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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B88A09 it is the complementary color #4775F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B88A09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B88A09 shade: #BD8A04, #CE9C17, #DFAE2A, #F0C03D and #FFD250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B88A09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B88A09 shade: #B88A09, #A77800, #966600, #855400 and #744200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B88A09 shade: #B98A08, #B95B08, #B92B08 and #B90808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B88A09 shade: #B98A08, #B7B908, #88B908, #58B908 and #29B908

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B88A09 shade matches the following richer shades: #B98A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B88A09 shade: #B98A08, #A98318, #997B28, #8A7437 and #7A6C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B88A09 shade: #B92B08, #B95B08, #B98A08, #B9B908 and #8AB908

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B88A09 shade: #6A4F05, #916D06, #B98A08, #E0A80A and #F4BC1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B88A09 shade: #B88A09, #14B908 and #4308B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B88A09 shade: #B88A09, #08B98A and #8A08B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B88A09 shade: #B88A09, #14B908, #0837B9 and #AD08B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B88A09 shade: #B88A09, #08B931, #0837B9 and #B9088F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 95 / 28

HEX #B88A09

RGB 184 138 9

HSL 44.23, 0.91%, 0.38%

LAB 60.24, 7.63, 63.79

 

Complementary color

CMYK 71 / 52 / 0 / 4

HEX #4775F6

RGB 71 117 246

HSL 224.23, 0.91%, 0.62%

LAB 52.64, 27.03, -69.24

 

CMYK 0 / 27 / 98 / 26

HEX #BD8A04

RGB 189 138 4

HSL 43.46, 0.96%, 0.38%

LAB 60.79, 9.83, 65.21

 

CMYK 0 / 24 / 89 / 19

HEX #CE9C17

RGB 206 156 23

HSL 43.61, 0.8%, 0.45%

LAB 67.25, 7.88, 67.56

 

CMYK 0 / 22 / 81 / 13

HEX #DFAE2A

RGB 223 174 42

HSL 43.76, 0.74%, 0.52%

LAB 73.63, 6.19, 68.49

 

CMYK 0 / 20 / 75 / 6

HEX #F0C03D

RGB 240 192 61

HSL 43.91, 0.86%, 0.59%

LAB 79.93, 4.73, 68.46

 

CMYK 0 / 18 / 69 / 0

HEX #FFD250

RGB 255 210 80

HSL 44.57, 1%, 0.66%

LAB 85.97, 2.63, 67.62

 

CMYK 0 / 25 / 95 / 28

HEX #B88A09

RGB 184 138 9

HSL 44.23, 0.91%, 0.38%

LAB 60.24, 7.63, 63.79

 

CMYK 0 / 28 / 100 / 35

HEX #A77800

RGB 167 120 0

HSL 43.11, 1%, 0.33%

LAB 53.65, 9.78, 59.79

 

CMYK 0 / 32 / 100 / 41

HEX #966600

RGB 150 102 0

HSL 40.8, 1%, 0.29%

LAB 46.96, 12.15, 54.3

 

CMYK 0 / 37 / 100 / 48

HEX #855400

RGB 133 84 0

HSL 37.89, 1%, 0.26%

LAB 40.13, 14.65, 48.72

 

CMYK 0 / 43 / 100 / 55

HEX #744200

RGB 116 66 0

HSL 34.14, 1%, 0.23%

LAB 33.16, 17.28, 43.06

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 0 / 51 / 96 / 27

HEX #B95B08

RGB 185 91 8

HSL 28.14, 0.92%, 0.38%

LAB 49.27, 33.78, 56.35

 

CMYK 0 / 77 / 96 / 27

HEX #B92B08

RGB 185 43 8

HSL 11.86, 0.92%, 0.38%

LAB 41.31, 54.84, 51.35

 

CMYK 0 / 96 / 96 / 27

HEX #B90808

RGB 185 8 8

HSL 0, 0.92%, 0.38%

LAB 38.73, 62.15, 49.91

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 1 / 0 / 96 / 27

HEX #B7B908

RGB 183 185 8

HSL 60.68, 0.92%, 0.38%

LAB 72.75, -17.71, 73.17

 

CMYK 26 / 0 / 96 / 27

HEX #88B908

RGB 136 185 8

HSL 76.61, 0.92%, 0.38%

LAB 69.43, -37.36, 69.18

 

CMYK 52 / 0 / 96 / 27

HEX #58B908

RGB 88 185 8

HSL 92.88, 0.92%, 0.38%

LAB 67.12, -54.01, 66.36

 

CMYK 78 / 0 / 96 / 27

HEX #29B908

RGB 41 185 8

HSL 108.81, 0.92%, 0.38%

LAB 65.89, -64.23, 64.85

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 0 / 22 / 86 / 34

HEX #A98318

RGB 169 131 24

HSL 44.28, 0.75%, 0.38%

LAB 56.81, 4.97, 57.23

 

CMYK 0 / 20 / 74 / 40

HEX #997B28

RGB 153 123 40

HSL 44.07, 0.59%, 0.38%

LAB 53.05, 2.73, 47.47

 

CMYK 0 / 16 / 60 / 46

HEX #8A7437

RGB 138 116 55

HSL 44.1, 0.43%, 0.38%

LAB 49.7, 0.8, 36.32

 

CMYK 0 / 11 / 42 / 52

HEX #7A6C47

RGB 122 108 71

HSL 43.53, 0.26%, 0.38%

LAB 46.07, -0.2, 22.72

 

CMYK 0 / 77 / 96 / 27

HEX #B92B08

RGB 185 43 8

HSL 11.86, 0.92%, 0.38%

LAB 41.31, 54.84, 51.35

 

CMYK 0 / 51 / 96 / 27

HEX #B95B08

RGB 185 91 8

HSL 28.14, 0.92%, 0.38%

LAB 49.27, 33.78, 56.35

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 0 / 0 / 96 / 27

HEX #B9B908

RGB 185 185 8

HSL 60, 0.92%, 0.38%

LAB 72.91, -16.84, 73.37

 

CMYK 25 / 0 / 96 / 27

HEX #8AB908

RGB 138 185 8

HSL 75.93, 0.92%, 0.38%

LAB 69.55, -36.57, 69.32

 

CMYK 0 / 25 / 95 / 58

HEX #6A4F05

RGB 106 79 5

HSL 43.96, 0.91%, 0.22%

LAB 35.34, 4.64, 42.17

 

CMYK 0 / 25 / 96 / 43

HEX #916D06

RGB 145 109 6

HSL 44.46, 0.92%, 0.3%

LAB 48.22, 5.88, 53.56

 

CMYK 0 / 25 / 96 / 27

HEX #B98A08

RGB 185 138 8

HSL 44.07, 0.92%, 0.38%

LAB 60.35, 8.07, 64.07

 

CMYK 0 / 25 / 96 / 12

HEX #E0A80A

RGB 224 168 10

HSL 44.3, 0.91%, 0.46%

LAB 72.14, 9.18, 74.23

 

CMYK 0 / 23 / 87 / 4

HEX #F4BC1F

RGB 244 188 31

HSL 44.23, 0.91%, 0.54%

LAB 79.21, 7.61, 76.9

 

CMYK 0 / 25 / 95 / 28

HEX #B88A09

RGB 184 138 9

HSL 44.23, 0.91%, 0.38%

LAB 60.24, 7.63, 63.79

 

CMYK 89 / 0 / 96 / 27

HEX #14B908

RGB 20 185 8

HSL 115.93, 0.92%, 0.38%

LAB 65.64, -66.48, 64.54

 

CMYK 64 / 96 / 0 / 27

HEX #4308B9

RGB 67 8 185

HSL 260, 0.92%, 0.38%

LAB 26.36, 62.24, -77.31

 

CMYK 0 / 25 / 95 / 28

HEX #B88A09

RGB 184 138 9

HSL 44.23, 0.91%, 0.38%

LAB 60.24, 7.63, 63.79

 

CMYK 96 / 0 / 25 / 27

HEX #08B98A

RGB 8 185 138

HSL 164.07, 0.92%, 0.38%

LAB 66.96, -50.44, 12.98

 

CMYK 25 / 96 / 0 / 27

HEX #8A08B9

RGB 138 8 185

HSL 284.07, 0.92%, 0.38%

LAB 36.14, 69.28, -60.86

 

CMYK 0 / 25 / 95 / 28

HEX #B88A09

RGB 184 138 9

HSL 44.23, 0.91%, 0.38%

LAB 60.24, 7.63, 63.79

 

CMYK 89 / 0 / 96 / 27

HEX #14B908

RGB 20 185 8

HSL 115.93, 0.92%, 0.38%

LAB 65.64, -66.48, 64.54

 

CMYK 96 / 70 / 0 / 27

HEX #0837B9

RGB 8 55 185

HSL 224.07, 0.92%, 0.38%

LAB 30.12, 38.97, -71.17

 

CMYK 6 / 96 / 0 / 27

HEX #AD08B9

RGB 173 8 185

HSL 295.93, 0.92%, 0.38%

LAB 42.09, 74.49, -50.93

 

CMYK 0 / 25 / 95 / 28

HEX #B88A09

RGB 184 138 9

HSL 44.23, 0.91%, 0.38%

LAB 60.24, 7.63, 63.79

 

CMYK 96 / 0 / 74 / 27

HEX #08B931

RGB 8 185 49

HSL 133.9, 0.92%, 0.38%

LAB 65.73, -65.12, 54.74

 

CMYK 96 / 70 / 0 / 27

HEX #0837B9

RGB 8 55 185

HSL 224.07, 0.92%, 0.38%

LAB 30.12, 38.97, -71.17

 

CMYK 0 / 96 / 23 / 27

HEX #B9088F

RGB 185 8 143

HSL 314.24, 0.92%, 0.38%

LAB 41.96, 70.78, -25.84

 

Description

Color code: HEX #B88A09 | qconv.com Color code: HEX #B88A09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 138 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 138 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 95 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 95% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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