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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8A6E2 it is the complementary color #47591D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8A6E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8A6E2 shade: #BDA6DD, #CEB8F0, #DFCAFF, #F0DCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8A6E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8A6E2 shade: #B8A6E2, #A794CF, #9682BC, #8570A9 and #745E96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8A6E2 shade: #B8A6E2, #C8A6E2, #D8A6E2, #E2A6DB and #E2A6CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8A6E2 shade: #B8A6E2, #A8A6E2 and #A6A6E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8A6E2 shade matches the following richer shades: #B8A6E2, #B49CEB, #B093F5 and #AC89FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8A6E2 shade: #B8A6E2, #BCAFD8, #BFB9CF, #C3C2C5 and #C7CCBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8A6E2 shade: #A6B4E2, #A8A6E2, #B8A6E2, #C8A6E2 and #D8A6E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8A6E2 shade: #8668CE, #9F87D8, #B8A6E2, #D1C5EC and #EAE4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8A6E2 shade: #B8A6E2, #E2A6C4 and #ACE2A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8A6E2 shade: #B8A6E2, #E2B8A6 and #A6E2B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8A6E2 shade: #B8A6E2, #E2A6C4, #D0E2A6 and #A6E2C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8A6E2 shade: #B8A6E2, #E2A6B2, #D0E2A6 and #A6E2D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

Complementary color

CMYK 20 / 0 / 67 / 65

HEX #47591D

RGB 71 89 29

HSL 78, 0.51%, 0.23%

LAB 35.15, -17.13, 31.49

 

CMYK 14 / 25 / 0 / 13

HEX #BDA6DD

RGB 189 166 221

HSL 265.09, 0.45%, 0.76%

LAB 71.77, 18.97, -24.72

 

CMYK 14 / 23 / 0 / 6

HEX #CEB8F0

RGB 206 184 240

HSL 263.57, 0.65%, 0.83%

LAB 78.28, 18.49, -24.95

 

CMYK 13 / 21 / 0 / 0

HEX #DFCAFF

RGB 223 202 255

HSL 263.77, 1%, 0.9%

LAB 84.56, 17.23, -23.28

 

CMYK 6 / 14 / 0 / 0

HEX #F0DCFF

RGB 240 220 255

HSL 274.29, 1%, 0.93%

LAB 90.29, 13.11, -14.5

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 19 / 29 / 0 / 19

HEX #A794CF

RGB 167 148 207

HSL 259.32, 0.38%, 0.7%

LAB 64.88, 19.02, -27.72

 

CMYK 20 / 31 / 0 / 26

HEX #9682BC

RGB 150 130 188

HSL 260.69, 0.3%, 0.62%

LAB 58.11, 19.6, -27.59

 

CMYK 21 / 34 / 0 / 34

HEX #8570A9

RGB 133 112 169

HSL 262.11, 0.25%, 0.55%

LAB 51.2, 20.25, -27.5

 

CMYK 23 / 37 / 0 / 41

HEX #745E96

RGB 116 94 150

HSL 263.57, 0.23%, 0.48%

LAB 44.12, 20.97, -27.44

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 12 / 27 / 0 / 11

HEX #C8A6E2

RGB 200 166 226

HSL 274, 0.51%, 0.77%

LAB 72.92, 23.51, -25.6

 

CMYK 4 / 27 / 0 / 11

HEX #D8A6E2

RGB 216 166 226

HSL 290, 0.51%, 0.77%

LAB 74.42, 28.63, -23.18

 

CMYK 0 / 27 / 3 / 11

HEX #E2A6DB

RGB 226 166 219

HSL 307, 0.51%, 0.77%

LAB 75.17, 30.59, -18.12

 

CMYK 0 / 27 / 10 / 11

HEX #E2A6CB

RGB 226 166 203

HSL 323, 0.51%, 0.77%

LAB 74.67, 27.8, -10.13

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 26 / 27 / 0 / 11

HEX #A8A6E2

RGB 168 166 226

HSL 242, 0.51%, 0.77%

LAB 70.24, 13.64, -29.95

 

CMYK 27 / 27 / 0 / 11

HEX #A6A6E2

RGB 166 166 226

HSL 240, 0.51%, 0.77%

LAB 70.09, 13.05, -30.2

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 23 / 34 / 0 / 8

HEX #B49CEB

RGB 180 156 235

HSL 258.23, 0.66%, 0.77%

LAB 69.1, 24.93, -36.57

 

CMYK 28 / 40 / 0 / 4

HEX #B093F5

RGB 176 147 245

HSL 257.76, 0.83%, 0.77%

LAB 67.04, 31.23, -45.28

 

CMYK 32 / 46 / 0 / 0

HEX #AC89FE

RGB 172 137 254

HSL 257.95, 0.98%, 0.77%

LAB 64.82, 37.99, -53.75

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 13 / 19 / 0 / 15

HEX #BCAFD8

RGB 188 175 216

HSL 259.02, 0.34%, 0.77%

LAB 73.75, 12.62, -18.98

 

CMYK 8 / 11 / 0 / 19

HEX #BFB9CF

RGB 191 185 207

HSL 256.36, 0.19%, 0.77%

LAB 76.24, 6.3, -10.31

 

CMYK 1 / 2 / 0 / 23

HEX #C3C2C5

RGB 195 194 197

HSL 260, 0.03%, 0.77%

LAB 78.59, 0.91, -1.39

 

CMYK 2 / 0 / 8 / 20

HEX #C7CCBC

RGB 199 204 188

HSL 78.75, 0.14%, 0.77%

LAB 81.27, -4.58, 7.37

 

CMYK 27 / 20 / 0 / 11

HEX #A6B4E2

RGB 166 180 226

HSL 226, 0.51%, 0.77%

LAB 73.7, 5.28, -24.65

 

CMYK 26 / 27 / 0 / 11

HEX #A8A6E2

RGB 168 166 226

HSL 242, 0.51%, 0.77%

LAB 70.24, 13.64, -29.95

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 12 / 27 / 0 / 11

HEX #C8A6E2

RGB 200 166 226

HSL 274, 0.51%, 0.77%

LAB 72.92, 23.51, -25.6

 

CMYK 4 / 27 / 0 / 11

HEX #D8A6E2

RGB 216 166 226

HSL 290, 0.51%, 0.77%

LAB 74.42, 28.63, -23.18

 

CMYK 35 / 50 / 0 / 19

HEX #8668CE

RGB 134 104 206

HSL 257.65, 0.51%, 0.61%

LAB 51.18, 34.68, -48.84

 

CMYK 26 / 38 / 0 / 15

HEX #9F87D8

RGB 159 135 216

HSL 257.78, 0.51%, 0.69%

LAB 61.36, 26.16, -38.27

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 11 / 17 / 0 / 7

HEX #D1C5EC

RGB 209 197 236

HSL 258.46, 0.51%, 0.85%

LAB 81.59, 11.59, -17.77

 

CMYK 5 / 7 / 0 / 4

HEX #EAE4F6

RGB 234 228 246

HSL 260, 0.5%, 0.93%

LAB 91.52, 5.29, -8.01

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 0 / 27 / 13 / 11

HEX #E2A6C4

RGB 226 166 196

HSL 330, 0.51%, 0.77%

LAB 74.46, 26.64, -6.6

 

CMYK 24 / 0 / 27 / 11

HEX #ACE2A6

RGB 172 226 166

HSL 114, 0.51%, 0.77%

LAB 84.95, -28.6, 23.87

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 0 / 19 / 27 / 11

HEX #E2B8A6

RGB 226 184 166

HSL 18, 0.51%, 0.77%

LAB 77.99, 12.48, 14.84

 

CMYK 27 / 0 / 19 / 11

HEX #A6E2B8

RGB 166 226 184

HSL 138, 0.51%, 0.77%

LAB 84.98, -27.42, 14.47

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 0 / 27 / 13 / 11

HEX #E2A6C4

RGB 226 166 196

HSL 330, 0.51%, 0.77%

LAB 74.46, 26.64, -6.6

 

CMYK 8 / 0 / 27 / 11

HEX #D0E2A6

RGB 208 226 166

HSL 78, 0.51%, 0.77%

LAB 87.27, -15.99, 27.41

 

CMYK 27 / 0 / 13 / 11

HEX #A6E2C4

RGB 166 226 196

HSL 150, 0.51%, 0.77%

LAB 85.24, -25.15, 8.55

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 0 / 27 / 21 / 11

HEX #E2A6B2

RGB 226 166 178

HSL 348, 0.51%, 0.77%

LAB 73.97, 23.84, 2.56

 

CMYK 8 / 0 / 27 / 11

HEX #D0E2A6

RGB 208 226 166

HSL 78, 0.51%, 0.77%

LAB 87.27, -15.99, 27.41

 

CMYK 27 / 0 / 5 / 11

HEX #A6E2D6

RGB 166 226 214

HSL 168, 0.51%, 0.77%

LAB 85.68, -21.48, -0.3

 

Description

Color code: HEX #B8A6E2 | qconv.com Color code: HEX #B8A6E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 166 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 166 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 27 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 27% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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