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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B888CD it is the complementary color #477732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B888CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B888CD shade: #BD88C8, #CE9ADB, #DFACEE, #F0BEFF and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B888CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B888CD shade: #B888CD, #A776BA, #9664A7, #855294 and #744081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B888CD shade: #B888CD, #CA88CD, #CD88BD, #CD88AA and #CD8897

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B888CD shade: #B888CD, #A588CD, #9388CD and #8888CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B888CD shade matches the following richer shades: #B888CD, #BD7ADA, #C36DE8 and #C85FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B888CD shade: #B888CD, #B395BF, #ADA3B2, #A8B1A4 and #A3BE96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B888CD shade: #9288CD, #A588CD, #B788CD, #C988CD and #CD88BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B888CD shade: #954EB5, #A76BC1, #B888CD, #C9A5D9 and #DAC2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B888CD shade: #B888CD, #CD8890 and #88CD9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B888CD shade: #B888CD, #CDB788 and #88CDB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B888CD shade: #B888CD, #CD8890, #9ECD88 and #88CDC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B888CD shade: #B888CD, #CD9488, #9ECD88 and #88C0CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

Complementary color

CMYK 40 / 0 / 58 / 53

HEX #477732

RGB 71 119 50

HSL 101.74, 0.41%, 0.33%

LAB 45.31, -30.03, 32.44

 

CMYK 5 / 32 / 0 / 22

HEX #BD88C8

RGB 189 136 200

HSL 289.69, 0.37%, 0.66%

LAB 63.83, 31.26, -25.24

 

CMYK 6 / 30 / 0 / 14

HEX #CE9ADB

RGB 206 154 219

HSL 288, 0.47%, 0.73%

LAB 70.42, 30.58, -25.55

 

CMYK 6 / 28 / 0 / 7

HEX #DFACEE

RGB 223 172 238

HSL 286.36, 0.66%, 0.8%

LAB 76.9, 29.95, -25.85

 

CMYK 6 / 25 / 0 / 0

HEX #F0BEFF

RGB 240 190 255

HSL 286.15, 1%, 0.87%

LAB 83.22, 28.97, -25.18

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 10 / 37 / 0 / 27

HEX #A776BA

RGB 167 118 186

HSL 283.24, 0.33%, 0.6%

LAB 56.8, 31.41, -28.35

 

CMYK 10 / 40 / 0 / 35

HEX #9664A7

RGB 150 100 167

HSL 284.78, 0.28%, 0.52%

LAB 49.96, 32.18, -28.11

 

CMYK 10 / 45 / 0 / 42

HEX #855294

RGB 133 82 148

HSL 286.36, 0.29%, 0.45%

LAB 43, 33, -27.84

 

CMYK 10 / 50 / 0 / 49

HEX #744081

RGB 116 64 129

HSL 288, 0.34%, 0.38%

LAB 35.92, 33.83, -27.52

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 1 / 34 / 0 / 20

HEX #CA88CD

RGB 202 136 205

HSL 297.39, 0.41%, 0.67%

LAB 65.41, 36.39, -25.49

 

CMYK 0 / 34 / 8 / 20

HEX #CD88BD

RGB 205 136 189

HSL 313.91, 0.41%, 0.67%

LAB 65.17, 34.46, -16.86

 

CMYK 0 / 34 / 17 / 20

HEX #CD88AA

RGB 205 136 170

HSL 330.43, 0.41%, 0.67%

LAB 64.56, 31.29, -7.07

 

CMYK 0 / 34 / 26 / 20

HEX #CD8897

RGB 205 136 151

HSL 346.96, 0.41%, 0.67%

LAB 64.02, 28.44, 2.9

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 20 / 34 / 0 / 20

HEX #A588CD

RGB 165 136 205

HSL 265.22, 0.41%, 0.67%

LAB 61.67, 24.77, -31.58

 

CMYK 28 / 34 / 0 / 20

HEX #9388CD

RGB 147 136 205

HSL 249.57, 0.41%, 0.67%

LAB 60.09, 19.36, -34.16

 

CMYK 34 / 34 / 0 / 20

HEX #8888CD

RGB 136 136 205

HSL 240, 0.41%, 0.67%

LAB 59.21, 16.18, -35.6

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 13 / 44 / 0 / 15

HEX #BD7ADA

RGB 189 122 218

HSL 281.88, 0.56%, 0.67%

LAB 61.48, 42.59, -38.98

 

CMYK 16 / 53 / 0 / 9

HEX #C36DE8

RGB 195 109 232

HSL 281.95, 0.73%, 0.67%

LAB 60.22, 53.94, -48.74

 

CMYK 19 / 61 / 0 / 4

HEX #C85FF6

RGB 200 95 246

HSL 281.72, 0.89%, 0.67%

LAB 59.08, 64.75, -58.3

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 6 / 22 / 0 / 25

HEX #B395BF

RGB 179 149 191

HSL 282.86, 0.25%, 0.67%

LAB 65.62, 18.9, -17.55

 

CMYK 3 / 8 / 0 / 30

HEX #ADA3B2

RGB 173 163 178

HSL 280, 0.09%, 0.67%

LAB 68.24, 6.44, -6.44

 

CMYK 5 / 0 / 7 / 31

HEX #A8B1A4

RGB 168 177 164

HSL 101.54, 0.08%, 0.67%

LAB 71.18, -5.59, 5.56

 

CMYK 14 / 0 / 21 / 25

HEX #A3BE96

RGB 163 190 150

HSL 100.5, 0.24%, 0.67%

LAB 74.07, -16.62, 17.21

 

CMYK 29 / 34 / 0 / 20

HEX #9288CD

RGB 146 136 205

HSL 248.7, 0.41%, 0.67%

LAB 60, 19.06, -34.3

 

CMYK 20 / 34 / 0 / 20

HEX #A588CD

RGB 165 136 205

HSL 265.22, 0.41%, 0.67%

LAB 61.67, 24.77, -31.58

 

CMYK 11 / 34 / 0 / 20

HEX #B788CD

RGB 183 136 205

HSL 280.87, 0.41%, 0.67%

LAB 63.41, 30.37, -28.74

 

CMYK 2 / 34 / 0 / 20

HEX #C988CD

RGB 201 136 205

HSL 296.52, 0.41%, 0.67%

LAB 65.31, 36.07, -25.67

 

CMYK 0 / 34 / 7 / 20

HEX #CD88BE

RGB 205 136 190

HSL 313.04, 0.41%, 0.67%

LAB 65.2, 34.64, -17.37

 

CMYK 18 / 57 / 0 / 29

HEX #954EB5

RGB 149 78 181

HSL 281.36, 0.41%, 0.51%

LAB 45.87, 46.95, -42.75

 

CMYK 13 / 45 / 0 / 24

HEX #A76BC1

RGB 167 107 193

HSL 281.86, 0.41%, 0.59%

LAB 54.64, 39.03, -35.72

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 7 / 24 / 0 / 15

HEX #C9A5D9

RGB 201 165 217

HSL 281.54, 0.41%, 0.75%

LAB 72.45, 22.54, -21.38

 

CMYK 5 / 15 / 0 / 10

HEX #DAC2E5

RGB 218 194 229

HSL 281.14, 0.4%, 0.83%

LAB 81.37, 14.74, -14.27

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 0 / 34 / 30 / 20

HEX #CD8890

RGB 205 136 144

HSL 353.04, 0.41%, 0.67%

LAB 63.84, 27.47, 6.61

 

CMYK 34 / 0 / 24 / 20

HEX #88CD9B

RGB 136 205 155

HSL 136.52, 0.41%, 0.67%

LAB 76.84, -32.14, 18.14

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 0 / 11 / 34 / 20

HEX #CDB788

RGB 205 183 136

HSL 40.87, 0.41%, 0.67%

LAB 75.22, 0.96, 26.8

 

CMYK 34 / 0 / 11 / 20

HEX #88CDB7

RGB 136 205 183

HSL 160.87, 0.41%, 0.67%

LAB 77.47, -26.54, 4.06

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 0 / 34 / 30 / 20

HEX #CD8890

RGB 205 136 144

HSL 353.04, 0.41%, 0.67%

LAB 63.84, 27.47, 6.61

 

CMYK 23 / 0 / 34 / 20

HEX #9ECD88

RGB 158 205 136

HSL 100.87, 0.41%, 0.67%

LAB 77.7, -28.03, 29.51

 

CMYK 34 / 0 / 4 / 20

HEX #88CDC5

RGB 136 205 197

HSL 173.04, 0.41%, 0.67%

LAB 77.83, -23.42, -2.93

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 0 / 28 / 34 / 20

HEX #CD9488

RGB 205 148 136

HSL 10.43, 0.41%, 0.67%

LAB 66.47, 19.87, 14.84

 

CMYK 23 / 0 / 34 / 20

HEX #9ECD88

RGB 158 205 136

HSL 100.87, 0.41%, 0.67%

LAB 77.7, -28.03, 29.51

 

CMYK 34 / 6 / 0 / 20

HEX #88C0CD

RGB 136 192 205

HSL 191.3, 0.41%, 0.67%

LAB 74.41, -14.92, -12.34

 

Description

Color code: HEX #B888CD | qconv.com Color code: HEX #B888CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 136 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 136 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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