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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8A819 it is the complementary color #4757E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8A819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8A819 shade: #BDA814, #CEBA27, #DFCC3A, #F0DE4D and #FFF060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8A819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8A819 shade: #B8A819, #A79606, #968400, #857200 and #746000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8A819 shade: #B8A819, #B87D19, #B85219, #B82719 and #B81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8A819 shade: #B8A819, #9DB819, #72B819, #47B819 and #1CB819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8A819 shade matches the following richer shades: #B8A819 and #C8B508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8A819 shade: #B8A819, #A79A2A, #968C3A, #857F4B and #74715C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8A819 shade: #B85019, #B87B19, #B8A519, #A0B819 and #75B819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8A819 shade: #6F650F, #938614, #B8A819, #DCC91E and #E4D43E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8A819 shade: #B8A819, #19B826 and #6519B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8A819 shade: #B8A819, #19B8A5 and #A519B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8A819 shade: #B8A819, #19B826, #192BB8 and #B819AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8A819 shade: #B8A819, #19B856, #192BB8 and #B8197B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

Complementary color

CMYK 69 / 62 / 0 / 10

HEX #4757E6

RGB 71 87 230

HSL 233.96, 0.76%, 0.59%

LAB 44.04, 40.01, -74.25

 

CMYK 0 / 11 / 89 / 26

HEX #BDA814

RGB 189 168 20

HSL 52.54, 0.81%, 0.41%

LAB 68.66, -6.14, 68.55

 

CMYK 0 / 10 / 81 / 19

HEX #CEBA27

RGB 206 186 39

HSL 52.81, 0.68%, 0.48%

LAB 75.07, -7.57, 69.98

 

CMYK 0 / 9 / 74 / 13

HEX #DFCC3A

RGB 223 204 58

HSL 53.09, 0.72%, 0.55%

LAB 81.39, -8.79, 70.34

 

CMYK 0 / 8 / 68 / 6

HEX #F0DE4D

RGB 240 222 77

HSL 53.37, 0.84%, 0.62%

LAB 87.63, -9.83, 70.05

 

CMYK 0 / 6 / 62 / 0

HEX #FFF060

RGB 255 240 96

HSL 54.34, 1%, 0.69%

LAB 93.63, -11.53, 69.17

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 0 / 10 / 96 / 35

HEX #A79606

RGB 167 150 6

HSL 53.66, 0.93%, 0.34%

LAB 61.69, -6.69, 64.52

 

CMYK 0 / 12 / 100 / 41

HEX #968400

RGB 150 132 0

HSL 52.8, 1%, 0.29%

LAB 55.06, -4.84, 59.91

 

CMYK 0 / 14 / 100 / 48

HEX #857200

RGB 133 114 0

HSL 51.43, 1%, 0.26%

LAB 48.29, -2.81, 54.31

 

CMYK 0 / 17 / 100 / 55

HEX #746000

RGB 116 96 0

HSL 49.66, 1%, 0.23%

LAB 41.34, -0.68, 48.57

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 0 / 32 / 86 / 28

HEX #B87D19

RGB 184 125 25

HSL 37.74, 0.76%, 0.41%

LAB 57, 15.12, 57.8

 

CMYK 0 / 55 / 86 / 28

HEX #B85219

RGB 184 82 25

HSL 21.51, 0.76%, 0.41%

LAB 47.36, 38.3, 49.82

 

CMYK 0 / 79 / 86 / 28

HEX #B82719

RGB 184 39 25

HSL 5.28, 0.76%, 0.41%

LAB 40.75, 56.04, 44.29

 

CMYK 0 / 86 / 86 / 28

HEX #B81919

RGB 184 25 25

HSL 0, 0.76%, 0.41%

LAB 39.51, 59.58, 43.24

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 15 / 0 / 86 / 28

HEX #9DB819

RGB 157 184 25

HSL 70.19, 0.76%, 0.41%

LAB 70.54, -28.02, 68

 

CMYK 38 / 0 / 86 / 28

HEX #72B819

RGB 114 184 25

HSL 86.42, 0.76%, 0.41%

LAB 67.97, -44.78, 64.8

 

CMYK 61 / 0 / 86 / 28

HEX #47B819

RGB 71 184 25

HSL 102.64, 0.76%, 0.41%

LAB 66.28, -57.7, 62.68

 

CMYK 85 / 0 / 86 / 28

HEX #1CB819

RGB 28 184 25

HSL 118.87, 0.76%, 0.41%

LAB 65.43, -64.97, 61.6

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 0 / 10 / 96 / 22

HEX #C8B508

RGB 200 181 8

HSL 54.06, 0.92%, 0.41%

LAB 73.12, -8.23, 74.09

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 0 / 8 / 75 / 35

HEX #A79A2A

RGB 167 154 42

HSL 53.76, 0.6%, 0.41%

LAB 62.92, -7.85, 56.73

 

CMYK 0 / 7 / 61 / 41

HEX #968C3A

RGB 150 140 58

HSL 53.48, 0.44%, 0.41%

LAB 57.6, -6.95, 44.07

 

CMYK 0 / 5 / 44 / 48

HEX #857F4B

RGB 133 127 75

HSL 53.79, 0.28%, 0.41%

LAB 52.59, -5.71, 29.03

 

CMYK 0 / 3 / 21 / 55

HEX #74715C

RGB 116 113 92

HSL 52.5, 0.12%, 0.41%

LAB 47.36, -2.67, 12.1

 

CMYK 0 / 57 / 86 / 28

HEX #B85019

RGB 184 80 25

HSL 20.75, 0.76%, 0.41%

LAB 46.97, 39.29, 49.5

 

CMYK 0 / 33 / 86 / 28

HEX #B87B19

RGB 184 123 25

HSL 36.98, 0.76%, 0.41%

LAB 56.51, 16.23, 57.39

 

CMYK 0 / 10 / 86 / 28

HEX #B8A519

RGB 184 165 25

HSL 52.83, 0.76%, 0.41%

LAB 67.4, -6.68, 66.31

 

CMYK 13 / 0 / 86 / 28

HEX #A0B819

RGB 160 184 25

HSL 69.06, 0.76%, 0.41%

LAB 70.75, -26.76, 68.26

 

CMYK 36 / 0 / 86 / 28

HEX #75B819

RGB 117 184 25

HSL 85.28, 0.76%, 0.41%

LAB 68.12, -43.71, 64.98

 

CMYK 0 / 9 / 86 / 56

HEX #6F650F

RGB 111 101 15

HSL 53.75, 0.76%, 0.25%

LAB 42.34, -5.64, 45.2

 

CMYK 0 / 9 / 86 / 42

HEX #938614

RGB 147 134 20

HSL 53.86, 0.76%, 0.33%

LAB 55.38, -6.94, 56.21

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 0 / 9 / 86 / 14

HEX #DCC91E

RGB 220 201 30

HSL 54, 0.76%, 0.49%

LAB 80.23, -9.44, 76.96

 

CMYK 0 / 7 / 73 / 11

HEX #E4D43E

RGB 228 212 62

HSL 54.22, 0.75%, 0.57%

LAB 83.93, -10.55, 71.53

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 86 / 0 / 79 / 28

HEX #19B826

RGB 25 184 38

HSL 124.91, 0.76%, 0.41%

LAB 65.46, -64.56, 58.19

 

CMYK 45 / 86 / 0 / 28

HEX #6519B8

RGB 101 25 184

HSL 268.68, 0.76%, 0.41%

LAB 31.63, 61.04, -67.87

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 86 / 0 / 10 / 28

HEX #19B8A5

RGB 25 184 165

HSL 172.83, 0.76%, 0.41%

LAB 67.43, -42.13, -1.16

 

CMYK 10 / 86 / 0 / 28

HEX #A519B8

RGB 165 25 184

HSL 292.83, 0.76%, 0.41%

LAB 41.46, 70.6, -51.43

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 86 / 0 / 79 / 28

HEX #19B826

RGB 25 184 38

HSL 124.91, 0.76%, 0.41%

LAB 65.46, -64.56, 58.19

 

CMYK 86 / 77 / 0 / 28

HEX #192BB8

RGB 25 43 184

HSL 233.21, 0.76%, 0.41%

LAB 27.83, 46.45, -74.35

 

CMYK 0 / 86 / 8 / 28

HEX #B819AA

RGB 184 25 170

HSL 305.28, 0.76%, 0.41%

LAB 43.93, 71.87, -39.01

 

CMYK 0 / 9 / 86 / 28

HEX #B8A819

RGB 184 168 25

HSL 53.96, 0.76%, 0.41%

LAB 68.22, -8.25, 66.97

 

CMYK 86 / 0 / 53 / 28

HEX #19B856

RGB 25 184 86

HSL 143.02, 0.76%, 0.41%

LAB 65.87, -59.42, 38.85

 

CMYK 86 / 77 / 0 / 28

HEX #192BB8

RGB 25 43 184

HSL 233.21, 0.76%, 0.41%

LAB 27.83, 46.45, -74.35

 

CMYK 0 / 86 / 33 / 28

HEX #B8197B

RGB 184 25 123

HSL 323.02, 0.76%, 0.41%

LAB 41.71, 65.9, -13.93

 

Description

Color code: HEX #B8A819 | qconv.com Color code: HEX #B8A819 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 168 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 168 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 86 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 86% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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