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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B88940 it is the complementary color #4776BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B88940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B88940 shade: #BD893B, #CE9B4E, #DFAD61, #F0BF74 and #FFD187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B88940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B88940 shade: #B88940, #A7772D, #96651A, #855307 and #744100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B88940 shade: #B88940, #B86940, #B84940 and #B84040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B88940 shade: #B88940, #B8AA40, #A7B840, #86B840 and #66B840

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B88940 shade matches the following richer shades: #B88940, #CD8E2C, #E19218 and #F59704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B88940 shade: #B88940, #A48555, #908169, #7C7C7D and #687891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B88940 shade: #B84840, #B86840, #B88840, #B8A840 and #A8B840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B88940 shade: #7B5C2B, #9A7336, #B88940, #C69C5D and #D0AF7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B88940 shade: #B88940, #58B840 and #5840B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B88940 shade: #B88940, #40B888 and #8840B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B88940 shade: #B88940, #58B840, #4070B8 and #A040B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B88940 shade: #B88940, #40B84C, #4070B8 and #B840AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

Complementary color

CMYK 63 / 38 / 0 / 25

HEX #4776BF

RGB 71 118 191

HSL 216.5, 0.48%, 0.51%

LAB 49.57, 7.05, -43.09

 

CMYK 0 / 28 / 69 / 26

HEX #BD893B

RGB 189 137 59

HSL 36, 0.52%, 0.49%

LAB 60.8, 12.09, 48.23

 

CMYK 0 / 25 / 62 / 19

HEX #CE9B4E

RGB 206 155 78

HSL 36.09, 0.57%, 0.56%

LAB 67.36, 10.79, 46.94

 

CMYK 0 / 22 / 57 / 13

HEX #DFAD61

RGB 223 173 97

HSL 36.19, 0.66%, 0.63%

LAB 73.83, 9.68, 45.59

 

CMYK 0 / 20 / 52 / 6

HEX #F0BF74

RGB 240 191 116

HSL 36.29, 0.81%, 0.7%

LAB 80.21, 8.73, 44.24

 

CMYK 0 / 18 / 47 / 0

HEX #FFD187

RGB 255 209 135

HSL 37, 1%, 0.76%

LAB 86.31, 7.1, 42.66

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 0 / 29 / 73 / 35

HEX #A7772D

RGB 167 119 45

HSL 36.39, 0.58%, 0.42%

LAB 53.6, 11.62, 46.34

 

CMYK 0 / 33 / 83 / 41

HEX #96651A

RGB 150 101 26

HSL 36.29, 0.7%, 0.35%

LAB 46.8, 13.32, 47.06

 

CMYK 0 / 38 / 95 / 48

HEX #855307

RGB 133 83 7

HSL 36.19, 0.9%, 0.27%

LAB 39.9, 15.39, 46.53

 

CMYK 0 / 44 / 100 / 55

HEX #744100

RGB 116 65 0

HSL 33.62, 1%, 0.23%

LAB 32.91, 17.88, 42.9

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 0 / 43 / 65 / 28

HEX #B86940

RGB 184 105 64

HSL 20.5, 0.48%, 0.49%

LAB 52.58, 27.91, 36.32

 

CMYK 0 / 60 / 65 / 28

HEX #B84940

RGB 184 73 64

HSL 4.5, 0.48%, 0.49%

LAB 46.08, 44.34, 28.5

 

CMYK 0 / 65 / 65 / 28

HEX #B84040

RGB 184 64 64

HSL 0, 0.48%, 0.49%

LAB 44.56, 48.4, 26.61

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 0 / 8 / 65 / 28

HEX #B8AA40

RGB 184 170 64

HSL 53, 0.48%, 0.49%

LAB 68.98, -7.66, 54.53

 

CMYK 9 / 0 / 65 / 28

HEX #A7B840

RGB 167 184 64

HSL 68.5, 0.48%, 0.49%

LAB 71.46, -22.06, 56.72

 

CMYK 27 / 0 / 65 / 28

HEX #86B840

RGB 134 184 64

HSL 85, 0.48%, 0.49%

LAB 69.27, -35.25, 53.74

 

CMYK 45 / 0 / 65 / 28

HEX #66B840

RGB 102 184 64

HSL 101, 0.48%, 0.49%

LAB 67.63, -46.46, 51.49

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 0 / 31 / 79 / 20

HEX #CD8E2C

RGB 205 142 44

HSL 36.52, 0.65%, 0.49%

LAB 63.76, 15.63, 58.18

 

CMYK 0 / 35 / 89 / 12

HEX #E19218

RGB 225 146 24

HSL 36.42, 0.81%, 0.49%

LAB 67, 21.55, 68.08

 

CMYK 0 / 38 / 98 / 4

HEX #F59704

RGB 245 151 4

HSL 36.6, 0.97%, 0.49%

LAB 70.56, 27.11, 75.02

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 0 / 19 / 48 / 36

HEX #A48555

RGB 164 133 85

HSL 36.46, 0.32%, 0.49%

LAB 57.39, 5.46, 30.25

 

CMYK 0 / 10 / 27 / 44

HEX #908169

RGB 144 129 105

HSL 36.92, 0.16%, 0.49%

LAB 54.71, 1.75, 15.11

 

CMYK 1 / 1 / 0 / 51

HEX #7C7C7D

RGB 124 124 125

HSL 240, 0%, 0.49%

LAB 52.04, 0.2, -0.55

 

CMYK 28 / 17 / 0 / 43

HEX #687891

RGB 104 120 145

HSL 216.59, 0.16%, 0.49%

LAB 50, 0.15, -15.5

 

CMYK 0 / 61 / 65 / 28

HEX #B84840

RGB 184 72 64

HSL 4, 0.48%, 0.49%

LAB 45.9, 44.81, 28.28

 

CMYK 0 / 43 / 65 / 28

HEX #B86840

RGB 184 104 64

HSL 20, 0.48%, 0.49%

LAB 52.35, 28.45, 36.06

 

CMYK 0 / 26 / 65 / 28

HEX #B88840

RGB 184 136 64

HSL 36, 0.48%, 0.49%

LAB 60.04, 10.76, 44.85

 

CMYK 0 / 9 / 65 / 28

HEX #B8A840

RGB 184 168 64

HSL 52, 0.48%, 0.49%

LAB 68.44, -6.61, 53.96

 

CMYK 9 / 0 / 65 / 28

HEX #A8B840

RGB 168 184 64

HSL 68, 0.48%, 0.49%

LAB 71.54, -21.64, 56.82

 

CMYK 0 / 25 / 65 / 52

HEX #7B5C2B

RGB 123 92 43

HSL 36.75, 0.48%, 0.33%

LAB 41.28, 6.91, 32.53

 

CMYK 0 / 25 / 65 / 40

HEX #9A7336

RGB 154 115 54

HSL 36.6, 0.48%, 0.41%

LAB 51.15, 8.57, 38.94

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 0 / 21 / 53 / 22

HEX #C69C5D

RGB 198 156 93

HSL 36, 0.48%, 0.57%

LAB 66.96, 8.02, 38.69

 

CMYK 0 / 16 / 41 / 18

HEX #D0AF7B

RGB 208 175 123

HSL 36.71, 0.47%, 0.65%

LAB 73.22, 4.89, 31.11

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 52 / 0 / 65 / 28

HEX #58B840

RGB 88 184 64

HSL 108, 0.48%, 0.49%

LAB 67.07, -50.65, 50.72

 

CMYK 52 / 65 / 0 / 28

HEX #5840B8

RGB 88 64 184

HSL 252, 0.48%, 0.49%

LAB 36.37, 41.49, -60.17

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 65 / 0 / 26 / 28

HEX #40B888

RGB 64 184 136

HSL 156, 0.48%, 0.49%

LAB 67.39, -44.73, 14.78

 

CMYK 26 / 65 / 0 / 28

HEX #8840B8

RGB 136 64 184

HSL 276, 0.48%, 0.49%

LAB 41.79, 51.45, -51.14

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 52 / 0 / 65 / 28

HEX #58B840

RGB 88 184 64

HSL 108, 0.48%, 0.49%

LAB 67.07, -50.65, 50.72

 

CMYK 65 / 39 / 0 / 28

HEX #4070B8

RGB 64 112 184

HSL 216, 0.48%, 0.49%

LAB 47.16, 7.04, -42.89

 

CMYK 13 / 65 / 0 / 28

HEX #A040B8

RGB 160 64 184

HSL 288, 0.48%, 0.49%

LAB 45.08, 57, -45.67

 

CMYK 0 / 26 / 65 / 28

HEX #B88940

RGB 184 137 64

HSL 36.5, 0.48%, 0.49%

LAB 60.29, 10.2, 45.14

 

CMYK 65 / 0 / 59 / 28

HEX #40B84C

RGB 64 184 76

HSL 126, 0.48%, 0.49%

LAB 66.44, -55.19, 44.46

 

CMYK 65 / 39 / 0 / 28

HEX #4070B8

RGB 64 112 184

HSL 216, 0.48%, 0.49%

LAB 47.16, 7.04, -42.89

 

CMYK 0 / 65 / 7 / 28

HEX #B840AC

RGB 184 64 172

HSL 306, 0.48%, 0.49%

LAB 48.05, 60.7, -33.69

 

Description

Color code: HEX #B88940 | qconv.com Color code: HEX #B88940 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 137 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 137 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 65 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 65% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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