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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B88692 it is the complementary color #47796D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B88692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B88692 shade: #BD868D, #CE98A0, #DFAAB3, #F0BCC6 and #FFCED9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B88692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B88692 shade: #B88692, #A7747F, #96626C, #855059 and #743E46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B88692 shade: #B78490 and #B78484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B88692 shade: #B78490, #B7849E, #B784AC, #B484B7 and #A784B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B88692 shade matches the following richer shades: #B78490, #C67588, #D66580, #E65578 and #F64670

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B88692 shade: #B78490, #A79499, #97A4A1, #88B3A9 and #78C3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B88692 shade: #B784AC, #B7849E, #B78491, #B78584 and #B79384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B88692 shade: #935665, #A86A79, #B78490, #C69EA8 and #D5B8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B88692 shade: #B88692, #B7B484 and #84A5B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B88692 shade: #B88692, #91B784 and #8491B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B88692 shade: #B88692, #B7B484, #84B7AA and #8487B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B88692 shade: #B88692, #AAB784, #84B7AA and #9184B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 21 / 28

HEX #B88692

RGB 184 134 146

HSL 345.6, 0.26%, 0.62%

LAB 61.06, 20.97, 1.16

 

Complementary color

CMYK 41 / 0 / 10 / 53

HEX #47796D

RGB 71 121 109

HSL 165.6, 0.26%, 0.38%

LAB 47.13, -19.92, 1.28

 

CMYK 0 / 29 / 25 / 26

HEX #BD868D

RGB 189 134 141

HSL 352.36, 0.29%, 0.63%

LAB 61.47, 22.1, 4.69

 

CMYK 0 / 26 / 22 / 19

HEX #CE98A0

RGB 206 152 160

HSL 351.11, 0.36%, 0.7%

LAB 68.11, 21.39, 3.77

 

CMYK 0 / 24 / 20 / 13

HEX #DFAAB3

RGB 223 170 179

HSL 349.81, 0.45%, 0.77%

LAB 74.63, 20.75, 2.93

 

CMYK 0 / 22 / 18 / 6

HEX #F0BCC6

RGB 240 188 198

HSL 348.46, 0.63%, 0.84%

LAB 81.05, 20.16, 2.14

 

CMYK 0 / 19 / 15 / 0

HEX #FFCED9

RGB 255 206 217

HSL 346.53, 1%, 0.9%

LAB 87.2, 18.93, 1.11

 

CMYK 0 / 27 / 21 / 28

HEX #B88692

RGB 184 134 146

HSL 345.6, 0.26%, 0.62%

LAB 61.06, 20.97, 1.16

 

CMYK 0 / 31 / 24 / 35

HEX #A7747F

RGB 167 116 127

HSL 347.06, 0.22%, 0.55%

LAB 54.28, 21.7, 2.06

 

CMYK 0 / 35 / 28 / 41

HEX #96626C

RGB 150 98 108

HSL 348.46, 0.21%, 0.49%

LAB 47.37, 22.52, 3.06

 

CMYK 0 / 40 / 33 / 48

HEX #855059

RGB 133 80 89

HSL 349.81, 0.25%, 0.42%

LAB 40.32, 23.45, 4.23

 

CMYK 0 / 47 / 40 / 55

HEX #743E46

RGB 116 62 70

HSL 351.11, 0.3%, 0.35%

LAB 33.14, 24.49, 5.63

 

CMYK 0 / 28 / 21 / 28

HEX #B78490

RGB 183 132 144

HSL 345.88, 0.26%, 0.62%

LAB 60.41, 21.4, 1.35

 

CMYK 0 / 28 / 28 / 28

HEX #B78484

RGB 183 132 132

HSL 0, 0.26%, 0.62%

LAB 60.1, 19.61, 7.77

 

CMYK 0 / 28 / 21 / 28

HEX #B78490

RGB 183 132 144

HSL 345.88, 0.26%, 0.62%

LAB 60.41, 21.4, 1.35

 

CMYK 0 / 28 / 14 / 28

HEX #B7849E

RGB 183 132 158

HSL 329.41, 0.26%, 0.62%

LAB 60.82, 23.66, -6.06

 

CMYK 0 / 28 / 6 / 28

HEX #B784AC

RGB 183 132 172

HSL 312.94, 0.26%, 0.62%

LAB 61.26, 26.12, -13.38

 

CMYK 2 / 28 / 0 / 28

HEX #B484B7

RGB 180 132 183

HSL 296.47, 0.26%, 0.62%

LAB 61.33, 27.17, -19.56

 

CMYK 9 / 28 / 0 / 28

HEX #A784B7

RGB 167 132 183

HSL 281.18, 0.26%, 0.62%

LAB 60.01, 22.84, -21.69

 

CMYK 0 / 28 / 21 / 28

HEX #B78490

RGB 183 132 144

HSL 345.88, 0.26%, 0.62%

LAB 60.41, 21.4, 1.35

 

CMYK 0 / 41 / 31 / 22

HEX #C67588

RGB 198 117 136

HSL 345.93, 0.42%, 0.62%

LAB 58.51, 34.08, 3.43

 

CMYK 0 / 53 / 40 / 16

HEX #D66580

RGB 214 101 128

HSL 345.66, 0.58%, 0.62%

LAB 57.23, 47.04, 6.52

 

CMYK 0 / 63 / 48 / 10

HEX #E65578

RGB 230 85 120

HSL 345.52, 0.74%, 0.62%

LAB 56.76, 58.79, 10.89

 

CMYK 0 / 72 / 54 / 4

HEX #F64670

RGB 246 70 112

HSL 345.68, 0.91%, 0.62%

LAB 57.21, 68.62, 16.65

 

CMYK 0 / 28 / 21 / 28

HEX #B78490

RGB 183 132 144

HSL 345.88, 0.26%, 0.62%

LAB 60.41, 21.4, 1.35

 

CMYK 0 / 11 / 8 / 35

HEX #A79499

RGB 167 148 153

HSL 344.21, 0.1%, 0.62%

LAB 63.09, 7.93, -0.06

 

CMYK 8 / 0 / 2 / 36

HEX #97A4A1

RGB 151 164 161

HSL 166.15, 0.07%, 0.62%

LAB 66.29, -5.18, -0.03

 

CMYK 24 / 0 / 6 / 30

HEX #88B3A9

RGB 136 179 169

HSL 166.05, 0.22%, 0.62%

LAB 69.71, -16.48, 0.41

 

CMYK 38 / 0 / 9 / 24

HEX #78C3B1

RGB 120 195 177

HSL 165.6, 0.38%, 0.62%

LAB 73.67, -27.47, 1.7

 

CMYK 0 / 28 / 6 / 28

HEX #B784AC

RGB 183 132 172

HSL 312.94, 0.26%, 0.62%

LAB 61.26, 26.12, -13.38

 

CMYK 0 / 28 / 14 / 28

HEX #B7849E

RGB 183 132 158

HSL 329.41, 0.26%, 0.62%

LAB 60.82, 23.66, -6.06

 

CMYK 0 / 28 / 21 / 28

HEX #B78491

RGB 183 132 145

HSL 344.71, 0.26%, 0.62%

LAB 60.44, 21.55, 0.82

 

CMYK 0 / 27 / 28 / 28

HEX #B78584

RGB 183 133 132

HSL 1.18, 0.26%, 0.62%

LAB 60.35, 19.05, 8.12

 

CMYK 0 / 20 / 28 / 28

HEX #B79384

RGB 183 147 132

HSL 17.65, 0.26%, 0.62%

LAB 63.84, 11.26, 13.06

 

CMYK 0 / 41 / 31 / 42

HEX #935665

RGB 147 86 101

HSL 345.25, 0.26%, 0.46%

LAB 43.94, 27.21, 2.3

 

CMYK 0 / 37 / 28 / 34

HEX #A86A79

RGB 168 106 121

HSL 345.48, 0.26%, 0.54%

LAB 51.85, 26.84, 2.08

 

CMYK 0 / 28 / 21 / 28

HEX #B78490

RGB 183 132 144

HSL 345.88, 0.26%, 0.62%

LAB 60.41, 21.4, 1.35

 

CMYK 0 / 20 / 15 / 22

HEX #C69EA8

RGB 198 158 168

HSL 345, 0.26%, 0.7%

LAB 68.96, 16.39, 0.45

 

CMYK 0 / 14 / 10 / 16

HEX #D5B8BF

RGB 213 184 191

HSL 345.52, 0.26%, 0.78%

LAB 77.39, 11.52, 0.29

 

CMYK 0 / 27 / 21 / 28

HEX #B88692

RGB 184 134 146

HSL 345.6, 0.26%, 0.62%

LAB 61.06, 20.97, 1.16

 

CMYK 0 / 2 / 28 / 28

HEX #B7B484

RGB 183 180 132

HSL 56.47, 0.26%, 0.62%

LAB 72.48, -6.63, 24.93

 

CMYK 28 / 10 / 0 / 28

HEX #84A5B7

RGB 132 165 183

HSL 201.18, 0.26%, 0.62%

LAB 65.93, -7.07, -12.98

 

CMYK 0 / 27 / 21 / 28

HEX #B88692

RGB 184 134 146

HSL 345.6, 0.26%, 0.62%

LAB 61.06, 20.97, 1.16

 

CMYK 21 / 0 / 28 / 28

HEX #91B784

RGB 145 183 132

HSL 104.71, 0.26%, 0.62%

LAB 70.56, -22.49, 21.88

 

CMYK 28 / 21 / 0 / 28

HEX #8491B7

RGB 132 145 183

HSL 224.71, 0.26%, 0.62%

LAB 60.4, 4.11, -21.35

 

CMYK 0 / 27 / 21 / 28

HEX #B88692

RGB 184 134 146

HSL 345.6, 0.26%, 0.62%

LAB 61.06, 20.97, 1.16

 

CMYK 0 / 2 / 28 / 28

HEX #B7B484

RGB 183 180 132

HSL 56.47, 0.26%, 0.62%

LAB 72.48, -6.63, 24.93

 

CMYK 28 / 0 / 7 / 28

HEX #84B7AA

RGB 132 183 170

HSL 164.71, 0.26%, 0.62%

LAB 70.65, -19.57, 1.19

 

CMYK 28 / 26 / 0 / 28

HEX #8487B7

RGB 132 135 183

HSL 236.47, 0.26%, 0.62%

LAB 57.71, 9.88, -25.5

 

CMYK 0 / 27 / 21 / 28

HEX #B88692

RGB 184 134 146

HSL 345.6, 0.26%, 0.62%

LAB 61.06, 20.97, 1.16

 

CMYK 7 / 0 / 28 / 28

HEX #AAB784

RGB 170 183 132

HSL 75.29, 0.26%, 0.62%

LAB 72.28, -13.23, 24.49

 

CMYK 28 / 0 / 7 / 28

HEX #84B7AA

RGB 132 183 170

HSL 164.71, 0.26%, 0.62%

LAB 70.65, -19.57, 1.19

 

CMYK 21 / 28 / 0 / 28

HEX #9184B7

RGB 145 132 183

HSL 255.29, 0.26%, 0.62%

LAB 57.98, 15.68, -24.98

 

Description

Color code: HEX #B88692 | qconv.com Color code: HEX #B88692 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 134 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 134 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 21 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 21% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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