK 35 / 30 / 0 / 29

HEX #7680B6

RGB 118 128 182

HSL 230.63, 0.3%, 0.59%

LAB 54.73, 9.55, -29.62

 

CMYK 0 / 35 / 23 / 28

HEX #B8778E

RGB 184 119 142

HSL 338.77, 0.31%, 0.59%

LAB 57.4, 28.69, -1.88

 

CMYK 4 / 0 / 35 / 29

HEX #AEB676

RGB 174 182 118

HSL 67.5, 0.3%, 0.59%

LAB 72.07, -13.04, 31.68

 

CMYK 35 / 0 / 13 / 29

HEX #76B69F

RGB 118 182 159

HSL 158.44, 0.3%, 0.59%

LAB 69.33, -25.67, 5.24

 

CMYK 31 / 35 / 0 / 29

HEX #7E76B6

RGB 126 118 182

HSL 247.5, 0.3%, 0.59%

LAB 52.7, 17.83, -32.73

 

Description

Color code: HEX #B8778E | qconv.com Color code: HEX #B8778E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 119 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 119 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 23 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 23% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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