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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89D9E it is the complementary color #476261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89D9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89D9E shade: #BD9D99, #CEAFAC, #DFC1BF, #F0D3D2 and #FFE5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89D9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89D9E shade: #B89D9E, #A78B8B, #967978, #856765 and #745552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89D9E shade: #B89D9E and #B89D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89D9E shade: #B89D9E, #B89DA5, #B89DAC, #B89DB4 and #B59DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89D9E shade matches the following richer shades: #B89D9E, #C58F91, #D38285, #E17478 and #EE666B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89D9E shade: #B89D9E, #AAABAA, #9DB8B7, #8FC6C4 and #81D3D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89D9E shade: #B89DAD, #B89DA5, #B89D9E, #B8A39D and #B8AA9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89D9E shade: #956D6F, #A68586, #B89D9E, #C9B5B6 and #DACDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89D9E shade: #B89D9E, #B4B89D and #9DA9B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89D9E shade: #B89D9E, #9EB89D and #9D9EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89D9E shade: #B89D9E, #B4B89D, #9DB8B6 and #A19DB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89D9E shade: #B89D9E, #ACB89D, #9DB8B6 and #A99DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

Complementary color

CMYK 28 / 0 / 1 / 62

HEX #476261

RGB 71 98 97

HSL 177.78, 0.16%, 0.33%

LAB 39.48, -10.18, -2.68

 

CMYK 0 / 17 / 19 / 26

HEX #BD9D99

RGB 189 157 153

HSL 6.67, 0.21%, 0.67%

LAB 67.45, 11.18, 6.51

 

CMYK 0 / 15 / 17 / 19

HEX #CEAFAC

RGB 206 175 172

HSL 5.29, 0.26%, 0.74%

LAB 74.04, 10.72, 5.7

 

CMYK 0 / 13 / 14 / 13

HEX #DFC1BF

RGB 223 193 191

HSL 3.75, 0.33%, 0.81%

LAB 80.51, 10.3, 4.92

 

CMYK 0 / 12 / 13 / 6

HEX #F0D3D2

RGB 240 211 210

HSL 2, 0.5%, 0.88%

LAB 86.88, 9.92, 4.19

 

CMYK 0 / 10 / 10 / 0

HEX #FFE5E5

RGB 255 229 229

HSL 0, 1%, 0.95%

LAB 93, 8.88, 3.23

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 0 / 17 / 17 / 35

HEX #A78B8B

RGB 167 139 139

HSL 0, 0.14%, 0.6%

LAB 60.38, 10.57, 3.95

 

CMYK 0 / 19 / 20 / 41

HEX #967978

RGB 150 121 120

HSL 2, 0.13%, 0.53%

LAB 53.51, 11.09, 4.8

 

CMYK 0 / 23 / 24 / 48

HEX #856765

RGB 133 103 101

HSL 3.75, 0.14%, 0.46%

LAB 46.48, 11.69, 5.74

 

CMYK 0 / 27 / 29 / 55

HEX #745552

RGB 116 85 82

HSL 5.29, 0.17%, 0.39%

LAB 39.27, 12.4, 6.78

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 0 / 15 / 15 / 28

HEX #B89D9D

RGB 184 157 157

HSL 0, 0.16%, 0.67%

LAB 67.08, 9.95, 3.69

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 0 / 15 / 10 / 28

HEX #B89DA5

RGB 184 157 165

HSL 342.22, 0.16%, 0.67%

LAB 67.29, 11.3, -0.47

 

CMYK 0 / 15 / 7 / 28

HEX #B89DAC

RGB 184 157 172

HSL 326.67, 0.16%, 0.67%

LAB 67.49, 12.54, -4.09

 

CMYK 0 / 15 / 2 / 28

HEX #B89DB4

RGB 184 157 180

HSL 308.89, 0.16%, 0.67%

LAB 67.72, 14.01, -8.21

 

CMYK 2 / 15 / 0 / 28

HEX #B59DB8

RGB 181 157 184

HSL 293.33, 0.16%, 0.67%

LAB 67.57, 13.72, -10.69

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 0 / 27 / 26 / 23

HEX #C58F91

RGB 197 143 145

HSL 357.78, 0.32%, 0.67%

LAB 64.61, 20.75, 7.04

 

CMYK 0 / 38 / 37 / 17

HEX #D38285

RGB 211 130 133

HSL 357.78, 0.48%, 0.67%

LAB 62.93, 31.57, 11.68

 

CMYK 0 / 48 / 47 / 12

HEX #E17478

RGB 225 116 120

HSL 357.8, 0.64%, 0.67%

LAB 61.53, 42.65, 17.41

 

CMYK 0 / 57 / 55 / 7

HEX #EE666B

RGB 238 102 107

HSL 357.79, 0.8%, 0.67%

LAB 60.55, 52.87, 23.85

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 1 / 0 / 1 / 33

HEX #AAABAA

RGB 170 171 170

HSL 120, 0.01%, 0.67%

LAB 69.88, -0.54, 0.38

 

CMYK 15 / 0 / 1 / 28

HEX #9DB8B7

RGB 157 184 183

HSL 177.78, 0.16%, 0.67%

LAB 72.8, -9.36, -2.59

 

CMYK 28 / 0 / 1 / 22

HEX #8FC6C4

RGB 143 198 196

HSL 177.82, 0.33%, 0.67%

LAB 76.2, -18.14, -4.76

 

CMYK 39 / 0 / 1 / 17

HEX #81D3D0

RGB 129 211 208

HSL 177.8, 0.48%, 0.67%

LAB 79.51, -25.66, -6.41

 

CMYK 0 / 15 / 6 / 28

HEX #B89DAD

RGB 184 157 173

HSL 324.44, 0.16%, 0.67%

LAB 67.52, 12.72, -4.61

 

CMYK 0 / 15 / 10 / 28

HEX #B89DA5

RGB 184 157 165

HSL 342.22, 0.16%, 0.67%

LAB 67.29, 11.3, -0.47

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 0 / 11 / 15 / 28

HEX #B8A39D

RGB 184 163 157

HSL 13.33, 0.16%, 0.67%

LAB 68.62, 6.65, 5.91

 

CMYK 0 / 8 / 15 / 28

HEX #B8AA9D

RGB 184 170 157

HSL 28.89, 0.16%, 0.67%

LAB 70.44, 2.83, 8.51

 

CMYK 0 / 27 / 26 / 42

HEX #956D6F

RGB 149 109 111

HSL 357, 0.16%, 0.51%

LAB 50.07, 16.21, 5.14

 

CMYK 0 / 20 / 19 / 35

HEX #A68586

RGB 166 133 134

HSL 358.18, 0.16%, 0.59%

LAB 58.61, 12.76, 4.25

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 0 / 10 / 9 / 21

HEX #C9B5B6

RGB 201 181 182

HSL 357, 0.16%, 0.75%

LAB 75.35, 7.3, 2.08

 

CMYK 0 / 6 / 6 / 15

HEX #DACDCD

RGB 218 205 205

HSL 0, 0.15%, 0.83%

LAB 83.43, 4.51, 1.61

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 2 / 0 / 15 / 28

HEX #B4B89D

RGB 180 184 157

HSL 68.89, 0.16%, 0.67%

LAB 73.82, -6.15, 13.26

 

CMYK 15 / 8 / 0 / 28

HEX #9DA9B8

RGB 157 169 184

HSL 213.33, 0.16%, 0.67%

LAB 68.75, -1.08, -9.13

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 14 / 0 / 15 / 28

HEX #9EB89D

RGB 158 184 157

HSL 117.78, 0.16%, 0.67%

LAB 72.22, -14.1, 10.77

 

CMYK 15 / 14 / 0 / 28

HEX #9D9EB8

RGB 157 158 184

HSL 237.78, 0.16%, 0.67%

LAB 65.81, 5, -13.54

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 2 / 0 / 15 / 28

HEX #B4B89D

RGB 180 184 157

HSL 68.89, 0.16%, 0.67%

LAB 73.82, -6.15, 13.26

 

CMYK 15 / 0 / 1 / 28

HEX #9DB8B6

RGB 157 184 182

HSL 175.56, 0.16%, 0.67%

LAB 72.78, -9.57, -2.08

 

CMYK 13 / 15 / 0 / 28

HEX #A19DB8

RGB 161 157 184

HSL 248.89, 0.16%, 0.67%

LAB 65.87, 6.89, -13.42

 

CMYK 0 / 15 / 14 / 28

HEX #B89D9E

RGB 184 157 158

HSL 357.78, 0.16%, 0.67%

LAB 67.11, 10.11, 3.17

 

CMYK 7 / 0 / 15 / 28

HEX #ACB89D

RGB 172 184 157

HSL 86.67, 0.16%, 0.67%

LAB 73.21, -9.09, 12.32

 

CMYK 15 / 0 / 1 / 28

HEX #9DB8B6

RGB 157 184 182

HSL 175.56, 0.16%, 0.67%

LAB 72.78, -9.57, -2.08

 

CMYK 8 / 15 / 0 / 28

HEX #A99DB8

RGB 169 157 184

HSL 266.67, 0.16%, 0.67%

LAB 66.53, 9.59, -12.36

 

Description

Color code: HEX #B89D9E | qconv.com Color code: HEX #B89D9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 157 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 157 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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