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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87C2C it is the complementary color #4783D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87C2C shade: #BD7C27, #CE8E3A, #DFA04D, #F0B260 and #FFC473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87C2C shade: #B87C2C, #A76A19, #965806, #854600 and #743400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87C2C shade: #B87C2C, #B8572C, #B8312C and #B82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87C2C shade: #B87C2C, #B8A22C, #A9B82C, #83B82C and #5DB82C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87C2C shade matches the following richer shades: #B87C2C, #CB7F1A and #DD8207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87C2C shade: #B87C2C, #A67A3F, #937751, #817464 and #6E7277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87C2C shade: #B8312C, #B8562C, #B87C2C, #B8A12C and #AAB82C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87C2C shade: #764F1C, #976624, #B87C2C, #D0913E and #D8A45F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87C2C shade: #B87C2C, #4DB82C and #442CB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87C2C shade: #B87C2C, #2CB87C and #7C2CB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87C2C shade: #B87C2C, #4DB82C, #2C69B8 and #982CB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87C2C shade: #B87C2C, #2CB836, #2C69B8 and #B82CAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

Complementary color

CMYK 66 / 38 / 0 / 17

HEX #4783D3

RGB 71 131 211

HSL 214.29, 0.61%, 0.55%

LAB 54.32, 6.08, -46.94

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C27

RGB 189 124 39

HSL 34, 0.66%, 0.45%

LAB 57.44, 18.33, 53.54

 

CMYK 0 / 31 / 72 / 19

HEX #CE8E3A

RGB 206 142 58

HSL 34.05, 0.6%, 0.52%

LAB 63.98, 16.67, 52.63

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04D

RGB 223 160 77

HSL 34.11, 0.7%, 0.59%

LAB 70.43, 15.24, 51.38

 

CMYK 0 / 26 / 60 / 6

HEX #F0B260

RGB 240 178 96

HSL 34.17, 0.83%, 0.66%

LAB 76.81, 14, 50.03

 

CMYK 0 / 23 / 55 / 0

HEX #FFC473

RGB 255 196 115

HSL 34.71, 1%, 0.73%

LAB 82.9, 12.12, 48.37

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 37 / 85 / 35

HEX #A76A19

RGB 167 106 25

HSL 34.23, 0.74%, 0.38%

LAB 50.21, 18.16, 51.25

 

CMYK 0 / 41 / 96 / 41

HEX #965806

RGB 150 88 6

HSL 34.17, 0.92%, 0.31%

LAB 43.47, 20.3, 50.44

 

CMYK 0 / 47 / 100 / 48

HEX #854600

RGB 133 70 0

HSL 31.58, 1%, 0.26%

LAB 36.68, 22.8, 46.54

 

CMYK 0 / 55 / 100 / 55

HEX #743400

RGB 116 52 0

HSL 26.9, 1%, 0.23%

LAB 29.83, 25.42, 40.76

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 53 / 76 / 28

HEX #B8572C

RGB 184 87 44

HSL 18.43, 0.61%, 0.45%

LAB 48.5, 36.39, 42.28

 

CMYK 0 / 73 / 76 / 28

HEX #B8312C

RGB 184 49 44

HSL 2.14, 0.61%, 0.45%

LAB 42.11, 53.34, 35.49

 

CMYK 0 / 76 / 76 / 28

HEX #B82C2C

RGB 184 44 44

HSL 0, 0.61%, 0.45%

LAB 41.49, 55.05, 34.82

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 12 / 76 / 28

HEX #B8A22C

RGB 184 162 44

HSL 50.57, 0.61%, 0.45%

LAB 66.68, -4.46, 60.12

 

CMYK 8 / 0 / 76 / 28

HEX #A9B82C

RGB 169 184 44

HSL 66.43, 0.61%, 0.45%

LAB 71.49, -22.31, 64.13

 

CMYK 29 / 0 / 76 / 28

HEX #83B82C

RGB 131 184 44

HSL 82.71, 0.61%, 0.45%

LAB 68.96, -37.7, 60.85

 

CMYK 49 / 0 / 76 / 28

HEX #5DB82C

RGB 93 184 44

HSL 99, 0.61%, 0.45%

LAB 67.12, -50.77, 58.44

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 37 / 87 / 20

HEX #CB7F1A

RGB 203 127 26

HSL 34.24, 0.77%, 0.45%

LAB 59.84, 22.38, 60.79

 

CMYK 0 / 41 / 97 / 13

HEX #DD8207

RGB 221 130 7

HSL 34.49, 0.94%, 0.45%

LAB 62.8, 28.15, 67.98

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 27 / 62 / 35

HEX #A67A3F

RGB 166 122 63

HSL 34.37, 0.45%, 0.45%

LAB 54.43, 10.6, 38.44

 

CMYK 0 / 19 / 45 / 42

HEX #937751

RGB 147 119 81

HSL 34.55, 0.29%, 0.45%

LAB 51.83, 5.61, 24.99

 

CMYK 0 / 10 / 22 / 49

HEX #817464

RGB 129 116 100

HSL 33.1, 0.13%, 0.45%

LAB 49.59, 2.27, 10.68

 

CMYK 8 / 4 / 0 / 53

HEX #6E7277

RGB 110 114 119

HSL 213.33, 0.04%, 0.45%

LAB 47.86, -0.45, -3.29

 

CMYK 0 / 73 / 76 / 28

HEX #B8312C

RGB 184 49 44

HSL 2.14, 0.61%, 0.45%

LAB 42.11, 53.34, 35.49

 

CMYK 0 / 53 / 76 / 28

HEX #B8562C

RGB 184 86 44

HSL 18, 0.61%, 0.45%

LAB 48.3, 36.91, 42.07

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 13 / 76 / 28

HEX #B8A12C

RGB 184 161 44

HSL 50.14, 0.61%, 0.45%

LAB 66.41, -3.93, 59.86

 

CMYK 8 / 0 / 76 / 28

HEX #AAB82C

RGB 170 184 44

HSL 66, 0.61%, 0.45%

LAB 71.56, -21.88, 64.22

 

CMYK 0 / 33 / 76 / 54

HEX #764F1C

RGB 118 79 28

HSL 34, 0.62%, 0.29%

LAB 36.98, 11.37, 35.38

 

CMYK 0 / 32 / 76 / 41

HEX #976624

RGB 151 102 36

HSL 34.43, 0.61%, 0.37%

LAB 47.25, 13.62, 43.36

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 0 / 30 / 70 / 18

HEX #D0913E

RGB 208 145 62

HSL 34.11, 0.61%, 0.53%

LAB 64.97, 16.1, 51.93

 

CMYK 0 / 24 / 56 / 15

HEX #D8A45F

RGB 216 164 95

HSL 34.21, 0.61%, 0.61%

LAB 70.85, 11.42, 42.85

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 58 / 0 / 76 / 28

HEX #4DB82C

RGB 77 184 44

HSL 105.86, 0.61%, 0.45%

LAB 66.55, -55.21, 57.7

 

CMYK 63 / 76 / 0 / 28

HEX #442CB8

RGB 68 44 184

HSL 250.29, 0.61%, 0.45%

LAB 30.62, 49.44, -69.66

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 76 / 0 / 33 / 28

HEX #2CB87C

RGB 44 184 124

HSL 154.29, 0.61%, 0.45%

LAB 66.73, -50.44, 20.3

 

CMYK 33 / 76 / 0 / 28

HEX #7C2CB8

RGB 124 44 184

HSL 274.29, 0.61%, 0.45%

LAB 37.02, 57.89, -58.93

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 58 / 0 / 76 / 28

HEX #4DB82C

RGB 77 184 44

HSL 105.86, 0.61%, 0.45%

LAB 66.55, -55.21, 57.7

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B8

RGB 44 105 184

HSL 213.86, 0.61%, 0.45%

LAB 44.38, 8.41, -47.37

 

CMYK 17 / 76 / 0 / 28

HEX #982CB8

RGB 152 44 184

HSL 286.29, 0.61%, 0.45%

LAB 41.12, 63.12, -52.1

 

CMYK 0 / 33 / 76 / 28

HEX #B87C2C

RGB 184 124 44

HSL 34.29, 0.61%, 0.45%

LAB 56.87, 16.33, 50.72

 

CMYK 76 / 0 / 71 / 28

HEX #2CB836

RGB 44 184 54

HSL 124.29, 0.61%, 0.45%

LAB 65.81, -61.09, 53.08

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B8

RGB 44 105 184

HSL 213.86, 0.61%, 0.45%

LAB 44.38, 8.41, -47.37

 

CMYK 0 / 76 / 5 / 28

HEX #B82CAF

RGB 184 44 175

HSL 303.86, 0.61%, 0.45%

LAB 45.75, 68.12, -39.09

 

Description

Color code: HEX #B87C2C | qconv.com Color code: HEX #B87C2C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 124 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 124 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 76 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 76% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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